Category Archives: Business of Writing

It’s Strictly Business

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by James Scott Bell
@jamesscottbell

There’s a crucial scene in The Godfather where Sonny and Tom Hagen and the capos, Clemenza and Tessio, are trying to decide what to do about Sollozzo, who had Don Corleone nearly assassinated. Naturally, Sonny wants all-out war. Tom Hagen wants Sonny to calm down.

In the middle of it all sits Michael, whom no one expects to hear from. Michael has just saved his father from a follow-up attempt on his life, at the hospital. When the corrupt police captain, McCluskey, shows up, Michael accusing him of being on the take from Sollozzo. Whereupon McCluskey has his men hold Michael so he can bash in Michael’s face.

But Michael is the youngest son, the one his father wants to be “legit.” As he listens to all the talk he has his “mirror moment.” Will he continue to be the straight-and-narrow war hero? Or will he take a fateful step that will change the trajectory of his life forever?

Michael chooses. He tells everyone of a plan. Get Sollozzo and McCluskey to meet with him. Find out where. Plant a gun in the bathroom. “Then I’ll kill them both.”

After a moment of silent shock, the others in the room begin to laugh. Especially Sonny.

“Hey, whataya gonna do, nice college boy, eh? Didn’t want to get mixed up in the family business? Now you wanna gun down a police captain because he slapped you in the face a little bit? Hah? What do you think this is, the Army where you shoot ’em a mile away? You’ve gotta get up close like this and bada-bing! You blow their brains all over your nice Ivy League suit.”

Sonny kisses Michael’s head. “You’re taking this very personal. Tom, this is business and this man is taking it very, very personal.”

Michael lays out his plan in more detail. Cool and collected. Then looks at his brother. “It’s not personal, Sonny. It’s strictly business.”

Which brings to mind traditional publishing. It’s always been strictly business. As recent news reaffirmed. According to the NYT:

In a significant shake up, Penguin Random House, the largest publishing house in the United States, announced on Monday that the publishers of two of its most prestigious literary imprints had been let go.

The departure of Reagan Arthur, the publisher of Alfred A. Knopf, and Lisa Lucas, the publisher of Pantheon and Schocken, likely came as a surprise to many in the company — including, it seemed, to Lucas.

Lucas posted on X, formerly called Twitter, that she had learned of her dismissal at 9:30 a.m. on Monday morning. “I have some regrets about spending the weekend working,” she wrote.

Reagan and Lucas were “splashy hires.” But the company faces financial challenges “with rising supply chain costs and sluggish print sales.”

So two high-profile, in-house publishers became part of an across-the-board cost cutting move.

It’s strictly business. Which means if you, dear author, wish to pursue the “traditional” way of publication, you must understand:

  1. You are entering into a business relationship, which means everything ultimately comes down to whether you make the company money…or not.
  2. If you don’t make the company money, you will not be offered another contract.
  3. If you are not offered another contract, you will want to get the rights back to your books the company has published. However, the company may want to keep your books in print. This is also a business decision. The company has paid for your book to be published; they would like to make that money back.
  4. This makes your contract’s reversion clause of crucial importance. In the “old days” it was based on a book being “out of print” (which meant copies in the warehouse and available to bookstores. But print-on-demand and ebooks have rendered this obsolete. The simplest and fairest clause will trigger reversion when the author’s royalty falls below a threshold (say $250) for two consecutive accounting periods.
  5. Another clause to be considered is non-compete clause. The publisher does deserve some protection from an author publishing a substantially similar work with another company, or as an indie project. On the other hand, the author should be free to sell or publish other works that don’t directly compete. I’ve written about that here. The Author’s Guild offers further advice.

And if you go the indie route? It’s still business if you are in it to make some dough. There are other reasons to write and publish. But to build a stream of income, think like a publisher.

  1. If you were an acquisitions editor at a publishing house, would you give an advance for your book? Is there a market for it?
  2. Don’t shut off quality controls, i.e., don’t just type and publish. There is a roiling sea of lousy to mediocre fiction—and AI-generated content—uploaded to Amazon every day. Publishing a dozen novels a month doesn’t build a readership unless people want to read them, which they don’t.
  3. Growing a fan base takes time.
  4. Build an email list.

(Further thoughts on this can be found in How to Make a Living as a Writer.)

Comments welcome! (I’m on the road today, so will check in when I can.)

Greatest Hits from the 2024 Flathead River Writers Conference Part 2

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by Debbie Burke

@burke_writer

Late Breaking News: This morning, I’m being interviewed by radio station KGEZ (Kalispell, Montana). To listen live, visit KGEZ.com and click at the top left side of the home page.  Pacific 8:10 a.m., Mountain 9:10 a.m., Central 10:10 a.m., Eastern 11:10 a.m.

Or you can listen later by scrolling down KGEZ’s home page to “In Case You Missed It.” 

~~~

Two weeks ago, I wrote about the inspiring Flathead River Writers Conference.  If you missed Part 1, here’s the link.

Today features more highlights from the other excellent speakers.

~~~

Maggie Doherty

Freelance writer Maggie Neal Doherty is a future thinker who knows how to take the initiative. When she realized the local newspaper had no female reporters, she pitched them with her qualifications and scored a regular op-ed column. She also initiated a new book review section at a time when many publications are cutting back on book reviews.

She specializes in finding unusual niches like “Duct Tape Diaries,” a publication by a major raft manufacturer that features articles about river rafting. With two small children, she came up with the quirky angle of waste disposal during family raft trips: “How I Got My Kids to Poop in a Bucket.”

Questions Maggie asks before querying editors:

  • What is the story? It’s not just the topic of the article but a compelling reason behind it.
  • Why is it important now?
  • Why are you the person to write it?

If the topic is “evergreen” (useable at any time), why is the story timely now?

Editors want to know you can deliver the story, meet deadlines, and write within the required word count.

Maggie’s strategy has resulted in credits in The Guardian, Washington Post, High Country News, LA Times, and more.

~~~

Keir Graff

Chicago-based Keir Graff had an enviable former career where he “got paid to read” as the senior editor of Booklist, the primary source for libraries when deciding which books to buy. Now he cowrites middle-grade mysteries with James Patterson, as well as adult and children’s fiction under his own name and with a coauthor under the name “Linda Keir.”

Keir revealed the secrets of a working writer, sharing the hard truth that few authors can survive on book sales alone. He cautions that “writing a book is like buying a lottery ticket that takes a year to fill out.”

He compares writing-related work to an investment portfolio. If you have only one income source and it dries up, you’re out of luck. If you diversify into related fields, like ghostwriting, editing, coaching, teaching, speaking appearances, etc., those other income sources take up the slack if book sales drop. Using a strategy of wearing many hats, Keir has forged a successful career.

While Keir gave straight talk about the challenges, he also offered encouraging, actionable tips to make a living as a writer, including:

  • Be the best writer you can be.
  • Leverage your expertise. Give talks about your areas of expertise, knowledge of a place, specialized abilities, etc.
  • Price yourself accordingly. Start low then increase fees as your experience and reputation expand. Ask clients and speaking venues, “What is your budget?”
  • Ask for help, advice, and introductions. Always be gracious if the answer is no.
  • In addition to writing, do five things every day. “Things” can be querying, promotion, outreach, networking, following up on queries, building platform, etc.
  • Set a goal. Once you achieve that goal, set a new one. Keep setting and achieving goals.

~~~

Zoe Howard

Zoe Howard is an associate literary agent with the Howland Agency and a literary publicist with Pine State Publicity. She walked us through DIY publicity angles for launching a book. She shared sample  questionnaires used by PR firms.

About the author:

  • Who are you?
  • Where are you from? If you moved, why?
  • How do you describe yourself to people?
  • What is your day job/work?
  • What gives you the ability to write this book at this time?
  • What interview questions would you like to be asked?

About the book being publicized:

  • What are one-word topics about this work?
  • What themes are you striving for?
  • What inspired this work?
  • What timely topics intersect with this work?
  • What research did you do?
  • How do you talk about the work with different people, e.g. friends, colleagues, your mom?
  • Who helped this book along the way?

What does publicity look like:

  • Reviews
  • Interviews
  • Events
  • Awards
  • Essays/excerpts
  • Momentum

~~~

Joanna MacKenzie

“Keep readers hungry but give them cookies,” advises literary agent Joanna MacKenzie of the Nelson Agency. IOW, make readers eager to find out what happens next but give them snacks in the form of hints that will pay off during the journey.

Joanna gave a shout out to TKZ alumnus Larry Brooks and his book Great Stories Don’t Write Themselves.

She offered a rare peek inside an agent’s head with 16 questions she asks when considering a manuscript.

  1. Is the writing good?
  2. Is there a market?
  3. Am I excited to turn the page?
  4. Am I confused?
  5. Is the premise unique?
  6. Is this the right point of view for the story/scene?
  7. Do I care about the character?
  8. Are there meaningful internalizations? Is there too much “show” and not enough “tell”? (Note: Refreshing to hear an agent break from conventional wisdom)
  9. Are there both internal and external arcs?
  10. Is there a sense of place?
  11. Is there a compelling conflict?
  12. Is the dialogue trying too hard to be realistic?
  13. Is it plausible?
  14. Is there a beginning, middle, and end?
  15. Does every scene move the plot and character forward?
  16. How much work are we going to have to do?

Digging into characters, Joanna says, “If the antagonist has time to lean, they have time to be mean. If they’re not doing anything, put them to work making life more difficult for the hero. Make sure every scene includes a shift in who has the upper hand.”

~~~

The criteria I often use for measuring a conference’s success is the level of interaction among attendees. Sometimes introverted writers are shy about talking with strangers or even admitting they write.

Not at this conference! Conversations were friendly and lively. People freely shared stories about their projects, struggles, successes, interests, and personal lives.

Old friendships were rekindled and new ones made. Business cards and emails were exchanged.

Exhilarating, energizing, and exhausting. You can’t ask for better than that.

~~~

TKZers: In your experience, what makes a successful conference? Want to give a shout out to your favorite?

~~~

Today is election day. Remember to vote.

~~~

For readers who like to hold a physical book in their hands, Debbie Burke’s new thriller Fruit of the Poisonous Tree is now in paperback as well as ebook! Sales link. 

Cover by Brian Hoffman

Wrapping It Up

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“For last year’s words belong to last year’s language and next year’s words await another voice. And to make an end is to make a beginning.” ― T.S. Eliot

* * *

As we approach the end of another year, it’s time to look back on 2023, assess our performance, and make preparations for 2024. If you’re like me, you have a list of goals you set for 2023 that you’re reviewing to see how you did.

I had twenty-eight writing goals for 2023. It was an ambitious list (I tend to be overly optimistic about what I can accomplish) that included books I wanted to write and publish, audiobooks I wanted to have made, and the number of books I intended to read. I also set goals for blog posts, reviews, book sales, X (Twitter) posts and followers, conferences, and other categories.

I reviewed the list a couple of days ago. I accomplished some things (specifically 65% of my goals, depending on how you count them), but others will have to wait until 2024.

* * *

Do you take time at the end of the year to reflect on the past and plan for the future? Here are a few suggestions I came across recently that may be helpful:

  1. Celebrate the accomplishments. Whatever progress was made in 2023 is worth a pat on the back. If you published a book, met your weekly word quota, got more Bookbub followers, or did anything else that moved the ball forward, take time to bask in the joy of your achievements. Chocolate is always a nice reward.
  2. Take a look at areas you want to improve in your writing and make a plan to tackle them in 2024.
  3. Acknowledge the people who helped you with your writing this year by sending them a thank-you note or donating to a charity in their honor.
  4. Decide on the number of words you want to write in 2024 and make a note of it. Tape the note to your desk.
  5. Choose a social media platform you want to concentrate on and decide how many posts you’ll make each week.
  6. Look over the writers’ conference schedules for 2024 and start making plans to attend one.
  7. Decide on promotions you want to run.
  8. Become a part of a blog community by commenting regularly.

Maybe most importantly, remember the words of the great runner Dean Karnazes, who ran a marathon in each of the 50 states in the U.S. on 50 consecutive days: “Run when you can, walk if you have to, crawl if you must, just never give up.” It’s just as relevant to writing as it is to running.

* * *

Since this is my last TKZ post for 2023, I want to express my gratitude to all of you for the insights, guidance, humor, and friendship I’ve enjoyed here during the past year. I wish you all a Happy Holiday season and best wishes for a productive and joyful writing year in 2024.

So TKZers: Did you achieve your goals in 2023? What accomplishments can you tell us about? What are your plans for 2024?

* * *

 

“DiBianca launches her Lady Pilot-in-Command series with a spectacular tale of decades-old murder mystery, human drama, and a hint of romance…. a surefire winner.” –Prairie Book Reviews

Lacey’s Star is on sale here.

When Does a Book Become the Next Big Thing?

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by James Scott Bell
@jamesscottbell

A few weeks ago I got a text from my daughter. It read: “How often do you think about the Roman Empire?”

A somewhat random question, it seemed, but in my wheelhouse. I texted back: “All the time!” Because I do. Signs of decline and fall abound, and I am mindful of two intractable lessons of history:

  1. Those who do not learn from history are doomed to repeat it.
  2. People do not learn from history (indeed, increasingly they do not even know history).

Anticipating a substantive exchange on current events, I was surprised when my daughter texted back a smiling emoji. What, I wondered, was there to smile about?

A few minutes later she called me and laughingly explained this was a social media “thing.” Women were asking men how often they thought about the Roman Empire.

The hilarity of which escapes me.

But the trend was real. In a couple of weeks the hashtag #romanempire had 1.3 billion views on TikTok (which, far from creating in me peals of laughter, fills me with existential dread).

It prompted (not begged, please) a question: How does something as trivial as this become a “thing”?

A short time later I was talking to my daughter on the phone, when she said, “Isn’t it interesting how Taylor Swift has made Travis Kelce famous?” I immediately rejoined, “Honey, Travis Kelce has been one of the best players in football for years!”

She started laughing. Then explained this was another “thing,” women making that statement to men and watching them defend Travis Kelce.

Again, this is funny? (Okay, Boomer). But I love making my daughter laugh, so at least there was that.

Again I ask: why does something like this become a “thing”? Especially with millions of digital jockeys out there trying to create “things”?

Closer to home, we may well ask, why does one book take off to the stratosphere, and another (perhaps even better written in several ways) does not?

Why, with all the fan fiction out there, did Fifty Shades of Grey become the best-selling novel of the last decade (15.2 million print copies)?

Why, with all the fantasy fiction, does one story about a boy wizard follow this trajectory:

  • J. K. Rowling, living on government relief, writes Harry Potter and the Philosopher’s Stone. She gets a $4,000 advance.
  • 500 copies were published in hardcover.
  • 200 were sold, and 300 went to libraries.
  • Scholastic buys the U.S. rights, changes the title from Philosopher’s Stone to Sorcerer’s Stone, and releases it in October, 1998.
  • In December it hit the New York Times bestseller list and stayed there for 82 consecutive weeks.
  • Worldwide, the print copies of the series are north of 500 million.
  • As of 2021, JK Rowling’s estimated net worth is around $1 billion

Here’s a quiz for you:

At 68, he may no longer be publishing’s fresh young hotshot; his books sell a fraction of the copies that they used to, and it’s been 19 years since he had a feature film made. Yet every fall, like clockwork, [he] publishes a new [book], and every fall it shoots to the top of the bestseller list…[He] has released 48 consecutive New York Times No. 1 bestsellers, a feat no other writer has matched.

Who is he? Answer below.* But more to the point: why him and not another prolific writer?

Timing? Luck? Zeus?

Of course, no one knows the answer.

In the big antitrust case to prevent Penguin Random House from acquiring Simon & Schuster, PRH CEO Markus Dohle testified that publishers are like “angel investors” that “invest every year in thousands of ideas and dreams, and only a few make it to the top.” When a book is a breakout, it allows the company to take risks in acquiring new books and “betting” on new titles.

In other words, publishing is like shooting craps. I’m not a Vegas guy or a gambler—except nickel backgammon—but I had occasion to be in Vegas twice over the past few years.

I shot craps the first time and came away with $250.

The second time I lost $150, and quit.

But each time I rolled those bones, I did it with hope and a flicker of excitement.

That’s us putting out a new book.

Your job, then, is to keep on writing the best book you can before tossing it online (or to a publisher). While the odds are always long against becoming the “next big thing,” they are considerably better for an improving and producing writer coming away from the table with more chips than they started with.

Writing salable books is work, yes. But make part of it a game, bet on yourself, enjoy the excitement, keep writing.

How do you feel whenever you release a new book? Like a gambler? A naif? 

Are you hopeful, excited, nervous, full of dread…or some combination of all?

*Quiz answer: John Grisham.

Farewell

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Nancy J. Cohen

Dear Friends,

I regret to announce that I am leaving the Kill Zone. I’ve been blogging on this site for five years, and it’s gotten harder to think of things to say and to cover new ground. I have learned much from my illustrious comrades, and I’m grateful for the time spent in this writing community. To readers and my fellow authors, your feedback and responses have been highly gratifying and much appreciated. I wish you all the best and a Happy New Year. It’s been a blast.

Please note that you can still follow my posts at Nancy’s Notes from Florida. I’ll hope to see some of you there when I’m not popping in at the KZ to leave a comment. Blessings to you all.

Nancy

Value of Listserves

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I just learned this tip from one of my listserves: Bowker is running a 20% off discount in honor of family history month. The code is Family20 that you apply at checkout. I don’t know how long this discount lasts, so I jumped on it. It’s Sunday morning. I saved $59.00. While on site, I also saw you could buy 10 ISBNs and get a deal to purchase another 10 with it for 50% off the second batch.

This tip came from the Fantasy, Futuristic, & Paranormal Romance loop that I belong to with my RWA membership. I’m not too active there now since I am working only on my Bad Hair Day mysteries at this time, but gems like this one make it worthwhile to keep my membership.

A post on the FRW (Florida Romance Writers) listserve is how I learned about TweetJukebox (http://www.tweetjukebox.com/ ). This site has saved me a considerable amount of time.

What is a listserve? (Note: The trademarked term is LISTSERV) It’s a group email list that you join, usually through yahoo groups. You can choose to receive individual emails or a Daily Digest. The latter allows you to scan the topics and jump to the ones that interest you by clicking on a link.

Much of what I’ve learned about self-publishing, promotion, and business of writing tips has come from the listserves where I belong. I mine them for jewels of information. When I see something relevant, even if it’s not info I need immediately, I copy and paste it into a file. Thus when I am ready to venture out—like into audio books through ACX—I have a complete file with tips and instructions I’ve gleaned from various listserves.

Some of these groups require you to be a member to join. Others are available to all writers. In my view, they might be time-consuming emails but they’re worth their weight in gold—or in this case, in dollars saved. It’s writers helping writers. or writers connecting with readers.

book club

So here are the listserves where I belong. I’ve included the link if it’s open to the public. DorothyL is the only one that is not a yahoo group.

Mystery
Cozy Armchair Group (Readers): cozyarmchairgroup@yahoogroups.com
Crime Scene Writer (Research Questions): crimescenewriter@yahoogroups.com
Dorothy L (Readers): Mystery Literature E-conference DOROTHYL@LISTSERV.KENT.EDU
International Thriller Writers (members only)
Murder Must Advertise (Writers on Marketing) MurderMustAdvertise@yahoogroups.com
Mystery Buffs (Writers & Readers) https://groups.yahoo.com/neo/groups/mysterybuffs/info
Mystery Writers of America: (members only): EMWA, MWA-Breakout, MWA-Self-Publishing
Mystery Writers Promo (private group)
Sisters in Crime: (members only)
Sleuthmail: (Florida Chapter MWA members only)

Romance
Fantasy, Futuristic, and Paranormal RWA chapter: (members only)
Florida Romance Writers: (members only)
Marketing for Romance Writers: MarketingForRomanceWriters@yahoogroups.com
Romance Writers of America: (members only) PAN, Tech, Industry, News
Southwest Florida Romance Writers: (members only)

Other
ELoop: Eloop@yahoogroups.com
Lifeboat Team: Private group – Booklover’s Bench writers
Novelists, Inc: (members only)
Self-Publish: selfpublish-subscribe@yahoogroups.com

Publishers
Five Star: (FS authors only)
The Wild Rose Press: (WRP authors only)
The Wild Rose Press (readers) TheWildRosePress@yahoogroups.com

Do you have any other recommendations?

Aftermath of a Writers Conference

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Nancy J. Cohen

Recovering from a conference can take as much time or more as preparing for one. When you get home and unpack, you’ll likely have a collection of promo items from other authors to sort through. It’s good to keep some of these, as they can inspire ideas for your swag in the future. I keep swag from other authors in a small shopping bag designated for this purpose. It helps to have samples if you’re thinking of ordering a similar item.

What impressed me at Bouchercon this year? I always like Door Hangers. I did one myself for Hanging by a Hair. I liked the little bags of chocolate covered mints. I don’t remember the author’s name engraved on the M&M sized candies, but I do remember her book title as House of Homicide. One author gave out tape measures. My Bad Hair Day combs were popular, and every one that I put out got taken. As usual, the tables were a mess with print materials, but I picked up bookmarks for titles that interested me. And coasters are always useful. I keep them on my computer desk.

Swag

It helps to sort through the business cards we receive and add relevant contact info to our address books. I’d also suggest marking the date and place where you met the person for easy recall later. You might dash off a note to people you’d met or to booksellers who carried your titles. Uploading your photos and blogging about your experience will keep the memories fresh.

NanPanel1      DonConSandy

IMG_1735

IMG_1745

I’m still recovering from Boucheron, held in Raleigh. Here you’ll meet fans as well as other authors, plus a conglomeration of industry personnel. I have piles of materials to sort out and notes from panels attended to write up. But since I’m on the road again for another book event, these tasks will have to wait. This means I won’t be around today to answer comments, but please leave any tips you’d like to share.

 

Paid Book Reviews

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Nancy J. Cohen

There’s a disturbing trend toward paid reviews. Indie authors may have a difficult time getting their books reviewed, so this is an option for them. But it’s an issue for any traditionally published author who wishes to get more critical reviews for their new release, aside from the places where their publisher has sent advance reading copies. Here are some sites I’ve heard of but am by no means recommending. Do the research on your own.

books2

Kirkus Indie Reviews: https://www.kirkusreviews.com/author-services/indie/ costs $425. You can submit 2 print copies or a digital submission.

Publishers Weekly: At a site called Book Life, you can register your title and decide what services you want, i.e. getting your book reviewed or help with marketing. http://booklife.com/ It appears to be free, but marketing services are available. http://www.publishersweekly.com/pw/diy/index.html

RT Book Reviews: This magazine offers a paid service for $425 through RT Review Source: http://www.rtreviewsource.com/

Net Galley: $399 for a six month title listing, or $599 for a listing along with a spot in their newsletter. https://netgalley.uservoice.com/knowledgebase/articles/105722-do-you-work-with-individual-authors . Here your book might attract the attention of librarians, booksellers, reviewers and bloggers.

Edelweiss: If you’re traditionally published, ask if your book is listed at Edelweiss. This is where booksellers and librarians go to browse and place orders. Reviewers can request digital ARCs there too. Publishers pay for listings. The pricing for the catalog is based on the number of titles the publisher plans to feature in a year. An administrative fee is also charged annually for this service. In addition, there’s a digital review service that publishers can participate in either separately or along with the catalog listing. http://edelweiss.abovethetreeline.com/HomePage.aspx

Choosy Bookworm: http://authors.choosybookworm.com/book-reviews/ . For $99, they hint you might get 30 interested readers who will post reviews but no guarantees.

Nerdy Girls Book Reviews: http://nerdygirlbookreviews.com/authors/ Their basic package is $49 for 30-35 reader reviews.

Chanticleer Book Reviews cost $325: http://www.chantireviews.com/book-reviews/

Of course, you have many other options. Go on a blog tour where the hosts offer reviews. Do giveaways on Goodreads and LibraryThing and hope that the winners post their consumer reviews. Or buy inexpensive ads where a review might be part of the package. It’s not easy to attract the big guns but you can still get bloggers on your side.

How do you feel about paid reviews?

Bookus Interruptus

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Nancy J. Cohen

You’ve all heard of another type of interruption in the middle of a certain act which I’d rather not mention here, yes? Consider this one similar, except we’re talking about interrupting your writing process when you’re in the frenzy of storytelling. How disconcerting when you’re working on book number 14 in your series, and you get an email announcing that edits for number 13 have arrived. You have to disrupt your train of thought and put aside the current WIP to go back to the previous book. Two weeks are gone to the winds while you answer your editor’s notes, polish each scene, and perfect each sentence for the umpteenth time. This book takes over, and you think of nothing else until the job is done. With a sense of relief, you send this version back across cyberspace, aware that you still have rereads of the copy edits and page proofs further down the line.

writing

Nudging at the edges of your mind is the reminder that you have blogs to write and interviews to do for your upcoming new release of book number 12. Have you ordered swag yet to promote this title? Designed your contests, newsletter, Facebook launch party, and other activities as the release date nears?

Book number 14 calls to you. It’s sitting front and center on your desk, and you yearn to get back to the story. But your mind tells you to get these other tasks done, and only then will you be free to resume the joy of storytelling. When you’re finally able to return to writing, you face the blank page with a blank look on your face. You’ve lost your train of thought and your place in the story. So how do you get your head back in the game?

Hopefully, you’ve made detailed notes on where you left off in your WIP and what comes next. Review these plot points when it’s time to resume the story. Line edit what you’ve already written. This will save you time later and reacquaint you with what’s come before in the story. Then set a date when you must begin your writing schedule again.

It’s hard when you have interruptions, whether for edits of other works or for conferences and events that you have to attend. Prepare for your departure as best you can by noting the next scene and any surprises you have planned along the way. It helps to have a synopsis. Then you can see where you left off and continue from that point onward. What technique do you use to get your mind back in the story?

Contest Alert!
Name a Character in my next Bad Hair Day Mystery! Or win one of two runner-up prizes: a signed paperback of Hanging by a Hair and a deck of Marco Island Playing Cards, or a signed paperback of Shear Murder and a deck of Tropical Drink Playing Cards. http://bit.ly/15SmIi0

Playing with Pinterest

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Nancy J. Cohen

Pinterest might be the third most popular social network after Facebook and Twitter. It’s an online pin board where you post photos along with a description. The photos link back to the source. Go here to set up a free account: https://www.pinterest.com/

To find people you know, go to your friends’ sites and search through their followers. Follow any familiar names. Or on the left, click on Find Friends or Invite Friends to Pinterest. If you don’t see these features, click on the gear shift arrow in the upper right corner and then on Find Friends.

Go here to Follow me: http://pinterest.com/njcohen/

 

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To gain followers, follow other people’s boards and repin their photos. If you click on the little heart by the photo, it means you Like their photo. Clicking on a photo brings up a comment box.

Create your boards. Suggestions for topics can include My Books, Books by Friends, Coming Next (your WIP), Favorite Places, The Writing Life, Book Tours, Books I’ve Read, Food, Hobbies, Travels, Crafts. Browse by Category to get ideas. On the right of the search bar, click on the arrow beside the three lines. A category list will pop up. Or see what your favorite authors feature and copy their topics.

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I like to do storyboards for my books. Check out my boards, and you’ll see what I mean. This is a fun activity. It gives me and my fans a visual reference for my books. I’ll use some of the same photos I buy from royalty free sites for my video trailers and mix them with photos I’ve taken personally or that others have pinned.

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To get to your Boards, click on your name in the upper right corner. Find the Board you want to change and click Edit. Here you can add a description to the board.

To access the photos, double click on a board. You can add a pin to this board or edit the photos that are there. When you add a pin, you can also post it to Facebook or Twitter. Click on the pencil on the upper right corner of a pin to edit. If you upload your own photo, go in and edit it to add a description and website link. When you want to post your own book cover, do it from an online bookstore so the source leads back there.

Get the PinIt badge to put on your toolbar. Use it to pin photos from around the Web. On the right of the search bar in Pinterest, click on the arrow beside the three lines. Choose About, and then Browser Button. Also make sure the photos on your sites are pinnable by having the Pinterest share option appear on each post or website page. Get Share buttons at http://www.sharethis.com or http://www.addthis.com

Caution: Do not pin copyrighted material. Make sure the source is listed. Upload your own photos or Repin someone else’s, or buy royalty free images. If in doubt, refrain from pinning.

Manage your pins if you wish on Tailwind: http://www.tailwindapp.com/pinreach

Pinterest can be fun once you start playing with images. It can also be so much fun looking at the pictures on display that you lose all sense of time. So be sure to do your workload for the day first, and plug in Pinterest along with your other social networking. I hope to see you there!