What do you do to relax? Is there a particular place or activity that replenishes your well of creativity? This can be on a short term daily thing or a longer term vacation kind of thing. Share what works for you and why you do it.
What do you do to relax? Is there a particular place or activity that replenishes your well of creativity? This can be on a short term daily thing or a longer term vacation kind of thing. Share what works for you and why you do it.
By Debbie Burke
A mistake in a court transcript resulted in a “confession” to a double murder in Syracuse, NY.
During testimony before a grand jury in February 2020, 13-year-old Brendell Elmore said he “shut the door.” However, the court reporter erroneously transcribed that he “shot the dude.”
By law, grand juries do not allow recording. A transcription by a court reporter is the official record of the proceedings. If the reporter doesn’t record something, it didn’t happen. Or if s/he records something incorrectly, that error stands unless challenged. Transcripts are critically important because they are the only documents that judges consider when they make rulings and decide appeals.
Fortunately, in Brendell’s case, an audio recording verified his actual words–“shut the door.” The reporter had inadvertently activated a record option, saving his testimony. Although illegal, the judge ruled the recording was not intentional and it was crucial to the accuracy of the proceedings.
A news report about the error can be found at this link. A trial in March resulted in the conviction of Brendell’s older brother Treamon in the double murders, covered here. Even though Brendell didn’t pull the trigger, he was present during the crimes and held the victims at gunpoint with a non-working pistol. He faces time in a detention facility for his role.
The disturbing error in the transcript calls into question the long-standing practice of human stenographers who record documents by hand (and ear) in an age when digital recording is reliable and accurate.
While some courts are trending toward technology, lawyers still come down in favor of human stenographers, according to this article.
UPDATE: Please scroll down to Jim Bell’s comment for a more expert analysis than mine. Thanks, Jim!
TKZers: Do you think court reporters are obsolete? Should digital recording be allowed in legal cases? What about using both reporters and recordings in tandem?
I’ve read articles by and about other writers who maintain that their first step in drawing a character is to find the perfect name. I’ve never understood that, beyond the obvious connotations of character type. A romantic hero named Raunchy McStinkface would probably be doomed. My series character, Jonathan Grave, is called that because my original plan for the series was to build titles around the name–Grave Danger, Grave Peril, etc. Okay, I’m not very good with titles. (Hand to God: I was two or three books into the series before I realized, thanks to an inquiry from a fan, that Jonathan and I share the same initials.)
For me, characters develop in my head from the inside out–how they think and feel and react. Names, for the most part, are just labels, something to call them. I’ve taken names from friends, and also from news stories, sometimes attaching one news maker’s first name to someone else’s last name.
In my current WIP, Crimson Phoenix, my first non-Grave book in quite a while, I’m cursed with a ton of walk-on characters. I’ve been going crazy trying to develop names for these folks, until earlier this week, when I wondered if the internet has such a thing as a name generator. Eureka! This site is a name generator. It allows you to choose ethnicity, sex, age, and a host of other factors to spit out a list of names. Or, you can go straight to the Quick Name Generator, which will spit out a random list for you to choose from.
Fair warning: The site can become an obsession if you’re not careful.
So, this got me to thinking, what else is out there? One of my evil writing reflexes is to have characters nod too much. Non-verbal communication is important in a scene, but beyond shrugs, nods making faces, my quiver runs empty pretty quickly. Here’s a site I found specifically to help with body language.
I forget sometimes what a boon the internet can be for writers. I am continually amazed by how there seems always to be an answer to any question you want to ask. Not all of the answers or suggestions are great, but there’s always a route to follow to get to the answer.
So, TKZers, give us a link to your favorite helpful sites, either on craft or just for reaearch.
By PJ Parrish
Sue’s post yesterday on the need for creativity in our trying times got me to thinking — why has my urge to write anything gone pffft? I figured it out — all my creative juices lately are going to helping me and my own stay sane.
Not easy in these times of cabin fever, quest for toilet paper, and real fears. I’m walking more than ever, and I gotta tell you, there’s been an unexpected joy in seeing my neighbors and friends out more. And this morning was really lovely — I was all alone with my dogs, a hovering dawn fog and a very loud symphony of birdsong. (Loud because there are no cars).
Yesterday, I ventured out to a toy store to buy a jigsaw puzzle. The sweet young clerk told me they are doing a bang-up business. Seems even the kids are getting tired of video games and Scrabble is sounding pretty exotic. I am looking for good things, small as they may be.
I am also reading more. Normally, I cleave to fiction but this week I started Jon Meacham’s The Soul of America: The Battle For Our Better Angels. It is a history of our democracy, with every wart revealed and wonder exalted. It’s beautifully written and very affirming. We will get through this, Meacham says, we’ve endured worse. You don’t believe me? Well, here’s the sad story of Nathan Bedford Forrest…
Books are so vital right now. Whether you’re escaping to Treasure Island or retreating into the romance of Danielle Steele. (Although I’d vote that you should re-read Judith Krantz. She’s much funnier and very randy). I wish the libraries were not having to close right now.
So, forgive me today if I have no good writing advice. My mind is elsewhere. Let’s play a game instead.
One of my favorite stops in my Sunday New York Times is the By The Book feature in the book review. Famous folks are interviewed, asked the same questions week after week a la the format popularized by the great James Lipton of Inside the Actor’s Studio. (“What sound do you love?” “What’s your favorite curse word?” “If heaven exists, what would you like to hear God say when you arrive at the pearly gates?”)
This week in By the Book, Emily St. John Mandel was questioned. (She’s the author of one of my favorite books Station Eleven.) So here are the questions, but I am going to give you my answers. That’s because I will never be famous enough to be asked but always wanted to be. Please weigh in with your comments and answer any of the questions that move you!
What book are on your nightstand? The Meacham book, plus Robert B. Parker’s The Judas Goat. Just added a really ratty copy of Wuthering Heights that I found this week at the GoodWill. I figure it’s time.
What’s the last great book you read? Your first thought is usually your best one. I immediately grasped upon Toni Morrison’s Beloved. I still think about the people in that book sometimes.
Describe your ideal reading experience (when, where, how?). Somewhere foreign so I can’t understand anything on TV. It’s raining. My dogs are snoring at my side.
What’s your favorite book no one else heard of? Well, my tastes aren’t esoteric enough to dazzle anyone and I refuse to make something up to sound important. So I will recommend two: Jim Harrison’s memoir A Really Big Lunch. If you love cooking, wine and great writing, this is for you. (A tip from Jim: Don’t drink and cook at the same time. But if you must, only one glass of prosecco.)
Also, try Di & I by Peter Lefcourt. Leonard Schecter, a successful Hollywood screenwriter, goes to London, meets the unhappy princess and they run off to travel across America in a mini-van, and end up running a McDonald’s in Cucamonga, California. I’m a royalist and love books about the twisted Windsors. This made me laugh til I cried.
Which writers working today do you admire most? I will read a grocery list if Joyce Carol Oates writes it. Or maybe I am just envious of her work ethic. So that’s it. Your turn…
Has a book ever brought you closer to another person, or come between you? This was easy. My own first book, Dark of the Moon, written with my sister, remade a sibling into a beloved friend.
How do you organize your books? Roughly by subject. Crime fiction on one shelf, my dance books from days as a critic on another, etc. My husband has shelf with rock biographies. I recommend Keith Richard’s Life because anyone who is more durable than Astroturf deserves to be heard.
Disappointing, overrated, just not good: Do you remember the last book you put down without finishing? Do I remember? Hell yes, I remember, because these books take up valuable time and energy and leave you angry for months for being so gullible, sort of like a bad blind date. So this gives me yet one more chance to trash Hilary Mantel’s Wolf Hall. (I mentioned it in Jim’s Sunday post). I love fiction set in old England. But this was first-person pretension and overwrought prose prettified with preface graphics of family trees. Which still didn’t help me keep all the guys named Thomas straight. A friend told me I have to let this go and suggested I read Infinite Jest to regain some perspective.
What say you, guys? Your turn to talk about books. Stay safe. I know that sounds banal but sometimes banal, like rice pudding, is what works.
By SUE COLETTA
I read an article recently that gave writers permission to stop writing during these trying times, and it really resonated with me. Not because I long to stop creating—perish the thought—but being granted the permission not to write lifted some of the pressure from the “new normal,” which isn’t easy, as Clare mentioned last Monday.
Perhaps you can relate.
Do you feel guilty about not hitting the keyboard as often as you normally do? If you do, consider this your permission to stop writing. Just don’t stray away for too long. As we like to remind you from time to time, it’s important to keep our creative juices flowing. 🙂
As a self-professed research junkie, I wondered if creatives might feel the pinch more than non-creatives. Turns out, back in 2015, researchers conducted a study on stress and creativity.
The main reason for the connection between anxiety and creativity is imagination. The dichotomy lies in the fact that the same brain that conjures up inventive paintings, poetry, and music can also get trapped in repetitive thoughts and dreadful worries.
According to an expert at Evergray Digital Media, these individuals use their imagination to visualize something before it happens, whether it’s a piece of art or an issue (whether real or made up) that frightens them to cause feelings of great concern and panic. People with both traits also tend to overthink and over-analyze everything, which can make them more anxious and even neurotic at times. Interestingly, dwelling on one’s fears might be the very root of creativity and problem solving.
It’s difficult to recreate creativity in a lab setting. So, my theory runs a bit deeper into what might be causing creatives to lose focus. I say, many creative types are empaths, at least on a certain level. We need to be, don’t you think? How else could we slip inside a character’s skin?
Being an empath is different from being empathetic. Being empathetic is when your heart goes out to someone else. Being an empath means you can actually feel another person’s happiness or sadness in your own body.
In empaths, the brain’s mirror neuron system — a specialized group of cells that are responsible for compassion — is thought to be hyperactive. As a result, empaths can absorb other people’s energies (both positive and negative) into their own bodies.
Empaths are the medicine the world needs and they can have a profound impact on humanity with their compassion and understanding… The key skill is to learn how to take charge of your sensitivities and learn specific strategies to prevent empathy overload. — Dr. Judith Orloff
Let’s conduct an experiment.
Are you really intuitive when it comes to friends and family?
Can you sense conflict before it hits?
Do you pick up on the emotions of others, even those you’ve just met? How about those you’ve never met in person (aka online friendships)?
Can you sense when someone isn’t telling you the whole truth?
Do you feel drained after being around certain people?
If you answered yes to these questions, you could be an empath.
Empaths are highly sensitive individuals, who have a keen ability to sense what people around them are thinking and feeling. Psychologists may use the term empath to describe a person that experiences a great deal of empathy, often to the point of taking on the pain of others at their own expense. However, the term empath can also be used as a spiritual term, describing an individual with special, psychic abilities to sense the emotions and energies of others. — PsychAlive.com
When I say creatives are empaths, I’m referring to the psychological definition. Other signs may include an overpowering sense of intuition. It drives my family crazy when I know something’s bothering one of them, even if we’re only communicating via text. I’m not psychic, as some would like to believe. I’m simply in tune with my intuition.
Without attaching labels, I think we can all agree that creatives need a healthy dose of empathy to view the world through a writer’s lens. If you missed Jordan’s post last week, read it. I’ll add one tip to her list: give yourself permission not to write. If you’re feeling distracted or overwhelmed, take the time you need to process your new normal.
During these turbulent times, an overabundance of empathy can suck the life right out of you. Thus, it’s important to develop self-protection mechanisms, like deep breathing exercises and communing with nature. Ridding one’s psyche of negativity promotes balance and good mental health.
There’s a lot of beauty in this world. If we take a moment to find it—the chipmunk who grins at a shelled peanut, the goofy antics of a squirrel, dog, or cat, the magnificent agility of crows and ravens, or the gentle whisper of silence—we can lessen the heavy burden of our new reality.
The world needs creatives more than ever before. So, let’s rise to the challenge.
As writers, what can we do to help folks stuck at home? One idea is to ask your subscribers if they’d like to read a free novel to help pass the time. I did, and the response was overwhelming. I’m still receiving emails from readers in my community. It feels wonderful to give back!
This seems to be a growing trend among creatives.
Many of our favorite recording artists are performing free home concerts under the hashtag #TogetherAtHome (link includes 80 concerts). On StorylineOnline celebrities read books to children (16 books and climbing).
Have you come across something beautiful that’s touched your heart? Share it with us in the comments. C’mon, creatives! Let’s lavish the world with our gift. What are other ways writers can help the community adjust to the new normal?
Unless you’re writing literary fiction, where an expansive style is part of the experience (e.g., Thomas Wolfe), you should strive to write tight. You’re telling a story. Your goal is to draw readers into that story, fast, and keep them there. Every sentence should serve that purpose. Writing tight means no excessive prose, no over-padded paragraphs, nothing to get in the way of the fictive dream.
Now, this does not mean you can’t have what John D. MacDonald called “unobtrusive poetry” in the style. The key word is unobtrusive. It does its work pleasantly, then steps out of the way. Not this:
With sharp whetted hunger he thought of breakfast. He threw the sheet back cleanly, swung in an orbit to a sitting position and put his white somewhat phthisic feet on the floor. (Look Homeward, Angel by Thomas Wolfe)
Eh? What? Is that a typo? Phthisic? What the heck is that? (It’s actually a word. You can look it up. Which is not a good way to write, sending readers to the dang dictionary!)
The sun that brief December day shone weakly through the west-facing window of Garrett Kingsley’s office. It made a thin yellow oblong splash on his Persian carpet and gave up. (Pale Kings and Princes by Robert B. Parker)
So let’s look at some ways you can write tighter.
In Stein on Writing, Sol Stein defined flab as “superfluous words and phrases.” Most flab comes in the form of adjectives and adverbs. Stein’s advice is to cut all the adjectives and adverbs in a manuscript, then readmit only “the necessary few after careful testing.”
As an example, I want to show you a sentence I read in a non-fiction article posted on a popular sports website. It had to do with NBA Mavericks owner Mark Cuban getting into hot water with the league (a habit with him):
Cuban felt the refs did his team dirty and ultimately blamed the officials for the Mavericks ultimately losing the game.
We’ll get to the repetition of the adverb ultimately in a moment. But first, does that word help this sentence in any way? No. It adds nothing but flab. How much stronger it is this way:
Cuban felt the refs did his team dirty and blamed the officials for the Mavericks losing the game.
And, of course, using that adverb twice in the same sentence is truly felonious. You need to watch for the same thing in your paragraphs, too. I call these…
Take a look at this:
Max walked into the bar. It stank of beer and sweat. He spotted Henderson sitting at a table, alone. He walked over and stood there, arms folded. Henderson looked up. His eyes told Max he just wanted to be left alone.
The repetition of alone is an echo. While it doesn’t violate any rule of grammar, it is what I would call a little “speed bump” that momentarily takes the reader out of the scene. The repeated sound is jarring.
The solution is simple: cut one of them. You could do it this way:
Max walked into the bar. It stank of beer and sweat. He spotted Henderson sitting at a table. He walked over and stood there, arms folded. Henderson looked up. His eyes told Max he just wanted to be left alone.
Or this way:
Max walked into the bar. It stank of beer and sweat. He spotted Henderson sitting at a table, alone. He walked over and stood there, arms folded. Henderson looked up. His eyes told Max he didn’t want to talk to anybody.
The exception to this guideline is when you purposely want to emphasize a word, as in the following:
His shirt was black. His pants were black. His boots were even blacker, if that was possible. He looked like Johnny Cash at a funeral.
As I contend in my book on the subject, dialogue is the fastest way to improve a manuscript. An agent or editor, or reader for that matter, knows good dialogue because they’ve seen so much of the bad variety.
One of the marks of effective dialogue is compression. Unless there is a reason a character long winded, keep the dialogue tight and to the point.
The easiest way to do this is to cut words. You can almost always cut a word or two out of dialogue and make it sound better. Example:
“I don’t think this is a good idea,” Max said.
“Well then, what do you suggest we do?” Henderson said.
“I don’t know, drive around to the back maybe.”
“That would be a stupid thing to do.”
“Why do you say that?”
“Because that’s where all the cops will be.”
Can we tighten this up? I think we can:
“This isn’t a good idea,” Max said.
“What do you suggest?” Henderson said.
“Drive around the back maybe.”
“That’s where all the cops’ll be.”
Obviously you adjust according to the way your characters talk. But you will be amazed how much better your dialogue sounds when you trim the fat this way.
How would you describe your default writing style? When first drafting, do you tend to write long and cut? Or do you write lean and add?
Photo by Dimitri Houtteman on Unsplash
The best-laid plans…
I was so proud of myself for writing today’s blog ahead of time and finishing it on Monday, March 16. It was supposed to be about the ways in which authors could spend their time while dealing with all of the hoo-hah about social distancing and the like. The feeling lasted until Thursday, March 19, when the wondrous and wonderful Jordan Dane posted her blog titled “A Writer’s Guide to Surviving Social Distancing and Quarantine.”
Whoops. Jordan’s post was so much better than what I had prepared — no surprise there — that I couldn’t even be frustrated. That said, one might expect that such a state of affairs would have put me into a state of panic, given that my deadline was near. Well, contraire, mon frere. I have it covered. There is always something, and something else, to discuss.
I am of the age at which one may find oneself attending at least one organ recital on a weekly basis, if not more often. By “organ recital” I refer to one of those gatherings which takes place — or at least used to until recently — at a coffee shop or diner, where a group of duffers might gather and trade war stories about their latest hospitalizations, surgeries, doctor visits, blood work results, and gradual deterioration. I don’t want this to be that at all. But here goes.
I have for a few years experienced occasional episodes where I’ve been awakened at night by knocking. Two knocks, to be exact. My impression has in each instance been that someone is knocking at my front door. My bedroom and its window are in front of the house on the second story. I leave an outside light on at night as well. I accordingly can quickly obtain an excellent view of the front yard. I never see anything, such as a neighborhood urchin dashing madly way, following these knocking episodes. I also go downstairs and check to see if possibly Steve Harvey, Michael Myers, out-of-season after curfew trick-or-treaters, or missionaries are there. Nope. Nope. Nope. Nope.
These episodes don’t happen frequently or regularly. I can go a year or more without one and then experience one every few weeks. In the past, I have forgotten about these episodes until I have had another. After experiencing one earlier this week, however, I did a little research and discovered that I apparently have something called EHS.
Photo courtesy quickmeme.com
What is EHS? It’s “exploding head syndrome.” EHS is described as being benign, and it is, in my experience. The condition was first noted in medical literature in 1876 by Dr. Silas Wier Mitchell but was given its charming name in 1988 by Dr. John M.S. Pinafo…er…Pierce. Those who experience it hear loud noises and occasionally see flashes of light at the beginning or end of a sleep cycle. There is no medication for EHS but some prescription sleep aids have been reported anecdotally to be helpful. It doesn’t bother me enough to take Halcion or Ambien or one of those medications whose potential side-effects include walking down a highway disrobed while singing the soundtrack from Hamilton. It’s not worth it.
EHS may have been around for quite a while. I found a British legend that solemnly declares that if someone is awakened by one phantom knock it meant that good fortune (Steve Harvey) was coming. If awakened by three, however, it meant that death (Michael Myers) was imminent. The legend is moot, however, as to two knocks. Maybe hearing two knocks means that nothing will happen. I should be so lucky.
Have any of you heard of EHS or experienced it? My most experience has inspired me to fool around with writing a Cthulhu Mythos story, even though I don’t know what I’m doing with it. Porter stumbled toward the front door, jumping each time the ponderous knock sounded. As he reached out to turn the doorknob Porter heard a slithering and hissing noise, as if hundreds of snakes were seeking entrance via the door hinges. Porter tried to keep his voice steady as he yelled, “Get back, I say, get back! The Innsmouth Police are coming!” I might share it here if I finish it. Or not. In any event, be well and safe. Thanks for dropping by The Kill Zone, where you don’t need to call or knock first.
Photo by mostafa meraji on Unsplash
Tell us about the genre you feel most comfortable writing.
1.) Share what you write and what you like most about it. What drew you to the genre?
2.) What are the biggest challenges you have faced in writing this genre?
3.) Where would you push the envelope in writing or reinventing this genre?
No one has to tell me twice to stay home. I work from there as a writer. My commute is from the bedroom to my office. (No. I don’t work in my PJs. Puleeze.)
Don’t mingle? I love people, but I’m a bit of an introvert. I’m perfectly happy entertaining myself in my head. No worries. But in order to flatten the curve of the #CoronaVirus and allow health professionals to get this pandemic under control for the hospital beds and respirators they have, I am determined to do my part, happily. I’m also the primary caregiver to my parents who are in their 90s. They’re in good health, but their age puts them at a disadvantage.
I’m limiting my errands, appointments and socializing for the next few months and am hoping we, as a country, can get this pandemic under control. I’ve cancelled my European trip in July and will target my travel for 2021-2022 when things might be better.
I thought I would share what I am doing during my self-imposed lock down and get a conversation going. Let’s share what we’re up to and make this quarantine/social distancing survivable.
ALWAYS allow time for your daily quota but think outside the box for how to spend your time. This shouldn’t be same-old-same-old time. Treat yourself & bolster your spirit. The last time I had to spend time sequestered at home, I wrote my debut book after I had surgery. Perhaps this inconvenience could be a renaissance of sorts, a rebirth like a Phoenix rising from the ashes.
Stay positive & fuel your creativity.
1.) Develop your cooking skills. Treat yourself well by making an effort, even if it’s for a party of one. I have fun posting recipes with pics on social media, like Twitter and Instagram. If you’re feeling generous, try supporting your local restaurants who are suffering during this shut down. They may only be making money on deliveries. Order online with delivery & make sure to wipe down the cartons/containers & throw away the bags. Plastic & cardboard surfaces can carry the virus for 24 to 72 hours–and tip your driver.
2.) Research cooking homemade dog food & treats. My sister and I have challenged each other, from our respective homes, of course. We are cooking our own nutritious dog food with healthy ingredients (meats, vegetables and fruit) with vitamin & probiotic supplements. I recently did the math and I’m saving $20/bag off my old kibble brand. I cook once or twice a month and freeze some to have inventory. It’s fun to be creative for them. My oldest dog is ten and she’s gobbling up her food like she has never done before. I love seeing the joy of my three rescue dogs at meal times and their appreciation shows.
3.) Organize your life. What needs doing? What have you put off? For me, it’s tackling a storage room & my office. I also cleaned out my freezer & made use of what I could to make dog food. These jobs were long overdue. Writing deadlines are pushed to the top of the list normally, but this time of self-reflection has helped me get after projects that will make me feel better in the long run.
4.) Spend time outdoors. It’s spring. Get fresh air by working in a garden, cleaning up, applying lawn treatments. I maintain my home & yard on my own. It’s rewarding, invigorating & a reminder of nature’s renewal. This time of year, it is cleaning up leaves and sprucing up the garden to make way for the new growth. My tangerine tree is blooming and my tulips and bulbs are flowering.
5.) Do an inventory of the favorite things in your home & post pics of them on social media. I saw this on social media and participated. I thought it was a great idea for the home bound. Share a story of why something means the world to you. Tell a story and invite your followers to share their prized possessions. Very touching and interesting.
6.) Post a video of your quarantine activities online if you’re tech savvy. Or read excerpts of your books on video to share with readers. Do you feel comfortable with recording writing craft tutorials? With all the late night shows getting creative on Youtube, I thought–why not share our work with other quarantiners or read an age appropriate book to children? What the hell. I can’t sing
7.) Catch up on research for your next book & dig into a new plot. Daily writing time is important. That should come first, but working on a new project can be invigorating.
8.) Reach out to friends & family on FaceTime or texting or calling. Reassure your loved ones & stay more connected with the people you value most. Not including family, ask yourself–who makes the list of my top 10 contacts? I call this – taking an inventory of the heart.
9.) Focus on your pets. Things have changed in their world too. They see you home more and want your time. Take them on longer walks. It’s good exercise for you. Buy new toys for them, something you can enjoy with them.
10.) Catch up on your reading. Authors should be avid readers. You’ll learn as you enjoy.
11.) Write a letter to someone special. We’re writers, after all. Or keep a daily journal to get in touch with the emotions you might be feeling.
12.) Go on an online shopping spree. Or send a special gift to someone you love.
13.) Plan a vacation for late 2021 or 2022. Save for it. Take your time researching it & make the trip special.
14.) With sports being cancelled across our country, check out what others are doing on TikTok to invent a sport. Here is a LINK. Roomba Curling, window tennis, turtle tic tac toe, Sock Pacman, & ping pong trick shots set up in your home with obstacles.
15.) Take a vitual tour of these great sites at this LINK. Over 30 sites. Animal cameras, national parks, touring famous places across the world, try a virtual trip on Mars.
I count my lucky stars for everything good in my life, despite what’s going on across the globe. I hear & read about horror all over the world and things happening close to home. People are hurting and they don’t have many options if our economy shuts down to a crawl. Be kind to one another and help where you can. You will not regret it.
What are you doing to keep your sanity during this challenging time?
In a comment on a previous post, one TKZ reader asked about romantic suspense. Since I write in that genre as well as mystery, I’ll try to respond.
At first glance, the answer seems obvious. Romantic Suspense books have both romance and suspense. However, that’s a very broad definition, and in order to write in the genre, one needs to dig a little deeper.
Is it a romance novel with a suspense sub plot?
Or is it a suspense novel with a romance sub plot?
How are they divided? 50-50? 60-40 romance because it’s Romantic Suspense? Or 60-40 suspense because it’s Romantic Suspense? Or something else?
In truth, it’s none of the above, so let’s back up and look at the definitions.
According to the Romance Writers of America (presented long before the recent implosion and I think their definitions/guidelines still hold), a Romance is defined as a novel containing a central love story and an emotionally satisfying and optimistic ending.
A Central Love Story: The main plot centers around individuals falling in love and struggling to make the relationship work. A writer can include as many subplots as he/she wants as long as the love story is the main focus of the novel.
An Emotionally Satisfying and Optimistic Ending: In a romance, the lovers who risk and struggle for each other and their relationship are rewarded with emotional justice and unconditional love.
Romance novels may have any tone or style, be set in any place or time, and have varying levels of sensuality—ranging from sweet to extremely hot. These settings and distinctions of plot create specific subgenres within romance fiction.
One of those subgenres is romantic suspense. What does RWA say about that?
Romantic Suspense: Romance novels in which suspense, mystery, or thriller elements constitute an integral part of the plot.
You’ll notice the definition does not single out suspense. Instead, it adds mystery and thriller. And my own personal bugaboo is that RWA chose to call the entire subgenre “Romantic Suspense” when the mystery genre is also in there. A mystery is not a suspense, and vice versa.
Let’s look at those genres that fall under the mystery umbrella. Author and former agent Nathan Bradford sums them up thusly:
Mysteries have mysteries, i.e., something you don’t know until the end.
Suspense has danger, but not necessarily action.
Thrillers have action.
A bit simplistic, but it’s a start. An easy way to think of it is in a mystery, the reader follows the protagonist and doesn’t learn anything until he or she does. Think Sherlock Holmes.
In a suspense, the reader is one step ahead of the protagonist and knows facts before he or she does. Think Alfred Hitchcock.
Can your book have both? Yes. In my Finding Sarah, the story begins with a mystery, and both characters are working together. But when Sarah disappears, readers will see what’s happening from her POV, and they’ll know more than Randy. Likewise, as Randy discovers clues, the reader will know them but Sarah won’t. Moving your characters apart can increase the suspense aspect of the book.
What about thrillers? The older definition of a thriller was “a suspense novel with consequences of global proportions”, but the lines between suspense and thriller have blurred. A thriller has more action, should have higher stakes, but often the stakes and/or consequences are only for the characters and don’t reach far beyond the setting of the book.
(Side Note) At a conference, I asked Lee Child whether he thought thrillers had been “watered down” as a way for publishers to attract a wider audience, because I’ve seen reviews for some of my Blackthorne, Inc. books that refer to them as thrillers, which was not my intention when writing them. He gave me a serious look (from way up high, because he’s tall and I’m not.) He said, “Do you want to know the difference between thriller and suspense?”
Duh. Of course I did. This was Lee Child, after all. He said, “It’s an extra zero on your advance.”
So, for the purposes of this post, I’m lumping thrillers and suspense in the same box. Now, back to my initial question, taking the RWA definition of romantic suspense into consideration.
Romance novels in which suspense, mystery, or thriller elements constitute an integral part of the plot.
Note the word integral. The two elements are entwined so you cannot remove any of the mystery/suspense elements without the book collapsing. Likewise for the romance. If you can remove either of those elements, you don’t have a romantic suspense.
When you’re writing you should be writing 100% romance and 100% mystery/suspense.
Sound hard? You’re right. It is.