My mystery publisher requires a one-page double-spaced synopsis along with a manuscript submission. That’s probably harder for me to write than the book. My normal synopsis runs about fifteen pages on average. I write this guideline before starting the story, and later I attach it to my art department’s request for a full synopsis. In the meantime, how does one condense this bulk of material into a single page? Here’s my method for a traditional mystery.
First I’ll give the book title, my name, and the series title a few lines down from the top and centered. Then I’ll offer a tag line that sums up the plot. We’ll use Shear Murder as an example.
A wedding turns deadly when hairstylist Marla Shore discovers a dead body under the cake table.
This initial paragraph presents the setup for the story.
Hairstylist Marla Shore is playing bridesmaid at her friend Jill’s wedding when she discovers the bride’s sister stabbed to death under the cake table. Torrie had plenty of people who might have wanted her dead, including her own sister who threatened her just before the ceremony.
The Personal Motive
Why does your sleuth get involved?
At Jill’s request, Marla agrees to help solve the case. With her own wedding four weeks away, her salon expanding into day spa services, and her relatives bickering over nuptial details, she has enough to do. When Jill is arrested for Torrie’s murder, though, Marla has no choice but to unmask the killer.
Here’s where I give a brief profile and possible motive for each of the main suspects.
Jill and Torrie owned a piece of commercial property. Their cousin Kevin, a Realtor, was trying to find them a new tenant. Meanwhile, Jill’s uncle Eddy, a shady attorney, has been urging them to sell. Now Torrie’s husband Scott has inherited his wife’s share. Scott has another motive besides greed. Torrie had announced her plan to leave him for another man, Griff Beasley. Griff was a photographer at Jill’s wedding and Torrie’s colleague. Griff implicates Hally, another coworker. Hally and Torrie were competing for a promotion. [Somebody else ends up dead here, but that’s a spoiler.]
The Big Reveal
The final paragraph, which I won’t share with you in the hopes you’ll read the book, is where the clues lead to the killer, and the protagonist has her insight about what she’s learned. This last is important for emotional resonance, not only with your readers but also with your editor.
Further Tips: Leave out character names except for your main players, and don’t include subplots. If you’re writing romance, the mid-section would include major plot twists along with the resultant emotional turning points. So now share your tips. What else would you include or not include in your one page synopsis?
Booklover’s Bench Giveaway, Feb. 4-18
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Winter Contest, Jan. 27-Feb. 14
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