Category Archives: #writers

First Page Critique – Digging Up the Dirt

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by Debbie Burke

Today let’s welcome another Brave Author who submitted a first page for critique, genre described as “Comedic (Cosy – not so cosy) Crime.” Please read and enjoy then we’ll open the discussion.

Title: Digging up the dirt

‘Some secrets won’t stay buried.’ Myrtle’s mouth twitches, not quite a smile; there’s a malicious glee in her delivery.

Some secrets won’t stay buried — and I’m looking at the person most likely to make sure of it.

Her words land like a promise.

She’s itching to unearth what’s been hidden. To watch what crawls out and enjoy the look on everyone’s faces when it does.

She’s insane to believe that by betraying us she won’t expose herself.

Why couldn’t our investor, predator, blackmailer — call her what you like — have been Bob? Someone with the temperament of a Labrador, willing to please for a mere pat on his head.

Myrtle’s opportunistic and slippery as a catfish hauled from our Riviersvalleij river.

‘When did Constable Maritz take Sylvie away?’ I ask.

‘This morning.’ Her smile deepens.

I control the urge to slap her smug face; demand back the purloined shop keys and replace the locks.

She crams a fat wedge of Sylvie’s banana-bread into her mouth, then swigs back the dregs of a cappuccino. Both of which she’s helped herself to after letting herself into our shop.

I look around, spying the basket of homemade nougat wrapped in silvery cellophane, its ends twisted by Sylvie’s deft hands. The nougat has the same stretchiness as the Prestik that glues my scribbled genre labels on the shopworn bookshelves. Our combined distinctive minutiae are everywhere. How dare Myrtle think she’s welcome to claim part of our bookshop cafe.

It’s ours — mine and Sylvie’s.

Her earlier threatening suggestion that Sylvie’s doomed to spend time behind bars and I’ll be grateful for her help has lit an inferno inside me. The old me might have wilted, but she’s underestimated the power of our bond. If we’re going down, I’m bloody well dragging Myrtle with us.

Constable Maritz has carted Sylvie off to confiscate a sample of our dog food. Someone complained food isn’t fit for consumption.

This batch is to have ‘Happy belly – Healthy heart’ as a tagline. Sylvie’d conjured that up based on the resveratrol found in red wine. This time, the, shall I call it meat, lay marinating in a vat of wine for seven days. Let’s pray Sylvie didn’t claim the meat to be pork or horse, or whatever’s usually used in raw dog food. That would be a misrepresentation.

It’s the source of the meat that’s the problem.

It’ll land us in jail.

~~~

Kudos on a flash-bang first sentence! Great job beginning the scene in media res. The conflict is immediately shown without any backstory dump. Myrtle’s character is quickly established as gloating, threatening, and manipulative.

I suggest a slight rewrite:

‘Some secrets won’t stay buried.’ Myrtle’s mouth twitches, not quite a smile; there’s a with malicious glee in her delivery.

Some secrets won’t stay buried — and I’m looking at the person most likely to make sure they’re uncovered of it.

Repetition is not needed and dilutes the impact of the compelling first sentence.

The following line packs a lot into a few words:

“She’s insane to believe that by betraying us she won’t expose herself.”

This describes the situation (an apparent conspiracy), the stakes (if their secrets are exposed, they’re at risk), and a serious rift among characters. Good job! 

The voice is humorous and snarky with high tension lurking just below the surface. The author classified this story as “Comedic (Cosy – not so cosy) Crime” and that accurately nails the tone.

However, the next paragraph lost me.

“Why couldn’t our investor, predator, blackmailer — call her what you like — have been Bob? Someone with the temperament of a Labrador, willing to please for a mere pat on his head.”

Investor, predator, blackmailer is an excellent summation of Myrtle that explains her involvement.

But who the heck is Bob?

That distracted and confused me. My mind went off on a tangent wondering what role Bob plays and even thinking he might be the dog.

Then the focus shifts back to Myrtle who’s as “slippery as a catfish hauled from our Riviersvalleij river.” Wonderful description but it feels overdone, coming right on top of the comparison with the eager-to-please Lab.

At this point, the author needs to slow down a bit and let the reader catch a breath. Give them time to become grounded in this world.

Too much backstory slows pace, but too little confuses the reader.

I suggest cutting the paragraph about Bob and saving it for later. For now, keep the focus on Myrtle and the narrator.

The next paragraphs do a fine job of slipping in the setting without stopping the action, but tend to be a bit too complex in places.

“I control the urge to slap her smug face; demand back the purloined shop keys and replace the locks.”

That requires the reader to shift chronological gears mid-sentence. In the present, the narrator wants to slap her. In the past, it’s implied Myrtle has stolen the keys and let herself in. In the future, the narrator plans to change the locks.

Those details are good because they further build Myrtle’s character, as well as establish the narrator’s resentment. But I had to reread the sentence a couple of times to understand it. I suggest simplifying the chronology and getting rid of the semicolon.

Here’s another sentence that’s hard to comprehend: 

“Her earlier threatening suggestion that Sylvie’s doomed to spend time behind bars and I’ll be grateful for her help has lit an inferno inside me.”

I suggest breaking this into shorter sentences:

Myrtle’s threats light an inferno inside me. How dare she imply Sylvie could go to prison, then expect me to be grateful for her help? 

The next two sentences effectively summarize the narrator’s character, relationships, motivations, and goals:

“The old me might have wilted, but she’s underestimated the power of our bond. If we’re going down, I’m bloody well dragging Myrtle with us.”

Well done!

Then the author reveals a provocative detail: the mystery meat used to make dog food sold by the shop is illegal.

Hmm. I can’t help but think of the barbecue in Fried Green Tomatoes.

I’m curious about the setting. The use of single quotes for dialogue and the spelling of “cosy” signals British or Australian. “Prestik” is a rubber-based, reusable, adhesive putty made in South Africa. Eventually I’d like to know more about the location but the plot is intriguing enough that I’m willing to wait.

A dynamite first sentence grabs the reader’s attention. The situation unfolds quickly with blackmail, betrayal, and potential criminal charges. As a reader, I want to learn answers that may turn out to be gruesome.

Brave Author, I really enjoyed the dark, humorous tone of this page, but I suggest you slow down a bit and simplify some sentences. You pack in so much detail that, at times, it becomes overwhelming and a little confusing.

Overall, it’s well written and intriguing. 

Thanks for submitting!

~~~

TKZers: what is your impression of this first page? Do you want to dig deeper in the dirt?

~~~

 

“Authors of any genre will benefit by using this book to take a deeper dive into the antagonist of their story.” — James Scott Bell

“You will certainly find insight and inspiration to make your villains leap off the page and haunt your readers’ dreams.” – Christopher Vogler, The Writer’s Journey: Mythic Structure for Writers

 

 

Build multi-dimensional antagonists who fascinate and frighten readers in The Villain’s Journey – How to Create Villains Readers Love to Hate. 

Buy at Bookshop.org

Also in paperback and hardcover at 

Amazon

Barnes & Noble 

The History of Books

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“My best friend is a person who will give me a book I have not read.” —Abraham Lincoln

* * *

Thursday, April 23, 2026 is World Book Day. According to Wikipedia,

World Book Day, also known as World Book and Copyright Day or International Day of the Book, is an annual event organized by UNESCO (United Nations Educational, Scientific and Cultural Organization) to promote reading, publishing, and copyright. The first World Book Day was celebrated on 23 April in 1995, and continues to be recognized on that day.

Clearly, all authors should be celebrating World Book Day, but I have to admit I never heard of this special day until my husband and I were invited to give a presentation on the subject. As a result of that invitation, I did a little research and found it to be such a fascinating story, I figured TKZ folks would be interested.

Much of the information below outlining the major milestones in the history of books came from tckpublishing.com.

* * *

Mesopotamia, 3500 BC – Clay Tablets

The Mesopotamians used wet clay and wrote on it with a reed stylus. The tablets were then dried or baked to preserve the writing. Much of the content recorded inventories, sales information, contracts and legal agreements.

Egypt, 3000 BC – Papyrus

The Egyptians used marrow from the papyrus reed to produce sheets which were glued together to create scrolls. Some of the scrolls were very long—one measured more than 40 meters!

 

Greece, 500 BC – Goat skins

A shortage of papyrus gave the Greeks incentive to go in another direction, and they used sheep and goat skins to make parchment. It was a good solution, but not as good as leather.

 

China, 100 BC – Paper!

The Chinese are credited with inventing paper made from rolls of bamboo that were bound together.

 

Rome, 100 BC – Codex

Romans made a giant leap forward with the invention of the codex, a way to bind pages together to form what we would recognize as a book.

 

It took 3500 years to get to books in the format we’re used to seeing, but printing books in mass was still to come.

Movable type – 1000 – 1400

The Koreans invented the first metal movable type in 1200 AD and produced the first book with that type in 1377AD.

 

 

Gutenberg’s printing press – 1439 

Gutenberg’s brilliant invention provided for the mass production of books. The first mass-produced book was the Gutenberg Bible, printed in 1455.

 

Pocketbooks – 1500

Aldus Manutius is credited with inventing this precursor to the modern paperback.

 

Printing comes to America – 1640

The Puritans brought over a printing press and printed The Bay Psalm, the first book printed in the new world. It contains the Book of Psalms from the Bible. A few copies of the original printing are still in existence.

 

Project Gutenberg – 1970s

Michael S. Hart founded Project Gutenberg in 1971 as a way to digitize and preserve important books. As of March 2026, this volunteer effort has made over 75,000 free works available to the public.

 

Amazon Kindle – 2007

Amazon’s Kindle was introduced in 2007 to light a fire in the reading public. Over 80,000 titles were available for purchase on the first release. There are currently over 44 million book titles on Amazon.

 

According to medium.com, around 2.2 million books are published each year, and there are around 155 million books (unique titles) in the world today!

* * *

So TKZers: What are your thoughts on the history of books? What’s your favorite book? How many books have you published? Do you write in one genre or several?

* * *

THE WATCH MYSTERIES

Half-sisters Kathryn and Cece never meant to become sleuths, but trouble has a way of finding them. With Kathryn’s problem-solving skills and Cece’s theatrical talent, these reluctant detectives prove the search for truth is worth the effort.

Three complete novels on sale this week for 99¢ on Amazon, Barnes & Noble, Apple Books, Kobo, and Google Play.

We Become the Stories We Tell Ourselves

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The idea for this post began with a quote attributed to Michael Cunningham in A Home at the End of the World…

“We become the stories we tell ourselves”

This is especially true of writers. If you tell yourself, “I’ll never find an agent” or “My writing isn’t good enough to score a publishing contract,” chances are you won’t. Why? Because you’ve adopted a negative mindset.

Same principal applies to, “I can only write on weekends.” If you tell yourself you can only write on weekends, you’re already making decisions about your ability to write Monday through Friday, so if you slip behind the keyboard on a weekday, it’ll be more difficult to write. You’ve handicapped your creativity with a fixed (negative) mindset.

We’ve discussed fixed vs. growth mindsets before. I want to revisit the Mental Game of Writing *shameless plug for JSB* from a different angle, because it’s not discussed enough in writers’ circles.

RAY EDWARD’S THOUGHT EXPERIMENT 

Imagine you’ve been given a treasure. This treasure, like all magical treasures, comes with conditions. While it’s an unlimited treasure, each day you can only take one gold coin. Just one. And every day you suffer from amnesia. When you forget you have this treasure, you lose a day of unlimited value.

How will you remind yourself to take the coin? Leave a note? Set an alarm? Phone a friend and ask them to remind you? How will you remember not to waste a single coin?

You already own this treasure. It’s called life. Consider this your reminder. Each new day offers endless possibilities, in life as well as writing. What will you do with your coin today? Will you squander it by scrolling through social media for hours? Or will you cash it in for its full value?

Look. We’re all guilty of procrastination from time to time. The trick is to prioritize your writing.

Every morning, I watch the sunrise. Not only does it inspire me, it grounds me with a positive mindset for the day. If you roll over and slap the snooze button, dreading the day ahead, you’ll start the day with a negative mindset. Things tend to roll downhill from there.

Have you ever heard a writer complain about being a lousy writer? That’s a fixed mindset. Their mind is made up. They will never write well. Period.

A growth mindset is positivity based. If that same writer said, “I may not be the best writer today, but I will be” they’ve flipped the script. Because now, they know if they continue to show up, they will improve.

See the difference?

The writer with the growth mindset is moving forward. The writer with the fixed mindset would rather complain about writing than study, hone, and implement their craft.

Writers aren’t the only ones who fall prey to a fixed mindset. It’s easy to do.

Do these excuses sound familiar?

  • Too much to do today. I’ll write tomorrow.
  • Can’t write now. I just worked an eight-hour shift.
  • Too tired to write.
  • Not in the mood to write today.
  • I’m not inspired.
  • I have writer’s block.

Every excuse is steeped in negativity, yet this is common rhetoric in the writing community.

Let’s pull back the veil on each one.

TOO MUCH TO DO TODAY — I’LL WRITE TOMORROW

When life shakes the to-do list in your face, it’s easy to avoid the keyboard. The problem is, tomorrow never comes. If you are a professional writer, or striving to become one, then you must prioritize your writing.

Can you carve out thirty minutes in your busy schedule today? How about fifteen? How about five? No one’s too busy to write a paragraph.

CAN’T WRITE NOW — JUST WORKED AN EIGHT-HOUR SHIFT 

Writers all over the world work a full-time day job. Lee Child wrote his first novel during his commute to and from work. If you’re driving, can you dictate into your phone? Hands-free, please! I don’t want to cause any accidents.

Or write on your phone during your lunch break.

Or start supper fifteen minutes later than usual — after you’ve hit the keyboard.

Priorities, priorities, priorities. How bad do you want it? If writing full-time is your ultimate goal, you must continue to show up.

If you train yourself to write for fifteen minutes when you arrive home from work, the word count will continue to grow. An ever-increasing word count leads to confidence, excitement, and joy. There’s no downside. None. If all you have is fifteen minutes, you must protect that time. Tell your family and friends how much writing means to you. The house won’t burn down if you disappear for fifteen uninterrupted minutes, nor will your children starve.

Some days the words will flow. Other days they won’t. That’s okay. You still made progress. Don’t get caught up in evaluating your writing or hitting a certain word count right away, or you’ll backslide into a negative mindset. Celebrate the fact that you showed up.

TOO TIRED TO WRITE

With all the snow blowing I’ve done this winter, it’d be easy for me to use the “too tired” excuse. Battling Mother Nature does wear me out, but I also have multiple writing projects that need my attention. I take time to rest, enjoy a nice hot cup of tea, then hit the keyboard. If my hands hurt from squeezing the handles of my snowblower (a common problem), I may only squeak out 500 words that day — self-care is equally important — but at least it’s something.

NOT IN THE MOOD TO WRITE TODAY 

If we sit around waiting to get in the mood to write, the WIP will languish on the hard drive for months, even years.

“The only way out is through.”

—Robert Frost

Here’s where having a solid writing routine in place makes all the difference. For me, it’s sliding on the headphones. Once I crank the music, the world fades away, my focus narrows on the screen, and I’m transported into my story. It’s a form of self-hypnosis. When I hear that playlist, my creativity soars.

Find a routine that works for you and stick with it. You may be surprised by how quickly you can jump into the zone.

I’M NOT INSPIRED 

Seriously? I’ve never understood this excuse. What are you waiting for, a lightning rod to shoot from the sky? Lemme tell ya, watching cat videos on social media won’t inspire you, either. Stop wasting precious writing time. Slide on the headphones, or whatever works for you, and write something, anything, even if it’s only a paragraph.

If you don’t know what to write, review your writing from the day before. It’ll come to you. If you’re still stuck, go for a walk. Alone. And think about your story.

Planners may have a slight advantage over pantsers in this regard. If I know my next milestone in the story — first plot point, first pinch point, midpoint, etc., etc. — then I’m able to say, “Okay, the MCs need to wind up doing this or that. How do I get there from here?”

The answer may require research. Or the introduction of a new character. Or better yet, kill a character. Nothing kickstarts creativity faster than raising the stakes.

I HAVE WRITER’S BLOCK 

Pah-lease. Writer’s block is nothing more than a negative mindset with a title attached. You’ve convinced yourself you cannot write for whatever reason. Flip the script in your head, and the words will flow like Niagara.

Perhaps, you’re overwhelmed. It happens. Take a breath. You’re okay. Move on.

Or maybe, real life has given you more than your fair share lately. Or you’ve written yourself into a corner. Figure out what the root cause is, but please don’t call it writer’s block.

Burnout is something else entirely — been there, done that, got the scars to prove it — the subject of which has too many variables to discuss now. Want me to cover it next time?

Maintaining a positive mindset takes work and perseverance, but you can do it… if you want to.

Therein lies the rub.

How will spend your treasure today?

Finding the Right Words

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By Elaine Viets

Like most writers, I love words. I like to read about them, learn new ones, find old ones. I enjoy puns and wordplay. Naturally, I depend on my dictionaries. But did you know these websites are crammed with extra information?

These days, dictionaries are much more than spelling and definitions.

Here are two of my favorite online sites.

Merriam-Webster dictionary. https://www.merriam-webster.com/

This site usually has a topical essay about words.

After the untimely death of Catherine O’Hara, who left her mark on movies such as  Home Alone and TV’s Schitt’s Creek, Merriam-Webster had an essay on 16 words from Schitt’s Creek. The Canadian sitcom is about “the Roses, a rich family that loses its wealth and must temporarily move into a motel in a small town with the cheeky name of Schitt’s Creek,” Webster said. “By metrics of awards and international viewership, Schitt’s Creek became Canada’s most successful television series. Among the series’ memorable characters is Moira Rose, played by the late Catherine O’Hara, whose diction is, shall we say, a bit eccentric.”

One of the best words Moira used is bombilate, which means, “to buzz or drone.”

“The room is suddenly bombilating with anticipation,” Moira said.

Too bad her wonky usage of bombilate isn’t popular enough to make Webster’s. Other Moira words include Balaton, confabulate and dangersome.

I have problems sorting out affect and effect. I can’t keep those words straight. Or is it strait? Webster has this helpful article: “Affect vs. Effect and how to pick the right one.”

“The basic difference is this: affect is usually a verb, and effect is usually a noun,” Webster said. Much more useful than what my teachers told me: “An affect has an effect.” Huh?

Webster delves into the proper use of em-dashes, en-dashes and hyphens and has a list of top word look-ups. Here’s one: Chargoggagoggmanchauggagoggchaubunagungamaugg.  That’s a lake, and it’s in the US, not Wales. The lake has the longest place name in our country. There are various stories about the name’s origin, but one says the name is Native American and commemorates an 18th-century fishing treaty. It’s jokingly translated as: “You fish on your side, I fish on my side, and nobody fishes in the middle.” The lake is in Webster, Mass., and many just call it Lake Webster.

Webster (the dictionary) has a helpful section on slang and trending words.

Know what a fridge cigarette is? “A cold, refreshing and addictive soft drink.” Gruzz is an older person. (I hope that one doesn’t catch on.) An almond mom is “a mother who pushes her daughter to be skinny, through diet.” Note that the term refers to daughters, not sons, enforcing expectations that women have to be thin. Bed rotting mean staying in bed all day. Zaddy is an attractive older man. There are more, lots more slang words Webster is watching. They’re fun to explore.

Webster also features words with tricky pronunciations, including ragout.  Don’t embarrass yourself by calling that meaty stew rag-out. It’s ra-GOO.

Oxford English Dictionary. Oxford English Dictionary

My publisher, Severn House in London, uses the Oxford English Dictionary, or OED. It’s a little more staid that its American cousin, Merriam-Webster, but I love the research for its Word Stories.

Here’s part of the story of glamor. Excuse me, glamour.

“The schoolroom, verb tables, and Latin class seem about as far removed from our current notion of glamour as it’s possible to get,” the OED said. But grammar and glamour  “were originally the same word.”

Dull, dusty grammar “first came into English from French with the meaning ‘learning or scholarship concerning a language’, and particularly, ‘a book which contains this knowledge’. The word soon extended to the principles of any kind of learning, and to books setting out such principles.”

Grammar took a turn into the occult, and words related to grammar began to refer to “knowledge of or expertise in magic and astrology, or to manuals for invoking demons and performing general sorcery.” These words included “gramarye and grimoire . . . and, finally, glamour.”

“Since glamour entered the language it’s taken on quite the life of its own.” It’s given us “glamour puss, (a glamorous or attractive person), glamazon, (a tall, glamorous, and powerful woman), and glampsite, (a campsite for glamping – the more luxurious way to camp).”

You can subscribe to the OED, but if you can’t afford a hundred bucks, you can still look up words for free, and enjoy word lists, world English, and the history of English.

Wordsmith Tom Stoppard wrote, “I don’t think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you might nudge the world a little or make a poem that children will speak for you when you are dead.”

International sale: Two Dead-End Job mysteries, “Dying to Call You” and “Pumped for Murder” are $1.99 today at bookshop.org, Barnes & Noble, Google, Kobo, Apple and Amazon in the US and Great Britain.

Why Writers Write

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“If you want to change the world, pick up your pen and write.” ― Martin Luther

* * *

Every now and then we talk about why we feel compelled to write. I’ve been thinking about this a lot lately, and it occurs to me that our motivation for writing may change as we grow in experience.

For example, the reason I decided to write my first novel wasn’t because I wanted to change the world or as some kind of personal catharsis. It was because I was listening to an audiobook while out running one day, and I thought I could write a mystery that was better than the one I was listening to. (A monumental act of hubris.)

When I returned home from my run, I got out my laptop and started typing. It was like being in a canoe, carried down the river by a current so strong, there was no use to fight it, even if I’d wanted to.

But as I got further into the story, I found there were things I wanted to say—about the world, society, myself—that changed my view of why I was doing this. By the time the book was published, I had arrived at a whole new perspective and a new “why” of writing.

* * *

So why do most writers write? Is there one overriding reason? Famous authors have offered their own opinions on this subject. As I read through some of their motivation for writing, I found themes of suffering, love, self-satisfaction, societal problems and more. Here are a few quotes:

“Any writer worth his salt writes to please himself…It’s a self-exploratory operation that is endless. An exorcism of not necessarily his demon, but of his divine discontent.” – Harper Lee

“When I sit down to write a book, I do not say to myself, ‘I am going to produce a work of art.’ I write it because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing.” – George Orwell

“All that I hope to say in books, all that I ever hope to say, is that I love the world.” ― E.B. White

“I don’t know why I started writing. I don’t know why anybody does it. Maybe they’re bored, or failures at something else.” – Cormac McCarthy

“I write because I don’t know what I think until I read what I say.” – Flannery O’Connor

“I believe there is hope for us all, even amid the suffering – and maybe even inside the suffering. And that’s why I write fiction, probably. It’s my attempt to keep that fragile strand of radical hope, to build a fire in the darkness.” – John Green

“That’s why I write, because life never works except in retrospect. You can’t control life, at least you can control your version.” – Chuck Palahniuk

“I write for those that have no voice, for the silent ones who’ve been damaged beyond repair; I write for the broken child within me…”
― Nitya Prakash

“I write because I love writing. I think I became a writer in order to explore my ideas and responses to the world around me, which I often found it difficult to share with others. Also I liked my autonomy, and a writer can choose his or her own working hours – midnight to dawn or whenever.” – Alex Miller

* * *

But you don’t have to be famous to have a gripping reason to write a book. A few weeks ago, my husband and I hosted a local author event for the community we live in. I had asked each of the ten published authors to send me a statement about why they write. Take a look.

As a former ICU nurse and family caregiver, I want to bring God’s hope to anyone facing a health crisis. —Tracy Crump

“I love teaching and encouraging young children. What better way than through story telling! In my barnyard adventures, I teach values and character building in relatable situations. I love how it gives parents a way to spend time with their child while learning values.” —Becky Thomas

“My stories are tales of trials and victory against impossible odds, carrying the message of enduring hope—because fantasy teaches us that with courage and resilience, we can persevere through the most extraordinary things.” —Beth Alvarez

“I created a coloring book to help kids and kids-at-heart relax and take some quiet time to bring color into their lives. We should live life in every color!” —Annette Teepe

“I write because I want to reach out to young readers who may currently have no spiritual interests that they might discover the difference Jesus can make in their lives and consider following Him.” —Larry Fitzgerald

“I write for the Lord, Kay, Arthur, myself, decency, and to add a drop to the sea of literature.” —Frank DiBianca

“My five mystery novels are set primarily in the historic Memphis area during the post war 1940s. They include action, some gun play, humor and even a little romance now and then.” —Nick Nixon

“Countless books have been written about every Beatles song ever recorded, but I really wanted to read a book about all the hits they had as solo artists. Since that book didn’t exist, I decided to write it.” —Gary Fearon

“I write mysteries because they reflect what I believe—that truth is worth pursuing, and that critical thinking, perseverance, and faith will lead us there.” —Kay DiBianca

* * *

So TKZers:  Why do you write? And more specifically, why are you writing the current book you’re working on? Or any book in your backlist. Has your reason for writing changed over time?

 

Only a single star could reveal the truth buried beneath decades of lies. And only one woman had the courage to follow its light.

Click the image to go to the Amazon book detail page.

Celebrating Public Domain Day – Part 2

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Montage of 1929 Works

by Debbie Burke

Y’know what they say about great minds?

Well, Kay DiBianca and I independently had the same idea this week: Public Domain Day 2026.

When I went to schedule my post, I noticed Kay had already scheduled hers. So we put our great minds together and decided that1930 was such an exceptional year for books, films, and music, there was enough to cover without duplicating each other.

So here is Part 2 featuring music and recordings.

George and Ira Gershwin published four great tunes:  I Got Rhythm, I’ve Got a Crush on You, But Not for Me, and Embraceable You.

More hummable earworm songs: Georgia on My Mind, Dream a Little Dream of Me, Body and Soul, Just a Gigolo.

Music and lyrics have their own copyright dates as sheet music but recordings of those songs by particular musicians may fall under different later dates. For 2026, these specific performances entered the public domain:

In an interesting side note, the soundtracks for a number of cartoons were built on musical compositions that had earlier gone into public domain. For boomers, our first introduction of these tunes often came from cartoons, singing along to: “A Hunting We Will Go”, “The Farmer in the Dell”, and “Pop Goes the Weasel”. I have clear memories of several  cartoon heroes playing a flute to coax a cobra from a basket with the “Snake Charmer Song”.

How many of us boomers were called to the TV by the siren song of the “William Tell Overture,” the theme for The Lone Ranger?

Want to stroll farther down memory? Check out Duke University’s annual public domain summaries.

~~~

TKZers: Did any of these characters, books, films, cartoons, or music inspire your writing? Which ones and why?

Would any of these songs play well for the soundtrack of a movie based on your book? Which ones?

~~~

Tawny Lindholm Thrillers will probably enter public domain around the beginning of the 22nd century. Meanwhile, you can read them at this sales link.

Debbie Burke website.

New Year’s Thoughts from Fifteen Authors

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by Debbie Burke

The New Year is a time when many writers ponder what we want to accomplish.

I thought it might be fun to see what well-known authors, past and present, think about the New Year. Here’s a collection of advice, musings, and cautions:

1. “Cheer up! Don’t give way. A new heart for a New Year, always!” – Charles Dickens (1812-1870), English novelist

2. “We went nowhere without figs and never without notebooks; these serve as a relish if I have bread, and if not, for bread itself. They turn every day into a New Year which I make ‘happy and blessed’ with good thoughts and the generosity of my spirit.” – Seneca, who lived at the cusp of BC and AD.

Frances Burney

3. “I opened the new year with what composure I could acquire…and I made anew the best resolutions I was equal to forming, that I would do what I could to curb all spirit of repining, and to content myself calmly—unresistingly, at least, with my destiny.” – Frances Burney AKA Fanny Burney (1752-1840), English novelist and playwright

4. “‘A merry Christmas, and a glad new year,’
Strangers and friends from friends and strangers hear,
The well-known phrase awakes to thoughts of glee;
But, ah! it wakes far different thoughts in me.
[…] I, on the horizon traced by memory’s powers,
Saw the long record of my wasted hours.” – Amelia Alderson Opie (1769-1853), English novelist and abolitionist

5. “Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.” – Alfred Tennyson (1809-1892), English poet

6. “New Year’s Day: now is the accepted time to make your regular annual good resolutions. Next week you can begin paving hell with them as usual . . . New Year’s is a harmless annual institution, of no particular use to anybody save as a scapegoat for promiscuous drunks, and friendly calls, and humbug resolutions. Yesterday, everybody smoked his last cigar, took his last drink and swore his last oath. Today, we are a pious and exemplary community. Thirty days from now, we shall have cast our reformation to the winds and gone to cutting our ancient shortcomings considerably shorter than ever.”– Mark Twain (1835-1910), American author and humorist

7. “For last year’s words belong to last year’s language. And next year’s words await another voice. And to make an end is to make a beginning.” – T.S. Eliot (1888-1965), American poet

8. “Drop the last year into the silent limbo of the past. Let it go, for it was imperfect, and thank God that it can go.” – Brooks Atkinson (1894-1984), American theatre critic

9. “Youth is when you’re allowed to stay up late on New Year’s Eve. Middle age is when you’re forced to.” – Bill Vaughan (1915-1977), American author and columnist

10. “I made no resolutions for the New Year. The habit of making plans, of criticizing, sanctioning and molding my life, is too much of a daily event for me.” – Anaïs Nin (1903-1977), French-American author

11. “The object of a New Year is not that we should have a new year. It is that we should have a new soul and a new nose; new feet, a new backbone, new ears, and new eyes. Unless a particular man made New Year resolutions, he would make no resolutions. Unless a man starts afresh about things, he will certainly do nothing effective.” – G.K. Chesterton (1874-1936), English author

Benjamin Franklin
Photo credit: Wellcome CC BY-SA 4.0

12. “Be always at war with your vices, at peace with your neighbors, and let each new year find you a better man.” – Benjamin Franklin (1706-1790), American author and a founding father of the U.S.

13. “I have always loved New Year’s Eve and New Year’s Day. Even though our sense of time is arbitrary and human, it still means something. I love the feeling I always get on New Year’s Eve that I am lucky — that the universe has been generous to me, to have let me stick around for another year, and to now erase the slate and give me another chance. Tomorrow I will be gifted with a brand new year — with no mistakes in it yet, and no heartbreaks yet, and no failures yet. I get to try again. Amazing. You will be gifted with this huge blessing, too. A clean and empty book awaits us all. Maybe we will be able to write things differently this time. Maybe a bit better. Maybe we will be wiser this time. At least we get to try. We have all been given a fresh chance. Let’s close the old book, and open a new one.” – Elizabeth Gilbert (1969-), American author

Woody Guthrie Statue
Photo credit: Cosmos Mariner, CC SA-BY 4.0

14. Woody Guthrie (1912-1967), American songwriter, offers his list of resolutions:

  • Work more and better
  • Work by a schedule
  • Wash teeth if any
  • Shave
  • Take bath
  • Eat good—fruit—vegetables—milk
  • Drink very scant if any
  • Write a song a day
  • Wear clean clothes—look good
  • Shine shoes
  • Change socks
  • Change bed cloths often
  • Read lots good books
  • Listen to radio a lot
  • Learn people better
  • Keep rancho clean
  • Dont get lonesome
  • Stay glad
  • Keep hoping machine running
  • Dream good
  • Bank all extra money
  • Save dough
  • Have company but dont waste time
  • Send Mary and kids money
  • Play and sing good
  • Dance better
  • Help win war—beat fascism
  • Love mama
  • Love papa
  • Love Pete
  • Love everybody
  • Make up your mind
  • Wake up and fight

15. And last from Susan Sontag (1933-2004), American author:

“I want to make a New Year’s prayer, not a resolution. I’m praying for courage.”

~~~

TKZers: Which of these quotes resonated with you? Why?

Do you disagree with any of them? Why?

Did you make writing resolutions or set goals? Want to share them?

~~~

Is 2026 the year you want to learn to write fascinating villains and antagonists? Please check out Debbie Burke’s bestselling craft guide, The Villain’s Journey-How to Create Villains Readers Love to Hate.

Amazon

Barnes & Noble

Apple

Kobo

Interested in taking a villain workshop from Debbie? Please visit debbieburkewriter.com to learn about upcoming zoom and in person classes.

NATIONAL CLEAN OFF YOUR DESK DAY

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“Cleanliness is indeed next to godliness.” —John Wesley

* * *

Yes, that’s right. Today is National Clean Off Your Desk Day. Oh, great. I just finished putting away the holiday decorations and was working on tax info to turn over to our accountant, and now they tell me I have to clean off my desk. I don’t have time for this.

But I’m a good team player, and my desk definitely needs some reorganization, so I went to the National Clean Off Your Desk Day site to get some inspiration and advice on exactly how to proceed. Here’s what they say:

This day is an opportunity to begin your new year with a clean and organized workspace. Whether your desk is in a private or shared office, cubicle, home or a make-shift desk on the counter, having your workspace uncluttered and organized will help you work more efficiently. A clean workspace improves productivity and inspires us, too. It often gives us a sense of serenity. (My emphasis)

They go on to outline a step-by-step process:

  • Remove everything from your desk. Yes, everything.
  • Clean the surface. As you replace items, clean them with the appropriate cleaning supply. Usually, a damp cloth is sufficient, but other electrical items need specific care.
  • Get out the shredder and the garbage can. Shred, file, scan documents, business cards, recipes, photos as needed.
  • Place all documents and photos in the appropriate locations.
  • Shred and toss outdated documents, non-working pens, junk mail.

That’s good advice, and I was just getting ready to start on Step One when something occurred to me. Maybe there’s another way to look at this.

* * *

“Cleanliness is the scourge of art.” —Craig Brown

I don’t know if Craig Brown is correct, but since I place myself on the messier side of humanity, I want to believe it. Is it possible that creative people are messier than others?

I found evidence in an article on sciencedaily.com entitled “Tidy desk or messy desk? Each has its benefits.”

Working at a clean and prim desk may promote healthy eating, generosity, and conventionality, according to new research. But, the research also shows that a messy desk may confer its own benefits, promoting creative thinking and stimulating new ideas.

Well, that’s a relief. Maybe I can ignore the chaos for a while longer.

In an experiment overseen by psychological researcher Dr. Kathleen Vohs, 48 participants were asked to come up with novel uses for a ping pong ball. Half the participants worked in a messy room and half in a neat room. The result?

Overall, participants in the messy room generated the same number of ideas for new uses as their clean-room counterparts. But their ideas were rated as more interesting and creative when evaluated by impartial judges.

“Being in a messy room led to something that firms, industries, and societies want more of: Creativity,” says Vohs.

And we all know creativity is the lifeblood of good fiction.

So my desk isn’t messy. It’s simply a manifestation of my creativity. I like that.

Now where did I put that stapler?

* * *

So TKZers: What does your desk look like? Does a messy desk inhibit your work? Or does it inspire you?

* * *

 

My ten-year-old protagonist and aspiring novelist, Reen, understands the signs of creativity. When her 9-year-old cousin points out a smudge on Reen’s shirt, she replies, “No problem. Authors are supposed to be sloppy. That’s because we’re creatives.”

I like the way she thinks.

Click the image to go to the universal book link.

New Words, New Worlds

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By Elaine Viets

 New words are multiplying faster than mosquitoes in a Michigan summer. I mean “official” new words. The ones enshrined in a dictionary.

New words are a sign that English is a living, active language. This year, the Merriam Webster Collegiate dictionary added some 5,000 new words and a thousand new phrases.

Some of us are already using these new words. Take “farm-to-table,” which Webster says means food that is “sourced locally and served directly to customers. Old news.

Here are a few other new words and phrases I’m pretty sure you already know:

“Cold brew” is coffee “made by steeping grounds in cold or room temperature water.” That phrase has been around for so long, Starbucks has about nine different cold brew flavors.

“Hard pass,” means not just no, but hell no. Excuse me, it’s a “firm rejection.”

Here’s one new word I’m not familiar with: “petrichor,” which is a “distinctive, earthy, usually pleasant odor that is associated with rainfall especially when following a warm, dry period . . .” I didn’t realize there was a word to describe that smell.

The Oxford English Dictionary has added another definition of the noun  “goo”: “characteristic babbling noises or vocalizations made by babies and by people interacting with them.” The OED reminded us to check out “goo-goo,” which has a similar definition for baby noises.

“Para-athlete, a physically disabled athlete,” is another already familiar OED addition.

And every TKZ reader and writer knows about the dreaded phrase “plot hole.”

The OED likes to add foreign words familiar to many English speakers, including “pobrecita.” The OED says, “Among Hispanic Americans and in Spanish or Latin American contexts” it’s “a poor or unfortunate girl or woman, especially one who deserves pity or sympathy…”

“Perreo” is defined as “a type of dance originating and popular in Puerto Rico and usually performed to reggaeton music, typically characterized by a female dancer  . . .” I’ll stop there. The rest of the entry is a bit spicy, especially for the venerable OED.

The most puzzling word of the year is Dictionary.com’s choice of “67” or “6-7.”

That word has been driving teachers crazy. When they tell their class to “turn to page 67,” or ask students to recite numbers one through ten, “six-seven” can cause pandemonium.

Avoiding ’67’ can be a mark of respect. TKZ reader Alan Portman said, “I was at a class last week. The instructor stopped saying 6 or 7 things and started saying 8. There were several middle school teachers in the room.”

What’s it mean?

Dictionary.com, which nominated “67,” isn’t sure.

“Perhaps the most defining feature of ‘67’ is that it’s impossible to define,” the site said. “It’s meaningless, ubiquitous, and nonsensical. In other words, it has all the hallmarks of brainrot. It’s the logical endpoint of being perpetually online, scrolling endlessly, consuming content fed to users by algorithms trained by other algorithms. And what are we left with in the wake of this relentless sensory overload? ‘67.’”

Don’t underate the power of “67.”

“ . . .it remains meaningful to the people who use it because of the connection it fosters. ‘67’ shows the speed at which a new word can rocket around the world as a rising generation enters the global conversation.”

Six-seven (never sixty-seven) belongs to Gen Alpha, mostly children born from 2010 to the present, though I doubt many babies care about 6-7.

SlangSphere.com gave an erudite explanation. It said, “Simply put, ‘67’ is a slang term that means ‘kill,’ or more broadly, to get rid of, drop, or even ‘leave’ something or someone. . . If someone tells you to ‘67 that plan,’ they mean scrap it.”

The article also has helpful hints on how to use 67:

“Do: Use it with close friends or in casual texting where informal slang is welcome.

“Do: Keep it light and playful—this is slang, not a serious threat.

“Don’t: Use it in professional or formal settings—your boss might get confused (or alarmed).

“Don’t: Use it toward strangers or in sensitive contexts—tone can get lost.

“Do: Use 67 when you want to sound casual and meme-savvy.

“Don’t: Panic if someone says ‘67’ to you. It’s slang, not actual harm.

“Do: Pair it with an emoji to soften the tone, like 😂 or 👋.

“Don’t: Use it to seriously insult someone.

“Do: Remember context is king—know who you’re talking to!

“So, next time you want to digitally ‘kill’ a dull plan or leave a chat dramatically, ‘67’ is your shorthand hero. It’s quirky, a little mysterious, and definitely meme-worthy.”

It’s mysterious, all right. So mysterious, I still can’t figure out if 67 means to kill something, or if it means nothing.

Is it a word with clearly defined rules of etiquette? Or is it a feeling?

67.

 

Preorder now: “Sex and Death on the Beach,” my new Florida mystery, will be published in paperback Dec. 16. https://tinyurl.com/mrc87fm7

The Villain Goes on a Journey

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by Debbie Burke

As writers, we send our characters on long, convoluted journeys to solve mysteries and create exciting compelling stories.

Today I’m going to tell the story about the journey of a book that traveled from point A to point B to point Q to point G to point X to point D to…you get the idea.

In July, my book The Villain’s Journey-How to Create Villains Readers Love to Hate was published.

My custom is to send print copies by snail mail to people who helped develop my books. They may have contributed research, beta read, or otherwise supported the growth from a teeny-weeny seed of an idea to a finished product. Without their help, my books wouldn’t exist. So I’m grateful and want to say “thank you” in a small way.

Let’s back up to 2022. The teeny-weeny seed for The Villain’s Journey came from a comment made by TKZ regular Marilynn Byerly. In response to a post I’d written about villains, she mentioned the hero’s journey was well known but was there a corresponding book about villains?

That sent me down the rabbit hole.

Amazingly, I only found one book devoted to the villain’s journey and it focused on sci-fi and fantasy.

During a conversation with TKZ emeritus Steve Hooley, he said, “Why don’t you write that book?”

Sounded like a great suggestion since there did appear to be a gap in the crime reference library that I could fill.

I wrote a proposal and sent it to TKZ’s wise guru Jim Bell to see what he thought of the idea. He encouraged me to go for it.

Fast forward to summer 2025. I finished the book. Jim wrote a wonderful blurb for it, as did Christopher Vogler, author of The Writer’s Journey: Mythic Structure for Writers.

These two respected powerhouses gave my book invaluable credibility in the writing craft world. I’m overwhelmed with gratitude to Jim and Chris for their support.

When the print books arrived, of course, I wanted the first two copies to go to Jim and Chris. I inscribed them, packaged them in padded envelopes, and took them to the post office. The clerk double-checked the addresses in the computer, printed out labels with bar codes, and off they went. Easy-peasy.

More than a month later, the post office returned Jim’s copy to me. A label said: “Return to Sender, address unknown, no such number, no such zone—” Oh, wait, that was Elvis.

This label claimed insufficient address, unable to forward, return to sender. Someone had written in red marker “Wrong address” above the printed post office label.

I double-checked the mailing address with Jim. Yup, I’d used the correct one and the post office label was indeed correct.

So why did the book come back to me?

I typed the tracking number into the search box for usps.com. The shipping history showed a long and winding road.

On August 13, the book began its journey from Kalispell, MT where I mailed it. It then travelled to distribution centers in Missoula, MT, Spokane, WA, Los Angeles, Santa Clarita, and landed at Jim’s neighborhood post office on August 18. So far so good.

Then the journey started twisting.

On August 18, the book was delivered to an address with a notation in the tracking history “delivered, front door/porch.”

On August 27, the next notation said, “insufficient address” followed by a notation “return to sender processed.”

Huh?

It then traveled back to the Santa Clarita distribution center and arrived August 29 in Aurora, CO. The same day, it was sent on to the Billings distribution center.

Okay, Billings is in Montana.

Two days later, it apparently took the wrong freeway off ramp, headed south, and arrived at the Phoenix, AZ distribution center.

Uh, Phoenix is not in Montana.

It sat in Phoenix for two days then was sent back to Aurora, CO distribution center. It sat there for two more days.

Then it went to Billings again.

Okay, at least it’s now back in the right state.

Then it took another wrong freeway exit. Whoops.

A day later, it shows up at the Denver, CO distribution center.

Three days later, it’s at the Missoula, MT distribution center. Then it’s sent 120 miles north to Kalispell and arrives there to be processed.

Whoops, U-turn back to Missoula for another day.

Another U-turn from Missoula back to Kalispell.

Finally, more than a month after the book began its journey, it was returned to me in Kalispell as “undeliverable, insufficient address.”

This poor villain had been on a journey that was a cross between Where’s Waldo and Mr. Toad’s Wild Ride.

 

Cyril Thomas, CC BY-SA 3.0 <http://creativecommons.org/licenses/by-sa/3.0/>, via Wikimedia Common

Putting on my Sherlock Holmes’ deerstalker hat, I’m guessing a mail carrier delivered the package to someone else’s house in Jim’s neighborhood. That resident probably wrote “wrong address” on it. If the carrier had rechecked the address, they should have realized, “Oh, shoot, that’s the house down the street” and delivered it. Instead, they dumped the package into the system.

This Villain’s Journey should have been 1350 miles. Instead, it turned into an epic road trip of 7700 miles.

I wish the lost, wandering package qualified for frequent flyer miles—I’d have enough miles for a plane ticket from Montana to California to personally deliver Jim’s book. After all the years of following TKZ, I would have finally enjoyed the pleasure of meeting Jim in person.

The villain is now on its second journey. I hope by the time this post goes live, Jim will have received his book.

In our stories, we send our characters on long, convoluted journeys to solve mysteries. 

The mystery of why the post office sent this book on a 7700-mile journey may never be solved. If only the book could talk…

~~~

TKZers, do you have a story about unexpected detours courtesy of the post office? Please share.

~~~

This blurb makes me very proud:

“Debbie Burke has filled a critical gap in writing craft instruction…authors of any genre will benefit by using The Villain’s Journey to take a deeper dive into the antagonist of their story.” – James Scott Bell, International Thriller Writers award winner, author of more than 30 bestselling craft of writing books.

 

If you’d like a print copy of The Villain’s Journey, Amazon and Barnes & Noble have good track records of delivering books without unexpected side trips.