About Jordan Dane

Bestselling, critically-acclaimed author Jordan Dane’s gritty thrillers are ripped from the headlines with vivid settings, intrigue, and dark humor. Publishers Weekly compared her intense novels to Lisa Jackson, Lisa Gardner, and Tami Hoag, naming her debut novel NO ONE HEARD HER SCREAM as Best Books of 2008. She is the author of young-adult novels written for Harlequin Teen, the Sweet Justice thriller series for HarperCollins., and the Ryker Townsend FBI psychic profiler series, Mercer's War vigilante novellas, and the upcoming Trinity LeDoux bounty hunter novels set in New Orleans. Jordan shares her Texas residence with two lucky rescue dogs. To keep up with new releases & exclusive giveaways, click HERE

Describe Your #StayHome #Quarantine Life in a Book Title (& More)

Jordan Dane



When I believed the stay home order might only be for a month, I was determined to make the most of the isolation. After all, the end was in sight, right? But the Corona Virus has such dire outcomes for some that I get the sense this won’t be over soon.

I’m primary caregiver for my parents. We’re fortunate they have their health (and humor) but that doesn’t keep me from worrying about them. Their independent living apartment complex has implemented tighter rules to restrict access for their facility to outside visitors (except in certain circumstances). I’m grateful. They have a restaurant that delivers to their door and they are encouraged to stay home and order.

My parents celebrating Willie Nelson’s birthday. Don’t ask.

But I miss seeing my mom and dad. I miss hugging them. I miss my siblings. We talk on the phone and text all the time as a family, but it’s not the same. I’m sure you guys know what I mean. I miss what I can’t have and it’s getting old.

Basically the walls of my home have closed in on me. I fixated on stocking my shelves with grocery items I don’t normally eat. I haven’t resorted to SPAM yet, but I’m sure that day will come. You know what they say–it can’t go bad if it was never good in the first place. Did you know that you can slice SPAM thin and use it to oil your furniture? It’s quite versatile–if you can put up with the flies–but I digress.

What if this quarantine order lasts for months? I would need a different mindset for the long haul. I might have to exercise or get rid of my weight scale, but in the mean time, I could use my TKZ family for a little fun. We can all use a good laugh these days.

DISCUSSION (Something for everyone):

1.) Describe YOUR QUARANTINE LIFE in a book title.

2.) What movie title best describes your SEXY SIDE?

3.) What book or movie title best describes PARENTING?


A Writer’s Guide to Surviving Social Distancing & Quarantine



No one has to tell me twice to stay home. I work from there as a writer. My commute is from the bedroom to my office. (No. I don’t work in my PJs. Puleeze.)

Don’t mingle? I love people, but I’m a bit of an introvert. I’m perfectly happy entertaining myself in my head. No worries. But in order to flatten the curve of the #CoronaVirus and allow health professionals to get this pandemic under control for the hospital beds and respirators they have, I am determined to do my part, happily. I’m also the primary caregiver to my parents who are in their 90s. They’re in good health, but their age puts them at a disadvantage.

I’m limiting my errands, appointments and socializing for the next few months and am hoping we, as a country, can get this pandemic under control. I’ve cancelled my European trip in July and will target my travel for 2021-2022 when things might be better.

I thought I would share what I am doing during my self-imposed lock down and get a conversation going. Let’s share what we’re up to and make this quarantine/social distancing survivable.

ALWAYS allow time for your daily quota but think outside the box for how to spend your time. This shouldn’t be same-old-same-old time. Treat yourself & bolster your spirit. The last time I had to spend time sequestered at home, I wrote my debut book after I had surgery. Perhaps this inconvenience could be a renaissance of sorts, a rebirth like a Phoenix rising from the ashes.

Stay positive & fuel your creativity.

Ideas for Writers to survive the #CoronaVirus #Pandemic:

1.) Develop your cooking skills. Treat yourself well by making an effort, even if it’s for a party of one. I have fun posting recipes with pics on social media, like Twitter and Instagram. If you’re feeling generous, try supporting your local restaurants who are suffering during this shut down. They may only be making money on deliveries. Order online with delivery & make sure to wipe down the cartons/containers & throw away the bags. Plastic & cardboard surfaces can carry the virus for 24 to 72 hours–and tip your driver.

2.) Research cooking homemade dog food & treats. My sister and I have challenged each other, from our respective homes, of course. We are cooking our own nutritious dog food with healthy ingredients (meats, vegetables and fruit) with vitamin & probiotic supplements. I recently did the math and I’m saving $20/bag off my old kibble brand. I cook once or twice a month and freeze some to have inventory. It’s fun to be creative for them. My oldest dog is ten and she’s gobbling up her food like she has never done before. I love seeing the joy of my three rescue dogs at meal times and their appreciation shows.

3.) Organize your life. What needs doing? What have you put off? For me, it’s tackling a storage room & my office. I also cleaned out my freezer & made use of what I could to make dog food. These jobs were long overdue. Writing deadlines are pushed to the top of the list normally, but this time of self-reflection has helped me get after projects that will make me feel better in the long run.

4.) Spend time outdoors. It’s spring. Get fresh air by working in a garden, cleaning up, applying lawn treatments. I maintain my home & yard on my own. It’s rewarding, invigorating & a reminder of nature’s renewal. This time of year, it is cleaning up leaves and sprucing up the garden to make way for the new growth. My tangerine tree is blooming and my tulips and bulbs are flowering.

5.) Do an inventory of the favorite things in your home & post pics of them on social media. I saw this on social media and participated. I thought it was a great idea for the home bound. Share a story of why something means the world to you. Tell a story and invite your followers to share their prized possessions. Very touching and interesting.

6.) Post a video of your quarantine activities online if you’re tech savvy. Or read excerpts of your books on video to share with readers. Do you feel comfortable with recording writing craft tutorials? With all the late night shows getting creative on Youtube, I thought–why not share our work with other quarantiners or read an age appropriate book to children? What the hell. I can’t sing

7.) Catch up on research for your next book & dig into a new plot. Daily writing time is important. That should come first, but working on a new project can be invigorating.

8.) Reach out to friends & family on FaceTime or texting or calling. Reassure your loved ones & stay more connected with the people you value most. Not including family, ask yourself–who makes the list of my top 10 contacts? I call this – taking an inventory of the heart.

9.) Focus on your pets. Things have changed in their world too. They see you home more and want your time. Take them on longer walks. It’s good exercise for you. Buy new toys for them, something you can enjoy with them.

10.) Catch up on your reading. Authors should be avid readers. You’ll learn as you enjoy.

11.) Write a letter to someone special. We’re writers, after all. Or keep a daily journal to get in touch with the emotions you might be feeling.

12.) Go on an online shopping spree. Or send a special gift to someone you love.

13.) Plan a vacation for late 2021 or 2022. Save for it. Take your time researching it & make the trip special.

14.) With sports being cancelled across our country, check out what others are doing on TikTok to invent a sport. Here is a LINK. Roomba Curling, window tennis, turtle tic tac toe, Sock Pacman, & ping pong trick shots set up in your home with obstacles.

15.) Take a vitual tour of these great sites at this LINK. Over 30 sites. Animal cameras, national parks, touring famous places across the world, try a virtual trip on Mars.

I count my lucky stars for everything good in my life, despite what’s going on across the globe. I hear & read about horror all over the world and things happening close to home. People are hurting and they don’t have many options if our economy shuts down to a crawl. Be kind to one another and help where you can. You will not regret it.

What are you doing to keep your sanity during this challenging time?



Tips & Pitfalls to Writing in First Person – First Page Critique: Organization K

Jordan Dane

Today we have the first 400 words of a novel entitled ORGANIZATION K. With it written in first person, I wanted to talk about using first person – benefits and dangers – as well as give our brave author feedback. My comments will be on the flip side. Enjoy!


Insane or not, I refused to let Victor assassinate me without a fight.

Exaggerating my daze, I meandered toward the locked exit of Bienveillance Hospital’s Clinic for Psychiatry and Psychotherapy. If someone opened the door carelessly, I’d flee. My pale, youthful skin crawled, and I scratched my stubbly cheeks. I was nearsighted and had discarded my glasses, so my surroundings appeared blurry. As I passed a couple staff members in white uniforms and neared possible freedom, blood pounded behind my ears.

An olive-skinned female orderly intercepted me. “Breakfast time, Max,” she said in German with a Turkish accent. She pointed over my shoulder and tapped her foot.

I tugged on my bleached-blond hair’s jagged ends. “Oh joy.”

My former best friend, Victor, might reenter the recuperation prison to murder me. He’d once failed to kill me there. Given my lingering madness, the personnel would disbelieve my claim. Besides, in my disgrace, maybe I deserved to die.

Clenching my teeth, I plodded into a corner of the main common room. The space’s pastel green paint, which matched my ward outfit, reminded me of vomit. Outside the lofty windows, October 2001 fog obscured the Berlin Television Tower. On clearer days, the landmark from ex-East Berlin resembled a giant lance impaling a cratered moon. As an earlier East German, an Ossi, Germany’s tallest structure inspired me to surpass my rivals.

A boyish patient with a fair complexion draped a blanket over his shoulders. Wordlessly, he wandered around the roomy area in sandals and hugged people. He approached me.

My body stiffened, and I crossed my arms. “Go easy on me, man.”

The stranger embraced me. His obliviousness to his bleak position repulsed me. Like pins and needles accompanied a hand waking from sleep, regaining sanity hurt, but the pain came with healing. He released me and strolled away.

At long tables, many fellow sufferers clanked their tableware, grating my ears. The reek of greasy food and disinfectant seeped through the air. My stomach churned.

I rushed into my spartan room and sprawled on the bed or paced on the floor. Zoned out, I stood facing the murky outdoors. The door opened behind me. Someone thumped their boots toward me and stopped. As I turned around, my spine tingled.

Victor waved at me, grinning. “Hey, Mega Max, how the hell are you?” he shouted in German with a slight Californian accent.

I swallowed hard.



This anonymous entry has an intriguing premise of a man confined in a mental hospital with an assassin out to get him, but the way it’s written, it made me wonder if I could suggest ways to make it more effective to draw the reader in. The author is counting on the reader to be curious, but are there other nuances the author could add that would intrigue the reader more?

Tips to Writing in First Person

1.) Start with action – Instead of being in the head of a character as they passively begin a story, have them DO SOMETHING. Is this character really in action? He’s stumbling through a ward and on alert, but it’s more like he’s taking inventory of the setting for the reader to “see it.” The action is TELLING. We’re being told about Victor wanting to kill him. If he’s purely delusional, the first line feels like a cheat to the reader. By the second line, any tension or intrigue the reader might’ve felt is gone when the action goes nowhere.

It might be more effective if Max is agitated and feeling the effects of an unexplained drug, attempting an actual escape from an unknown location. Leave the reader wondering – escape from where? The reader can wonder if he’s a captive, a good guy or bad. Give the reader something to care about with his situation.

2.) Make the reader care – Since this is the start of the story, I know nothing about Max. Yes, he is in a precarious position and vulnerable with an assassin after him, but why should a reader care about him at this early stage? Has the author given enough to get the reader engaged? Rather than focusing on describing the setting of the hospital through Max’s head, why not target his mental state and show the reader how he is vulnerable. Make the reader feel like THEY are held captive with him. I don’t know where this story is going, but I don’t feel enough empathy for Max because of the author’s choice to keep the story superficial.

3.) Show don’t tell – As I mentioned, Max is telling us what he fears. He’s not showing us enough of his emotional state or his vulnerability. He’s too in control and the threat doesn’t seem real – especially since he is locked up in a mental hospital. I’m not buying his fear. The author hasn’t done enough to make me feel it. Since I don’t know the rest of the story, it’s hard to suggest how to rewrite this intro, but the author should make the reader feel the threat and not just tell it.

There are many ways the author TELLS through Max, but below are specific examples:

  • Insane or not, I refused to let Victor assassinate me without a fight.
  • If someone opened the door carelessly, I’d flee.
  • My former best friend, Victor, might reenter the recuperation prison to murder me. He’d once failed to kill me there.
  • Given my lingering madness, the personnel would disbelieve my claim.

4.) Make your character’s voice stand out – It’s a challenge to cram a great deal into 400 words, but why squander the opportunity with generic? I’m assuming Max is the main character. When he enters the scene, make him show why he has earned the storytelling role. Give him an attitude about what he sees and let the reader in on it. Give him color and make him memorable. Think about how movies portray main characters when they first walk into the scene. In the first minutes of Pirates of the Caribbean, Captain Sparrow makes a splash for moviegoers. That intro defines him for the rest of the film. Shouldn’t that be how books are written? It takes thought and planning on how to do this effectively.

Make each word count on what he says? Does he have an accent or a unique way of speaking? How does he express himself? The author controls ALL of this. Is Max a chameleon in appearance? Does he have skills that would make it hard to confine him in a hospital or anywhere? Is he charming or funny and can he talk himself out of any situation? If he’s a cynic, why not infuse his surly, sarcastic nature into his dialogue? Less internal thoughts, more dialogue with another character to set up a mystery?

5.) Use your character’s self-deception as an unreliable narrator to manipulate the reader into your mystery. How much are they delusional or unreliable? Is their self-deception in small ways or is the character completely unaware of the situation. With first person, the author has a unique perspective for plot twists and misdirection. Be patient and savor the moment to add mystery and intrigue.


First person is fun to write. It is very intimate if the author stays in the head of the character. The insights into the nature of the protagonist are alluring for an author. Even if you use third person for your book, it can be a great exercise in getting to know your character by writing a scene in first person to get a feel for their personality. But first person also has dangers. Here are a few:

1.) The reader is trapped inside the head of one character. Even if you mix the POV between first and third in your book, the first person character generally dominates the story. It could be a major turnoff for the reader if the character weren’t sympathetic or compelling.

2.) Don’t make the first person voice about YOU. Some authors have trouble distinguishing between their character and themselves. It can be limiting. It’s much more interesting if you don’t limit your imagination.

3.) Overuse of “I” & filtered words – In first person, it is important not to overuse the tedious sentence beginning with “I.” This leads to filtered words and sentences that diffuse the action through the character. It distances the reader from the action. For example:


I watched an angry crowd of protesters marching down the street.


The angry crowd of protesters marched down the street.

4.) Too much introspection can lead to telling and backstory dumps. Rambling internal thoughts can be boring, page after page. Give glimpses inside your character for insight or plot twists but get your character into the action with their attitude and color.

5.) First Person can be limiting plot-wise, especially if you only use first POV for the whole book. The plot is only seen through one set of eyes. It takes planning to make a plot work.


1.) In general, I found the action uneven and a bit jumbled. Max goes quickly from wandering the ward, into a large day room until we make a leap to a dining room situation until there’s another quick shift into his room. It’s as if the author wrote a quick draft and forgot to fill in details. The author is more interested in describing the hospital than in setting up Max’s story. There’s no real action. The story is taking place in Max’s head by telling.

Here are some sentences where the scene transition was most confusing and had me re-reading. There’s no transition between spaces and the leap from dining hall to private room is too noticeable.

At long tables, many fellow sufferers clanked their tableware, grating my ears. The reek of greasy food and disinfectant seeped through the air. My stomach churned.

I rushed into my spartan room and sprawled on the bed or paced on the floor. Zoned out, I stood facing the murky outdoors.

2.) The author chose first person POV but certain passages & word choices didn’t feel like an internal thought. In an internal thought, Max would feel his skin crawl. He wouldn’t picture his skin as pale and youthful. He might tug at his hair, but not describe the bleached color and jagged ends, as if he were seeing from outside his body.

I’ve highlighted these examples below:

  • My pale, youthful skin crawled, and I scratched my stubbly cheeks.
  • I tugged on my bleached-blond hair’s jagged ends. “Oh joy.”

3.) In the sixth paragraph, the author diffuses the action with a diversion from Max as he looks out a window and sees a historical site. It’s brief, but coupled with all the other distractions, this is a passage that could’ve waited for later in the story.

On clearer days, the landmark from ex-East Berlin resembled a giant lance impaling a cratered moon. As an earlier East German, an Ossi, Germany’s tallest structure inspired me to surpass my rivals.

4.) Californian Accent? At the end, Victor comes into Max’s room and speaks in German with an accent. I may have to defer to others on what a California accent is. I come from Texas and know about a distinctive accent, but I wasn’t aware that California had a unique one. Are we talking surfer dude lingo? This reads as more author intrusion. The author is cutting corners to introduce Victor and let readers know he’s not a local.


I didn’t make line by line corrections. I wanted the author to reevaluate their introduction by considering my questions for Max and rethinking how this story begins. Give Max more action and give him a distinctive attitude for his voice. Eliminate the TELLING and add depth to this introduction with elements of mystery. I’m pretty sure the author has something more in mind for a plot to fill a book, but this excerpt doesn’t leave me wanting more. Reading into the piece, I would imagine Victor is someone Max knows well. Hence, the nickname Mega Max. That would completely deflate any intended tension written into this intro. I would rather the author give us something real to wonder about. Thoughts?


I would appreciate your feedback. I’m sure the author would love more voices weighing in, but besides line edits, let’s try something a little different. Let’s keep the basic premise the same, that Max is in a mental hospital and he fears Victor will kill him.

1.) How would you rewrite Max’s actions? What would you have him do? Think out of the box. Let’s brainstorm as a writing exercise.

2.) How would you make Max unique and give him more character and a more memorable voice?


Key Ways to Adding Depth to Any Setting: Resources & Tips

Jordan Dane

Wizarding World of Harry Potter : Hogwarts


What makes a book setting memorable? We have all read books where the setting gripped us and drew us in as readers, but any setting takes research to develop the world we will portray in our books. Even settings we are familiar with, like a hometown, take vision to add to the plot we will develop. It takes even more to create a fictional world no one has ever known or a futuristic setting we want to make vivid in the reader’s mind. Some vivid setting books that come to mind for me are: the Hunger Games series, Harry Potter, and Game of Thrones. If you have a series in mind, your canvas for storytelling must be large and hold its mysteries for future plot lines. A good setting can become a character in your books.

Many new or aspiring authors don’t include much of a setting. They tend to focus on their plot, the actions of the characters and the dialogue, but any setting can enhance a scene or a book.

Here is an excerpt from THE CURSE SHE WORE with a sprinkle of setting to enhance the mood of the scene – in the voice of Trinity LeDoux.

French Quarter

Rain sluiced from rooftops and pinged through metal rain gutters as if God had given up and flushed the world. I knew the feeling, the ache and emptiness of loss, especially tonight.

Mixed with the din of the rain, Dixieland jazz and Zydeco grated on my nerves. I had no tolerance for good cheer. Not tonight. I only had a taste for straight up bourbon and the severed artery of soul sucking blues, but where I headed I’d get neither.

I clutched the vintage necklace I’d worn to remind me why I had to come.

When I look back at the stories I have written, especially after I wrote my debut book NO ONE HEARD HER SCREAM in my old hometown of San Antonio, I did NOT pick safe bets. I often wrote in the best setting for the plot I had in mind, even if that meant writing about locations I had never been. Since I had traveled, I knew what it felt like to navigate in a world where I didn’t know the language or where to go. I could use any of my experiences to color the world of my characters or I could invent things to throw in their paths to make challenges. My empathy and imagination would help make the plight of my characters “relatable.”

When I wrote my latest novel – THE CURSE SHE WORE – I picked New Orleans as the setting. I had been to NOLA a few times, but that didn’t make me an expert. I used advisers that knew New Orleans well. I picked their brains & listened for the subtle nuances of local lingo & iconic venues. These experts helped provide me with the color & the history that I would want added to my series. It can be a rabbit hole to chase down the things that interest you about a location, but if you don’t use the material in your current project, you may save the notes for future plots. A writer’s brain is like a sponge, thirsty for knowledge.

Here are key examples of things you should know about your setting to add depth:

1.) What is the culture and ethnicity of your setting? Are their inherent conflicts with differences?

2.) What key events in history helped shape & influence your setting? History can define people and social morays. It pays to know the history of the world you are either creating from scratch or researching for accuracy.

3.) Add subtext for your setting that is reflected in your character’s attitude or mood. Try having your setting mirror the mood or attitude of your character to add context. You do this by making deliberate choices on what your character notices about the setting that reflects or mirrors their mood. For example, if a young woman walks into a bar filled with men who stare at her as if she were a porterhouse steak, what would she notice? What would crawl under her skin about the setting? The dirt, the smells, the sounds that grate on her nerves.

I love playing off the setting to enhance a scene. For example, here is my character Trinity LeDoux as she is introduced to the opulent plantation estate of Hayden Quinn, the psychic she must convince to join her on a perilous mission. She has never known wealth or power but she sees it everywhere in Quinn’s world.

Excerpt: The Curse She Wore

Ivory Magnolia Plantation

I’d never sat under a thousand sparkling rainbows before.

The crystal chandelier in Hayden’s dining room cast pastels onto the lace tablecloth. Expensive wood-carved furniture surrounded me and made me feel small. In Quinn’s world, normal meant something else entirely, something I’m not sure I would ever figure out.

I had a grasp that my life wasn’t normal, but I couldn’t say whether Hayden Quinn’s world was any closer to that mark. The man was cocooned as much in history as in his comfortable wealth—but with a gift that stamped him as an abiding freak by most people.

Normal? Not even close.

Paintings on the wall turned the room into a museum—as close as I’d ever get to such comely abundance—but when Quinn lit candles for the occasion, the soft glow from the majestic candelabras made me drowsy with contentment. He could’ve confused me with fancy utensils and proper china plates, but he’d kept things simple.

I had no doubt he’d done that for me. He’d welcomed me into his world with more grace than I had a right.

4.) Use your fives senses to place the reader there, but don’t go overboard. Don’t pull the reader from your writing by deliberately citing each sense as if you are doing an inventory. Pick the most critical and visual and go for it.

5.) Use visual aids to tease into your settings. If you have an iconic location, pick one or two images that readers may know and insert them into your story. Integrate them naturally. When I researched the streets of White Chapel in THE CURSE SHE WORE, I loved finding old maps to help me visualize where my character would’ve walked and what she might’ve seen as she went. History books are great for this and there are online resources that can help.

6.) Use action to incorporate setting details into your scenes to be more subtle about the use of your research. Action can be a great way of merging plot with research in a natural way.

Excerpt from THE CURSE SHE WORE (in Victorian London, late 1800s):

“This is where you live?”

I feared for the girl and her Alfred. No wonder she’d brought the dog with her.

Dorset Street was still a hive of activity, even at this hour. Disheveled beggars hustled for any handout and street merchants hawked their wares and services. Their voices reverberated off brick to magnify the sound. I would’ve paid for silence.

Women huddled on corners, eyeing every man who walked by and making offers. Some were mothers in stained frocks who clutched at their crying babies. A mother’s duty to provide knew no limits.

I had a bad feeling on where the girl would head next as she ducked down a flagged passageway, next to McCarthy’s store. A lone gas lamp cast shadows into a narrow and dismal courtyard that would never see sunlight even at noon.

It had a public water spigot dripping rust onto cobblestone and a common toilet that smelled as if it had backed up. As I peered into the court, I took in the steady noise and imagined the life of a girl in this forsaken corner of hell. The brick walls didn’t cover up the sounds of squeaking beds and fake orgasms, or the constant noise from a small pub on her doorstep.

7.) What food best portrays your location? Many times you have only a few spots where you can showcase food to color your world. What would you pick as quintessential? I often use a real restaurant and research their menu to include in my book. Can my character afford the prices? Make it real. That way, if a reader knows the location or looks into the details, they can find the real venues and connect deeper to my books.

Word of caution – I like to use real restaurants when I can, but if I write something bad in my plot that happens in that establishment, I will only go with a fictional name for the location. I may tease the reader with a setting that’s similar to a local restaurant, but I would call it something different. For example, in my debut book NO ONE HEARD HER SCREAM, I burned down a historic theatre. I pictured the Majestic Theatre, but I called it by another fictional name. I would be drawn and quartered if I had burned down a real theatre as popular as the Majestic. I also described the iconic Fig Tree Restaurant on the Riverwalk, but called it another name because my crime boss had dinner there. I didn’t want to give the restaurant a bad name.

8.) What are the street sights and sounds as your character walks through your setting? You can imagine a typical street but when you go the extra mile to describe certain characteristics, the reader may know your setting well enough to appreciate it.

9.) What is the geography/terrain or weather in the region? How does it affect your story? Look for seasonal weather forecast averages for the time of year you are choosing for your story. Google Maps can help define the regional geography. Even if you don’t use much of this kind of information, it can help to add layers to your story if you give the reader glimpses, as if you have been there. (I have never been to South America, but when I had Brazilian advisers who read through some of my books for authenticity, they came back with great feedback – that they were homesick for their country. That really made my day.)

10.) What is the local language or slang for places, events and common sights? This can be a tough challenge. Local slang is hard to pin down, but look on social media pages/sites to get a start & read the comments to blog posts to find the local lingo. (For example, in Dallas Hwy 75 is called Central Expressway. Despite politicians renaming a northern section of it, most locals will always call it “Central.” Or the locals in New Orleans don’t use the full name for the French Quarter. They may simply call it “the Quarter.”)

11.) What is the flora and fauna of the region? When I wrote about a remote area in Alaska for THE LAST VICTIM, I contacted the Chamber of Commerce on the island and talked at length with Grace, a newfound friend. She not only sent me many brochures on the island, she also sent me personal photos of the exact areas I needed. She had hiked there many times. She was a wealth of knowledge for how the natives lived on the island and even how they brewed an herbal tea they called Swamp Tea, common to many households. This type of information is pure gold when you’re a writer.

12.) What do the locals do for entertainment? These activities can vary by how much it costs to do these things. Not everyone can afford the same entertainment.

13.) Imagine where your character may go in your setting location and research those places. Bistros, libraries, entertainment, homes in the area, & public buildings they might frequent.

14.) What are the local newspapers? I used this in several of my books, but it’s always fun to imagine what my characters would do to get information and make it feel real to readers.


Contact Visitors Bureaus and Chambers of Commerce – These organizations can be invaluable to get you started. Don’t be shy about speaking to someone. You never know who you will meet over the phone.

Research Locations on Social Media – Many places, like New Orleans, have Facebook pages and other social media. Don’t stop at the official sites. Look for realtors selling properties in the area or food/entertainment resources and other key sites to get your juices flowing over your plot.

Youtube/Vimeo – I did a huge amount of research on mountain climbing (something I would never have experience for) in my YA book – ON A DARK WING. I had friends who had made the climb up Denali, the challenge one of my characters faced, but there was also many videos of climbers who had traversed Everest. Videos from inside their freezing tents with winds howling. These are things an expert might not share with you.

Internet Image Searches – Look for images for the setting you are researching. Many times, a picture can jump start ideas on characters, plot or events. Create a vision board for ideas that give you the flavor you are searching for and immerse yourself in that world as you write.

Music – What sounds do you hear when you think of the location? Do you ever listen to certain music before you write or AS you write, to get in the mood? Take the time to get to know your locale or invent a new one.

Libraries – Libraries are a great way to research ANYTHING. They often carry newspapers and periodicals from your locale or they can be a resource for non-fiction books on the subject. When I wrote THE CURSE SHE WORE, I used Liza Picard books to color my Victorian London historical world.

Google Street View Maps – I call this “walking with yellow man” – the little yellow icon you can click and drag to what street view you want to see. I have picked scary/crime ridden areas of my setting to find specific locations for creepy stuff to happen and I describe it. Whether a reader knows I have done this, it doesn’t matter. The visual preparation stimulates my writing and I love going the extra mile to make things real FOR ME. Here is the app for Google Streetview from Google Store. I have this on my phone. I can search a street view to see it like my character would. Very cool.

In summary, I have always loved having a layer of setting in each scene and it’s especially gratifying for me to select the right location for my book’s setting where I can reflect my character’s emotional journey. Over the years, I have found different resources to build on my process.  I hope this post will get you to think about and appreciate your own process. Please share your tips.


1.) Have I missed anything? Please share what you do to research setting for your books. Bonus points if you provide resource links.

2.) Are there tried and true methods you implement to research your settings? Describe your process.

2.) What are settings you have written (or read about) that you are most proud of as a writer or have stuck in your mind as a reader? What made it so authentic?


The Curse She Wore

They had Death in common…

Homeless on the streets of New Orleans, Trinity LeDoux has nothing to lose when she hands a cursed vintage necklace to a wealthy, yet reclusive clairvoyant.

During a rare public appearance, Hayden Quinn is unexpectedly recruited into Trinity’s perilous mission–a journey back through time to the exact moment of death for two very different victims.

Hayden and Trinity, two broken people with nothing but death in common, pursue the dangerous quest to stop a murderer from emulating the grisly works of a notorious serial killer. But trespassing on Fate’s turf comes with a price–one they never see coming.


Can You Hear Me Now? Let’s Take a Look at Audio Books

Jordan Dane


It’s been awhile since I looked into the current details on creating an audio book. With self-publishing, authors have options these days and I have created my own audio book after a publisher forgot to add those subsidiary rights to the contract. It was a great learning experience and I worked through ACX, which was the first and only way to self-pub in audio back then. These services can merge service providers (voice actors/narrators/production, distributors, & authors) and provide stock contracts between the parties and a means to communicate and create an audio book.

Nowadays, there are more service providers and an author can even consider making their own recording. The first step is to confirm you have your audio subsidiary rights before you proceed with creating an audio book. But once you have done that and your rights are available, an author has options to produce and distribute their own audio book.

Here’s what I learned:

Below are a few service providers for Audio Books to get you started. These are platforms that bring authors together with the people & services you will need.


ACX.com is a marketplace that connects rights holders (authors, publishers, agents etc) with narrators and producers to enable audio book production. It’s an Amazon company and audio books produced through the site are sold on Amazon, Audible and iTunes.

FindawayVoices.com – can help match you with a narrator, or you can publish your own files separately. They have a royalty share option as well as a pay per finished hour contract. The big difference here is that you can set your own price AND set the price separately for retail and library markets. Plus you can use their Authors Direct app to sell audio direct to listeners.

KoboWritingLife – if you use Kobo to create your work, your audio book is eligible for different kinds of promotion. Kobo sells audio books to its readers, but Kobo also works with its sister company, Overdrive, for library distribution, as well as having distribution deals with Walmart and other companies. You can reach the same markets through Findaway but the additional promotion may make it worthwhile to go direct to KWL.

Do a Combo – A new author might choose to do a royalty split with a narrator/production company. It’s generally a more affordable option, but as far as opting for a wider distribution, you can choose a combo. You may choose to go through ACX but with a non-exclusive contract for Amazon/Audible distribution. You may find wider markets in Findaway Voices. NOTE: If you already have an exclusive royalty split agreement through ACX, you may decide to change that to non-exclusive at the time of renewal. You can download your audio file from ACX and transfer it to Findaway Voices when you have the rights to do it.

Whatever you opt to do, be sure you understand how your audio book will be distributed and how your royalties will apply over the long term.


You have two choices for audio production. You can choose to record the book reading yourself OR you can hire a professional (and a service provider) to do it for you. Speaking as a former high school drama student, it’s tempting to try a recording, but I know better. Despite the benefits of an author knowing the material and hearing the dialogue in their mind, it takes a special kind of voice actor to pull off a great audio book. Merely reading the words is not enough.

For those of you willing to try it, here’s what you would need to do your own recording.

  • A quiet place to record
  • Equipment/Software
  • Time
  • Technical expertise

Depending on your budget, the equipment and software could be as little as $200, but the biggest investment will be in the time it will take you to not only produce a recording, but the effort to edit in post-production. According to Audible, an industry professional reads approximately 9400 words per hour. If your book is 90,000 words in length, it will take 9.57 hours to produce a recording, minimum. This is NOT a speed reading exercise. To be conservative, you should count on doubling that time to account for retakes, breaks between sessions, and allowing your voice time to recuperate.

I found this great link on How To Make an Audio Book: A Do It Yourself Guide. This is a detailed guide if you are serious about doing your own audio book. It goes into specifics of the equipment you should consider from your computer hardware to microphone, to recording environment, and software. The article goes into depth of one person’s experience and what they specifically used. Very cool. It even goes into suggestions on the opening and closing credits and talks about the image used for the distribution cover. There are also specifics on how to edit. Great stuff.


FOR AMAZON/AUDIBLE – First off, it’s important for your audio book to appear on the book pages for your other formats. It’s not only important for readers to find all your formats, but if your audio is not linked in all formats, the Whispersync technology (a product of Amazon and Audible) won’t be synchronized between your ebook and audio. That’s a nice convenient feature for readers/listeners. PLUS, once Whispersync is available, the reader can purchase the audio book at a reduced price.

If your audio book is shown on an orphan page where it is not merged with the other formats of your book, send an email to KDP-support@amazon.com & include the links to the Amazon pages for all the formats.

SOUNDCLOUD – This is an app you can get on Google Play/Store that will feature an audio clip of your book once you become a member. It allows you to promote on social media and include a sound clip link to give readers as a sample. A sound clip can be an interesting way to attract new readers if you cross post it on social media and have it on your website book page.

Where to Market Your Audio Book on Facebook – There are a number of Facebook groups you can query to find sites to subscribe and promote your audio books. Here are a few:

Audio Book Addicts 6000+ members

Audio Books! Over 3 Million followers

Aural Fixation Over 3 Million Followers

Other AudioBook Promo Sites:

Audiobook Jukebox – submit your audio book for a review. Reviewers can request your audio book for a review, similar to Netgalley.

Audio Books Unleashed – You load your promotion codes for your freebie giveaways on the listing page, and the site gives one to each listener requesting the audio book.

AudioBookBoom – This is a site that’s the equivalent of BookBub but for audio books.

Audio Book Marketing Resource List – This is a huge list of sites where you can have your audio book reviewed or promoted. Tons of links and includes more Facebook gand Goodreads groups focused on audio books.

Paid Advertising:

BookBub has ChirpBooks, which is an audiobook promotion service for limited time price cuts. They are partnered with Findaway Voices because other distributors don;t allow you to set or change your prices for an audio book. You can sign up to be on the wait list on this page.

You can pay to advertise your audio book in AudioFile’s Indie Press Showcase.

I was amazed at all the new things online for authors who might want to retain their subsidiary rights for audio books. I listen to audio book almost every night. It’s a relaxing way to fall asleep – like someone reading you a bed time story in the dark. I also love that retailers, like Amazon, give readers a discounted price for the audio book addition to your library. I’ve gone back to my reading list to see if some of my fav authors have audio book sold at a good price. Things have definitely changed for the better for audio books.

For Discussion

This post is only the tip of an iceberg for all the resources available for audio books and an author’s options. If you have any audio book experiences or resources to share, please put them in your comments. 

Share some of your favorite voice actors/narrators.

Share some of your favorite audio books.

The Curse She Wore – Available for Pre-Order – Releases Feb 10, 2020.

Trespassing on Fate’s turf comes with a price for two broken people–a price they never see coming.


First Page Critique – The Wildfire Pathogen

Jordan Dane

I am posting my first page critique to assist Clare who is in Australia with personal family business. My first critique in 2020, I hope you’ll enjoy THE WILDFIRE PATHOGEN. Very timely with the Coronavirus out of China. Let’s sanitize our hands and read on. My comments will be on the flip side.

The Wildfire Pathogen

Even through six inches of solid acrylic, Conrad Jurek could see the monsters moving inside the box.

They were no more than grainy mists inside individual test tubes. Those mists swirled with each jolt of the plane as it powered through pockets of turbulence. Almost as if the bumpy ride irked them.

Jurek reached into his sage-colored flight suit, pulled out a pen, and began to jot notes on his clipboard. The acrylic box was a four-by-six foot transparent crate mounted on a hardwood dolly. A locking mechanism the size and weight of a manhole cover sat on top. He’d seen the same tamper-proof device protecting the innards of nuclear warheads.

The monsters inside could do far worse than mere firecrackers.

Six tubes hung suspended below the locking device like bullets chambered in a revolver. Each finger-length container held twenty grams of orthohantavirus, a solid mass of viral matter dried into particles as white and delicate as baby powder.

Yet each cylinder of glittering borosilicate glass held enough pathogenic material to kill several million men, women, and children.

A beefy hand came down on Jurek’s shoulder. He suppressed his instincts and allowed the hand to turn him around. A man wearing a black uniform with the word SECURITY stenciled across the front scowled at him before growling two words.

“Back off.”

Jurek held up the clipboard. “I’m supposed to do a load check mid-flight.”

“No one’s supposed to come close to the package.” The guard’s eyes flicked to the name tag at the chest pocket. “If I were you, Corporal Witkowski, I’d leave. Now.”

Two more security men stepped into view on the opposite side of the box. Jurek considered them for a moment. Under his flight jacket, a 9mm Beretta Nano hung snugly in a holster. The weapon was still warm from when he’d shot Witkowski and taken the airman’s uniform off the hanger.

No, he thought to himself. Stick to the plan.

Jurek turned away and went up to the cockpit. He locked the door and took the empty co-pilot’s chair. The pilot glanced over with a raised eyebrow. His uniform’s tag also bore the name of a man murdered in the last two hours.

“I’m familiar with the outer locking mechanism,” Jurek confirmed. “We go forward as planned, Doctor Isenhoff.”

“Good,” came the reply. “Get your oxygen mask ready.”

With that, Isenhoff reached out and flicked a single switch on the flight panel.


SUMMARY – Great place to start. This time it’s not SNAKES ON A PLANE. It’s monsters in a vial. We are already in the middle of the action with plenty of mystery and intrigue to keep turning the pages. The author sticks with the action without slowing the pace with backstory. There’s time for explanation once the reader is pulled in. At the end of the 3rd paragraph, the author draws the reader in tighter in describing the tamper proof canister and compares it to the protection on a nuclear warhead. Nicely done. And it got my attention when the author described a nuke to “firecrackers” compared to the monsters on the plane.

I also liked that the author had patience to let the reader discover that Jurek committed murder to get on the plane, wearing a dead man’s uniform. At this point, we aren’t sure if Jurek is trying to stop a deadly pathogen attack by hijacking the material from villains or if he plans to steal the deadly virus to commit his own attack. Great set up with plenty of mystery to unravel.

I especially like how the author had Jurek accosted by security and he had to restrain his instincts to fight the man off. He’s got more up his sleeve (a plan) and that’s when we find out that Jurek killed to board the plane. Nice touch, author.

Then a stroke of genius to have Jurek working with the pilot – a doctor presumably familiar with the pathogen – who is also a pilot. Jurek and Dr Isenhoff are in it together. And there’s a hint that there’s a reason Jurek went to check out the dangerous cargo, to determine if he knew how to break into the canister. Something bad is about to happen that involves oxygen masks. At this point, we don’t know who the protagonist is, but we have a great start.

TITLE – I like the reference to “wildfire.” We all know what that could mean in terms of spreading fast and the word “pathogen” is timely and medical. Only the author knows if there are other titles that could establish the critical danger in a better way, but I would be happy taking this title to a publisher. It’s more than a working title, in my opinion.

NIT PICKY – At the start of paragraph 3, I spotted a pet peeve of mine. I like a strong sentence with tight wording. The words “began to” are unnecessary. It would be better to say “…and pulled out a pen to jot notes on his clipboard.”

Jurek reached into his sage-colored flight suit, pulled out a pen, and began to jot notes on his clipboard. 

Great job, anonymous author. There’s action and I’m intrigued. I would definitely keep reading. Okay TKZers, please leave your comments and provide feedback to this brave author. (Safe travels, Clare. We missed you.)

The Curse She Wore – Coming Feb 10, 2010. On presale now.

Trespassing on Fate’s turf comes with a price for two broken people–one they will never see coming.