Tag Archives: Sue Coletta

Does Your Story Have a Full Circle Moment?

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A full circle moment occurs when life provides clarity about the past.

The journey begins with an often harrowing event, we endure trials and tribulations along the way, then end up right where we started.

Only now, we have the wisdom of life experience and personal growth to view the past from a new perspective.

Have you experienced a full circle moment in your life?

I’m living one right now. As I mentioned before, I grew up in Massachusetts. When I moved to New Hampshire, I said I’d never return, that no one could pay me to live there again. And that remained my mindset for decades. But now, after a series of difficult personal experiences and a new, enlightened perspective, I plan to move back to Massachusetts. Everything about my decision feels right — it feels like I’ve finally found my way home.

If I were to write my life story one day, the jangle of the key in the lock of my new home would become a powerful full circle moment in the book.

A full circle moment completes the character arc.

Story Circle

Dan Harmon is the mastermind behind the Story Circle. Currently an executive producer at Rick and Morty, he also created and ran the NBC show Community. Dan consolidated Joseph Campbell’s classic Hero’s Journey from 17+ steps into a more contemporary set of 8, each with a punchy one-word descriptor that makes them easy to remember.

Please ignore my lame attempt at drawing a straight line with a mouse. 😀

click to enlarge

YOU: A compelling main character (YOU) has a problem.

NEED: YOU have a need.

YOU want something. YOU are not satisfied with a ho-hum lifestyle. Either this desire stems from an internal NEED before the inciting incident, or something or someone comes along to awaken the desire within YOU.

GO: YOU cross the threshold into an adventure.

YOU have packed your bags to search for a brighter tomorrow. Not only are YOU ready to GO but you’re going no matter what. No one can stop YOU. The NEED is too strong to ignore.

SEARCH: YOU find the answer to your problem.

Mission accomplished. Or is it?

YOU land in a new country and don’t speak the language, nor are YOU familiar with the culture.

Let’s see what YOU are made of. Will YOU adapt? Or fall apart? Perhaps a little of both.

FIND: Things are not how they appear.

This is a major threshold the character must cross, one that spins the story in a new direction. The protagonist has come this far. There’s no turning back. YOU must do everything within your power to fight to fulfill your NEED.

TAKE: But there’s always a price to pay.

How badly do YOU want it? This is where we see how steep of a price the protagonist is willing to pay to get what they NEED.

In this part of the story, the protagonist comes face-to-face with the villain and dangerously close to death, real or internal. The climax is the culmination of everything YOU have been fighting for since the beginning.

RETURN: After YOU slay the metaphorical (or real) dragon, YOU RETURN to the ordinary world.

YOU have fulfilled your NEED, defeated the villain, learned something about yourself, and are ready to RETURN home. In a romcom, it’s here where the hero races to the airport to prevent his soulmate from boarding the plane. In a thriller, the protagonist has defeated the villain and must RETURN home, even if there’s more danger in the near future.

CHANGE: The journey has changed YOU, for better or worse.

YOU are not the same person YOU were before. Are YOU wiser? Better prepared for the unexpected? Or more cautious, even paranoid? How has the journey changed YOU?

Wizard of Oz — Story Circle Example 

YOU: Dorothy is in the black-and-white world, dreaming (in song) about traveling over the rainbow rather than stay in Kansas.

NEED: A twister dumps Dorothy’s house in a colorful town square. No longer in a black-and-white world, she enters a land of technicolor and NEEDs to adapt to a new and unfamiliar place.

GO: When Dorothy first lands in Oz, she doesn’t know where she is or how she got there. Soon, she realizes she’s “over the rainbow” and her NEED now is to get home. The only way to do that is to journey to see the great and powerful Oz. She also must stay on the yellow brick road and watch out for the Wicked Witch of the West. But she must go. The NEED to GO home is too great. Dorothy begins her adventure.

SEARCH: With advice from Glinda, the Good Witch of the North*, and her ruby red slippers, Dorothy and Toto follow the yellow brick road toward the great unknown. For the first few steps, she literally focuses on putting one foot in front of the other until she moves farther down the road.

Along the way she encounters the Scarecrow, the Tin Man, and the Lion. She also endures conflict and obstacles — facing her fears, traversing through the forest, and finding a way to meet the great and powerful Oz.

*In the original novel Glinda is the Good Witch of the South, but I used “North” from the 1939 film adaptation because it’s more well-known.

FIND: The Emerald City is finally within sight. Dorothy believes the field of poppies is a beautiful and faster way to get there. But all is not how it appears. To steal the ruby red slippers, the Wicked Witch of the West has placed a field of magical sleep-inducing poppies on the outskirts of the city, and Dorothy and Toto fall into a deep slumber.

This scene is a beautiful example of the fifth stage of the Story Circle that hints at the darkness that creeps within us all, even more so when we set out to make our dreams a reality.

TAKE: The Wicked Witch of the West sends her band of flying monkeys to bring Dorothy and her friends to the castle. But the flying monkeys can’t harm Dorothy because she wears the mark of the Good Witch of the North on her forehead. Dorothy is forced to choose between her magic slippers and Toto, whom the Wicked Witch threatens to drown if Dorothy refuses to comply.

When the Wicked Witch torches the Scarecrow, his straw is set on fire. Dorothy tosses a bucket of water to help her friend but also wets the Wicked Witch, who melts into a puddle on the floor.

Dorothy’s victory shows the reader/viewer she has the inner strength to complete her quest.

RETURN: Dorothy discovers the wizard is a fraud. But luckily, there’s still a way to get home. The answer has been on Dorothy’s feet the entire time. She clicks her heels three times and repeats, “There’s no place like home.”

CHANGE: Dorothy realizes her home and family are the most valuable treasures on earth. She’s no longer the dreamy girl who wishes to leave Kansas. She’s grateful for what she has and finds happiness in the simple things.

She is transformed. And it’s a powerful full circle moment.

Have you experienced a full circle moment in your life? Tell us about it. Or share your favorite full circle moment from a book or movie.

Are you familiar with the Story Circle? Pantser or plotter, it’s an easy way to test your character arc.

Thank you to all our military men and women for your service. Happy Veterans Day!

Please note: I’m on the road today, so I may not be available to respond to comments right away.

New Crow Saga and Writing Tips

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For the past three weeks, a baby red-tailed hawk — let’s call him “Red” — visits every morning after I feed Poe (crow) and family, Navi (squirrel) and family, Hip (chippie) and family, and Meep (blue jay) and family.

Red came here for one reason, and one reason only — revenge for killing his mother.

Crows and hawks are mortal enemies. But crows are so intelligent and protective of their territory, they are usually the aggressors. Self-preservation at its finest. In battle, it’s safer to stay on offense than defense.

Red was smaller than a full-grown American Crow — fledglings usually are — but that didn’t stop him from trying to attack Poe. Every time Poe flew from tree to tree, the hawk followed.

As Poe slalomed through the trees with Red inches from her tail-feathers, my heart stalled.

Fun fact: A crow’s tail-feathers detach without pain, allowing them to break free from a predator.

It struck me as odd that Poe didn’t retaliate. Not once! I couldn’t figure out why. Did she feel bad about killing Red’s mother? Nah. That didn’t make sense. Poe protected her family. An adult red-tailed hawk will kill a crow fledgling, if they can catch ’em.

Captivated by the aerial pursuits for almost two solid hours, I got the feeling Poe was amused by Red’s antics. Cute little guy trying to act like a big shot. She purposefully flew in front of Red to wind him up. I swear she enjoyed tormenting him. Poe’s such a rascal. To me, it felt more like a game of Russian roulette. But hey, I’m not an expert aerialist like her. Crows can outmaneuver most birds. Hence why they’re so successful as a species.

When Red got too aggressive, Poe let out an alarm call. Within seconds, her murder soared in.

All sixteen crows surrounded Red in neighboring trees. The little guy didn’t stand a chance. Hawkeyed 😉 on Poe, he also refused to leave.

Vendettas… they can warp one’s sense of reality.

Hours bled into days. Every morning, I gaped, panic risen in my chest but helpless to do anything about it. Though I’m Team Crow, I kinda felt bad for Red. An emotional rollercoaster of my own creation because of a similar experience.

Two years ago, this enormous sharp-shinned hawk targeted Poe’s family, and I watched in awe as the murder gathered with military precision. Poe and Edgar stomped on one wing, Allan and Thoreau lifted the other, and they barrel rolled this monstrous bird till she spiraled to her death.

I jolted to my feet and cheered.

The happy buzz didn’t last long.

The sharp-shinned hawk had a new fledgling, who must’ve been hiding in the trees. This little dude flew to the asphalt and attempted to drag his mom off the road before the crows could feast.

Tears flooded my eyes. Even the murder stopped, quieted, and bowed their heads.

Sure, they protected their family, but corvids are empathetic beings. They feel a lot more than humans give them credit for.

In the last decade or so with Poe, I’ve witnessed a wide range of emotions, from the depths of despair from losing one of their own to unadulterated excitement and joy, and the beautiful bonds of love shared between lifelong mates. I was also present when Allan tried to woo a female, and felt the sting of rejection when she flew off with a different suitor. Poor baby sulked in my yard for days.

Another hawk hadn’t died in my presence till the red-tailed mother targeted Poe’s fledglings a few weeks ago. And again, the baby hawk (now known as Red) hid among the safety of the woods and watched his mother fall to her death.

For those who may judge Poe for her actions, lest we not forget natural selection — only the strong survive.

If a predator entered your home, would you kill to protect your family? In my state, it’s legal to do so.

On the holiday weekend, I had plans to drive to the seacoast on Friday. I hated to leave, but what could I do? Still, everything within me warned me not to go.

Would Poe be all right when I returned on Tuesday? The question whirled on an endless loop for the 2.5 hour drive south, reappeared during quiet moments, and returned with a vengeance for the entire ride home.

The moment I stepped out the driver’s door, Poe cawed from the tree beside me. I could breathe again. The next morning, I’d barely stepped inside my sunroom/office after feeding my furred and feathered family when Red barreled across the yard after my beloved Poe. Only now, Red’s chest had filled out. He still stood shorter than Poe but not by much.

Once again, Poe refused to retaliate. The murder surrounded Red like before, but it didn’t faze him. In two weeks, he’d packed on the pounds by feeding on chipmunks, jays, cardinals, mourning doves, and any other little bird or critter he could catch.

Today, Red matches Poe wing to wing, head to tail. Edgar, Allan, and Thoreau still outweigh him but not for long. Red’s transforming into a dangerous predator who’s hellbent on punishing Poe.

While writing this story, I stopped three times when the aerial fights heated up. Think Poe will give the call to retaliate? Still no. And it’s killing me! What is she waiting for?

None of the crows seem all that bothered by Red. Maybe he’s not big enough yet to be considered an actual threat? No idea. All I know is, if this feud doesn’t end soon, I may need a cardiologist.

On Friday (Nov. 1), I’m heading out of town to go house-hunting. By the time I return, Red will be even bigger. It’s like Poe’s waiting for a worthy opponent to emerge. Let’s hope she doesn’t wait too long. Red has the heart of a lion, the drive of a cheetah, and the attitude of a hippo king.

Sorry to say, the saga continues… I’ll fill you in once I have an ending.

As writers, what can we learn from this story?

  1. The hero needs a worthy opponent. Otherwise, they’re playing a foolish game.
  2. Every motivation has a reaction. To see this in action, read this story about Poe and a sweet raven named Rave. The corvid saga concludes with a fun way to test your story with color.
  3. Stories need conflict and obstacles. Don’t let anyone achieve their goals easily.
  4. Face your fears, dear writer. Don’t avoid the blank page because you suffer from imposter syndrome or fear failure. No one can edit a blank page. If you’re having trouble or feel blocked, do writer sprints or free write, as JSB advised a time or two.
  5. White space is your friend. Don’t overwhelm the reader with long blocks of text. Test paragraphing on your Kindle, tablet, or e-reader app.
  6. Don’t end your story with a cliffhanger. I had no choice, but in fiction, we need a believable ending.
  7. Like the POV character, the villain must want something. What drives each of them?
  • I want peace.
  • Poe wants to protect her family.
  • Red wants revenge.

I think that about covers it. Did I miss an obvious writing lesson?

What Does Your Birth Animal Say About You?

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As I sat at my desk to write this post, Poe and the gang put on such an amazing aerial display, stunning black wings captivated me for over an hour. And I thought, gee, let’s do something fun for this holiday Monday. Consider it a “get to know you better” type post.

Spirit Animals and zodiac are two different things. Spirit Animals refer to animals that you share a connection with; zodiac is your birth animal. It may come as no surprise that my Spirit Animal is a crow. It’s also my birth animal. Is it any wonder I’m drawn to these magnificent black beauties?

Though I can’t tell you your Spirit Animal — only you can determine that — I thought it’d be fun to share our birth animals in the comments.

Jan 20-Feb 18: Otter

Otters are proud, offbeat, and original individuals, who use unconventional methods to complete their goals. They may come across as unusual characters but their ability to approach things differently make them ideal problem-solvers. They’re also sensitive, attentive, honest, and reliable — perfect traits for a friend. Otters do require solitude, however. When they’re left alone too long, they can get rebellious and lash out. So, give them space, but not too much space.

Feb 19-March 20: Wolf

The Wolf is a walking contradiction. Loving and emotional, they also need freedom and don’t like taking orders. Folks born under the Wolf sign possess a deep longing to help others. Because of their generous nature, they freely give love. Driven by their need to also receive love, they’re fiercely protective of their independence and don’t like being too tied down in a relationship, often resulting in conflict.

March 21-April 19: Falcon

The falcon is a born leader, always ready to take the initiative. Not impulsive at all. Blessed with a natural judgment, the falcon steps forward when a crisis arises. Their natural ability to lead might make them appear arrogant at first, though their opinions are usually spot-on. Falcons are also deeply passionate, supportive, and excel in maintaining lifelong relationships.

April 20-May 20: Beaver

The beaver has a cunning and sharp mind. Quick thinkers and excellent problem-solvers, the beaver can adapt and overcome any situation. This trait makes them a powerhouse force in business. These individuals can get held back with their “my way or the highway” attitude, but their compassionate and loyal nature balances them out.

May 21-June 20: Deer

Lively and energetic, the deer has a sparkling personality and quick wit. Most are hilarious. Deer shine at any gathering, as they’re quite entertaining. People are drawn to the deer because of their charisma, warmth, and humor. Though they prefer being the center of attention, their friendly nature supersedes any self-involved characteristics. In a crisis, they may not be your first choice. Deer avoid conflict and often run from a fight or tragic situation.

June 21-July 21: Woodpecker

The most nurturing in the zodiac, the woodpecker is super supportive, empathetic, and caring — great listeners who never judge — but also can be extremely jealous and possessive. Though the woodpecker is a reliable partner and friend, they’re a bit frugal and thrifty, with supreme organizational skills. Need help creating a budget? Call a woodpecker friend.

July 22-August 21: Salmon

The salmon has an infectious energy that’s impossible to ignore. Inherently goal-orientated, salmon need to find their purpose in life and believe in chasing their dreams. Salmon are stable, calm, and enthusiastic, resulting in a sensual and passionate partner.

August 22-September 21: Bear

The bear is practical, hard-working, selfless, and has a generous spirit. These individuals are exceptional judges of character and can find the truth behind lies. Their calm and patient temperament is only unmatched by their mediative nature in tense situations. Modest and somewhat shy, bear prefer to work in a supportive role or quietly work in the background. You’ll never hear a bear brag or boast (try saying that three times fast).

September 22-October 22: Crow

The crow is an energetic, natural charmer, attractive, and mysterious. Both idealistic and diplomatic, crow portrays balance and can often provoke their friends to think deeper. Crows are easygoing, patient, intuitive, and natural-born romantics. Rarely, if ever, will you see a crow freak out. Instead, they prefer to talk things through in a caring manner.

October 23-November 22: Snake

The snake might be the most spiritual of all the birth animals. Those born under this animal possess a unique tether to the spirit world. Because of this deep connection, they may give off an air of mystery, mystique, and secrecy. At other times, they may appear dark and frightening. In truth, the snake is sensitive, caring, and passionate.

November 23-December 21: Owl

Not surprisingly, the owl is wide-eyed and eager to experience new things. Difficult to sanction into one box, their views and life goals may change from moment to moment. They’re spontaneous, easy-going, adventurous, and ideal travel companions. A friend to everyone, at least on the surface, they adapt well to any environment.

December 22-January 19: Goose

The goose will achieve anything it sets its mind to, and they’ll often excel at it, too. Competitive but not motivated by the approval of others. They’re innate desire to achieve success makes them determined and a tad obsessive. Because of these traits, the goose is more prone to addiction. The goose is also passionate, humorous, and outgoing.

What’s your birth animal? Does it match your personality? Do you know your Spirit Animal? If so, do they differ?

Happy Indigenous People Day! Or Columbus, if you prefer.

Ask a Writer

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While people-watching, I overheard an inquisitive young man ask his mom a series of questions. All her answers were quick and untrue. Not at all helpful. And I couldn’t help but think, she’s not a writer. Probably not a reader, either. Can’t recall the exact questions posed, but the following is close. Only this time, I’ve included a writer/reader’s response as well. 😉

Why is the sky blue?

Easy answer: So birds can see where they’re going.

Writer says: Sunlight reaches Earth’s atmosphere and is scattered in all directions by all the gases and particles in the air. Blue light is scattered more than any other color because it travels as shorter, smaller waves.

Why are leaves green?

Easy answer: So they look pretty, honey.

Writer says: The green coloration of leaves occurs due to a pigment called chlorophyll. Chlorophyll plays a crucial role in the process of photosynthesis, which is how plants convert light energy into sugar to fuel their growth and development.

Why can’t Fido talk to me?

Easy answer: He’s a dog.

Writer says: He does. Dogs communicate all the time. Most can easily recognize at least a dozen or so words — never say “walk” or “treat” unless you mean it — and the smartest ones can reach vocabularies of hundreds of words. They don’t speak using human sounds because physiologically they can’t make the same sounds.

Other animals can speak in human language. Koko the gorilla communicates in sign language and has a vocabulary of around 1,000 words.

Even animals that have no contact with humans use some form of language to communicate. And many humans can decipher the words and expressions of all sorts of animals, from house cats to wild elephants. When all else fails, look at the body language. All creatures communicate, even if they never utter a sound. Pay attention and listen. Fido is talking to you.

Can trees talk to each other?

Easy answer: Don’t be silly. They’re trees.

Writer says: Trees of the same species are communal, and will often form alliances with trees of other species. Forest trees have evolved to live in cooperative, interdependent relationships, maintained by communication and a collective intelligence like an insect colony. These soaring columns of living wood draw the eye to their full canopies, but the real action takes place underground, inches below our feet.

“Some are calling it the ‘wood-wide web,’” says Wohlleben, author of The Hidden Life of Trees. “All the trees here, and in every forest that is not too damaged, are connected to each other through underground fungal networks. Trees share water and nutrients through the networks, and also use them to communicate. They send distress signals about drought and disease, for example, or insect attacks, and other trees alter their behavior when they receive these messages.”

Scientists call these mycorrhizal networks. The fine, hairlike root tips of trees join together with microscopic fungal filaments to form the basic links of the network, which appears to operate as a symbiotic relationship between trees and fungi.

For young saplings in a deeply shaded part of the forest, the network becomes a lifeline. Without sunlight to photosynthesize, they survive because big trees, including their parents, pump sugar into their roots through the network much like human mothers suckle their young.

Why do whales breach?

Easy answer: Because it’s fun.

Writer says: Communication plays a vital role in the social lives of whales, and breaching is one way they send messages to others in their pod. The powerful splash and sound from breaching travels vast distances underwater, allowing whales to communicate with individuals far away. Breaching serves as a long-distance visual and acoustic signal, alerting other whales to their presence and/or signals important information, such as mating readiness or the location of food sources.

Also, territory is crucial for whales to establish dominance and secure resources. Breaching can display strength and power. When a whale breaches, they showcase their physical prowess and send a clear message to other individuals or competing pods that this area is their territory. This behavior helps establish boundaries and reduce potential conflicts between rival groups.

While breaching is visually striking, it also serves a practical purpose. The forceful impact with the water removes parasites that attach themselves to the whale’s skin and inside their mouth. The sheer force of the breach is enough to dislodge unwanted hitchhikers, which helps the whale to maintain good health and hygiene.

Breaching can also assist whales and dolphins in a successful hunt. The force and sound of a breach disorientates and intimidates prey. Orca — aka Killer Whales — who belong to the dolphin family, will launch out of the ocean to create the loudest impact. The family pod of Orca work as a team to breach around prey to disorientate, confuse, and panic that individual.

Breaching has also been used to assist whales and dolphins to get a better visual on their surroundings. Although not as common as a spy hop, a breach enables them to see above the ocean’s surface and navigate through busy areas near the coastline.

My point is, writers are curious creatures who view the world through a different lens. We’re filled with information from multiple trips down research rabbit holes, and we love to share what we’ve learned. Can’t put it all in our WIPs, so it often spills into real life. 😀

What have you learned during research? Ask and answer your own question using the same format. Or just tell us. We want to know.

 

1-Star Reviews: The Ugly Truth

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When a writer pours their heart and soul into a book, the last thing they expect is a 1-star review. Negative feedback can significantly impact book sales, especially these days where many readers rely on reviews to decide what to read next.

It’s disheartening to accept months of hard work, dedication, and passion dismissed in a few harsh words. Authors may experience a range of emotions, from disappointment to anger, but most don’t lash out at the reviewer.

My original plan for this article began with one severe case of an author physically attacking a reviewer over a 1-star review of his unedited debut. I’m now sickened by the number of authors who engage in this type of behavior, including one who called the reviewer a b*tch in a BookTok video for a 4-star review of her upcoming novel (ARC copy). Shortly thereafter, the publisher dumped her. But thanks to all the viral videos about the controversy, her book has allegedly been optioned for film. If it pans out, I’ll share the title. Otherwise, no. For all I know, the author lied about the option to gain exposure.

Who complains about a 4-star review?

Anyway, the original case that prompted this topic revolves around a 28-year-old writer named Richard Brittain.

In 2014, Brittain self-published his unedited debut novella. Like every new author, I’m sure he expected the entire world would love his “epic fairytale romance.” When an 18-year-old student named Paige Rolland read his work, she was less than impressed.

Not only was the book riddled with “spelling and grammatical errors,” “endless ramblings,” and the “plot [was] rather nonsensical,” according to other reviewers, but…

“There’s a very unpleasant subtext to the novel that only comes through if you’ve read the author’s blog post about stalking a woman until she called the police in terror. It’s creepily clear that the princess/protagonist stands for either the woman he stalked or women in general, and that her loyal dog likewise represents him or ‘nice-guy’ stalkers.”

Seething with anger over Paige’s 1-star review of his book, Brittain looked her up on Facebook. Paige’s profile included her hometown and her place of employment (How much personal information do you share?). Brittain embarked on the 400-mile journey to Scotland to track down the teenager.

On October 3, 2014, Brittain proceeded to the supermarket where Paige was working that day. Intent on revenge, he grabbed a bottle of wine from the alcohol section and stalked into the cereal aisle, where Paige was restocking the lower shelves. Enraged, he slammed her over the head with the bottle. The petite teenager suffered a horrific head injury—a gaping wound to her skull.

Emergency services responded to rush her to the hospital. By then, Brittain had fled the scene. It didn’t take long for police to track him down in London. A search of his home revealed travel documents and evidence of his obsession with finding the girl who dared to criticize his work. Charged with assault, Brittain received a 30-month jail sentence.

How AI Thinks We Should Handle Negative Reviews (my comments are in blue)

  • Respond to every review: Responding to all reviews, both positive and negative, shows you care about your customers and are willing to apologize when necessary. (What? Not even close to correct. NEVER respond to negative reviews. Curse, cry, or scream, but do not interact with the reviewer.)
  • Apologize: Apologize when responding to a negative review, even if the customer’s tone was hostile. (Huh? Reviews are one reader’s opinion. Not everyone will like our work, and that’s okay. Grow a thick skin and move on with your life.)
  • Ask for an updated review: If you’ve responded to the customer’s review and solved the problem, you can ask for an updated review. (This sounds more like a shipping issue on a random product than a book review. NEVER ask for an updated review.)
  • Contact the reviewer and request the review be removed: It’s always worth the effort to contact the person who left the review. They can remove the review by logging back into the site and deleting it. (This might be the worst advice of all. NEVER contact the reader and ask them to delete the review. Ever.)
  • Thank the reviewer: Show gratitude for their time and show that you value their feedback. (I know authors who do this. They’re polite and grateful. Still, I never respond to reviews, good or bad. Reviews aren’t for authors. They’re for other readers.)
  • Never get personal: Don’t get personal and certainly don’t ever attack or retaliate. (Finally, a logical point I agree with!)

Well, TKZers, how do you deal with negative reviews?

Do the AI suggestions surprise you? Unfortunately, new writers may believe the advice.

Do you think Richard Brittain should have gotten more jail time?

Redux: Can Multitasking Harm the Brain?

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When I realized Labor Day landed on my Monday, I panicked. I’m in the middle of packing, as I write this, and have nothing prepared. Hence the redux of an older post but one that still pertains to all of us. For those who celebrate, hope you’re enjoying a fun and safe holiday weekend!

Writers need to multitask. If you struggle with multitasking, don’t be too hard on yourself. The brain is not wired to complete more than one task at peak level. A recent study in the journal Frontiers in Human Neuroscience showed when we’re concentrating on a task that involves sight, the brain will automatically decrease our hearing.

“The brain can’t cope with too many tasks: only one sense at a time can perform at its peak. This is why it’s not a good idea to talk on the phone while driving.” — Professor Jerker Rönnberg of Linköping University, who conducted the study.

The results of this study show that if we’re subjected to sound alone, the brain activity in the auditory cortex continues without any problems. But when the brain is given a visual task, such as writing, the response of the nerves in the auditory cortex decreases, and hearing becomes impaired.

As the difficulty of the task increases—like penning a novel—the nerves’ response to sound decreases even more. Which explains how some writers wear headphones while writing. The music becomes white noise.

For me, once I slide on the headphones, the world around me fades away. I can’t tell you the number of times a family member has strolled into my office, and I practically jump clean out of my skin. Don’t be surprised if someday they kill me by giving me a heart attack. But it isn’t really their fault. I’m in the zone, headphones on, music blaring, my complete attention on that screen, and apparently, my brain decreased my ability to hear.

Strangely enough, I don’t listen to music while researching. When I need to read and absorb content, I need silence. This quirk never made sense to me. Until now.

Have you ever turned down the radio while searching for a specific house number or highway exit?

Instinctively, you’re helping your brain to concentrate on the visual task.

Research shows that our brains are not nearly as good at handling multiple tasks as we like to think they are. In fact, some researchers suggest multitasking can actually reduce productivity by as much as 40% (for everyone except Rev; he’s a multitasking God). Multitaskers have more trouble tuning out distractions than people who focus on one task at a time. Doing many different things at once can also impair cognitive ability.

Shocking, right?

Multitasking certainly isn’t a new concept, but the constant streams of information from numerous different sources do represent a relatively new problem. While we know that all this “noise” is not good for productivity, is it possible that it could also injure our brains?

Multitasking in the brain is managed by executive functions that control and manage cognitive processes and determine how, when, and in what order certain tasks are performed. According to Meyer, Evans, and Rubinstein, there are two stages to the executive control process.

  • Goal shifting: Deciding to do one thing instead of another
  • Role activation: Switching from the rules for the previous task to the rules for the new task (like writing vs. reading)Moving through these steps may only add a few tenths of a second, but it can start to add up when people repeatedly switch back and forth. This might not be a big deal if you’re folding laundry and watching TV at the same time. However, where productivity is concerned, wasting even small amounts of time could be the difference between writing a novel in months vs. years.

Multitasking Isn’t Always Bad

Some research suggests that people who engage in media multitasking, like listening to music through headphones while using a computer, might be better at integrating visual and auditory information. Study participants between the ages of 19 and 28 were asked to complete questionnaires regarding their media usage.

The participants completed a visual search task both with and without a sound to indicate when the item changed color. Heavy multitaskers performed better when sound was presented, indicating they were more adept at integrating the two sources of sensory information. Conversely, heavy multitaskers performed worse than light/medium multitaskers when the tone was not present.

I can attest to that. If I don’t have my headphones on, chances are I won’t hit my writing goals that day. I’ve conditioned my brain to focus when the music starts. And I store a spare set of headphones in case mine break. Learned that little lesson the hard way.

“Although the present findings do not demonstrate any causal effect, they highlight an interesting possibility of the effect of media multitasking on certain cognitive abilities, multisensory integration in particular. Media multitasking may not always be a bad thing,” the authors noted.

How can writers multitask and still be productive?

  • Limit the numbers of things we juggle to two (*laughter erupts in the audience*)
  • Use the “20-minute rule.” Instead of constantly switching between tasks, devote your full attention to one task for 20 minutes before switching to the next task.

What do you think about these studies? How well do you multitask?

Because of my holiday plans, I may be late responding to comments, but don’t let that stop you from sharing your thoughts.

#WriteTip: To Fix a Scene, Sniff Out the Tick

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Not her, but she wore a similar expression.

Last weekend, I was lovin’ on an adorable Chihuahua/Fox Terrier when I spotted an abscess under her left eye. She’s a little furball. The abscess hid under a mess of blonde curls.

When I brought the problem to her human’s attention, we discussed possible reasons for it. Did she scratch herself? Why was she scratching? Do her eyes itch? If so, why? Or did she accidentally catch the skin with her nail while cleaning her face?

Over the years, I’ve treated many abscesses on friends’ animals. For some reason, they all call me when something’s wrong with their furbabies. I’m not a vet, but some problems are easy fixes that don’t require dishing out hundreds of dollars and leaving the furbaby in distress while they wait for an appointment.

Like we did with the dog, if a scene in the WIP feels off in some way, we need to acknowledge there’s a problem. Only then can we gain enough clarity to fix it.

The first step in treating an abscess is to find the root cause. When we examined her eye, we found a dead tick attached to the inside rim of her lower eyelid. The rubbing of the tick against her eyeball caused her to scratch while her human was at work. We also found a small red mark in the corner of the abscess from her nail(s).

The first step to fix a scene is to find the root cause. Why doesn’t the scene work? Is the pacing off? Does it lack tension/conflict? Are there no obstacles to overcome? Does each character have a scene goal? If so, what are they? How does the scene advance the plot?

Once we removed the tick, we treated the abscess by applying hot compresses. Heat loosens the pocket of infection and relaxes the skin. The goal is to let the existing wound open on its own.

When examining a scene, go slow and sniff out the problem. First, look at the structure. Does it follow the micro-beats of scene and sequel?

SCENE

Goal: What does the POV character want? If you don’t know, that could be the problem. The character’s goal must be clear from the start, even to the reader.

Conflict: What are the obstacles standing in the way of the character reaching their goal? Obstacles can be external or internal. If there aren’t any, you’ve identified the problem.

Disaster: Even if your character overcomes the conflict, your job is to make things worse. Ideally, the scene should roll into the sequel with the feeling of, “Oh, no! Now what?”

SEQUEL

Reaction: How does your character react to the scene disaster?

A well-crafted sequel clues the reader into the character’s internal journey, presents a compelling dilemma, and ends with the character setting a new goal. Sequels are where major decisions, reversals, and growth happens. They set up the character’s next move.

Dilemma: The dilemma is the problem your character faces because of the scene disaster. Make sure your character has no good options, or at least they can’t see a way out of the tricky situation they’re in. If the sequel lacks a dilemma, it’ll destroy the structure because the choice they make leads to the next micro-story beat.

Decision: How will they deal with the new dilemma? The decision often becomes the goal of the next scene. If they have no idea what to do, you at least need some sort of decision here, even if they choose to retreat.

Also not her, but same happy mood.

After a few rounds of hot compresses, blood and puss drained from the abscess. The inner lid where we removed the dead tick stopped bleeding, the skin relaxed into place, and the wound under her eye sealed closed.

No one was more relieved than the sweet, little furbaby. We accepted payment in the form of kisses, tail wags, and happy prances.

The next time a scene in the WIP doesn’t work, search for the tick. It’s hiding in there somewhere.

Life Lessons from Geese to Writers

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The title of this post is not a play on words. As I might’ve mentioned a time or two, we can learn a lot from animals.

This time, the life lessons come from one of our feathered friends. Or enemies, if you’re Canadian. Winking at you, Garry!

Achieving Together

Geese fly farther together than apart. When a goose flaps their wings, it creates lift for the geese that follow, making it easier for the whole flock to fly. By flying in V formation, the whole flock adds 72% greater flying range than if each bird flew alone.

If a goose falls out of formation, they feel the resistance of flying alone and quickly retake their position to benefit from the lifting power of the group.

Lesson: We are all part of the same community (if you missed my post re: writing community etiquette, find it here). By working together — accepting and giving help to one another — we move closer to reaching our goals faster than if we traveled this road alone.

Collective Responsibility

Geese understand they all have a responsibility to take their turn to lead the formation. When the lead goose tires, it moves back into formation and another goose flies to the front to take its place.

Lesson: Like geese, we depend on each other’s skills, capabilities, experience, opportunities, and resources. When everyone plays their part and shares experiences, skills, and/or challenges, like we do here on TKZ, it benefits others in our community.

How many writers have honed their craft from this blog over the last 13 years? My hand’s raised. Is yours?

The Power of Positivity

When in flight, geese in the back formation honk to encourage those at the front to keep up their speed. Basically, they’re cheering them on.

Lesson: This positive reinforcement is a reminder to us all to give praise and kindness to one another. If one of us succeeds, we all should celebrate. If someone falls, we should be there to pick them up, dust them off, and encourage them to keep going — perseverance wins the race!

Support Every Individual

The instinct to care and protect is ingrained in every goose. The care of the flock is a fundamental need. When a goose is sick or wounded, two geese will drop out of formation and follow him/her to the ground to offer help and protection until they can fly again. The trio will then add their numbers to another formation or catch up to their flock.

Lesson: Though we write alone at the keyboard, we also need the care and attention of others in our community to help us get to where we want to go. So, support your fellow writers. They are your tribe, not your competition.

10 Fun Facts About Geese

(that have nothing to do with the point of this post 😉 )

  1. As goslings, geese will bond with the first suitable moving stimulus, no matter if it’s a goose, person, or object. They remain dedicated to that goose, person, or object as their surrogate parent throughout their lives.
  2. Geese are highly social animals. If they are raised around other livestock and fowl, they usually get along well with them.
  3. Goose is the term for female geese. Male geese are called ganders. A group of geese on land or in water are a gaggle, while in the air they’re called a skein.
  4. Geese eat seeds, nuts, grass, plants, and berries.
  5. They are the largest waterfowls, the other being swans. Though geese are waterfowls, they spend most of their time on land.
  6. Geese are loyal. They mate for life and are super protective of their partners and offspring.
  7. Geese grieve the loss of their partners and offspring. So, don’t shoot them for fun!

Ahem. Moving on…

  1. Geese enjoy preening their feathers, foraging for food in the grass, and collecting twigs, bark, and leaves to make home improvements to their nests.
  2. Geese form strong attachments and affection for others in their group.
  3. Because of their loyalty and love, geese make excellent guard dogs. The internet is filled with golfers who learned this the hard way. LOL

The next time you witness geese (or other birds) flying in formation, think about your fellow writers — fellow humans. Sometimes all it takes is a kind word to make someone’s day. With all the anger and hatred in the world, be the lift they need.

*I’m out of town today, and will respond to comments when I get home tomorrow.

How Much Does Your Environment Influence Your Writing?

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You may have noticed my absence on the weekends lately. This summer, I vowed to take some “me time” and have fun away from the keyboard.

So, I’ve been spending my weekends on the seacoast of Massachusetts. I grew up two towns over from where I’m staying, so the area will forever have a special place in my heart.

When I first started writing, I focused on children’s books. Once I left the seacoast, I stopped writing for many years. Life, work, and bills got in the way. It wasn’t until I moved to New Hampshire that the writing bug bit me again. This time with a focus on thrillers. During my career, I’ve written psychological thrillers, ventured into true crime/narrative nonfiction, then combined my lifelong passion for wildlife conservation and veered into eco-thrillers, the genre I write in now.

As I stood on the seacoast that first weekend, staring at the same view of the Atlantic Ocean from my youth and young adulthood, I had an overwhelming desire to write children’s books again. With the wisdom and knowledge of life experience behind me, I decided to use the same theme as in my eco-thrillers only geared toward young, impressionable minds — Animals are guardians of ecosystems and caretakers of Mother Earth, but they can’t do their job if we keep destroying their environment (or hunting them to extinction).

*Side note: theme should organically emerge from the storyline. No one wants or needs the writer to stand on a soapbox. Let the characters actions and reactions reveal the theme.

The following weekend I outlined the story from start to finish, the salt air and melodic melody of waves powering my desire to help future generations by delivering an exciting plot with animal characters they can relate to, learn from, and love. When I drove home on Monday morning, and the seacoast vanished from my rearview, my mind reverted to action-packed eco-thrillers and vigilante justice.

A longtime friend asked how I could make the switch from kids to adults so easily. My response? Location.

The question made me wonder if other writers experience this.

How much does our environment influence the stories we write?

Would you write in the same genre if you lived in a different area?

If you’d stay in the same genre, would a different environment change the type of characters you create?

Lastly, if I hadn’t written children’s books when I lived on the seacoast, would the Atlantic Ocean propel me to write them now?

Maybe, maybe not.

After I wrote the first draft of a wild and fun adventure for kids, I researched some of these questions. And here’s what I found.

From the Ripple Foundation:

         Your environment directly affects different aspects of your writing, from your style to the topics you write about. Through experience, your surroundings, such as location, atmosphere, and culture play a significant role in your writing. 

            Writing is an artistic medium which can change based on the environment you are writing in… Writing in places where you may have emotional and cultural ties can help you easily communicate your feelings. 

That certainly held true for me.

            The ambience of your environment is a powerful characteristic that can affect your writing. Your brain constantly picks up information from your surroundings, and your senses affect your thinking. Things like air temperature, environment, weather, and odours are processed subconsciously by you.

The human brain never ceases to amaze me. Salt air and the ambiance of the Atlantic reignited my passion to write for children.

From Brainly.ph…

         The environment in which a writer lives can shape their perspective, attitudes, beliefs, and values, which can, in turn, influence the themes and messages in their literary works. For example, the Romantic poets were heavily influenced by the natural beauty of their surroundings, and their works often reflected their appreciation of nature and the importance of individual experience.

The physical environment of a region can also influence the literature that emerges from it. For instance, writers living in harsh, rural environments may draw on their experiences of hardship and survival to create stories about resilience and perseverance.

From Princeton.edu…

         Scholars of great literature often are intrigued by questions that lie outside the pages of the text. For English professor Diana Fuss, one question that consumed her was: Where did my favorite writers write?

To find the answers, Fuss wrote “The Sense of an Interior: Four Writers and the Rooms That Shaped Them,” a study of the living and writing spaces of four well-known authors.

In the book, Fuss described the smoky ambiance of Sigmund Freud’s consulting room, the view from Emily Dickinson’s bedroom window, the inhospitality of Helen Keller’s house, and the claustrophobic atmosphere of Marcel Proust’s bedroom. The purpose of the book was to understand how the writers experienced their writing spaces.

“When these figures inhabited these domestic interiors, what were they seeing, hearing, smelling and touching?” Fuss said. “What was the full sensory experience of inhabiting that space, and how did the domestic interior shape the acts of introspection that took place there?”

Fuss noted that Proust, who suffered from asthma, lived in a cork-lined room with heavy drapes to keep out natural light and air. The author of “Remembrance of Things Past,” a work suffused in sensory experience, “found it necessary to suspend the senses in order to write about them,” according to Fuss.

Her findings corrected some misconceptions. Dickinson, for example, has long been portrayed as a helpless agoraphobic trapped in a dark, coffin-like room in her father’s house. When in fact, Dickinson’s corner bedroom had the best light and views in the entire house.

“It was a room that invested her with scopic power,” Fuss said. “Far from being confined in her room, she in fact was a kind of family sentinel.”

TKZers, let me ask you the question I posed earlier.

How much does your environment influence the stories you write? If you’ve resided or spent an extended period elsewhere, did you write in the same genre? How did your stories change, if it all?

Choosing A Unique (But Fitting) Talent for Your Character

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I’m traveling today, so I invited the uber-talented Becca Puglisi to fill in for me. Don’t be shy in leaving her comments. I’ll join you tomorrow when I return from vacation. Enjoy!

I truly believe that excellent stories require excellent characters. And with so many books already out there—4 million published in the US in 2022 alone—we’ve got to be able to deliver compelling and realistic characters to set our stories apart. How do we do it? By focusing on the details. And one of the markers that can really boost individuality and memorability for a character is their particular talents or skills.

Every person has something they’re good at. Sometimes it’s a gift they’re born with that comes naturally; for others, it’s a carefully nurtured and honed ability. Many times, a character’s talent says something about who they are: it may tie into their belief system, meet a missing need, honor an influential person in their life, or reveal associated personality traits.

But despite the many talents and skills out there, we tend to see the same ones in books all the time. Now, if your story requires your character have a certain ability, that’s fine; sometimes, we don’t get to choose their special abilities. But if you’ve got more latitude, consider one of the following techniques for coming up with a skill that’s a little more original.

Go for Something Unusual

Sometimes it’s as easy as thinking beyond the obvious options. Instead of being a strong runner or artist, maybe your character could have a talent that’s a little less mainstream, like sleight of hand, lip-reading, or a knack for languages. Do you need them to be an athlete? Consider a sport readers haven’t seen a million times, like cricket, curling, water polo, or parkour. Your skilled forager could be urban rather than rural, fishing goodies out storm drains or dumpsters.

If you’re writing in a genre with fantastical elements, you can get really creative by giving your character an extrasensory ability or something that’s specific to your fantasy or paranormal world. Their skill will obviously have to work within the overall story and the world you’ve created, but you have more choices than you know, so don’t be afraid to branch out and try something new.

Encourage Your Character to Specialize

One way to come up with an unusual ability is to take a popular one and make it more specific. If your character is mechanically inclined, they may be particularly adept with machines from a certain region, time period, or industry. A marksman might specialize in one weapon, and maybe it’s not the typical rifle (Crossbow? Darts? Slingshot?). Your assassin may prefer to work with and have extensive knowledge of poisons. Breathe new life into a ho-hum strength by narrowing the focus.

Give a Common Talent a Twist

It’s not always necessary to reinvent the wheel; often, you can come up with something new by tweaking a popular talent. If musicality is your character’s thing, don’t make her a singer or piano player; maybe she really shines by writing music or crafting certain instruments. A character’s photographic memory may only be reliable for a few hours after events have happened. A person who blows off steam by knitting might use their talent to create blankets for preemies or hats for the homeless. In the latter case, the talent can also hint at personality traits (empathy, selflessness, generosity), hobbies, or other areas of passion.

We get more bang for the buck when our characterization and description elements do double duty, so if a character’s skill can also say something about who they are, that’s a bonus for readers.

Pair It with an Unexpected Personality Trait

Many skills are associated with certain traits because they often go together. For instance, people who are good with numbers are usually pretty analytical. But that doesn’t mean the two have to go together. A character with this ability could be highly creative or emotional, instead, and you’d end up with someone unexpected. Likewise, you could have a gifted public speaker who is painfully shy, stumbling their way through one-on-one conversations. This trick can be especially helpful when your story requires a common talent; get creative with your character’s traits, instead, and you can come up with something new that will pique readers’ interests.

In conclusion, an area of skill is a great way to individualize a character—but remember that it can’t be random. There are reasons people embrace and nurture certain talents. They come from somewhere: a natural aptitude, a shared passion with a loved one, the desire for approval or acceptance, etc. So a special ability shouldn’t be chosen at random. Always know the why behind it. Once you’ve ensured it ties naturally into their overall character profile, use these suggestions to take a character’s talent or skill to the next level.

Becca Puglisi is an international speaker, writing coach, and bestselling author of The Emotion Thesaurus and other resources for writers. Her books have sold over 1 million copies and are available in multiple languages, are sourced by US universities, and are used by novelists, screenwriters, editors, and psychologists around the world.

She is passionate about learning and sharing her knowledge with others through her Writers Helping Writers blog and via One Stop For Writers—a powerhouse online resource for authors that’s home to the Character Builder and Storyteller’s Roadmap tools.