Reader Friday-Skeletons in the Closet

Yep, we’ve all got ’em! Care to share? Not that we have to drag out anything we don’t want to, but I think it’s safe to say that some of our skeletons have morphed into comedians over the years.

Let’s share some of the funny stuff and not get too Grim Reaperish, okay?

I’ll start. Maybe you’ll get a kick out of this.

Once when I was a kid, about so tall, we were visiting my grandparents along with our four cousins. That makes six adults and eight kids. The grown-ups chased us outside so they could play pinochle.

We went down the hillside, stretched out in a line holding hands-with my little sister at the end. And my eldest cousin touching the hot wire on the electric fence.

Of course, she snitched on us and boy, howdy, did the 7 of us get in trouble for that! At the time I felt guilty, sort of, but now it’s just a funny story of growing up in a small town.

Okay…your turn, TKZers…let’s hear those bones rattle a bit! And, do tell if one of your characters has a delicious skeleton in the closet…

***

You think Annie Lee, happily married mother of four, has no skeletons in her closet? Think again . . .

 

 

True Crime Thursday – Mishandled DNA Affects Hundreds of Colorado Cases

Photo credit: Wikimedia Commons, CCA-SA 3.0

by Debbie Burke

@burke_writer

In September 2023, reports were made that “star” forensic scientist Yvonne “Missy” Woods mishandled DNA evidence. In October 2023, she was placed on administrative leave. In November, 2023, after almost 30 years with the Colorado Bureau of Investigation (CBI), Woods retired to avoid termination.

CBI launched an internal affairs investigation into Woods’s conduct and the results were released on June 5. 2024. 

Some of their findings included:

“In 2014, a coworker questioned Woods’ testing of evidence in a case and reported concerns to a Technical Leader.

In 2018, Woods was accused of data manipulation. In response, she was removed from casework and given other duties pending a review of the accusation.

After the review, Woods was later reinstated.

The results of the 2018 review were not escalated to the former CBI Director or CDPS leadership.

CBI has initiated additional investigations into the circumstances surrounding the 2018 process.”

 

As of the date of the report, 654 cases had been identified as affected by Woods’s data manipulation. The report goes on to say:

“[The investigation] revealed that Woods manipulated data in the DNA testing process, leading to incomplete test results in certain cases. It also found she concealed her activities from the technical review process. She engaged in the deletion and alteration of data, and she failed to provide thorough documentation in case records related to certain tests performed.

While the review did not find evidence of Woods falsifying DNA matches or fabricating DNA profiles, Woods deviated from standard testing protocols and cut corners, raising concerns about the reliability of her testing.”

The investigation continues, with Woods’s cases back to 1994 being reviewed. CBI said they would not release further information because of an ongoing criminal investigation.

Parts of a November interview between Woods and investigators were played by 9News.com in July 2024. Initially, Woods’s answers were: “I don’t know” or “I don’t remember.” When asked why she altered or omitted test results, she answered, “I think I’m burned out.”

Later in the interview, her answers were more revealing:

“The implications were not even a thought and I think that for that stuff it, it was like click done, move on, click done, move on and not even, not even an additional thought…I don’t know any of these people. I don’t have any reason to pick this one and not the next one that I took forward all the way through whatever.”

[Investigator] Hassenstab asked her how she felt about what she was doing and if she felt bad about it. 

Woods said, “I didn’t even think about it. I didn’t even think about it until five weeks ago.”

Five weeks ago refers to when she was removed from her position and retired shortly afterward.

According to CNN, a week after Woods’s resignation, a federal lawsuit was filed alleging James Hunter was wrongly convicted of burglary and sexual assault in 2002 based on “fabricated and false [hair] evidence” examined and tested by Woods.

Westword.com reports a lab worker recounted an incident in 2014 or 2015 when “Woods allegedly threw away fingernail clippings that were assumed to be evidence.”

Woods came in, brushed the fingernail clippings in her hand, and threw them in the biohazard or garbage bin,” the worker said, telling investigators she was “99 percent” sure the clippings were evidence.

James Karbach, director of legislative policy and external communications for Office of the State Public Defender says, “This has become about more than just one longstanding analyst tampering with evidence and deleting data, but it also is about the systemic failures of an accredited state crime lab, the people, and the processes that should have stopped this from happening over and over for years…there have likely been hundreds of public defender clients who were given intentionally manipulated data and who were prosecuted with unreliable evidence.”

Misconduct raises concerns not only of wrongful conviction, but also that guilty parties may walk free. If courts rule DNA evidence was mishandled, cases can be thrown out.  

~~~

TKZers: Have you heard of other crime labs where evidence can’t be considered reliable? Does this scenario inspire story ideas? An innocent person wrongly imprisoned? A killer skates because mishandled evidence is thrown out?

~~~

Cover by Brian Hoffman

 

 

Fruit of the Poisonous Tree is a legal doctrine that says if evidence is illegally obtained, it’s not admissible in court. It’s also the title of Debbie Burke’s new thriller.

Preorder sales link. 

It’s Banned Books Week

Banned Books Week
Terry Odell

display of banned books at Barnes & Noble

We’re smack dab in the middle of Banned Book Week—Sept 22-28.

I think the Kill Zone is a “Banned Free Zone” but it never ceases to amaze—and frustrate—me that people are determining what others can read.

My parents were liberal when it came to my reading choices, although they had a friend who wrote porn under a variety of pseudonyms, and they’d buy his books to support him. Those, I discovered later, they’d kept off the house’s bookshelves. Had I found one and read it, I’m not sure what they’d have said.

Barnes and Noble has a Banned Book section on its website, as well as in some stores. Titles include:

Animal Farm, by George Orwell
Their Eyes Were Watching God, by Zora Neale Hurston
Where the Wild Things Are, by Maurice Sendak
1984, By George Orwell
The Catcher in the Rye, by J.D. Salinger
Lord of the Flies by William Golding
The Handmaid’s Tale, by Margaret Atwood
Of Mice and Men, by John Steinbeck
Fahrenheit 451, by Ray Bradbury
To Kill a Mockingbird, by Harper Lee
The Giver, by Lois Lowry
The Hunger Games, by Suzanne Collins
Midnight in the Garden of Good and Evil, by John Benedict—

And the list goes on.

top ten challenged booksThe American Library Association, ALA, documented 4,240 unique book titles targeted for censorship in 2023—a 65% surge over 2022 numbers—as well as 1,247 demands to censor library books, materials, and resources. Pressure groups focused on public libraries in addition to targeting school libraries. The number of titles targeted for censorship at public libraries increased by 92% over the previous year, accounting for about 46% of all book challenges in 2023.

According to PEN America:

“This 2022–23 school year, efforts to remove books expanded to sweep up a wide swath of literature and health-related content. Of the 3,362 instances of books banned in the 2022–23 school year, certain themes, formats, and identities recur:

  • 48 percent include themes or instances of violence and abuse (n =1,620). Of note, within this category, 834 instances are books that include episodes of sexual assault, which is 25 percent of all instances of books banned.
  • 42 percent cover topics on health and wellbeing for students (n = 1,402). This includes content on mental health, bullying, suicide, substance abuse, as well as books that discuss sexual wellbeing and puberty.
  • 33 percent detail sexual experiences between characters (n = 1,110).
  • 30 percent include characters of color or discuss race and racism (n = 1,003)
  • 30 percent LGBTQ+ characters or themes (n = 997). Of note, within this category, 205 instances are books that include transgender characters, which is 6 percent of all instances of books banned. 
  • 29 percent include instances or themes of grief and death (n = 980). This includes books that have a character death or a related death that is impactful to the plot or a character’s emotional arc.”

Facebook is full of graphics, or “memes” protesting banning books. Is it doing any good? Judging from the rising numbers of challenged books, I have my doubts. I haven’t seen any reports of actual book burnings, which might be the only positive piece of information I can include today.

Cover of Double Intrigue by Terry OdellIf I may be so bold, I have a new release dropping on October 3rd, and I don’t think anyone will find cause to challenge or ban it. It’s available for preorder now. Read more about it here.

The floor is yours, TKZers.


**New! Find me at Substack with Writings and Wanderings

How can he solve crimes if he’s not allowed to investigate?
Gordon Hepler, Mapleton’s Chief of Police, has his hands full. A murder, followed by several assaults. Are they related to the expansion of the community center? Or could it be the upcoming election? Gordon and mayor wannabe Nelson Manning have never seen eye to eye. Gordon’s frustrations build as the crimes cover numerous jurisdictions, effectively tying his hands. Available now in ebook, paperback, and audio.
Like bang for your buck? I have a new Mapleton Bundle. Books 4, 5, and 6 for one low price.

Terry Odell is an award-winning author of Mystery and Romantic Suspense, although she prefers to think of them all as “Mysteries with Relationships.”

New AI Survey Results from Draft2Digital

 

by Debbie Burke

@burke_writer

Almost 20 years ago, a giant communications company decided to outsource their phone customer service to other countries. I learned about this from a friend who worked there. The company announced massive layoffs of employees because overseas labor costs were cheaper than using American workers.

Then, to add insult to injury, those employees whose jobs were being eliminated were required to train their replacements.

Not surprisingly, outsourcing didn’t work out too well. There was massive consumer backlash because neither the customers nor the new workers could understand each other on the phone. But the damage had been done. Thousands of American workers lost their jobs and the company’s reputation took a big hit that it never recovered from.

That kind of parallels today’s situation with writers and AI. Our work is being scraped from illegal pirate sites and used to “train” AI to replace us.

Some people joke that AI (artificial intelligence) is “artificial insemination.” Writers are being screwed without receiving any enjoyment. They didn’t even buy us dinner first.

The Authors Guild (AG) has been on the forefront to try to protect writers from unauthorized use of copyrighted works to train AI. In July, 2023, they sent an open letter to the CEOs of AI giants including Open AI, Meta, Microsoft, IBM, and others with a petition signed by 15,000 authors. AG also testified before the senate, decrying pirate sites that are used by tech companies to “train” AI models.

The genie is out of the bottle. AI is here to stay. The question now is: can the genie be forced to compensate writers for their words?

Here’s an excerpt from the Authors Guild statement on AI:

“The Authors Guild believes that the right to license a work for AI training belongs to the author of the work unless the rights are expressly granted in an agreement.”

A bill called “The Generative AI Copyright Disclosure Act of 2024” is under consideration by the House of Representatives. This only requires disclosure by anyone who uses copyrighted work to train AI. It does not address fair compensation for that use.

Recently Draft2Digital (D2D) did a survey among authors, publishers, and others to determine how they felt about the use of AI and what authors would consider fair compensation for use of their work. D2D CEO Kris Austin kindly gave permission to quote from the survey results (full results at this link).

Here are some highlights:

1. “Why do authors oppose AI training?” 

AI companies are unethical/untrustworthy – 25%
Harms creatives & people – 25%
Ethical Objections to AI – 19%
Other Reasons – 14%
I worked hard for my work and it’s mine – 10%
AI has no place in creative work – 8%”

2. “Do authors consider current scraping methods fair use?”

It’s not fair use – 49%

Ethically questionable – 42%

Fair use – 5%

No opinion – 3%

3. “Do authors know that AI companies might be willing to pay for training data?”

Unaware – 57%

Aware – 38%

Unsure – 5%

4. “Are authors interested in the opportunity to sell their AI training rights?”

Yes – 31%

No – 25%

Maybe – 45%

5. “Does it matter to authors how the end product LLM (large language model) will be used?”

Yes, it matters. – 76 %

Not as long as I am compensated – 22%

No opinion – 2%

The next two questions concern whether authors would consider having their work used for non-competitive markets (places that would not affect the author’s income) and competitive markets (e.g. an AI-written mystery could sell on Amazon right next to your book but at a much lower price).

6. “If the use case is non-competitive, will authors consider selling their AI training rights?”

No Amount of money will ever be enough – 49.5%
Open to non-competitive opportunities – 50.5%
Would accept less than $100 per book – 11.1%
Only if $100 or more per book – 39.3%
Only if more than $5,000 per book – 14.1%”

7. “If the use case is competitive, will authors consider selling their AI training rights?”

No amount of money will ever be enough – 62.8%
Open to competitive opportunities – 37.2%
Would accept less than $100 a book – 6.3%
Only if $100 or more per book – 30.9%
Only if more than $5,000 per book – 15.8%

Here’s a summary of D2D’s position:

D2D’S STANCE
Until we see significant reforms, especially around greater contractual protections and transparency governing use, intellectual property protections, and rights restrictions, Draft2Digital will not offer AI rights licensing opportunities.

·       It’s a positive development that AI developers are seeking to pay for licenses

·       Better protections are needed before D2D or its publishers can entertain such licenses

·       AI training rights are an exclusive, valuable subsidiary right under the sole control of the author or publisher

·       The rights-holder deserves full control over decisions related to if, when, and how their books are used or licensed for AI training purposes.

·       Authors and publishers should refuse AI rights licensing contracts that are opaque, or that provide inadequate protections for author concerns

·       AI developers must stop training upon books obtained without the rights-holder’s permission; otherwise, they will face continued reputational harm in the eyes of their customers and the creative community

·       LLMs previously trained upon unlicensed content, and the applications built upon them, should either negotiate retroactive licensing settlements with rights holders, or scrap their LLMs and rebuild them from scratch by training upon licensed content only”

“At this time, Draft2Digital will not offer AI rights licensing opportunities.”

I believe most authors agree that compensation should be paid and payment should be retroactive to include past unauthorized use.

The devil is in the details.

·       How to implement systems that detect/determine use of copyrighted material?

·       How to enforce fair use?

·       How much are authors paid?

·       What if an author doesn’t want their work used for AI training  under any circumstances?

The communications company my friend worked for treated their employees shabbily but at least they told workers in advance that they had to train their replacements.

Authors and publishers were never told in advance. Tech giants simply started using creative works without permission nor compensation to the creators. AI-written works currently flood the marketplace that was already crowded. Our incomes suffer.

We study, rewrite, and work hard to create meaningful content and deserve fair compensation.

Those devilish details will be fought out in courts for years to come.

~~~

TKZers, how do you feel about AI’s use of your creative work to train LLMs?

Please share your answers to any or all of the questions.

~~~

Cover by Brian Hoffman

 

 

Debbie Burke writes her thrillers without AI.

Fruit of the Poisonous Tree is now available for preorder at this link.

 

Epigraphs

 

* * *

I love epigraphs, those sparkling word gems that a writer places at the beginning of the novel. The epigraph is a chance for the author to share what was on his/her mind when writing the book, or perhaps an intriguing hint of what’s to come. If done well, it will compel the reader to turn the page and begin reading.

Back in August 2021, James Scott Bell wrote “The How and Why of Epigraphs.” While I can’t improve on Jim’s post, I’ll add a few things I’ve read recently.

* * *

According to masterclass.com

An epigraph is a short standalone quote, line, or paragraph that appears at the beginning of a book. The word epigraph is derived from the Greek epigraphein meaning “to write on.” The use of epigraphs varies from book to book, but generally, authors use them to set up themes or place the events of their story in context. Epigraphs are most commonly a short quotation from an existing work. Epigraphs usually appear offset by quotation marks at the beginning of a text, but there are no set rules dictating how writers use them.

 

Epigraphs can be quotes from other works, quotes from famous people, Biblical quotes, or they can be newly-minted words by the author for his/her specific work.

Here are ten examples of epigraphs to inspire and encourage us:

 

FRANKENSTEIN by Mary Shelley

“Did I request thee, Maker, from my clay
To mould me Man, did I solicit thee
From darkness to promote me?” –John Milton, Paradise Lost

 

 

 

CORALINE by Neil Gaiman

“Fairy tales are more than true: not because they tell us that dragons exist, but because they tell us dragons can be beaten.” –G.K. Chesterton

 

 

 

ANNA KARENINA by Leo Tolstoy

“Vengeance is mine, I shall repay, saith the Lord” –Romans 12:19

 

 

 

Version 1.0.0

 

DISTANT STAR by Roberto Bolano

“What star falls unseen?” –William Faulkner

 

 

 

 

 

THE BROTHERS KARAMAZOV by Fyodor Dostoevsky

“Verily, verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit.” –John 12:24

 

 

 

A HANDFUL OF DUST by Evelyn Waugh

“I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust.” –T.S. Eliot, The Waste Land

 

 

THE QUIET AMERICAN by Graham Greene

“This is the patent age of new inventions,
For killing bodies, and for saving souls,
All propagated with the best of intentions.” –Lord Byron

 

 

 

LET THE GREAT WORLD SPIN by Colum McCann

“All the lives we could live, all the people we will never know, never will be, they are everywhere. That is what the world is.” –Aleksandar Hemon, The Lazarus Project

 

 

 

INTO THIN AIR by Jon Krakauer

“Men play at tragedy because they do not believe in the reality of the tragedy which is actually being staged in the civilised world.” —José Ortega Y Gasset

 

 

 

THE END GAMES by T. Michael Martin

“Everything not saved will be lost”. –Nintendo “Quit Screen” message

 

 

 

So TKZers: What epigraphs have you used in your books? Do you have a favorite epigraph?

* * *

 

Here’s the epigraph from Lacey’s Star:

“The truth is bitter, but with all its bitterness, it is better than illusion.” — Ahad Ha’Am

Available at  AmazonBarnes & NobleKoboGoogle Play, or Apple Books.

Reader Friday-Let’s Pet Our Peeves!

Everyone born on planet earth develops peeves, right? And the *older* we get, the more peeves we’ve got IMHO. At least it seems to be true with me. I don’t want it to be true . . . it seems like the older we get, we should let loose of some, right? Hmm…

So, without further ado, let’s share some of ours . . .

Because I live in apple and cherry farm country, one of my pet peeves is orchard guns. What are those, ask the uninitiated?

Orchard farmers have to deal with birds, birds, and more birds snacking on developing fruit. Some orchardists use mechanical predator bird noises; some use fluttering ribbons and flags; some use netting over the entire orchard, both to keep birds out and to control how much sun the fruit receives.

Others use . . . you guessed it . . . gun noises. Big gun noises! Like cannons and high-powered rifle big noises.

Mom, make it stop…!

 

The problem isn’t with us, though. It’s our German shepherd, Hoka. See those ears? Not much gets by them…

She’s deathly afraid of any gunshots out here in red-neck country. And for 6-8 weeks, she tries to hide from the orchard guns. She won’t go outside by herself, she tries to hide in the bathtub (picture that!), or crawl under our bed.

At least there is an end in sight, though, come harvest time…

 

 

So, now that I’ve shared one of my pet peeves, it’s your turn, TKZers! What’s one of yours, and do any of your characters pet a peeve once in awhile?

 

A Whimper And A Warning

By PJ Parrish

Mixed Breed Dog (Schnauzer-mix) raising bandaged paw with medical strips on its body

Good morning, crime dogs. I won’t be posting today. In fact, I am not typing this. I’m dictating. My husband is typing. Actually, he’s taking a break from yammering at me because I fell off my bike two days ago and sprained my wrist. He thinks an old fart like me shouldn’t be riding a bike, but shoot, you can’t curl up and die, right?

Anyway, I can’t type right now. And pickleball is out for a while cuz it’s my shooting paw. (leftie here). I feel a little foolish, because, get this — I wasn’t even moving at the time I fell. I had just pulled up to my favorite little watering hole here in town, Traverse City Whiskey Company. I go there to do my crosswords and partake of their cherry whiskey sours. I was dismounting the bike. I caught my foot on the crossbar (No, it’s not a boy-bike but I am very short and was careless). Down I went. At least it didn’t happen AFTER I had the whiskey sour — would have never heard the end of that one from the husband.

Whimper, whimper.

Here’s the warning. Live your life and if that means riding a bike at age 73, go for it. But don’t be stupid. Take your time. Watch what you’re doing. Wear a helmet. And here’s the big thing — if you fall, don’t stick out your arms to brace yourself.

What does this have to do with writing? Well, I can give you a tortured metaphor about trying to do more than you should if you’re getting long in the tooth. Like, don’t even think about starting a novel after age 60. Or don’t try to write something completely new after you’ve been doing one genre forever. Or don’t think you can’t try something challenging when the folks around you are telling you it’s too late.

Yeah, you might fall on your ass. So what? Get up and try again. By the way, the doctor told me that’s what I should have done — fall on my ass.

So mount up. Keep pedaling, keep moving forward, and feel that wind in your hair. If you have any left.

Peace out, guys. I will be back in two weeks.

Torn Between Two Projects

by James Scott Bell
@jamesscottbell

There was a hit song back in the 70s called “Torn Between Two Lovers” (not to be confused with the Hannibal Lecter hit, “Torn Between Two Livers”).

In the song, a woman is telling her first love that he’s great, and everything she’s told him about her feelings is true. But there’s this other guy she’s met who fills an “empty place” inside her. Now, she says, I don’t love you any less, and I don’t want you to leave me just because I’m torn between the two of you. I’m feelin’ like a fool because that’s breakin’ all the rules, but still I want you around…

I always thought that first guy should have written a song in response, with the simple refrain: Buh Bye.

But I digress.

What I really want to talk about is being torn between two projects. It’s happened to me a few times in my thirty years at this gig.

Before I was published, I wrote a wild novel that was a complete joy. I had fun every day creating a pastiche of comedy and commentary. I fancied it a cross between Tom Robbins and Douglas Adams.

It was original! Surely a publisher would want original. Because that’s what they’d say. “We are looking for an original voice…”

That was only partially true. I quickly found out the second part: “…but not too original.”

In other words, they wanted a fresh voice for an existing market.

Perfectly legit, as the book business is, gasp, a business.

So when my original work of surpassing genius was rejected faster than a Snoopy story (remember the Snoopy-as-writer strips from Peanuts? He once got a letter: “To save time we are enclosing two rejection slips, one for this story and one for the  next story you send us.”)

Thus, it occurred to me that maybe I should spend a little time considering “the market” before deciding what to write.

Around this time, a good friend (and published author) said to me, “You’re a lawyer. Why aren’t you writing legal thrillers?”

Duh!

So I wrote a legal thriller and got a contract.

But then there were a few times when I had two ideas for a next book to fulfill a contract. Which one should I spend six months on?

So I made up a self-test. In a fit of modesty, I named it “Bell’s Pyramid.”

The base of the pyramid, PASSION, is the foundation, the most crucial factor. I came up with a list of questions and assigned a score, from 1-10, for each.

  1. How excited are you about the concept as it stands now?
  2. How invested are you in the main character?
  3. Does the main character have potential to deepen?
  4. Is there a theme involved for you?
  5. As a prediction, how excited do you think you’ll be about the book two months from now?

For POTENTIAL:

  1. How marketable is the plot?
  2. How are the stakes life or death (physical, professional, or psychological)?
  3. How likely is it that you can raise the stakes?

For PRECISION I would write a logline for each project. A logline is Hollywood-speak for a sentence that captures both the essence and market potential of a script. For example:

A great white shark hunts for food in the waters of a New England town at the height of tourist season.

Teenager Marty takes a time-traveling DeLorean into the past, where his young mother gets the hots for him, and where he must get his father to win her again before Marty ceases to exist. 

Then I’d assign a score, 1-10, on which logline best captures essence/market potential.

Add up all the scores, and there’s your WIP.

And the best part is that your project will not be angry that you have another “lover.” You can develop that other project on the side even as you write the first one.

So how do you decide what book you’re going to write next?

Eyewitness Accounts

Have you ever been involved in some intense situation and your account doesn’t match up with others who were there and involved?

The human mind and memory is a curious thing. When I’m with the family members I grew up with, it’s always fascinating to hear their stories about growing up, but each of us remembers the anecdotes differently. They spin these tales, I watch their lips move, and wonder what the hell they’re talking about.

Case in point. Let’s talk about eye witnesses, but not from a legal standpoint. Let’s simply discuss what we see, and why it’s different, likely resulting from different backgrounds and worldly experiences.

John Gilstrap and I were in Indianapolis a few years ago, along with our wives, attending Magna Cum Murder, a small writing conference full of heart and camaraderie. On that October day in question, the four of us were having drinks outside a grand old club on Monument Circle, enjoying the company and cool weather.

John made dinner reservations at a steakhouse within walking distance, but we’d been out there for a couple of hours and it was necessary to visit the hotel’s facilities first. I’m not sure why we both decided to go at the same time, and I really don’t want to discuss that here, but….

…his wife, Joy, and my bride, Shana, continued their conversation as we left. The current Columbia Club was built in 1925, and the restroom at the far end of the grand lobby of marble and tile was some distance from the front entrance, monitored by traditionally well-dressed doormen.

I reached out to Gilstrap, who two-fingered his version of that clear Indianapolis day and sent it over. I promise, the skies were bright and blue, we all agree on that.

*

Murder At The War Memorial

The lobby of Columbia Club in Indianapolis reeks of Old Money, from its elegant carved wood moldings and soaring ceiling to the dark wood bar to the massive walk-in fireplace. That golden eagle in the corner once stood guard over Abraham Lincoln’s funeral bier. It is the perfect location for a mystery writers’ conference, and so it served for one of my annual favorites, Magna Cum Murder. The conference started on Friday, so Thursday was all about arrival, checking in and meeting up with new friends. My wife, Joy, doesn’t always go to these things with me, but a few years ago, she came along because my buddy Reavis’s wife, Shana, was accompanying him. You haven’t seen trouble until Joy and Shana knock around together.

Somehow, Rev and I found the bar before the ladies did–by the span of a couple of drinks and a dozen war stories–and because it was such a nice early autumn day, we partook of our libations on the patio in the front of the hotel, across the street from the towering War Memorial obelisk. From this vantage point, we could watch the valet parking team do its work and wave hello to writers and readers we’ve seen year after year at Magna.

Finally, the ladies joined us, and after a little while, those early libations caught up with Rev and me and certain biological realities kicked in. I’m not sure which one of us excused ourselves first, but the trip to the men’s room became a dual effort.

We left our wives at the table to catch up with each other.

The restrooms at the Columbia Club are not conveniently located. It’s a bit of a hike to get to them. So, having left the ladies alone for five, maybe seven minutes, as Rev and I are heading back to the front doors, I notice a lady and a little boy on my left, pressing themselves into a corner by the luggage closet, and the valets are in the opposite corner. How odd. Then, when we stepped out into the sunshine, I glanced at the table where we’d left our wives, saw that their chairs were empty, and then, from across the street, at the base of the obelisk, I saw two men running, one behind the other. The one in the rear was a cop. The cop yelled, “Police! Don’t move!” Then took a shooter’s stance, fired, and the runner face planted onto the concrete. In that instant, I thought he’d shot with a pistol, but it turned out to be a Taser. That explained the quietness of the report.

Like most violence, the whole scene transpired over maybe ten seconds. I said to Rev, “The ladies missed the whole show.”

He replied, “No, they didn’t. They’re in the middle of it.” He pointed to a scrum of activity centered around a screaming lady, and sure enough, there they were.

*

His recollection ends here for the purposes of this discussion, but different viewpoints and proximity, as well as several minutes of extra knowledge, can sharpen the event.

“Eyewitnesses can provide very compelling legal testimony, but rather than recording experiences flawlessly, their memories are susceptible to a variety of errors and biases. They (and that’s all of us) can make errors in remembering specific details and can even recall whole events that did not actually happen.” Cara Laney and Elizabeth F. Loftus, Reed College, University of California, Irvine.

*

John’s view ends his story at the perfect place. Now my Bride picks up the narrative.

She is a former degreed journalist and as an old-school newspaper reporter, deals in facts, less emotion.

(She quickly came over from the dark side and moved into public education where we met.)

If she hears a story, or half of one, she’ll ruthlessly drill down until she discovers the truth. Both daughters can vouch for that from teenage experience. The truth is, I’d prefer to spin my stories when she isn’t present, if you know what I mean…

*

“Well, since the girls were there the whole time, we saw and heard much more.

“The screaming and yelling moved us toward the melee to see if we could help. The man, who was not wearing dark clothing, was hitting a woman who was crumpled on the ground next to a raised wall. I believe he was wearing a t-shirt. I guess his pants were dark. He then ran across the monument area looking for another victim. As we moved toward where he was going, we saw a man with a white dress shirt with blood on it standing near a man who was hurt and laying on steps. He was obviously trying to make sure the assailant did not return and cause more harm to the man on the ground that he had apparently targeted earlier.

“We later learned the blood on his shirt was that of the victim – he was a doctor trying to render aid. Later that night we were told that the victim sadly did not survive. Also near the area was a group of people who had come down to bring food to the homeless. All were prepared to intervene in some way, but the police arrived quickly and confronted the assailant. He did not heed their warnings and kept moving. They tazed him as he moved away from them, but the direction was not toward where we were standing with the guys at this point. If we were facing north, he was running east.

“It was all very unsettling. Joy later mentioned that she would not have felt as confident in our moving in closer to the tragic events unfolding if she had known I was not carrying protection. I normally do, but since we were with the guys, I was not. Lesson learned.”

*

We’re all susceptible to erroneous accounts for a variety of reasons. I think mine differs because like John, I’m a storyteller and have related this event over and over, likely embellishing it because of audience reaction whenever I give a talk. Or maybe because I simply like my version better.

*

The girls were settled on an outside settee as two fairly well-known authors headed for the necessary room. After the hike back, strange activities at the front doors caught our attention. I woman huddle with her little one (age between four and eight) to our left, burrowing into the luggage coat section. The woman gave us a fearful look, and ducked back down as if an artillery barrage was about to ensue.

Exchanging puzzled looks, we pushed past a tense-faced doorman and into the covered entrance where I heard shouting.

Orders came fierce and strong. “Stop!”

“Get on the ground!”

Men and women screamed.

A huddle to the right across the street caught my attention and action to our left moved fast. A man raced in our direction, in my memory wearing dark running clothes, and one of two pursuing officers shouted again.

“Stop!”

The brain slows. Too much information. Something bad.

I looked past the assailant and down the barrel of what I thought was a handgun as the closest officer took a stance and fired. Instead of the report of a firearm, the fleeing suspect stiffened and fell hard on his face. Tazed.

Blinking, I looked to the left to see another man down, surrounded by good Samaritans who’d gathered to render air. That’s when time kicked back and concern swept over me.

 John frowned. The ladies missed the whole show.

*

As they said, they didn’t. The instinct to protect others kicked in and both our wives rushed in to help defend others against a demented criminal who’d just been released from jail that morning.

Misinformation can corrupt memory in the aftermath of an event. When more than one person witnesses a crime and discusses it with others before officials arrive, they are likely to have noticed different things because witnesses have different personalities and that individuality shows up in recollections. Together they reinforce those shared memories and contaminate them with information from others.

The differences here are subtle, but collecting the three accounts…(and forgive me, because due to time limitations writing this at the last minute, I didn’t get Joy’s take, which had a little twist that made her participation even more interesting)…shows the reader that eyewitness testimony will never be exact.

The Old Man told me growing up not to believe most of what I hear, and only half of what I see. The older I get, the more I realize how smart he was.

Reader Friday-Words From Down Under

I ran across this on social media and was fascinated. (Guess it’s good for something, right?)

Perhaps you’ve heard of this, but I hadn’t.

A Kangaroo Word is a word/synonym within a word (my definition). For instance, the word chicken. Chicken contains a synonym for itself-cHickEN. That’s part of the definition, as you can see from the graphic taken from the website I explored. I might add also that the letters of the synonym within the word must be in order, but they need not be grouped together.

Other kangaroo words are:  MAscuLinE, BLOssOM, and hoNOuraBLE.

Fun, huh? Go here to find more:

List of kangaroo words

I tried to come up with my own, and so far, I’ve come up with PUPpy.

TKZers, maybe you can jazz us with a few of your own! Let’s have some fun…