It’s Banned Books Week

Banned Books Week
Terry Odell

display of banned books at Barnes & Noble

We’re smack dab in the middle of Banned Book Week—Sept 22-28.

I think the Kill Zone is a “Banned Free Zone” but it never ceases to amaze—and frustrate—me that people are determining what others can read.

My parents were liberal when it came to my reading choices, although they had a friend who wrote porn under a variety of pseudonyms, and they’d buy his books to support him. Those, I discovered later, they’d kept off the house’s bookshelves. Had I found one and read it, I’m not sure what they’d have said.

Barnes and Noble has a Banned Book section on its website, as well as in some stores. Titles include:

Animal Farm, by George Orwell
Their Eyes Were Watching God, by Zora Neale Hurston
Where the Wild Things Are, by Maurice Sendak
1984, By George Orwell
The Catcher in the Rye, by J.D. Salinger
Lord of the Flies by William Golding
The Handmaid’s Tale, by Margaret Atwood
Of Mice and Men, by John Steinbeck
Fahrenheit 451, by Ray Bradbury
To Kill a Mockingbird, by Harper Lee
The Giver, by Lois Lowry
The Hunger Games, by Suzanne Collins
Midnight in the Garden of Good and Evil, by John Benedict—

And the list goes on.

top ten challenged booksThe American Library Association, ALA, documented 4,240 unique book titles targeted for censorship in 2023—a 65% surge over 2022 numbers—as well as 1,247 demands to censor library books, materials, and resources. Pressure groups focused on public libraries in addition to targeting school libraries. The number of titles targeted for censorship at public libraries increased by 92% over the previous year, accounting for about 46% of all book challenges in 2023.

According to PEN America:

“This 2022–23 school year, efforts to remove books expanded to sweep up a wide swath of literature and health-related content. Of the 3,362 instances of books banned in the 2022–23 school year, certain themes, formats, and identities recur:

  • 48 percent include themes or instances of violence and abuse (n =1,620). Of note, within this category, 834 instances are books that include episodes of sexual assault, which is 25 percent of all instances of books banned.
  • 42 percent cover topics on health and wellbeing for students (n = 1,402). This includes content on mental health, bullying, suicide, substance abuse, as well as books that discuss sexual wellbeing and puberty.
  • 33 percent detail sexual experiences between characters (n = 1,110).
  • 30 percent include characters of color or discuss race and racism (n = 1,003)
  • 30 percent LGBTQ+ characters or themes (n = 997). Of note, within this category, 205 instances are books that include transgender characters, which is 6 percent of all instances of books banned. 
  • 29 percent include instances or themes of grief and death (n = 980). This includes books that have a character death or a related death that is impactful to the plot or a character’s emotional arc.”

Facebook is full of graphics, or “memes” protesting banning books. Is it doing any good? Judging from the rising numbers of challenged books, I have my doubts. I haven’t seen any reports of actual book burnings, which might be the only positive piece of information I can include today.

Cover of Double Intrigue by Terry OdellIf I may be so bold, I have a new release dropping on October 3rd, and I don’t think anyone will find cause to challenge or ban it. It’s available for preorder now. Read more about it here.

The floor is yours, TKZers.


**New! Find me at Substack with Writings and Wanderings

How can he solve crimes if he’s not allowed to investigate?
Gordon Hepler, Mapleton’s Chief of Police, has his hands full. A murder, followed by several assaults. Are they related to the expansion of the community center? Or could it be the upcoming election? Gordon and mayor wannabe Nelson Manning have never seen eye to eye. Gordon’s frustrations build as the crimes cover numerous jurisdictions, effectively tying his hands. Available now in ebook, paperback, and audio.
Like bang for your buck? I have a new Mapleton Bundle. Books 4, 5, and 6 for one low price.

Terry Odell is an award-winning author of Mystery and Romantic Suspense, although she prefers to think of them all as “Mysteries with Relationships.”

New AI Survey Results from Draft2Digital

 

by Debbie Burke

@burke_writer

Almost 20 years ago, a giant communications company decided to outsource their phone customer service to other countries. I learned about this from a friend who worked there. The company announced massive layoffs of employees because overseas labor costs were cheaper than using American workers.

Then, to add insult to injury, those employees whose jobs were being eliminated were required to train their replacements.

Not surprisingly, outsourcing didn’t work out too well. There was massive consumer backlash because neither the customers nor the new workers could understand each other on the phone. But the damage had been done. Thousands of American workers lost their jobs and the company’s reputation took a big hit that it never recovered from.

That kind of parallels today’s situation with writers and AI. Our work is being scraped from illegal pirate sites and used to “train” AI to replace us.

Some people joke that AI (artificial intelligence) is “artificial insemination.” Writers are being screwed without receiving any enjoyment. They didn’t even buy us dinner first.

The Authors Guild (AG) has been on the forefront to try to protect writers from unauthorized use of copyrighted works to train AI. In July, 2023, they sent an open letter to the CEOs of AI giants including Open AI, Meta, Microsoft, IBM, and others with a petition signed by 15,000 authors. AG also testified before the senate, decrying pirate sites that are used by tech companies to “train” AI models.

The genie is out of the bottle. AI is here to stay. The question now is: can the genie be forced to compensate writers for their words?

Here’s an excerpt from the Authors Guild statement on AI:

“The Authors Guild believes that the right to license a work for AI training belongs to the author of the work unless the rights are expressly granted in an agreement.”

A bill called “The Generative AI Copyright Disclosure Act of 2024” is under consideration by the House of Representatives. This only requires disclosure by anyone who uses copyrighted work to train AI. It does not address fair compensation for that use.

Recently Draft2Digital (D2D) did a survey among authors, publishers, and others to determine how they felt about the use of AI and what authors would consider fair compensation for use of their work. D2D CEO Kris Austin kindly gave permission to quote from the survey results (full results at this link).

Here are some highlights:

1. “Why do authors oppose AI training?” 

AI companies are unethical/untrustworthy – 25%
Harms creatives & people – 25%
Ethical Objections to AI – 19%
Other Reasons – 14%
I worked hard for my work and it’s mine – 10%
AI has no place in creative work – 8%”

2. “Do authors consider current scraping methods fair use?”

It’s not fair use – 49%

Ethically questionable – 42%

Fair use – 5%

No opinion – 3%

3. “Do authors know that AI companies might be willing to pay for training data?”

Unaware – 57%

Aware – 38%

Unsure – 5%

4. “Are authors interested in the opportunity to sell their AI training rights?”

Yes – 31%

No – 25%

Maybe – 45%

5. “Does it matter to authors how the end product LLM (large language model) will be used?”

Yes, it matters. – 76 %

Not as long as I am compensated – 22%

No opinion – 2%

The next two questions concern whether authors would consider having their work used for non-competitive markets (places that would not affect the author’s income) and competitive markets (e.g. an AI-written mystery could sell on Amazon right next to your book but at a much lower price).

6. “If the use case is non-competitive, will authors consider selling their AI training rights?”

No Amount of money will ever be enough – 49.5%
Open to non-competitive opportunities – 50.5%
Would accept less than $100 per book – 11.1%
Only if $100 or more per book – 39.3%
Only if more than $5,000 per book – 14.1%”

7. “If the use case is competitive, will authors consider selling their AI training rights?”

No amount of money will ever be enough – 62.8%
Open to competitive opportunities – 37.2%
Would accept less than $100 a book – 6.3%
Only if $100 or more per book – 30.9%
Only if more than $5,000 per book – 15.8%

Here’s a summary of D2D’s position:

D2D’S STANCE
Until we see significant reforms, especially around greater contractual protections and transparency governing use, intellectual property protections, and rights restrictions, Draft2Digital will not offer AI rights licensing opportunities.

·       It’s a positive development that AI developers are seeking to pay for licenses

·       Better protections are needed before D2D or its publishers can entertain such licenses

·       AI training rights are an exclusive, valuable subsidiary right under the sole control of the author or publisher

·       The rights-holder deserves full control over decisions related to if, when, and how their books are used or licensed for AI training purposes.

·       Authors and publishers should refuse AI rights licensing contracts that are opaque, or that provide inadequate protections for author concerns

·       AI developers must stop training upon books obtained without the rights-holder’s permission; otherwise, they will face continued reputational harm in the eyes of their customers and the creative community

·       LLMs previously trained upon unlicensed content, and the applications built upon them, should either negotiate retroactive licensing settlements with rights holders, or scrap their LLMs and rebuild them from scratch by training upon licensed content only”

“At this time, Draft2Digital will not offer AI rights licensing opportunities.”

I believe most authors agree that compensation should be paid and payment should be retroactive to include past unauthorized use.

The devil is in the details.

·       How to implement systems that detect/determine use of copyrighted material?

·       How to enforce fair use?

·       How much are authors paid?

·       What if an author doesn’t want their work used for AI training  under any circumstances?

The communications company my friend worked for treated their employees shabbily but at least they told workers in advance that they had to train their replacements.

Authors and publishers were never told in advance. Tech giants simply started using creative works without permission nor compensation to the creators. AI-written works currently flood the marketplace that was already crowded. Our incomes suffer.

We study, rewrite, and work hard to create meaningful content and deserve fair compensation.

Those devilish details will be fought out in courts for years to come.

~~~

TKZers, how do you feel about AI’s use of your creative work to train LLMs?

Please share your answers to any or all of the questions.

~~~

Cover by Brian Hoffman

 

 

Debbie Burke writes her thrillers without AI.

Fruit of the Poisonous Tree is now available for preorder at this link.

 

Epigraphs

 

* * *

I love epigraphs, those sparkling word gems that a writer places at the beginning of the novel. The epigraph is a chance for the author to share what was on his/her mind when writing the book, or perhaps an intriguing hint of what’s to come. If done well, it will compel the reader to turn the page and begin reading.

Back in August 2021, James Scott Bell wrote “The How and Why of Epigraphs.” While I can’t improve on Jim’s post, I’ll add a few things I’ve read recently.

* * *

According to masterclass.com

An epigraph is a short standalone quote, line, or paragraph that appears at the beginning of a book. The word epigraph is derived from the Greek epigraphein meaning “to write on.” The use of epigraphs varies from book to book, but generally, authors use them to set up themes or place the events of their story in context. Epigraphs are most commonly a short quotation from an existing work. Epigraphs usually appear offset by quotation marks at the beginning of a text, but there are no set rules dictating how writers use them.

 

Epigraphs can be quotes from other works, quotes from famous people, Biblical quotes, or they can be newly-minted words by the author for his/her specific work.

Here are ten examples of epigraphs to inspire and encourage us:

 

FRANKENSTEIN by Mary Shelley

“Did I request thee, Maker, from my clay
To mould me Man, did I solicit thee
From darkness to promote me?” –John Milton, Paradise Lost

 

 

 

CORALINE by Neil Gaiman

“Fairy tales are more than true: not because they tell us that dragons exist, but because they tell us dragons can be beaten.” –G.K. Chesterton

 

 

 

ANNA KARENINA by Leo Tolstoy

“Vengeance is mine, I shall repay, saith the Lord” –Romans 12:19

 

 

 

Version 1.0.0

 

DISTANT STAR by Roberto Bolano

“What star falls unseen?” –William Faulkner

 

 

 

 

 

THE BROTHERS KARAMAZOV by Fyodor Dostoevsky

“Verily, verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit.” –John 12:24

 

 

 

A HANDFUL OF DUST by Evelyn Waugh

“I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust.” –T.S. Eliot, The Waste Land

 

 

THE QUIET AMERICAN by Graham Greene

“This is the patent age of new inventions,
For killing bodies, and for saving souls,
All propagated with the best of intentions.” –Lord Byron

 

 

 

LET THE GREAT WORLD SPIN by Colum McCann

“All the lives we could live, all the people we will never know, never will be, they are everywhere. That is what the world is.” –Aleksandar Hemon, The Lazarus Project

 

 

 

INTO THIN AIR by Jon Krakauer

“Men play at tragedy because they do not believe in the reality of the tragedy which is actually being staged in the civilised world.” —José Ortega Y Gasset

 

 

 

THE END GAMES by T. Michael Martin

“Everything not saved will be lost”. –Nintendo “Quit Screen” message

 

 

 

So TKZers: What epigraphs have you used in your books? Do you have a favorite epigraph?

* * *

 

Here’s the epigraph from Lacey’s Star:

“The truth is bitter, but with all its bitterness, it is better than illusion.” — Ahad Ha’Am

Available at  AmazonBarnes & NobleKoboGoogle Play, or Apple Books.

Reader Friday-Let’s Pet Our Peeves!

Everyone born on planet earth develops peeves, right? And the *older* we get, the more peeves we’ve got IMHO. At least it seems to be true with me. I don’t want it to be true . . . it seems like the older we get, we should let loose of some, right? Hmm…

So, without further ado, let’s share some of ours . . .

Because I live in apple and cherry farm country, one of my pet peeves is orchard guns. What are those, ask the uninitiated?

Orchard farmers have to deal with birds, birds, and more birds snacking on developing fruit. Some orchardists use mechanical predator bird noises; some use fluttering ribbons and flags; some use netting over the entire orchard, both to keep birds out and to control how much sun the fruit receives.

Others use . . . you guessed it . . . gun noises. Big gun noises! Like cannons and high-powered rifle big noises.

Mom, make it stop…!

 

The problem isn’t with us, though. It’s our German shepherd, Hoka. See those ears? Not much gets by them…

She’s deathly afraid of any gunshots out here in red-neck country. And for 6-8 weeks, she tries to hide from the orchard guns. She won’t go outside by herself, she tries to hide in the bathtub (picture that!), or crawl under our bed.

At least there is an end in sight, though, come harvest time…

 

 

So, now that I’ve shared one of my pet peeves, it’s your turn, TKZers! What’s one of yours, and do any of your characters pet a peeve once in awhile?

 

A Whimper And A Warning

By PJ Parrish

Mixed Breed Dog (Schnauzer-mix) raising bandaged paw with medical strips on its body

Good morning, crime dogs. I won’t be posting today. In fact, I am not typing this. I’m dictating. My husband is typing. Actually, he’s taking a break from yammering at me because I fell off my bike two days ago and sprained my wrist. He thinks an old fart like me shouldn’t be riding a bike, but shoot, you can’t curl up and die, right?

Anyway, I can’t type right now. And pickleball is out for a while cuz it’s my shooting paw. (leftie here). I feel a little foolish, because, get this — I wasn’t even moving at the time I fell. I had just pulled up to my favorite little watering hole here in town, Traverse City Whiskey Company. I go there to do my crosswords and partake of their cherry whiskey sours. I was dismounting the bike. I caught my foot on the crossbar (No, it’s not a boy-bike but I am very short and was careless). Down I went. At least it didn’t happen AFTER I had the whiskey sour — would have never heard the end of that one from the husband.

Whimper, whimper.

Here’s the warning. Live your life and if that means riding a bike at age 73, go for it. But don’t be stupid. Take your time. Watch what you’re doing. Wear a helmet. And here’s the big thing — if you fall, don’t stick out your arms to brace yourself.

What does this have to do with writing? Well, I can give you a tortured metaphor about trying to do more than you should if you’re getting long in the tooth. Like, don’t even think about starting a novel after age 60. Or don’t try to write something completely new after you’ve been doing one genre forever. Or don’t think you can’t try something challenging when the folks around you are telling you it’s too late.

Yeah, you might fall on your ass. So what? Get up and try again. By the way, the doctor told me that’s what I should have done — fall on my ass.

So mount up. Keep pedaling, keep moving forward, and feel that wind in your hair. If you have any left.

Peace out, guys. I will be back in two weeks.

Torn Between Two Projects

by James Scott Bell
@jamesscottbell

There was a hit song back in the 70s called “Torn Between Two Lovers” (not to be confused with the Hannibal Lecter hit, “Torn Between Two Livers”).

In the song, a woman is telling her first love that he’s great, and everything she’s told him about her feelings is true. But there’s this other guy she’s met who fills an “empty place” inside her. Now, she says, I don’t love you any less, and I don’t want you to leave me just because I’m torn between the two of you. I’m feelin’ like a fool because that’s breakin’ all the rules, but still I want you around…

I always thought that first guy should have written a song in response, with the simple refrain: Buh Bye.

But I digress.

What I really want to talk about is being torn between two projects. It’s happened to me a few times in my thirty years at this gig.

Before I was published, I wrote a wild novel that was a complete joy. I had fun every day creating a pastiche of comedy and commentary. I fancied it a cross between Tom Robbins and Douglas Adams.

It was original! Surely a publisher would want original. Because that’s what they’d say. “We are looking for an original voice…”

That was only partially true. I quickly found out the second part: “…but not too original.”

In other words, they wanted a fresh voice for an existing market.

Perfectly legit, as the book business is, gasp, a business.

So when my original work of surpassing genius was rejected faster than a Snoopy story (remember the Snoopy-as-writer strips from Peanuts? He once got a letter: “To save time we are enclosing two rejection slips, one for this story and one for the  next story you send us.”)

Thus, it occurred to me that maybe I should spend a little time considering “the market” before deciding what to write.

Around this time, a good friend (and published author) said to me, “You’re a lawyer. Why aren’t you writing legal thrillers?”

Duh!

So I wrote a legal thriller and got a contract.

But then there were a few times when I had two ideas for a next book to fulfill a contract. Which one should I spend six months on?

So I made up a self-test. In a fit of modesty, I named it “Bell’s Pyramid.”

The base of the pyramid, PASSION, is the foundation, the most crucial factor. I came up with a list of questions and assigned a score, from 1-10, for each.

  1. How excited are you about the concept as it stands now?
  2. How invested are you in the main character?
  3. Does the main character have potential to deepen?
  4. Is there a theme involved for you?
  5. As a prediction, how excited do you think you’ll be about the book two months from now?

For POTENTIAL:

  1. How marketable is the plot?
  2. How are the stakes life or death (physical, professional, or psychological)?
  3. How likely is it that you can raise the stakes?

For PRECISION I would write a logline for each project. A logline is Hollywood-speak for a sentence that captures both the essence and market potential of a script. For example:

A great white shark hunts for food in the waters of a New England town at the height of tourist season.

Teenager Marty takes a time-traveling DeLorean into the past, where his young mother gets the hots for him, and where he must get his father to win her again before Marty ceases to exist. 

Then I’d assign a score, 1-10, on which logline best captures essence/market potential.

Add up all the scores, and there’s your WIP.

And the best part is that your project will not be angry that you have another “lover.” You can develop that other project on the side even as you write the first one.

So how do you decide what book you’re going to write next?

Eyewitness Accounts

Have you ever been involved in some intense situation and your account doesn’t match up with others who were there and involved?

The human mind and memory is a curious thing. When I’m with the family members I grew up with, it’s always fascinating to hear their stories about growing up, but each of us remembers the anecdotes differently. They spin these tales, I watch their lips move, and wonder what the hell they’re talking about.

Case in point. Let’s talk about eye witnesses, but not from a legal standpoint. Let’s simply discuss what we see, and why it’s different, likely resulting from different backgrounds and worldly experiences.

John Gilstrap and I were in Indianapolis a few years ago, along with our wives, attending Magna Cum Murder, a small writing conference full of heart and camaraderie. On that October day in question, the four of us were having drinks outside a grand old club on Monument Circle, enjoying the company and cool weather.

John made dinner reservations at a steakhouse within walking distance, but we’d been out there for a couple of hours and it was necessary to visit the hotel’s facilities first. I’m not sure why we both decided to go at the same time, and I really don’t want to discuss that here, but….

…his wife, Joy, and my bride, Shana, continued their conversation as we left. The current Columbia Club was built in 1925, and the restroom at the far end of the grand lobby of marble and tile was some distance from the front entrance, monitored by traditionally well-dressed doormen.

I reached out to Gilstrap, who two-fingered his version of that clear Indianapolis day and sent it over. I promise, the skies were bright and blue, we all agree on that.

*

Murder At The War Memorial

The lobby of Columbia Club in Indianapolis reeks of Old Money, from its elegant carved wood moldings and soaring ceiling to the dark wood bar to the massive walk-in fireplace. That golden eagle in the corner once stood guard over Abraham Lincoln’s funeral bier. It is the perfect location for a mystery writers’ conference, and so it served for one of my annual favorites, Magna Cum Murder. The conference started on Friday, so Thursday was all about arrival, checking in and meeting up with new friends. My wife, Joy, doesn’t always go to these things with me, but a few years ago, she came along because my buddy Reavis’s wife, Shana, was accompanying him. You haven’t seen trouble until Joy and Shana knock around together.

Somehow, Rev and I found the bar before the ladies did–by the span of a couple of drinks and a dozen war stories–and because it was such a nice early autumn day, we partook of our libations on the patio in the front of the hotel, across the street from the towering War Memorial obelisk. From this vantage point, we could watch the valet parking team do its work and wave hello to writers and readers we’ve seen year after year at Magna.

Finally, the ladies joined us, and after a little while, those early libations caught up with Rev and me and certain biological realities kicked in. I’m not sure which one of us excused ourselves first, but the trip to the men’s room became a dual effort.

We left our wives at the table to catch up with each other.

The restrooms at the Columbia Club are not conveniently located. It’s a bit of a hike to get to them. So, having left the ladies alone for five, maybe seven minutes, as Rev and I are heading back to the front doors, I notice a lady and a little boy on my left, pressing themselves into a corner by the luggage closet, and the valets are in the opposite corner. How odd. Then, when we stepped out into the sunshine, I glanced at the table where we’d left our wives, saw that their chairs were empty, and then, from across the street, at the base of the obelisk, I saw two men running, one behind the other. The one in the rear was a cop. The cop yelled, “Police! Don’t move!” Then took a shooter’s stance, fired, and the runner face planted onto the concrete. In that instant, I thought he’d shot with a pistol, but it turned out to be a Taser. That explained the quietness of the report.

Like most violence, the whole scene transpired over maybe ten seconds. I said to Rev, “The ladies missed the whole show.”

He replied, “No, they didn’t. They’re in the middle of it.” He pointed to a scrum of activity centered around a screaming lady, and sure enough, there they were.

*

His recollection ends here for the purposes of this discussion, but different viewpoints and proximity, as well as several minutes of extra knowledge, can sharpen the event.

“Eyewitnesses can provide very compelling legal testimony, but rather than recording experiences flawlessly, their memories are susceptible to a variety of errors and biases. They (and that’s all of us) can make errors in remembering specific details and can even recall whole events that did not actually happen.” Cara Laney and Elizabeth F. Loftus, Reed College, University of California, Irvine.

*

John’s view ends his story at the perfect place. Now my Bride picks up the narrative.

She is a former degreed journalist and as an old-school newspaper reporter, deals in facts, less emotion.

(She quickly came over from the dark side and moved into public education where we met.)

If she hears a story, or half of one, she’ll ruthlessly drill down until she discovers the truth. Both daughters can vouch for that from teenage experience. The truth is, I’d prefer to spin my stories when she isn’t present, if you know what I mean…

*

“Well, since the girls were there the whole time, we saw and heard much more.

“The screaming and yelling moved us toward the melee to see if we could help. The man, who was not wearing dark clothing, was hitting a woman who was crumpled on the ground next to a raised wall. I believe he was wearing a t-shirt. I guess his pants were dark. He then ran across the monument area looking for another victim. As we moved toward where he was going, we saw a man with a white dress shirt with blood on it standing near a man who was hurt and laying on steps. He was obviously trying to make sure the assailant did not return and cause more harm to the man on the ground that he had apparently targeted earlier.

“We later learned the blood on his shirt was that of the victim – he was a doctor trying to render aid. Later that night we were told that the victim sadly did not survive. Also near the area was a group of people who had come down to bring food to the homeless. All were prepared to intervene in some way, but the police arrived quickly and confronted the assailant. He did not heed their warnings and kept moving. They tazed him as he moved away from them, but the direction was not toward where we were standing with the guys at this point. If we were facing north, he was running east.

“It was all very unsettling. Joy later mentioned that she would not have felt as confident in our moving in closer to the tragic events unfolding if she had known I was not carrying protection. I normally do, but since we were with the guys, I was not. Lesson learned.”

*

We’re all susceptible to erroneous accounts for a variety of reasons. I think mine differs because like John, I’m a storyteller and have related this event over and over, likely embellishing it because of audience reaction whenever I give a talk. Or maybe because I simply like my version better.

*

The girls were settled on an outside settee as two fairly well-known authors headed for the necessary room. After the hike back, strange activities at the front doors caught our attention. I woman huddle with her little one (age between four and eight) to our left, burrowing into the luggage coat section. The woman gave us a fearful look, and ducked back down as if an artillery barrage was about to ensue.

Exchanging puzzled looks, we pushed past a tense-faced doorman and into the covered entrance where I heard shouting.

Orders came fierce and strong. “Stop!”

“Get on the ground!”

Men and women screamed.

A huddle to the right across the street caught my attention and action to our left moved fast. A man raced in our direction, in my memory wearing dark running clothes, and one of two pursuing officers shouted again.

“Stop!”

The brain slows. Too much information. Something bad.

I looked past the assailant and down the barrel of what I thought was a handgun as the closest officer took a stance and fired. Instead of the report of a firearm, the fleeing suspect stiffened and fell hard on his face. Tazed.

Blinking, I looked to the left to see another man down, surrounded by good Samaritans who’d gathered to render air. That’s when time kicked back and concern swept over me.

 John frowned. The ladies missed the whole show.

*

As they said, they didn’t. The instinct to protect others kicked in and both our wives rushed in to help defend others against a demented criminal who’d just been released from jail that morning.

Misinformation can corrupt memory in the aftermath of an event. When more than one person witnesses a crime and discusses it with others before officials arrive, they are likely to have noticed different things because witnesses have different personalities and that individuality shows up in recollections. Together they reinforce those shared memories and contaminate them with information from others.

The differences here are subtle, but collecting the three accounts…(and forgive me, because due to time limitations writing this at the last minute, I didn’t get Joy’s take, which had a little twist that made her participation even more interesting)…shows the reader that eyewitness testimony will never be exact.

The Old Man told me growing up not to believe most of what I hear, and only half of what I see. The older I get, the more I realize how smart he was.

Reader Friday-Words From Down Under

I ran across this on social media and was fascinated. (Guess it’s good for something, right?)

Perhaps you’ve heard of this, but I hadn’t.

A Kangaroo Word is a word/synonym within a word (my definition). For instance, the word chicken. Chicken contains a synonym for itself-cHickEN. That’s part of the definition, as you can see from the graphic taken from the website I explored. I might add also that the letters of the synonym within the word must be in order, but they need not be grouped together.

Other kangaroo words are:  MAscuLinE, BLOssOM, and hoNOuraBLE.

Fun, huh? Go here to find more:

List of kangaroo words

I tried to come up with my own, and so far, I’ve come up with PUPpy.

TKZers, maybe you can jazz us with a few of your own! Let’s have some fun…

Confessions of a Book Reviewer

I’m rushing to finish the rewrite of my new novel.  Will the reviewers like it? Here’s a repeat of an interview with a reviewer.

Confessions of a Book Reviewer

By Elaine Viets

A reviewer for a major print magazine complained to me about a novel he was reading, when it dawned on me – this was news writers could use. If we know what’s wrong, we can fix it before the reviewer writes about it, for all the (mystery) world to read.
This reviewer is not some crank who looks for excuses to rip writers. If he has to give a book a bad review, he agonizes over that decision.
But here are some writing wrongs that upset this reviewer.

(1) Padded Middles. This is my reviewer’s number one problem – novels that slow down in the middle. “The padding doesn’t advance the narrative,” the reviewer said. “It’s pages and pages of the thoughts and feelings of people who aren’t very interesting. They offer no valuable insights. Sometimes, I wonder if editors make writers add this unnecessary information because big books are so popular. Most books I’ve read recently are 20 to 30 pages too long. Often, there’s a good book buried in that excess fat.”

(2) Switching names. “The character is introduced as Joseph Smith. Then the author proceeds to call him Joe, Joey, Joseph, and sometimes just Smith. It’s hard to figure out who the writer is talking about.”

(3) Who’s talking? “A character is introduced in the first 50 pages, and then shows up 200 pages later with no ID.” Take tax accountant Mary Rogers. She has a brief scene in Chapter 2 and then in Chapter 25 we see this line: “I think the suspect embezzled half a million dollars,” said Mary Rogers.
Huh? Our reviewer said, “I’m frantically pawing through the book, trying to figure out who Mary Rogers is and why she’s saying that.

“It would help if the author gave us a hint who Mary was. Something like this:

‘I think the suspect embezzled half a million dollars,’ said tax accountant Mary Rogers.’ That two-word take makes it easier for readers.”

(4) Writers who fixate on a certain word. “Like ass. I read an author who used ‘ass’ constantly. His character fell on his ass, showed his ass, got his ass kicked and had his ass handed to him. He dealt with asshats, ass clowns and of course, assholes.”

Cuss words are necessary for realism, but don’t overdo it.

(5) Dumb and proud of it. “Writers who want to assert their real-people identities trot out lowbrow snobbery. Their favorite phrase is ‘I don’t know anything about . . .’ Then you can choose one or more of these – opera, classical music, gourmet food, Shakespeare.”

Assume your readers are intelligent – after all, they bought your book.

(6) The hero with the drinking problem. He – or sometimes she – “is haunted by the awful things they did when they were on the sauce. Yes, people drink. And some authors handle this well. But most of these characters are tiresome cliches.” Reading these novels is like getting your ear bent by the garrulous drunk at the end of the bar.

(7) Writers who don’t do their research. If you really want to frost this reviewer, have your hero open a Heineken with a twist-off cap – there’s no such animal. And Jack Daniel’s whiskey always has an apostrophe.

If you’re writing a thriller set in Nazi Germany, you’ll score extra points with this reviewer if you don’t say “Hitler was elected president in a democratic election.” You’ll find plenty of people who’ll write that, but the Website Mythfact.com says it’s complicated.
“In America we hear ‘Hitler was elected President in a Democracy’ a lot,” the website says, “but the sentence is so semantically wrong . . . In summary, the whole thing is almost too complex to apply the ol’ ‘Hitler was elected democratically’ quip to, but since it is important, perhaps it is best phrased as, ‘Hitler and the NAZI party seized power in a democratic system.’”
Got that? Good.

(8) Basic copyediting errors. “These are turning up in books by major authors,” our reviewer said. “I’ve seen ‘grizzly murders,’ when I’m quite sure the local bears are innocent. Clothes are tossed down a ‘laundry shoot,’ and people ‘tow the line.’” If you really want to see steam come out of this reviewer’s ears, mix up “it’s” with “its” and “your” with “you’re.” Granted, we all make mistakes, especially when we’re writing quickly. But somebody should catch those errors before the book is printed.

(9) TMI in the first chapter. Nearly every one of us at TKZ has written about this problem. Overcrowded first chapters slow the pace of your novel. Our reviewer said, “It stops a good book dead when the first chapter has an overlarge cast of characters and I can’t keep them straight.”

Reader, what stops you when you’re reading a novel?

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Enjoy A Scarlet Death, my new Angela Richman mystery. The hardcover is $4 off here: https://tinyurl.com/mts557z5

 

 

First Page Critique – Untitled Comedic Crime/Black Comedy

 

by Debbie Burke

burke_writer

Please welcome a Brave Author (BA) from South Africa who submitted a first page described as “Comedic Crime/Black Comedy.” Read and enjoy then we’ll discuss.

~~~

It was an icy Monday, the day they came for him.

I’d crunched across the frost that covered the office courtyard.

I’d been reconciling the company bank statement when I felt, more than heard, a silence fall over the open plan office. Two men stood in the doorway. Plain clothes. But they had that look about them. They wore ties and reeked of government.

Millie, in reception, gestured towards the glassed-in cubicle at the end from which Primo conducted the affairs of the firm.

The men nodded as they passed our desks. Primo pushed his chair back and stood, arm stretched, hand open to greet them. A broad smile fixed on his florid face.

Was I wrong about the men?

They shut the door. I glanced around at my colleagues. Everyone was watching. Some gawked unabashed, others peered surreptitiously over the top of their PC’s. We couldn’t hear the words, but we could witness the gestures, expressions, and movements. I bet Primo regretted all the glass now. His motive was to keep an eye on us, but now we had prime seats for a mime spectacle.

Primo tapped the pack of Peter Stuyvesants on his desk, plucked out a cigarette and lit it. He took a deep drag, then with an arrogant tilt of his head, blew smoke rings to the ceiling. He waved at the two chairs, but the men kept standing. The older man spoke.

I imagined he was inwardly chanting, deny, deny, deny.

Finally, the smile slid off his face, and he slumped into his chair.

It didn’t take long.

One gent unplugged the computer and tucked the chassis under his arm with ease. The other helped Primo out of the chair.

Primo’s eyes found mine with an unblinking stare. A vein throbbed at my temple. I was a rabbit caught in the headlights. The tax tip-off line’s anonymous, but he knew. I was the only one who could know. The bookkeeper knows everything.

He walked through the office, shoulders squared, but he was stiff and lurching. He could feign innocence, but the evidence I provided was irrefutable. I looked away, but lifted my gaze to watch his retreating shape. His stink of cigarettes was now laced with the sour smell of fear.

He faltered, then looked back at me, and with an intense fevered stare, he dragged his finger across his throat in a slitting gesture.

~~~

Okay, let’s dig in. I found a lot to like about this first page. The opening sentence sets the time of year without over-describing the weather. The tone is foreboding.

By the second and third paragraphs, the first-person narrator is established as a bookkeeper for a company under investigation by government officials.

“I felt, more than heard, a silence fall over the open plan office.” That’s a fresh way to describe the auditors’ arrival, showing the palpable effect on all employees who immediately know something is very wrong. This also establishes the physical setting in a few words. Well done!

“They wore ties and reeked of government.” Another quick, efficient description.

“…the glassed-in cubicle at the end from which Primo conducted the affairs of the firm.” The honcho is quickly revealed as the probable antagonist to the “I” character.

Peter Stuyvescent cigarettes and blowing smoke rings at the ceiling are great specific details that show Primo’s arrogance. You don’t need to also tell the reader. I suggest deleting the adjective “arrogant.”

“I bet Primo regretted all the glass now. His motive was to keep an eye on us, but now we had prime seats for a mime spectacle.” This observation by the protagonist further characterizes Primo, shows the resentment of the workers, plus raises suspense. What spectacle is unfolding? The reader is pulled in by curiosity and tension.

As Primo is being escorted out, he looks at the protagonist.

“A vein throbbed at my temple. I was a rabbit caught in the headlights…I was the only one who could know. The bookkeeper knows everything.” Skillful, economical summation of the protagonist’s role in the story problem.

Up until now, the reader knows very little about the “I” character, including the gender.

First person narrators need to slip in the character’s name, gender, age, and other pertinent details. That’s challenging to do in a way that sounds natural and doesn’t stop the story flow. BA’s voice is adept enough that I’m willing to wait a bit to learn that info.

For now, the emphasis is his/her worry. “I” blew the whistle on Primo’s misdeeds. “I” can’t maintain eye contact with Primo out of fear and/or shame. The throat-slitting gesture sends a clear threat of retribution, raising the anticipation and stakes. Primo will be back to take his revenge and “I” is scared but also feels satisfaction.

“His stink of cigarettes was now laced with the sour smell of fear.” Good sensory detail that reinforces the mood.

BA has an economical yet vivid way of setting up the location, problem, conflict, stakes, as well as introducing the protagonist and antagonist. The characterizations are well drawn with specific details and gestures that reveal far more depth than a bland driver’s license description of height, weight, hair color, etc.

My suggestions are small tweaks.

One typo: PC’s should be PCs w/o an apostrophe. S indicates plural, ‘s indicates possessive.

Suggested edit: It was an icy Monday, the day they came for Primo. Use his name rather than the vague pronoun “him.”

Original:

I’d crunched across the frost that covered the office courtyard.

I’d been reconciling the company bank statement when I felt, more than heard, a silence fall over the open plan office.

Two sentences in a row that begin with “I’d” is weak. Plus there’s a minor bump in the transition between the courtyard and office. Maybe combine the sentences.

Suggested edit: “I’d crunched across the frost that covered the courtyard, settled into my cubicle, and was reconciling the company bank statement when I felt, more than heard, a silence fall over the open plan office.”

Delete “But they had that look about them.”   You show that look so you don’t need to tell it also.

Suggested edit: “Two men stood in the doorway. Plain clothes. They wore ties and reeked of government.”

Original: Was I wrong about the men?

Suggested edit: Unless this question has meaning later, I suggest you delete it b/c the narrator clearly is right about the men’s purpose. 

Original: I imagined he was inwardly chanting, deny, deny, deny.

Suggested edit: I imagined Primo was inwardly chanting, deny, deny, deny.

Original: I was a rabbit caught in the headlights.

Although it wouldn’t stop me from reading, rabbit (or deer) caught in the headlights is a bit cliched. You can find a better line.

Original: “The tax tip-off line’s anonymous, but he knew.”

Suggested edit: “The tax tip-off line is anonymous” rather than “line’s”. When I first read it, I thought it was possessive rather than a contraction.

The genre is described as “comedic crime/black comedy.” This page had a foreboding tone, but I didn’t pick up on “comedic.” With the Brave Author’s skill, I expect that will be introduced soon.

Congratulations on a compelling first page that checks off many important boxes: a story problem, interesting characters in opposition, a life-altering disturbance, tension, high stakes, and a promise of more complications.

Brave Author, thanks for the chance to read this and best wishes for publication.

~~~

TKZers: What are your impressions of this first page? Would you turn the page? Any ideas or suggestions for the Brave Author?