Category Archives: book marketing

Greatest Hits from the 2024 Flathead River Writers Conference Part 1

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2024 Flathead Writers Conference
Photo credit: David Snyder

by Debbie Burke

@burke_writer

The 34th Flathead River Writers Conference was October 5-6, 2024. The conference is always good, but this year was stellar with superb speakers and enthusiastic interaction among attendees.

As I drafted this post from my notes, it kept growing with more information that needed to be included. As a result, it ran way too long for a single post. So I’m dividing it into two. Today is Part 1 of the greatest hits from the event. Part 2 will follow in a couple of weeks.

~~~

Debra Magpie Earling

Debra Magpie Earling (Native-American author of The Lost Journals of Sacajawea and Perma Red) gave the moving keynote which set the tone that continued through the entire weekend.

Debra opened with a description of “wonder”, which she defined as “surprise mingled with admiration.” She went on to tell a story of wonder about the last Christmas she spent with her dying mother. On a peaceful Montana night, she described their visit as like “being inside a snow globe.”

Her mother said, “When I die, I’ll send you a sign. A hummingbird.” Debra went along with her mom but had her doubts. After all, hummingbirds are common at her home during summer so how would she ever know which one was the sign?

Nevertheless, after her mother passed, the following spring Debra set up many feeders and waited.

It was a strange summer. Other bird species came and went. Crows sat on the feeders. But not a single hummingbird appeared.

On the evening of her mother’s birthday in July, Debra and her husband were sitting outside and Debra said, “Well, I guess she didn’t send the sign.”

At that moment, the only hummingbird of the year appeared. It flew to Debra’s forehead and hovered for a few minutes then left.

Debra and her husband asked each other, “Did you see that? Is that what I think it was?”

With that anecdote, she summed up the magical wonder of storytelling, the conference theme.

While talking about where inspiration comes from, Debra said, “The muse is a lot of dead people who want their stories told.”

That sentence sent chills through me. Recently I’ve considered writing historical fiction. Did Debra send me a sign that it’s time to explore the past?

~~~

Danica Winters

Million-selling Harlequin romantic suspense novelist Danica Winters told the audience, “This is not your grandmother’s bodice ripper.” Romance sales account for an astounding $1.4 billion each year.

Today’s variations are limitless: contemporary, historical, erotica, Young Adult, thriller/suspense, LGBTQ+, dark romance, paranormal, holiday, fantasy/romantasy. Even serious social issues like human trafficking find their way into romances.

Why are they so popular? Danica believes, “They are everyone’s escape. They bring joy and make people laugh. Romance is a promise. We writers are entertainers.”

Danica sells many more paperbacks than ebooks, unlike other genres where ebooks dominate. She added an interesting market detail: When Walmart changed its shelving to hold 6″ by 9″ books, that prompted publishers to shift book production to that same size because Walmart is such a huge market.

While most romance readers are women, Danica said about 20% are men, often in law enforcement and the military. Turns out even alpha males like escape, too.

~~~

Leslie Budewitz

Three-time Agatha winner Leslie Budewitz focused on crime fiction with an excellent summation of differences within the genre.

  • Mystery is “What Happened?”
  • Suspense is “What’s Happening?”
  • Thriller is “What Might Happen?”

Leslie has her finger on the pulse of the cozy market and talked about shifts within the genre, including a new trend of millennial cozies that include some swearing and adult language.

For a cozy, the semiofficial acceptable body count is three. So far, Leslie has only had two murders in one book.

With 19 published books, Leslie must keep track of two amateur sleuth series and multiple standalone suspense novels. She developed an ingenious system to avoid repetition of plots and characters. For each book, she creates a spreadsheet with the following headings:

Victim              Killer/Method             Suspects          Motive            VGR

What is VGR? The Very Good Reason why the amateur sleuth gets involved in a crime.

~~~

Kathy Dunnehoff

Only a truly gifted writing teacher can make grammar entertaining. That describes longtime college instructor Kathy Dunnehoff, author of bestselling romantic comedies and screenplays.

Kathy offered nuts and bolts hacks to improve writing productivity.

  • Measure your success by what you control, not by factors outside your control. Success is the number of words you produce.
  • Use a writing calendar to track production either by word count or minutes…as long as that time is spent actually writing. Watching goat yoga or doomscrolling doesn’t count.
  • When you don’t write, record your excuse in the calendar. Talk about making yourself accountable!
  • Recognize procrastination in its many disguises: research, reorganizing your office, talking about writing rather that writing, etc.
  • When revising, try the “Frankenstein Method” (from Jessica Brody’s Save the Cat Writes a Novel): Start a new document for the second draft, then copy and paste sections from the first draft.
  • There is no extra credit for suffering!

~~~

On Saturday evening, our local indie shop, the BookShelf, hosted a reception for conference attendees and speakers. Gather a bunch of writers in a bookstore and we’re more excited than dogs at the dog park. Even though people mock-complained their brains were overloaded and they were exhausted, no one wanted to leave. All that creative energy kept us buoyed and eager for the following day.

Come back here in two weeks for Part 2 of the Greatest Hits from the Flathead River Writers Conference. Highlights include freelance article writing, side hustles to supplement income from book sales, anatomy of a publicity campaign, and 16 questions an agent asks when assessing a manuscript.

~~~

TKZers: Do any of the ideas mentioned resonate with you? What is your favorite productivity hack?

~~~

Conferences are also a good venue to sell books and I did!

Fruit of the Poisonous Tree, Cover by Brian Hoffman

 

 

Please check out my latest thriller Fruit of the Poisonous Tree at this link.

Lessons in Business Cards and Bookmarks

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by Debbie Burke

@burke_writer

Today, we’re crawling down in the weeds to discuss a couple of minor details about promotion and marketing. Will these help you sell thousands of books? Nope. Probably not even hundreds. But every book sale is precious and small details matter.

Having been in business, I have decent marketing knowledge and experience. But self-promotion is a big problem for me so I’m always looking for ways to make it less awkward.

My new book, Fruit of the Poisonous Tree, #9 in the Tawny Lindholm Thriller series, published October 1.

That prompted me to rethink business cards and bookmarks. Yup, I warned this post was going to be about teeny-tiny details.

Author business cards are necessary. They lend a professional tone that says you’re a serious writer. Even if you haven’t yet published any books, it’s still a good idea to have cards printed with your name and contact info (email, website address, social media handles) to give to people you meet at conferences, book events, classes, etc.

Note: for privacy and safety, I don’t recommend printing phone number or physical address on business cards. If I want a particular someone to have my number, I handwrite it on the card.

Designing cards is a trial-and-error process. Mine have gone through many iterations. I use Canva (free) to design them. I started on the cheap with plain vanilla, one sided black & white. Next upgrade, I tried a slightly fancier, glossy finish version with a background pattern of books. My name, website, and email were printed on the cute background. But for aging eyes, lack of contrast made the text too difficult to read. Then I tried color but only one side. The most recent versions are two-sided and color.

Yes, each version is progressively more expensive, but the expense is deductible.

Business cards make an important impression at conferences, signings, teaching gigs, appearances. When you meet dozens or hundreds of new people, you want to stand out so they remember you in a positive way.

A couple of years ago, I discovered thumbnails of book covers make a much stronger impression than a straight business card. People turn the card over and say: “Did you write all these books?” “Yes.” “Wow! Cool!”

Whether you have one book or many, IMHO, adding cover images to your business cards is worth the expense.

A recent design is two-sided, full color. Side 1 is my name and the kinds of writing I do (novelist, journalist, blogger), my website address, social media links, and email.

Side 2 has thumbnails of book covers and sales outlets.

Here’s a sample with six book covers.

As I kept adding to the series, the second side of the card got crowded. At eight books, there was no more room for expansion.

 

Hmmm, did I need to consider a larger format such as a bookmark?

Many authors give out bookmarks, but I never had because I don’t use them myself. Why should I waste money on something that likely ends up in the wastebasket?

Did I have a lesson to learn? Yes!

As an experiment, I had color bookmarks printed. One side was my name, photo, website, and where to buy books. The second side showed thumbnails of eight book covers.

Last January, Barnes and Noble opened a new store in our town and hosted signings by local authors. Hundreds of eager readers showed up because there hadn’t been a major bookstore in the area since Borders shut down in 2011.

In addition to the books on my table, I laid out business cards and bookmarks. I noticed people didn’t pick up many cards, but they did pick up bookmarks.

Maybe I needed to rethink my attitude that bookmarks are a waste of money.

With the launch of book 9, again I’d run out of space for covers.

How to feature the new book?

I put the cover of Fruit of the Poisonous Tree on one side with my name, website, and where to buy. On the second side were the covers for the rest of the books.

I started carrying a pocketful of bookmarks in addition to business cards.

Pro tip: buy clothes with pockets.

Zumba friends have always been supportive of my books. When I offered the new bookmarks at Zumba class, people snapped them up. Several women asked if they could take additional ones to give to friends and their book clubs. One is heading to Arizona for the winter and wanted to share bookmarks with her reading group there.

The pocketful I’d brought to class quickly ran out. I brought more to another Zumba class with different people. Ran out again. People I didn’t know asked questions about my books. Passersby in the gym stopped to listen to our conversations and asked for bookmarks.

Why will people turn down a business card but eagerly accept a bookmark?

Here’s the first lesson that I needed to learn:

Many readers like and use bookmarks. Because of tunnel vision, I had discounted their importance.

 What I want or like doesn’t matter; what the reader wants or likes does matter.

In salesmanship, there are five steps to making a sale:

  1. Attention.
  2. Interest.
  3. Desire.
  4. Conviction.
  5. Decision.

Bookmarks accomplish two of the five steps necessary to make a sale.

The second lesson: people perceive business cards and bookmarks in different ways.

A business card is more than an identification and contact tool. It sends a subtle psychological message. When you accept a salesperson’s card, their unspoken request is, “You are going to buy this car from me, aren’t you?”

That’s why it’s called a business card. If you take one, that indicates an interest in purchasing goods or services.

Accepting their card is their first step in breaking down a buyer’s sales resistance.

When someone doesn’t want to buy or isn’t sure, they may be reluctant to take an author’s card because they don’t want their acceptance to be perceived as a commitment that they’re going to purchase your book. The implied pressure, even though it’s slight, can leave people with an uncomfortable impression of the author.

We don’t want that!

A bookmark is different. It’s a colorful, useful gift, not an obligation to buy. It’s a friendly reminder of books they may want to read. Reading is a pleasurable activity. That leads to a positive association with the author.

We do want that!

Of course, you’d like them to buy your book, but a bookmark is accepted in a different spirit than a business card. It’s a welcoming, open-ended invitation, not a commitment.

Watch the difference in people’s reactions when you offer them a business card vs. a bookmark.

Business cards and bookmarks serve different purposes and authors do need both.

It’s too soon in my experiment to tell if bookmarks lead to more sales but so far the favorable reactions from readers lead me to believe they will. Anything that increases reader interest and engagement can’t hurt.

~~~

TKZers: Do you use business cards, bookmarks, or both? Do you notice a difference in people’s reactions? Any tips to share about effective personal contact between authors ans readers?

~~~

Cover by Brian Hoffman

 

Jerome Kobayashi, 80, worked long and hard to achieve his dream cherry orchard on Flathead Lake. But now someone wants to destroy that dream.

Can investigator Tawny Lindholm and attorney Tillman Rosenbaum prevent that?

Fruit of the Poisonous Tree  

Ebook $3.99 or FREE on Kindle Unlimited

Six Tips for a Book Party on a Shoestring

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By Debbie Burke

@burke_writer

Art at Tao

In 2018, I was privileged to crash a party in Manhattan hosted by Blackstone Publishing to celebrate their new book launches during an extraordinarily successful year. My pal Susan Purvis was one of Blackstone’s debut authors with her memoir Go Find, and I was graciously included as her guest.

The event took place at the trendy Tao Downtown Nightclub with an open bar and sit-down dinner.

The crowd consisted of publishing industry luminaries, agents, editors, and celebrity authors including the delightful M.C. Beaton.

M.C. Beaton and me

A long stairway led from street level to the nightclub. After a couple of drinks, you could almost see the ghosts of Truman Capote, Maxwell Perkins, and Jacqueline Onassis descending the stairs from a bygone era when publishing was a glamorous business.

It was fun to have a glimpse inside that rarified world but, in reality, most publishers, let alone authors, can’t afford lavish promotion. As an indie author, my budget is on such a short shoestring that a mouse couldn’t hang itself.

 

Nevertheless, I wanted to host a celebration for my new thriller, Deep Fake Double Down.

The good news is a successful book party can be done without spending a lot of money. It takes DIY work, a little ingenuity, and lots of help from good friends. Here are six tips I learned along the way.

  1. Find an inviting venue that’s low- or no-cost.

Authors and bookstores go together like peanut butter and jelly. The business carries our books. Our events draw new customers. We support each other. Win-win.

Stephanie Pius recently bought The BookShelf in Kalispell. She is eager to build her customer base and offered her shop as a free venue. We decided on a Friday afternoon, 4 to 6 p.m. when people were getting off work and downtown foot traffic was good.

Stephanie dove right in to help, running ads about the party on the store’s social media accounts. The corner location has windows on two streets and she put up posters in all  windows. On the sidewalk in front, a sandwich board invited passersby to meet a “local author.”

She provided tables and folding chairs, and even rearranged heavy, book-laden shelves to make room for seating.

Financial agreement: I delivered books. Stephanie tracked inventory and handled sales, including credit cards. She received 40% of the list price, with 60% to me, which is fairly standard for indie publication.

With a traditional publisher, terms may be different and the bookstore generally orders books from the publisher.

  1. Promotion. 

I printed invitations and handed them out at Zumba classes, at meetings, to the clerk at the post office who helps me mail books.

Additionally, I sent invitations by email. On your guest list, include friends, family, neighbors, coworkers, book clubs, writing colleagues, local media personalities, etc.

Publicize on social media and ask friends to share on their accounts.

Print color posters advertising the event and post them at libraries, coffee houses, and of course at the bookstore.

Send press releases to local online events calendars and newspapers.

Seek out unconventional (and free) outlets for publicity. Montana’s electric co-op magazine features a community events calendar and is sent to customers throughout the state. Surprisingly it has drawn out-of-town attendees to my events.

None of these promotions cost money except for paper and ink.

Here’s where years of connections, networking, and good friends in the writing community paid off.

Renee and Regi drove almost 200 miles from Helena.

My friends rallied round me with support that warmed my heart. They pitched in with planning help, spread the word on social media, helped set up, tear down, clean up, etc., etc.

By fortunate coincidence, a week before the party, a local glossy magazine, Flathead Living, featured a story about the Authors of the Flathead that mentioned me as one of the founders. That was great exposure to readers beyond my immediate sphere.

In another stroke of good luck, I ran into the editor/publisher of Montana Senior News in the check-out line at Costco and invited him. He showed up at the party, had a great time, bought several books, and promised to publish a review of Deep Fake Double Down.

Truthfully, I think it was the butterscotch chip cookies that got to him. (See recipe below.)

Cold promotion is hard for introverted writers. But inviting people to a party shifts the focus from “buy my book” to “come celebrate with me.”

  1. Refreshments! Nothing attracts people like free food and drink.

Critique partners Marie Martin and Betty Kuffel help me set out food.

Wine and cheese are always popular. If feasible, feature a food or beverage from your book, for instance, tea for a cozy mystery, or coffee and donuts for a police procedural. If the setting is a different country, ethnic specialties are fun.

For the hot July evening, I bought bottled water and flavored fizzy drinks and brought an ice-filled cooler. I cut up watermelon, honeydew, and pineapple for fruit platters. (Note: For health/sanitary considerations, provide toothpicks to avoid hands touching food. Remember hand sanitizer, too.)

I baked three batches of cookies. Here’s the recipe the editor liked:

To-Die-For Butterscotch Chip Cookies – makes 3-4 dozen

Stir together 2 ¼ cups flour, 1 teas. baking soda, 1 teas. salt. Set aside.

Mix together 1 cup soft butter, ¾ cup granulated sugar, ¾ cup packed brown sugar, 1 ½ teas. vanilla. Beat until creamy. Beat in two eggs. Add flour mixture and mix well. Stir in 1 to 1 1/2 cups butterscotch chips. Drop by teaspoonfuls on greased cookie sheets. Bake at 375 degrees for 10-12 minutes. Cool on rack.

Tying into my book title, I also baked “Deep Fake Cakes.” I decorated two sheet cakes with tube icing and added a sign that read, “Calories are an illusion!”

Who got into the cake before I took a photo???

On your shopping list, include paper plates, napkins, cups, disposable cake pans and platters, utensils, etc. They are inexpensive at Family Dollar, Dollar Tree, or similar stores.

 

 

 

 

4, Freebies! Readers love giveaways.

My novella Crowded Hearts had initially only been available in ebook because it was less than 100 pages. But a significant percentage of my readers prefer physical books so I’d ordered a small stock of POD (print on demand), cost under $5. When book clubs bought multiple copies, I threw in the novella as a bonus. That went over well so I did the same for the party. Anyone who bought two or more books received a free novella.

Quite a few attendees happily took home an extra freebie.

  1. Prizes! People love a chance to win. 

Prize gift packages

Here’s where I really lucked out. Thanks to the generosity of our own Steve Hooley, the prizes were beautiful custom wood pens. Steve handcrafts the pens using salvaged lumber from historic buildings that were torn down or undergoing renovation. The wood dates back to the 18th and 19th century. Here’s the link to the “Legacy Pens” on his website.

Steve even came up with a clever tie-in to Deep Fake Double Down: in the book, a secret Yogo sapphire mine is a treasure worth killing for. Steve designed a limited edition “Deep Fake Sapphire” pen, finished in the same luminous blue as Yogo sapphires.

At the party, I explained the history of the pens, which fascinated people. They eagerly filled out entry forms, signing up for my newsletter for a chance to win a unique pen. That resulted in a number of new subscribers.

Oh yes, I kept busy signing books with my own Deep Fake Sapphire pen.

I can’t thank Steve enough.

Other possible prize options: a signed book, a gift certificate from the store that hosts the party, a package of gourmet coffee, a bottle of wine, a sampler of specialty candy.

  1. Entertainment! Make the party interesting as well as fun.

Engage guests with a short talk about why you wrote the book, along with Q&A. Readers enjoy peeking behind the curtain into the writing process. Relate an interesting anecdote or share a surprise you encountered while doing research. Mention unexpected problems that popped up. Raise curiosity to entice them to buy the book.

Readings can be popular…as long as they’re brief. I confess I’ve slipped out of a few book signings where the author droned on far too long.

But no one sneaked out of this party during the reading of Deep Fake Double Down, thanks to the stellar performance of another good friend, stage actor and audiobook narrator Eve Passeltiner.

Award-winning audiobook narrator Eve Passeltiner emphasizes a dramatic moment.

Eve is recording my series and graciously agreed to read a chapter during the party. Except read isn’t the right word. She brought the characters to vivid, dramatic life, blowing away the audience, as well as the author!

~~~

How did the party go?

Turnout: During the two hours, about 40 people came into The BookShelf, including curious passersby who stopped to see what was going on.

Stephanie’s cut from sales made the evening worthwhile for her, plus she welcomed new customers and became better acquainted with existing ones.

Cost: $75 for food, beverages, decorations, gift packaging—well within my shoestring budget.

Time expended: approx. 30 hours in promotion and preparation.

Results: 25+ newsletter signups; 27 books sold that evening plus five novellas as freebies to purchasers of multiple books.

Verdict: The party was a success that guests enjoyed. A local small business reached new customers. Book sales more than covered costs and are continuing a nice steady climb.

Me with critique buddies, Betty Kuffel and Kathy Dunnehoff

 

 

And I had a terrific time, surrounded by friends and supporters who are dear to me.

Susan Purvis and me

All accomplished on a shoestring budget.

~~~

TKZers: Have you attended book signings/parties? What made the event special? If you were bored and left early, what made it a dud?

Any ideas for future parties?

~~~

Deep Fake Sapphire Pens, handcrafted by Steve Hooley

 

Here’s another chance to win a limited edition Deep Fake Sapphire pen. Join Debbie Burke’s reading group at this link and your name will be entered in a drawing for the pen (postage costs limit mailing to US addresses only, please).

With a Little Help from My Friends

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By Debbie Burke

@burke_writer

 

NEWSFLASH!

MOST AUTHORS HATE SELF-PROMOTION!

All right, so that’s not news to anyone at TKZ.

Truth is we’d rather parade naked down the mall than sit at a lonely table full of books in front of Barnes & Noble, directing people to the restroom.

But we gotta do it sometimes if we want to sell books.

One way to make promotion less painful is to join with other authors.

WHY?

  1. Misery loves company (just kidding!).
  2. Being in front an audience by yourself is scary. Being in front of audience with colleagues is easier.
  3. A solo appearance means you carry 100% of the responsibility to entertain the audience. Join with other authors and that splits the responsibility up.
  4. More authors draw more interest…unless you’re Lee Child, who doesn’t need help.

HOW TO DO IT?

  1. Find other authors.

Invite one to three other authors in your area to join you either in person or by zoom. A total of three or four offers good variety while giving everyone a chance to talk. More than that is too crowded and cumbersome.

  1. Decide on a genre and theme.

Montana authors Leslie Budewitz, Christine Carbo, Debbie Burke, Mark Leichliter

My recent event focused on crime fiction, combining four subgenres: cozy mystery (Leslie Budewitz), small town police procedural (Mark Leichliter), police procedural in a national park (Christine Carbo), and thriller (Debbie Burke). The title was “Murder, Inc. – How Montana authors kill people…on the page.”

Include variety in subgenres so there aren’t two cat cozy authors competing with each other.

For instance, a children’s literature gathering could feature one author who writes picture books, one middle grade, and one young adult, reaching three different audiences.

  1. Set up a venue.

Weather permitting, many people feel more comfortable outdoors these days. Depending on where you live, indoor settings may or may not be available.

I’ve been lucky to be hosted twice by a dream open-air location in Bigfork, Montana, right beside the Swan River. Lake Baked Bakery/Riverview Bar has a large grassy area with tables and chairs.

Lake Baked Bakery/River View Bar, Bigfork, Montana

Many cafes, coffee houses, brew pubs, and independent bookstores are struggling financially due to the pandemic. The ones I’ve approached are enthusiastic about hosting activities that draw more customers.

Independent-living senior communities are a good bet to find  many avid readers. So are schools, community colleges, and libraries.

  1. Decide on a format.

A panel discussion with Q&A from the audience works well. Designate one person as moderator. S/he has a list of prepared questions and keeps the discussion moving.

If you decide to do open readings, they should be short—no more than five minutes per person, broken up with discussion and questions between authors.

  1. Publicize the event.

Here’s where having friends is a real force multiplier. Each author has their own blog and email list to disseminate info about the appearance. Each has their own social media followers. If there are four participants, that’s four times the number of contacts than if you did it by yourself.

Press releases to newspapers/radio are more likely to be noticed if there are three or four authors appearing together. Then it becomes an event of interest to the community instead of a lonely author crying in the wilderness.

The venue may have a Facebook page or other outlet where they publicize events. Ask them to include yours. Again, that reaches a wider, different demographic than simply reading fans.

Supplement these efforts with posters around the area and you should have a respectable turnout.

  1. Set up and logistics.

Scope out the venue before the event. Find out what equipment, chairs, tables, etc. they can provide and what you need to bring yourselves.

You need sound equipment–an amplifier and at least two mics for four people. If the venue doesn’t have that, you may know someone who will let you use their equipment. If not, you may need to rent it.

Leslie Budewitz is my frequent partner-in-crime for live presentations. Her husband Don is a musician and he graciously sets up and runs his equipment for us. I always buy a drink and snack for great volunteer helpers like him.

If you need Power Point capability for slide shows, verify that the venue’s system is compatible with yours. Sometimes you can put a thumb drive in their computer. Other times, it’s better to bring your own computer but check that connecting cords work.

Always, always, always test video and audio beforehand. Glitches are uncomfortable not only for you but your audience as well.

Depending on the venue, if there’s a stage, you can sit on chairs/bar stools. Or you may prefer to stand/walk around as you talk.

Set the tone. If possible, arrange the audience seating to be comfortable and relaxed. Rows of chairs are not as friendly as groupings like in a café or bar.

  1. The day of the event.

Arrive at least a half hour early to set up/test equipment. Always, always, always test sound equipment before the presentation.

If the venue serves refreshments, buy some and encourage others. The business is supporting you to improve their bottom line. The higher their sales, the more likely they’ll invite you back again. Thank your host and the servers and tip generously.

During the discussion, encourage the audience to ask questions. The more interaction with them, the better.

Beforehand, set up your own book table.

Bring pens, business cards, and swag.

Bring a signup sheet for your mailing list.

Bring change for cash purchases.

If you use a credit card reader, make sure you can log into the venue’s wi-fi.

Oh yeah, don’t forget to bring your books!

Consider holding a drawing or contest with your book as the prize. People love to win free stuff.

~~~

Photo credit: Kay Bjork

Take a deep breath and try to relax. Initially, you may feel like you’re going to an IRS audit but you’re not.

The audience came because they’re interested in reading. They want to learn more about you as authors and your books. Make it enjoyable for them and yourself.

We get by with a little help from our friends. 

~~~

 TKZers: Have you done live appearances? What tips can you offer?

If you haven’t yet done a live appearance, what is holding you back?

~~~

 

Debbie Burke enjoys meeting readers in person or by Zoom. To set up an appearance, please click on “Request a TKZ speaker” at the top of the page.

Here is her series sales link.

How To Animate Book Covers

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Animated book covers are all the rage. Yes, they’re gimmicky, but they also draw readers’ attention. All over social media Fiverr folks announced animated book covers as a new service. Some writers rave about Fiverr, but I am not one of them. Aside from sending cash to a virtual stranger, what’s to stop them from slipping a trojan horse into the metadata? The moment I downloaded the image I’d be hacked. Once was enough, thanks. I’d rather figure out how to do it myself. And thanks to my friend, Harmony Kent, and her Story Empire post, I spent an afternoon refining the art of animated book covers. Now, I’m paying it forward to you, my beloved TKZers.

For those of you who aren’t comfortable with sites like Photoshop, not to worry. Animating book covers is a lot easier than it looks. It’s also addicting, so play with your book cover after you’ve met your writing goals for the day. If you’re still working on your first novel/novella or short story/anthology, don’t fret. Use this tutorial to animate blogging and/or social media images.

Ready to get started? Super. Let’s do this.

Step 1: Upload your book cover to Canva. Click “Create a design.” In the dropdown menu choose “Start with an image.”

 

 

 

 

 

Step 2: Once you’ve uploaded your book cover, click “Use in a design” and choose Instagram Post (the most universal size for social media).

Canva should stretch your book cover to fit corner to corner. If it doesn’t, as is often the case, then add a background. For my animated book cover, I used the background image of my book cover as the background, but a solid color also works.

Step 3: Save as PNG for best quality.

 

 

 

 

 

Okie doke. Here’s where it gets fun. On your iPhone or iPad, download Motionleap from the app store. They do have a free plan but the pro version only costs $19.99/yearly, which unlocks a lot more features. On non-Apple smartphones and tablets the same app could be under its former name, Pixaloop.

Step 4: In the app, click the photo icon at the top, and then New Project.

Step 5: Upload the Instagram Post book cover you saved from Canva and choose Animate (lower left corner).

Step 6: Then Select. Touch the area of the photo you want to animate.

As you can see, I chose to animate the background, headdress, and crystal in his hand. I don’t recommend animating text as it gets wonky if you do. If you make a mistake, click the white erase button (right side).

Step 7: Next, choose the direction of your animation.

The white line under the book cover adjusts the speed and the play button allows you to preview the effect. I erased the animation in the background. Sometimes less is more. Plus, I wanted to show you another cool feature.

To the left of Select, click the arrow button and a whole new menu pops up.

I want the headdress to break apart, so I chose Dispersion and positioned the circle around the headdress. There’s also tons of overlays and effects you can choose.

Step 8: Back out and save as GIF.

And that’s it. Want to see the finished project? Hopefully, the gif will work on TKZ. Otherwise, *awkward.* LOL

Because I broke down each step, it seems like a lot of work. It isn’t. Once you get comfortable, you can animate a book cover in 5 minutes.

Do you like animated book covers? Love ’em or hate ’em, it looks like they’re here to stay, but I wonder if they actually sell books. Have you ever bought a book because of an animated book cover?

Video Marketing and Social Media Tips

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Videos make a lasting impression. We live in a visual, media-rich world. Marketing via video continues to rise. Experts say 86% of all content will be in video format by 2022. Let’s look at current trends first, then move on to how writers can dip their toes into video marketing without suffering a panic attack. BTW, if you missed John’s clear and concise post about Zoom, be sure to check it out.

Video Trends

Instagram and Facebook Stories allow users to share short-form, vertical videos that disappear after 24 hours. Instagram Stories have 500 million active daily users. I know! That number shocked me, too.

Stories should be informal, relaxed, and allow viewers a quick snapshot of your day or a behind-the-scenes glimpse of your world.

Optimize for Mobile Users

There’s a higher demand for vertical videos that fit on mobile screens. Why? Because 75% of users watch videos on their phones and vertical fits better than horizontal.

Length

Try to keep marketing videos to under two minutes. The shorter the video the greater chance of viewers watching till the end. This “rule” can change according to platform. On Facebook, if you run over, I wouldn’t worry about too much unless it’s an ad. Ads should be kept as short as possible. On Twitter and Instagram, keep it bite-sized.

Live Video

Eighty percent (80%) of shoppers say they’d rather watch a live video than read a blog post. Shoppers age 18-34 watch live content daily.

Optimize for Hearing Impaired

Add captions for the hearing impaired. This tip will also add clarity if the speaker has an accent. Plus, some viewers prefer to watch video with the sound off.

YouTube

As far as SEO — Search Engine Optimization — goes, YouTube tops the list. To give you some idea of why, YouTube is the world’s second-largest search engine. With this in mind, I created a nonfiction book trailer, uploaded it to YouTube, and shared the video across social media.

As you can see, I didn’t include captions like I should have. Yet, after I posted this video, the book rose to #1 New Release, proving (at least, to me) we can veer away from these “rules” and still be effective.

Writers & Social Media

Whether we like it or not, social media is a must for writers. With fewer book retailers, the discoverability of books depends on the author’s online footprint. Regardless of genre, it’s a fact that social media buzz directly impacts sales. More than 40% of book recommendations come from word-of-mouth, which often originates online.

Whenever a fellow writer asks me for help with social media, my top tip is to be yourself. Be genuine. Social media should be fun. If you’re not enjoying yourself, people will notice.

Always conduct yourself as a professional, but don’t hide the real you while doing it. There’s so much garbage and negativity on social media. As writers, we need to rise above it and not get swept up in a pissing match over political views or coronavirus facts vs. misinformation. If we’re not careful, our opinions on certain subject matters can and will hurt our writing career. Non-writers view us as neutral, and we need to live up to that standard.

You might say: Gee, we’re not even allowed to have an opinion? Of course, we are. What we don’t need to do is broadcast it all over social media. Same goes for complaining about rejection letters, querying, writing, marketing, books we didn’t enjoy, critiques, fellow writers, etc., etc., etc. Use social media as if the whole world is watching, because the whole world IS watching.

The follow-up question I most often receive is, “Be genuine, got it. But how do I let readers know the real me?”

The answer is simple. Share your joys, your passion, your excitement. For example, I recently shared a video of my first reaction to opening the box of PRETTY EVIL NEW ENGLAND paperbacks. I broke almost all the “rules” stated above here, too, but my Facebook audience didn’t care. They loved being included.

Your turn, TKZers! What are some ways you’ve used video marketing?

Join the giveaway for a chance to win the paperback of Pretty Evil New England: True Stories of Violent Vixens and Murderous Matriarchs. Winner will be notified via email and announced in my November 2, 2020 post. Good luck!

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How To Create Free & Easy Book Marketing Images

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My eyes glaze over whenever I need to use photoshop or any other application with a steep learning curve. I’m sure I could figure it out eventually, but honestly, I don’t want to spend hours with the tutorials. I’d rather be writing. Sites that allow writers to shortcut the process make life so much easier. When they’re free and easy to use, these sites become invaluable tools.

This first little beauty is a gem. The site’s called DIY Book Covers. The section we want is The 3D Book Cover Creator You’ll Love to Use. And you know what? They’re right! It’s a game-changer for those of us who lack patience for sites like photoshop, which is why I’m sharing step-by-step directions with all of you.

Ready? Here we go …

Please excuse the lighting in some of these photos. I took them with my phone rather taking screenshots (long story).

The linked title above will take you to this page …

It automatically opens to “Single” image choices, as you can see here …

The cool part is, we also have the option of creating tablet, phone, and print combo images by clicking “Composite.”

Click the image you want to create, then click “Next” and it will take you to this page …

Click “Browse” and find your book cover on your computer. Then click the blue “Upload” button and the image will appear.

See the two orange buttons at the bottom? We have the option of saving as PNG or JPEG. I like to use PNG for marketing images because they tend to be crisper, but they do take up more download space. Once you choose your file preference, click “Next” and you’re done. The download will show your 3D image with a clear background.

These steps took less than five minutes from start to finish. Easy-peasy, right? Okay, now, we could use this 3D image as is, but it’s a little bland. We want readers to click our ad, so we need to add a background.

Numerous sites offer public domain photos that don’t require attribution. My top three favorites are Pixabay, Morguefile, and Unsplash.

Finding the perfect background image takes time. To help with the search, consider the following:

  • What type of mood do you want to convey?
  • We want our background to reflect our genre. Are you promoting a gritty crime novel, sci-fi, fantasy, or romance?
  • Will the background compliment your book or overpower it?
  • Where will your 3D image sit? Get creative!

The first and third promo pics below go against the norm; the middle one is more universal, but I’m showing them as examples of thinking outside the box …

 

The third image should be more centered, but you get the picture. The bookend photos are fun images to catch people’s attention. I wouldn’t recommend always using these types of backgrounds unless they fit your book, but taking a break from the serious side of marketing can be fun too.

Okay, once we’ve found our background, it’s time to insert our 3D image and text. As I mentioned in my first official post on TKZ, the easiest site to use is Canva.com.

Let’s go there now. This is the home screen …

See the dropdown menu under “What would you like to design”? Canva takes the guesswork out of social media’s various sizes. All we do is choose the social media site where we’ll be marketing our book, and Canva automatically gives us the correct size. Although, I’ve found that “Facebook post” images also work on Twitter. We don’t need to create two separate images unless we’re paying for ad space. In which case, it’s best to create an image that’s guaranteed to fit. Ads tend to run differently than a regular post.

I chose Facebook Post, which led me to this screen …

On the left-hand-side of the screen, you’ll find Uploads. Click that button and upload your background image as well as your 3D image. I’m showing you the background image I chose for SILENT MAYHEM so you can see how to drag the image to fill the screen.

See the white bars and corner dots around the outer edges of the background photo? Hold and drag until the image covers the entire template. Then decide where your 3D image should go. By clicking the book cover image in Uploads, Canva will stick it in the middle of your background, but positioning it easy and self-explanatory.

Next click “Text” in the left-side menu and a dotted bar will appear. At the top, you’ll find where to choose a font, color, size, etc.

Here’s the finished product that I created for my new release, SILENT MAYHEM …

 

 

 

 

 

 

 

 

Book Brush is another cool site. With the free option, our 3D options are limited, but they’ve combined everything we’d need to create a promo pic, including over one million background images, stamps, text, and fonts. The only catch is, they limit the amount of downloads to three per month. They also offer a Plus Plan for $8.00 per month ($96/yr), which grants access to all 3D templates, unlimited downloads, support, and five video templates per month. With Book Brush, creating a book promo image only takes a few minutes.

What sites do you use to create marketing images for your blog or book(s)? Do you have a favorite site for public domain photos? Any tips to share?

 

Some things in life defy comprehension, but that doesn’t make them any less real. Or deadly.

Pre-Order SILENT MAYHEM on Amazon and join the giveaway!

Email me your receipt and I’ll put your name in a drawing to win signed paperbacks of the first two books in the series.

Winners announced on Release Day (4/29/19).

 

 

Can Slick Marketing Sell Bad Books?

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by James Scott Bell
@jamesscottbell

Kris titled her post last week “Naked Came the Stranger,” and slyly didn’t give us the story behind the title. I’d like to do that now, because I well remember one of the most famous literary hoaxes in publishing history.

This was back in the 1960s, the halcyon days of big, trashy novels like Valley of the Dolls and The Love Machine. A Newsday reporter by the name of Mike McGrady, over drinks with some pals, posited that a novel with no social value and even less literary quality could sell, if it was about sex and had a titillating cover.

To prove it, he got a couple dozen of his newsroom colleagues (19 men and 5 women, including two Pulitzer Prize winners) to conspire to write a lurid tome. The simple concept was a housewife having a series of adulterous flings, one per chapter. As the New York Times put it in McGrady’s obituary, “She has sex with a mobster and sex with a rabbi. She has sex with a hippie and sex with at least one accountant. There is a scene involving a tollbooth, another involving ice cubes…” You get the picture. The conspirators wrote one chapter each, trying their darndest not to make the writing too good.

McGrady edited each chapter, blue-penciling anything even approaching a modicum of literary quality.

The project’s original title was Strangers In The Valley, a cross between Valley Of The Dolls by Jacqueline Susann and Strangers When We Meet by Evan Hunter. But a female colleague, Beulah Gleich, told McGrady that the title was no good. He asked why. She said it needed the word Naked. McGrady suggested The Naked Stranger. Gleich said that was too blatant, that the title should have “more class.” Well, you be the judge.

McGrady decided on the pseudonym “Penelope Ashe” and had his sister-in-law pose for the author photo. (On the back of the dust jacket, “Penelope Ashe” is described as a “demure Long Island housewife.”)

He then submitted it to publisher Lyle Stuart, known for “edgy” books. They accepted it (not knowing it was a hoax) and proceeded to design a salacious cover. If you want to see the entire cover (a rather oxymoronic term considering the context) you can go here. (The photo was purloined from a Hungarian magazine, and when the book became a phenomenon, the photographer and model demanded compensation, and got it.)

When Naked Came the Stranger hit the stores, the reviewers hit back. The Village Voice said the book was “of such perfectly realized awfulness that it will suck your soul right out of your brainpan and through your mouth, and you will happily let it go.”

It became an instant bestseller.

After the book reached the 20,000 sales mark, the hoaxers, perhaps feeling a collective pang of guilt, decided to come clean on The David Frost Show. So the joke was over, right?

Um, no. The book sold even faster, spending 13 weeks on the New York Times bestseller list. It has lifetime sales of over 400,000. Open Road Media has the pub rights now.

I remember my mom and dad laughing about all this while looking at a Life magazine story on the hoax, with a group photo of the co-authors. You can see that photo, along with some others (including one of the cigar-chomping McGrady) by going here.

Takeaways:

1. In the staid publishing world of the 60s and 70s, if a book was about sex, even if poorly written, slick marketing and a suggestive cover sometimes led to heaving, tumultuous, luminescent waves of febrile, smoldering, incandescent sales.

2. That may happen occasionally today, though it’s much more difficult, primarily because of the roiling sea of content now available.

3. If a book is not about sex and is poorly written, slick marketing and a great cover might drive some initial sales, but with a major drop off afterward. This will be of no help to an author’s career.

4. On the other hand, a really good book will always be held back by a bad cover. That will also be of no help to an author’s career.

5. So if you’re self-publishing, don’t skimp on covers. Where do you find designers? Check out 99Designs and this article by Joanna Penn.

6. A great book with a great cover, all other things being equal, is the best driver of what is far and away the most effective marketing: word-of-mouth.

7. Book after book following #4 is the only sure-fire way of building a writing career.

So, writer, don’t play fast and loose with a one-book stand. Commit to a quality relationship with your work, and take a vow to make that a life-long bond.

Okay, Zoners, let’s have your naked opinion. Don’t be a stranger.

What is Amazon Doing Now? Can it Work for You?

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Jordan Dane
@JordanDane

I received a notice recently from Amazon regarding its implementation of “Amazon Stores,” a way to promote a brand or company products. I’m not sure how open and available this is for anyone with a brand or a store concept. Are many authors using this?

I have a corporation, Cosas Finas LLC, that I have developed into Cosas Finas Publications to promote my brand and I have a website that I’m still developing for this entity. (My navigation needs improvement and I’m tweaking it after my deadline, so be kind.)

Awhile back I set up an Amazon PAGE for my company/brand using Amazon Marketing Services (AMS) to link ad campaigns to. I created a landing page for my ads to show more of my books and group them by series or featured new releases. I’ve come to realize that the Amazon platform has some faults but I still think it is the best for when when I’m selling my books. The main issue that I, as well as other sellers on Amazon, have been having is the inventory mistakes they make. It loses money unless you use an Amazon reimbursement software to get your money back. This hasn’t effected me too much as I’m not selling as many products as other sellers but it could start to effect me once I start selling more. My friend told me to check out this helium 10 review since I’m starting to sell on Amazon a little more. I think it’s a great platform and I love using it.

I’m a user of Amazon Marketing Services (AMS) and have various ad campaigns established for my books as they release or I develop a concept to promote a series, for example. Through AMS I had created a Cosas Finas Publications company PAGE, which is different than their new STORE idea. Amazon Stores are slicker and more attractive in appearance.

Brand pages are going away or the links to these pages will start to be phased out by Oct 31 and completely gone by Dec. It’s only cost me the money for “click-thru” ads and I set my budget and can monitor the expense vs sales revenues. I’ve been satisfied with the benefits outweighing the cost on AMS and I monitor my profitability and tweak ad campaigns to make them more effective.

Amazon Stores are free to vendors. I just set up an ad campaign that links directly to my new store. It was very easy. I chose a HEADLINE search for keywords as my campaign structure (recommended by Amazon and others I’ve researched) and I can query Amazon’s own system for high traffic keywords used by customers. I set up a daily max budget with a click-thru cost for an ongoing campaign without an end. It’ll be up to me to periodically evaluate the effectiveness and I can terminate any campaign at any time. From what I understand, these vendor stores will be required to have at least one ad campaign linked to them to keep them active. This will probably go into effect after Dec, 2017.

I really liked the ad design I submitted yesterday for Amazon approval. Instead of me creating an intriguing tag line for each book, I was able to use my brand slogan, which is “Take a front Row Seat to Suspense” and direct readers to my store. My ad dollars will go farther if I can consolidate my ads for my brand. We’ll see how this turns out. It’s still very new and I need a final approval on my ad campaign before I can see what traffic and sales it generates, but the metrics are there to analyze, with revenues vs ad cost.

To check out more details, visit AMS for vendors (first party sellers are vendors) or Seller Central (for 3rd party sellers that sell other’s products) for sellers.

How many of you advertise through AMS? What’s been your experience?

My STORE is approved as of yesterday. I hope this link works – Cosas Finas Publications The pre-set design templates are not flexible enough for me. It would be nice to have them in modules where you could mix and match, but I can play with the templates to see what works best for books.

Key Features of Amazon Stores:

1.) Design templates allow you to feature different books in a way that your Amazon Author Page isn’t set up to do. You can add video/book trailers, post promo text, praise blurbs/awards, or feature upcoming releases.

2.) Flexible ability to feature different products at your command. You are the keeper of your store and what is in it. If you have other products that are associated with your brand or writing, like T-shirts or coffee mugs for writers, you can feature those along with your books.

3.) There are social sharing buttons tagged to your store and you can set up HEADLINE search ads or drive readers to your store through your ad campaigns and increase your store traffic. Amazon allows a vendor to search existing keywords already proven to have high traffic on their system.

4.) You can take your Amazon Store link and use it in other promotions off the Amazon website. I can see this working for KDP Select products that are exclusive to Amazon for a time.

5.) Developing an ad campaign for my whole brand of books allows me to make the most of my budget for advertising. Rather than creating an ad for a new release, I can create one for my brand and update the book offerings as I have releases.

For those of you focused on your writing and not at the point of targeting the “not so fun” part of the business end, it’s still important for you to see what authors are doing to promote their work. I talk to many aspiring authors whose eyes glaze over when you share the very necessary business side. They want to believe a publisher will “take care of them” and sell their books, easy/peezy, but that’s not how it works.

I wanted TKZers to see how this might work for you, if you’re not aware of AMS and the Amazon STORE concept, but if you are using it, what are your thoughts? Where do you see this going for Amazon? Is this concept directed at larger companies with multiple products, like a running shoe company for example, or can this work for authors on a budget?

Another Way to Get Your Ebooks into Libraries

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Jordan Dane

Available for Amazon ebook preorder now

Available for Amazon ebook preorder now

 

Interested in getting your ebooks into libraries and get paid? And would you like to do it without forcing libraries to repurchase your digital offering after a restricted loan count as if it has a limited shelf life? You can upload your ebook into Overdrive or get to Overdrive through Smashwords. Both can be cumbersome systems to work with and have their challenges, there are many e-book programs being developed every year, such as Sqribble, and more and more platforms to read ebooks, not just iBooks.
But I wanted to share a developing alternative.
EbooksAreForever

EbooksAreForever is a platform to help libraries sustainably purchase ebooks from independent authors and publishers. It was launched in March 2014. Since it’s new to me, and I’d been looking for a means to reach out to libraries for my indie pubbed and backlist novels, I thought I’d share what I found.

Ebooksareforever’s philosophy is based around sustainability. They believe libraries should be able to buy ebooks at affordable prices. Since ebooks are digital and not physically degradable items, libraries should be able to own and offer them to loan for eternity.

Authors JA Konrath and August Wainwright co-founded ebooksareforever to sell DRM-free ebooks with no re-licensing restrictions.

“We deliver a curated collection of titles from independent authors and independent publishers and make it as simple as possible for both the author/publisher and the library to interact with the collection and to fairly compensate the author/publisher for every transaction.”

—August Wainwright, co-founder

How does EbooksAreForever work?

I’m excited at the prospect of having a new avenue into libraries, but understandably, libraries need a gatekeeper to ensure quality. How does that work?

Every author and book is approved by a curation team. “We need this because we’re working hand in hand with libraries”, says Wainwright, “and we need to deliver what they’re asking for. We assess by reviews, number of titles the author has available, whether those titles are in a series, quality of cover art, interest in libraries, and genre saturation in our system. We couldn’t be taken seriously if, say, 80% of our titles were romance. It equally wouldn’t work if every book had to have at least 200 reviews on Amazon.”

Good news. If your book is rejected, you can reapply 60 days later.

Each book is purchased by a library on ‘perpetual license’. They pay once and they can use it forever. Only one copy can be checked out at a time.

Will authors get paid?

Yes. Titles are sold to libraries for $7.99 (full-length) and $3.99 to $4.99 for shorter works. Authors receive 70% royalty of every sale.

Ebooksareforever says it hopes to evolve the submission/rejection process once the business grows and the system flourishes, but the current focus is on developing and sustaining a robust system which is a trusted resource and popular with libraries.

They are also working on ‘patron apps’ which will break the business out of the US and allow global libraries to purchase titles with patrons loaning copies using universal apps. This system should also see broader opportunities for author payment. A very exciting prospect.

PROS

• Free to submit

• Author payment

• Set up by authors for authors

CONS

• There are rigorous curation efforts that favor series and higher-profile authors

• For now, it’s limited to US-only

Discussion:
What have you heard about EbooksAreForever?

Any other ways to distribute your ebooks into libraries besides the ones I’ve mentioned?

tmp_4087-TheLastVictim_highres-1601584079The Last Victim available for ebook preorder at a discounted price. After release, will be available in print and ebook formats.