Finishing Strong with Aspects of the Novel

“Everything ends; you just have to figure out a way to push to the finish line.” —Jesse Itzler

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Welcome back, TKZers! Isn’t it wonderful to be back in the Zone after the two-week break?

Now that we’re approaching the finish line for 2024, it’s time to look back at lessons learned in the past year. In addition to the great content posted here, TKZ contributors lent their voices to other platforms. One of those was The Craft of Writing Blog on my website at kaydibianca.com.

The theme of this year’s blog was Aspects of the Novel, and each month I interviewed an accomplished author on a different facet of novel writing. Five of those authors are TKZ contributors whose thoughts were so instructive, I wanted to share an excerpt from each interview in this post.

So enjoy finishing the year strong by walking with our wise friends through various Aspects of the Novel. To see the entire interview for any of the choices below, click on the link.

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VOICE (James Scott Bell)

How does an author go about developing his/her own voice?

It’s really a matter of learning ways to let the voice run free. Let it come out naturally as you, the author, are concentrating on the emotion and action and internal lives of the characters. There are various exercises I give in my book on voice, such as the page-long sentence. When I come to a place of high emotion in a scene, I like to start a fresh document and write a single, run-on sentence of at least 200 words. It is free-form, wild text in the character’s voice, not thinking about grammar or structure. It’s just pouring out the emotion as fast and intensely as possible.

What happens inevitably, like panning for gold, is you get a few glistening nuggets. It may even be only one sentence, but that sentence will be choice.

There are other methods, but the great point is that doing this begins to develop a strong “voice muscle” in your writer’s brain, and you get better and better at it the more you exercise it.

 

ANTAGONISTS (Debbie Burke)

How does a good writer approach creating the antagonist character? Are there exercises a writer can use to develop their villain-creating talents?

A technique I like to use is James Scott Bell’s voice journal. Let the antagonist write out their thoughts, feelings, and beliefs. What are their deepest, most secret desires? Give them the opportunity to express their frustration, anger, and hatred. Putting their emotions into words helps the author get inside their skin and understand why they feel their behavior is justified.

Interview the villain/antagonist. Ask questions. What is their background? How did their parents treat them? Were they bullied or abused? What early losses or failures scarred them?

Another Jim Bell tip: have villains argue their case before the jury that will decide their fate. What compelling arguments can they offer to save themselves from the death penalty?

 

DEEP POINT OF VIEW (Terry Odell)

Now, on to Deep POV:

Deep POV can be thought of as writing a first person book in third person. You are deep inside the POV character’s head, providing the reader with not only the character’s five senses, but also their thoughts and feelings. Because you’re deep into their heads, your readers should feel closer to the characters than if you have an outside narrator, as is the case in shallower third person POV. A test. You should be able to replace he, she, or the character’s name with “I.”

When writing in Deep POV, it’s also important to be true to the character. What would they notice? Two characters walk into a room. (No, that’s not the start of a joke.) One’s a cop; the other is an interior designer. They’ll focus on very different things.

 

ANTI-HEROES (Sue Coletta)

How do you define an anti-hero?

An anti-hero is the protagonist of the story, who straddles the law. Good people doing bad things for the right reason. Nothing is black and white. Anti-heroes thrive in shades in gray.

 

DESCRIPTION (P.J. Parrish)

How would you define descriptive writing?

Wow. That’s a toughie. Well, let’s start with a distinction. There’s explanation and then there’s description. Explanation is you, the writer, just dealing with the prosaic stuff of moving characters around in time and space. Explanation example: The man walked into the room. Simple choregraphy. Gets the job done but pushes no emotional buttons.

But description? That’s where the magic happens. When you work your descriptive powers, you engage the reader’s senses and imagination, maybe tugging on their memories and experiences. The man didn’t just walk into the room.  Rewrite:

The old man stopped just inside the door of the café. He was in his eighties, that much was clear. But as he stood there, erect and with a small smile tipping his lips, heads turned to him. It wasn’t just the panama hat or the seersucker suit. Because the hat was yellowed and his sleeves were frayed. No, we were staring at him because the air around him seemed to vibrate with an aliveness. He caught my eye and started toward me, and my throat closed. It was like looking at my father, the one I had seen only in photographs.

See the difference? The main purpose of descriptive writing is to show the reader a person, place or thing in such a way that a picture is formed in their mind. It means paying close attention to the details by using all of your five senses. Explanation vs description. When you explain something, you try to make it clearer and easier to understand. But when you describe, you’re tugging on their emotions.

 

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As we come to the end of the year, I want to wish you all a Happy, Healthy, and Successful New Year!

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So TKZers: How are you finishing strong in 2024? Any lessons learned you can share? What are you looking forward to in 2025?

 

“A delicious murder mystery” —Readers’ Favorite Reviews

Available at  AmazonBarnes & NobleKoboGoogle Play, or Apple Books.

Reader Friday-Let’s Go To The Movies

Hey TKZ gang! Let’s talk movie lines. We all have our favorites and I thought it’d be fun to share a few. Doesn’t have to be well-known, or spoken by a famous actor. Just one that grabbed your attention.

I have several favorites, like: We’re gonna need a bigger boat (Roy Scheider in Jaws); or, I have a very particular set of skills (Liam Neeson in Taken). And, …the future is coming and you’re not in it…” (Hammer to Mav, played by Ed Harris and Tom Cruise in Top Gun, Maverick).

But I have a new favorite, just realized the other evening when we were watching one of Tom Cruise’s Mission Impossible flicks. It slipped by me so quickly, I had to back up the movie to hear it again. Those movies (and we have all of them!) are more known for great action than stellar acting (sorry, Tom), but one of the bad guys had a moment. I can’t explain why the line resonated with me–maybe because it made me think about the world we live in.

Solomon Lane, played by Sean Harris

 

Here it is, spoken by bad guy Solomon Lane, played by actor Sean Harris: “Human nature, my weapon of choice . . .”

Dwell on that for a moment.

 

 

Okay, over to you, TKZers! What’s your favorite movie line?

Our TKZ holiday break is approaching, so I’ll see you again on the other side of 2024! Hope you all have a great and peaceful holiday season…

 

The Write Stuff: Holiday gifts for writers and readers

by Elaine Viets

Stumped what to give your favorite writer or reader for the holidays? Here are a few suggestions, gathered from the four corners of the internet.

Sherlock’s Study Candle. What better way to write your historical novel – or read the adventures of the Master, than with a Sherlock’s Study Candle, scented with cherrywood, tobacco and rain. Fortunately, this soy candle does not have those less romantic scents of horse sweat and the Thames at low tide. Etsy. $9+ etsy.me/4ioTSxP

Book Nook Reading Valet. Park your book on the wooden triangle and  hide your cell phone under it. There’s room for your specs and a wineglass or mug. $50 Uncommon Originals. bit.ly/3ZOV32m

Always Check Behind the Shower Curtain. Hang this in your guest bath and I guarantee they won’t use all the hot water. For mystery writers and true crime lovers. $58. Etsy, etsy.me/3Dc98xM

The James Bond Vesper Martini Cocktail Shaker. For your favorite Bondophile, this stainless steel shaker has Bond’s Vesper Martini recipe from Casino Royale on one side:  “A measure of Gordons, 1 of vodka, half a measure of Kina Lillet, shake it over ice. Then add a thin slice of lemon peel.” The 007 logo is on the other side. It’s $39 at the 007 Store. The store has other Bond-themed gifts including Turnbull & Asser silk ties and pocket squares. https://bit.ly/3ZzonbP

Books! Book lovers never have enough books. Give one of your latest mysteries. Or if the person has them all, give them an author you admire. Better yet, give them a gift card to a bookstore.

 

Blind date with a book. Here’s a Goodreads-Rated Blind Date with a Book Gift Set. The set has a book in your favorite genre, and ways to enjoy this good read, including popcorn, a magnifier, a bookmark, tea, cocoa. Etsy. $13.49+ bit.ly/41pn0ik

Subscription box  for a blind date with a book. Give a three-, six- or twelve-month subscription. Each book bundle arrives at once, stuffed with books, bookmarks, stickers and drinks – coffee, tea, or hot chocolate. Just choose the genre. Etsy. Subscriptions start at $49. bit.ly/3ZLErIy

Whimsical cat with glasses handmade wrist rest. Purrfect for any cat lover. $28.95  bit.ly/3OQreYJ

Happy holidays, TKZers. I’ll see you next year.

Holiday Deadlines

By John Gilstrap

It will come as no surprise to anyone who has known me for more than a minute or two that I am a social creature. I am a Type-A extrovert all the way–ENTP for you Myers-Briggs afficionados. There’s nothing I enjoy more than a good party. Which is why, beyond the glorious religious reasons, the Christmas season is the highlight of my year. We love to host parties. In fact, when we designed our stone cabin in the woods, we included extra wide hallways specifically for the purpose of accommodating large-scale parties.

This past weekend, on December 7, was the annual big one for local folks, about 70 people in all. It’s our Christmas present to each other, so the whole thing is catered, complete with open bar and valet parking. (The valet parking is necessary because it gets REALLY dark out here, and parking is in a field.) Thanks to my involvement with the local radio station, we’ve gotten to know far more local people in the two and a half years we’ve been West Virginians than we met in our lifetimes outside Washington, from down-the-street neighbors to politicians to judges and prosecutors. Kurt and Annie Muse (subjects and co-author of Six Minutes to Freedom) were able to join us as well.

On December 14th, there’ll be another party for 16 people, for which I’ll do the cooking, though I’m not yet sure what we’ll have. Soft plans are forming for a y’all come open house event on December 22 for the broad spectrum of friends from today and yesteryear–firehouse buds, high school and college friends and old neighbors. If it happens (I guess we really need to decide), that get-together will be the very definition of informal–think pizza, sides and maybe burgers if the weather is nice enough.

Then, on December 27, we’ll host the daylight version of the extended family party that used to be a Christmas evening party before we moved to West Virginia. (Did I mention it gets dark out here at night? Apparently, Washingtonians’ retinal rods and cones don’t function without the assistance of street lights.) Cooking assignments for this party were established decades ago. Barbie brings the apple pie (actually she’s not allowed to cross the threshold without it), Nan brings her cheesy grits, Jim brings cranberry relish, Donna brings sugar cookies (another prerequisite for entry), and I bring the old school green bean casserole that everyone makes fun of but somehow manages to choke down without leaving leftovers.

With all the entertaining, this is my season for extravagant decoration. I’ve been told that my Holiday decorating aesthetic is best described as “hotel lobby.” He who said that was not being entirely complimentary, but he may have had a point. For this one annual slice of time, more is more, right? For one-twelfth of every year, we turn what I think is a fairly staid, conservatively outfitted home into our wonderland. I have regular late-summer nightmares about having missed the holiday decorating season. I hope we do it without tipping into tacky, but if there’s ever a season when you get get away with crossing that line, I think this is it.

Because of a very sad story that happened when I was young, and then was reinforced through many years in the fire service, we don’t put up any real Christmas trees. I don’t even allow any real greens near a fireplace or a candle (it was a VERY sad story when I was young). So, we do artificial trees, the technology for which has seen amazing advances year over year. Remember “more is more?” I confess I have a self control problem, however, when it comes to Christmas trees. We have six of them this year. I already know where I want to put the 7th next year.

Of the six trees, though, only one is the true Christmas tree for the house, and it’s the one in what we call the family room. This is the one that is, quite frankly, the most boring to look at, but it’s the one that I’ll sneak down at night to look at to bring peace to my soul. Here, you’ll find the God-awful (priceless) toilet paper dowel wrapped in crepe paper made by our son in kindergarten in 1989. You’ll find the ornaments bought on every family vacation, and Bernard and Bianca from “The Rescuers Down Under” (1990), who must always be holding hands. Even a few nicotine-stained Shiny-Brite glass ornaments from my youth remain intact. One stocking over the mantle reads “Johnny” and it was handmade by my Mom-Mom when I was an infant. When our son Chris was born in 1986, I transferred the two silver dollars my Uncle Henny gave to me when I was 5 or 6 years old from the toe of my stocking to the toe of his.

The book tree in the library is the newest addition to the collection. It is by far the most self-indulgent (and self-congratulatory) of the decorations, and I won’t even pretend that there was an effort at subtlety. Much of the detail was lost in the formatting to blogger, but in addition to a few regular ornaments, the branches of the tree are decorated with open and closed editions of my various books. The dangling yellow bits are bookmarks I had made for Zero Sum. We used a standard hole punch near the top to make room for a standard ornament hanger. Finally, instead of a tree skirt, we scattered more books around the base of the tree stand. At last, a practical use for all those author’s copies that have been gathering dust in the basement!

One of the great pleasures of designing your home from scratch is that you get to design it to your own lifestyle. This is Joy’s and my fifth house since we’ve been married, and each previous iteration came burdened with a space called a “living room” which went entirely unlived in. So, for our dream home, upon entering the foyer a glance to the right reveals the “tavern.” (Hey, I’m Irish. Gimme a break.)

Next to the back porch during 8 months of the year, the tavern is probably the room we use more than any other, and not just for the bar–though for that, too.

Of course, a tavern Christmas tree must have special ornaments. When I went to the liquor store and told the clerk why I was buying a couple dozen airline-size bottles of a variety of boozes, she really got into it. Wrap some ribbons around the necks and voila! You’ve got a tree bauble, to which we added more than a few used wine corks. For the record, that tiny bottle you see is the only bit of Jägermeister to be found in our house. I am confident that anyone who has ever been among the last to leave a bar will agree that in the history of time, nothing good has ever happened after the Jägermeister came out.

If you’ve read this far, it is entirely reasonable to ask what does any of this have to do with writing? Well, I’ll tell you: This being December 10th, I owe a short story to an anthology by December 15th, and I’ve been having trouble carving out the time to get it done. It seems like deadlines are a constant in my life, and somehow, I always meet them. But Christmas comes but once a year.

Killzone family, this is my last post before we hit our end-of year hiatus, so let me take this opportunity to wish you the very best for this holiday season and the coming year. May every challenge be surmountable! See you on the flip in ’25!

#WritingCommunity: Updated Terms to Meta Platforms in 2025

Have you read Meta’s new terms of service (TOS)? Even if you don’t have an account on Facebook, Instagram, Threads, Messenger, or WhatsApp, you may still be bound by its disgraceful overreach.

Many of us—me included—forfeited our right to privacy when we joined social media. What’s the alternative? If authors want to sell books, they need to have an online presence. So, when social media giants like Meta update their TOS, we barely give them a glance.

This time, it’s a mistake to accept or click the box away without reading what rights you’re granting. By using any of Meta’s sites and/or products after Jan. 1, 2025, you will be bound by its new TOS.

Thank God for the writing community’s sharp eyes and willingness to share information. A couple of weeks ago, writer friends warned me of Meta’s update to their terms of service in our “super-secret” author group on Slack.

What is Slack?

If you’re not familiar, Slack is a fantastic app for collaboration—blogmates, writing teams, authors in the same story world or collection, etc.—away from the prying eyes of social media giants. When you post within your designated group, no one but the members have access to your shared information or discussions. Many companies and corporations use Slack to stay in touch with their employees. Using Slack as an author group also saves your email inbox from replies that don’t apply to you. Highly recommend.

Meta’s Overreach

One of the authors in my group brought up the update to Meta’s terms of service. As if Zuckerberg hadn’t collected enough information on us, these new terms violate any right to privacy we had left. And not just while using a Meta platform. Now, we are always bound by their ridiculous terms, on or off Meta, because we have an account on Facebook, Instagram, WhatsApp, or Threads.

Even if you’re not active on social media, you are still bound if you use one of Meta’s products, such as Messenger or Marketplace.

Private or Direct Messages (PMs or DMs) Are Not Private

No online messages are private. You know that, right? Be careful of what you discuss. Big Brother monitors and stores your conversations.

Meta’s new TOS reaches beyond other social media PMs. When you click “accept” to its updated terms, you will grant Meta the right to read your private messages (nothing new) and use, share, copy, or sell, in whole or in part, in any way it wants, including but not limited to, training and developing its AI models.

Content

Any and all content you post to one of its platforms or products will include an automatic license for Meta to use, distribute, share, copy, sell, in whole or in part, in any way it wants, including but not limited to, AI content that may directly compete with you. Doesn’t matter if the content is your intellectual property. By using Meta after Jan. 1, 2025, you will automatically grant them free rein once you upload.

Want to share selfies with your new puppy or a family photo with friends and family? All your photos and videos, including your voice(!) and language, Meta will have the right to copy, share, sell, distribute, or use, in whole or in part, including but not limited to, training its AI models.

AI Features

Meta categorizes AI as a separate license—perhaps to make it more palatable—but is it? Not really. The moment you use any AI feature, like to search Facebook for a friend’s profile—the only search feature available now—you will automatically grant the same license, with no way to opt out. Sure, Meta says you can ask that your content not be used to develop or train AI, but it retains the right to deny your request. The only surefire way to opt out is to delete your content and/or account.

What if You Delete Your Meta Account?

Might not matter. Even if you don’t have an active Facebook, Instagram, Threads, or WhatsApp account, you could still be consenting to Meta’s new TOS if a friend or family member sends you a funny meme or Reel. Once you click that link to view Meta content, these new terms apply to you, effective Jan. 1, 2025.

Other Concerns

Meta admits to using AI but stops short of specifying how it plans to use our content to develop future AI models. This lack of transparency leaves creators vulnerable to their work being exploited.

Do not assume the omission works in your favor. The absence of clear disclosures about AI practices sets a dangerous precedent for big tech. You may think sharing selfies or photos of your children, significant other, or your home isn’t a big deal, but it is. The new AI license allows Meta to exploit you and your family.

Though you retain ownership over your content, Meta’s broad license to “use” it creates a gray area. What prevents Meta from repurposing your photo or video in marketing campaigns? Absolutely nothing.

By continuing to use a Meta platform, you agree to future terms. On Jan. 1, 2025, you will hand Meta a blank check to rewrite the rules at any time without the need to notify you for consent.

The more data Meta collects, the stronger its stranglehold on users. Nothing prevents Meta from selling your information to data brokers that will learn almost everything about you from your content, language, behavior, and so-called private messages. They in turn, sell your data to advertising markets. Or worse, use it to train AI without compensation or your consent.

I wouldn’t dare post a novel excerpt in 2025. I used to create video excerpts of all my books, which worked great as a marketing strategy. Now, finding all that old content on Meta will be a near-impossible feat. Even though I posted the video excerpts prior to Jan. 1, 2025, the new terms will supersede the old.

What’s a writer to do? Suggestions welcome! 

Did you read Meta’s new TOS? Will you continue to use Facebook, Instagram, or Threads in 2025? Does anyone use WhatsApp? Can’t imagine it’d be helpful for authors. Please correct me if I’m wrong.

When you’ve worked for years to gain a following on one or more of Meta’s platforms, it is not an easy decision to delete your account. What alternatives do we have? Blogging, Substack, or Medium, I suppose.

Anyone use BlueSky?

I’ve heard mixed things about it. Most say, it’s comparable to X-Twitter, not Facebook. BlueSky claims “it offers a more decentralized, user-controlled experience with fewer ads and a cleaner interface, making it ideal for those who prioritize privacy and community.” However, it still lags behind X-Twitter in terms of features and user base.

The mere thought of building another audience from scratch exhausts me. How ’bout you?

 

 

The Case of the Missing Books

During the downtime between book deadlines, I’ve been able to catch up on my reading. As many writers can attest, when you’re writing you want to read, and when you’re reading it’s easy to wish you were writing.

Not to say I haven’t been dabbling with the next manuscript, trying to reach that acceleration point where the process takes over, but with the holidays, it’s slow. Oh, I’m getting five pages a day, but they haven’t sparked yet.

So for inspiration, I picked up an old favorite off one of the shelves behind my desk. It was Larry McMurtry’s The Last Picture Show, a book that should be required reading for all future Texan authors. It’s not a long novel, and I finished it in one blustery afternoon when I couldn’t force myself into going outside. Putting it back, my fingers brushed Texasville, and I was away on another adventure with his character Duane Moore in Thalia, Texas.

After finishing all five books in that saga, my appetite for McMurtry wasn’t sated. I considered his Lonesome Dove books, but decided to read some of his more contemporary novels , and that’s when tragedy struck.

See, I’m a collector. When I find an author I can’t put down, I’ll search out all their works in first edition, and I’ve been a McMurtry fan since reading All My Friends are Going to be Strangers back in high school. I have them all, and went to find the next one. But I hadn’t put them order since we had the new bookcases put in. When the Bride and I bought this new house, we hired a craftsman to install my dream shelves that now groan under the weight of bound worlds.

Once the cabinetmake finished, and my librarian daughter quit climbing the ladder and rolling back and forth on the rail, and we simply unloaded all the books from the boxes, putting them only in author order, and I’ve never gone back and sorted them.

“Good lord!”

The Bride wandered into my office a few minutes later, unimpressed by my outburst. “What have you done now?”

“I’m missing a McMurtry.”

“Are you sure?”

I blinked at her for a long moment. “Of course I’m sure. I’m standing here on the ladder, looking at all the titles and In a Narrow Grave isn’t here.”

“You sure you had that one?”

“What’s with the interrogation? I remember all my books, and the day I picked that one up from a bargain bin long before we met. It was one of those little bookstores that just bought books and stacked them around.” I momentarily drifted away. “What a wonderful store.”

“Go buy another one.”

I shook my head “This was a first edition.”

“So?”

“The last one I saw was somewhere around eight hundred dollars.”

“Well, you need to find that one.”

We searched high and low. It wasn’t mis-shelved, or behind other books. It was simply gone. I might have lost it in one of the several moves over the years, but I swear I remember seeing it on the shelf in our previous house.

But then another lightning bolt struck as I put the remainder of McMurtry’s works in order. “Good lord!”

“Really?” She wandered back in. “What now?”

The Late Child and Somebody’s Darling are gone too!”

Que the mystery music. Dum, dum, dum.

As the camera moves in, we exchanged perplexed expressions, and then understanding dawned.

I felt faint and placed both palms against my cheeks. “Someone’s borrowed them!!!”

Her eyes widened. “Without asking!!!”

I’m sure the Bride would have taken to the fainting couch, if we had one.

“Hannah!” The name unconsciously slipped out.

The Bride shook her head at the mention of our youngest daughter’s best friend. I like to blame her for many incidents and accidents through the years from the time they were children, but the Bride yanked me back. “She’s off the hook. She doesn’t read.”

I struggled with her statement “Hannah asked me for a recommendation one time, when she was in middle school. I might have given her a book, and I doubt she ever brought it back. Maybe she likes odd numbers and took two more.”

“You wouldn’t have given her either one of those.”

“You’re right.” I struggled with the enormity of what we faced. Someone borrowed two prized possessions. Why didn’t they take the dog instead, or one of the girls? At least they would have wandered back home at some point.”

“Burglars,” I wondered aloud. “Maybe there’s some hot, black market for those two volumes.”

I don’t own a lending library. I’d learned my lesson decades earlier when I loaned my complete collection of William Jose Farmer’s World of Tiers series to a good friend who loved to read. We shared many fine hours talking books and authors, until he betrayed me. He finished those first editions and ––– gave them to someone else.

“I didn’t know you wanted them back,” he answered, perplexed when I asked for them back.

They’re as gone as the Library of Alexandria.

Today there’s only three people who are on the Loan List, and two of them have their own McMurtry collections. (I wonder if they completed those by borrowing mine…nah.)

Pouring two fingers of Buffalo Trace to settle my nerves and a great sense of loss, I resumed arranging my entire library, which took some time, leaving space on the shelf to replace those missing volumes.

Now the search begins to find quality first edition replacements. It will be a hard, bitter road, but the sense of anticipation, and then joy of discovery, is something to look forward to.

So if you’re considering a Christmas present for me, you now have an idea.

With that, Merry Christmas and Happy New Year to you all. Good luck to the writers, and happy reading to those who enjoy settling in with a good book.

Reader Friday-The Weirdness of Words

This is a post about weird.

I know, I know, there’s enough weird going around these days . . . but this weird is quite fun. Yeah, you guessed it–it’s about words, our favorite pastime here at TKZ. Specifically, about where words come from. (And I’m not talking cave walls…)

And with a nod to Garry’s fun post from yesterday, there are no Swedish words here. 🙂

I ran across this website that might just tickle your where-did-that-word-come-from fancy.

Weird Word Origins

I’m going to give you, voila!, three words whose origins are definitely over-the-top funny and unique. Here we go:

Just call me Wally…

WALRUS–The walrus is an undeniably funny-looking animal. It’s got a droopy, hangdog kind of face, grumpy-old-man whiskers, and two ludicrous-looking tusks. (No offense to any walruses who may be reading this.)

So, it seems fitting that walrus also has a funny origin story: it may literally mean “whale-horse.” Well, maybe.

Anyway, even if it’s not strictly true, the story goes that walrus comes from Dutch. Walvis means “whale” and ros means “horse.” Put it together and a walrus is a “whale-horse.” Which, if you look at this absurd animal, seems like a fitting name for it.

That wasn’t me!

 

FIZZLE–to make a hissing or sputtering sound, especially one that dies out weakly.” You know what the word originally meant? “To pass gas,” probably in that manner where you’re trying to stifle it. (Don’t pretend you don’t know what we mean.)

 

 

And, last but not least . . .

Look like anyone you know?

BONKERSBonkers is a funny-sounding word. It’s a humorous, softer, informal way to say “crazy” or “nuts.” Its origins aren’t clear, but bonkers is first recorded as British naval slang for “a bit drunk” in the 1940s—perhaps acting as if someone has bonked, or hit, them on the head.

So, TKZers, go ahead and find your own weird word origins, and maybe share them with us to make us snort in our cuppas!

 

IKEA for Writers

IKEA for writers? What could the international home furnishing chain possibly offer writers except for maybe an Utespelare desk, a Hattefjall chair, or a Roodflik lamp? Lots, it turns out, if you tap into the IKEA dictionary.

I think the quirky and almost unpronounceable (for an English-Canadian like me) names in the unofficial dictionary are a treasure trove of ideas for slipping foreign words here and there into your writing, whatever that may be; satire, mystery, humor, romance, fantasy/sci-fi, comedy, and even poetry.

What’s the IKEA dictionary you ask? Well, here’s the opening from the website Lar5.com/ikea/index/html:

Part of what makes IKEA unique is their product names. Each name means something, often in a funny or ambigious way. When IKEA went international, they decided to use the same Swedish names everywhere. This makes sense from an organizational sanity standpoint, but it deprives most of the world of this particular joy.

Until now!

IKEA product names fall into a few main groups.
 Proper Swedish words.
 Improper Swedish words. IKEA laughs at the ‘rules’ of human language!
 First names. Mostly Swedish, some Scandinavian, occasional exotic names.
Geographical names. Swedish, Danish, Norwegian or Finnish. Yes, there are patterns. Here is a map of all 320 places
 A few names that defy categorization.
? Mystery names I haven’t figured out… Currently 130 out of 1362 names.

We’ll have some Sveedish fun with IKEA names in a moment and maybe build a 25-piece junk drawer starter set using only surplus IKEA specialized fasteners and their unique tools. First, let’s look at who this IKEA guy is.

IKEA is huge. There are 470 stores worldwide, employing 219,000 people, and having a 2023 income of over 51 billion USD. They are privately held so no market cap figure is known—possibly five times gross revenue. Maybe 250 billion?

Ingvar Kamprad founded IKEA in 1943. He had a one-person business in Smaland, Sweden where he personally built practical and affordable home furnishings. As Kamprad grew and franchised his business, he retained control of the designs and the product names. It appears Kamprad had a good sense of humor. How about these IKEA product names:

Fartfull — Means “speedy” in Swedish and it’s a children’s workbench.

Jerker— Means nothing but it’s tagged on a line of desks.

Knappa — Means “button” and it’s fitting for a cardboard camera.

Duktig — Means “clever” and it’s appropriate for creative toys.

Hassleklocka — Means “witch hazel” and belongs on a floral duvet cover.

Let’s page through the IKEA dictionary and build some interesting combinations of nouns, verbs, adjectives, and adverbs. How about this tray of Swedish meatballs?

Hessum. Agnaryd, Charmor. Ekarp. As in, “He was a hessum agnaryd with a charmor ekarp.”

Jubilar. Magasin. Orrlott. Ringum. As in, “She was always a jubilar magasin devoid of orlott ringum.”

Skribent. Ung. Vistofta. Pax. As in. “They are nothing more than skribent ung passing off as vistofa pax.”

You get the bild. (That’s Swedish for “picture”.) And if you’re wondering what IKEA means in Swedish. I dug this up:

IKEA is an acronym that stands for “Ingvar Kamprad Elmtaryd Agunnaryd.” The name comes from the founder of the company, Ingvar Kamprad, who started IKEA in Sweden in 1943. “Elmtaryd” refers to the farm where he grew up, and “Agunnaryd” is the name of his hometown in Småland, southern Sweden. The name reflects the company’s roots in the Swedish countryside.

Kill Zoners — Plunge into the IKEA dictionary, haul out some words, and make a sentence. Go ahead and be kreativ.

Character Based Transitions

Character Based Transitions
Terry Odell

dog in the snow with Happy Holidays textAs this is my last post here before TKZ takes its annual holiday break, I’d like to wish everyone my best wishes for a happy holiday season, no matter what you celebrate. And if you don’t celebrate any holidays in December, I wish you a happy month.

Travel played a big part in my 2024, with two big international trips—one to New Zealand, and another to the Faroe Islands. I’m currently working on a book set against some of the places we saw in the Faroes. I’ve mentioned it before. Writing a book set in a place you’ve been turns in into a research trip. Read tax write off.

My Danube Christmas Market book, Double Intrigue, is a stand alone, but when it came to figuring out the bones of a story focused in the Faroes, it seemed more suited to another Blackthorne, Inc. book. Keeping within that series genre, it would have to be a romantic suspense. And, like in Cruising Undercover, it wasn’t going to be a covert ops book, but rather the protagonist would be working in Blackthorne’s Security and Investigations department. I’m too burned out on war and violence to write about it. And, because “romantic suspense” would be in the subtitle, I was going to need a second protagonist in order to meet the expectations of romance readers.

Have I ever mentioned the challenges of writing a romantic suspense? It’s really three books in one. There’s the ‘suspense/mystery’ story, as well as the romance story, which requires character arcs for both the hero and heroine. (Or hero/hero or heroine/heroine, but I haven’t written one of those yet.)

hands of runners handing off a relay race batonMy normal style is to alternate chapters between my POV characters. Which brings me to transitions.

JSB recently wrote that he used a jump cut and Drop Caps to alert the reader to a new scene. I’m old school and use chapters. I used to include both POV scenes in my chapters, but my editor told me that since readers want short chapters these days, to make each POV scene its own chapter.

I recently read a book by a Big Name Author who told the story from the points of view of two protagonists. Not a romance by any stretch. The two characters were working toward a common goal, often going their separate ways. It was a great book, don’t get me wrong, but the author never made it clear (to me, anyway) at the start of each chapter, who the POV character was. It created ‘out of the story’ moments. Now, if I’d been a more astute reader, I might have realized that one protagonist was written in 1st person, and the other was written in third, but that took a lot of time to figure out.

My approach when I’m writing is to make darn sure that every chapter starts out with showing who/where/when/and a POV “flag” to ground my readers. Troubling as it may be to authors, readers might have put the book down, gone to work, come home to a family crisis, or any other interruption and they might not get back to the book for several days. Or, they’re like me, and they just plain forget.

In the current wip, not only do I have 2 POV characters, but they don’t get together on the page until Chapter 14. Until then, they’re in different countries, and their timelines aren’t the same. Not because of time zone issues. One’s several weeks ahead of the other.

I ended up writing each character’s chapters separately, and then weaving them together. Sort of like JSB’s Shadow Stories, because I needed to know what each of them was doing in their own timeline even though they hadn’t met yet, but these stories were on the page, not in my notes. That wasn’t my normal process, and created its own challenges when it came time to weave them together.

If you’re alternating POV characters, and they’re not together, the last sentence of the previous paragraph might not lead into the first one of the next.

Every chapter needs to ground the reader. Who’s the POV character? Where are they? When is it? What are they doing?

I prefer to get this information right up front. Definitely within the first few paragraphs.

The “who” I want in the first paragraph if at all possible.

Things to consider:

  • Use the character’s name.
  • Show them doing something.
  • Show a thought or something only they would know—the POV “flag”.

The vibration of Logan Bolt’s cell phone gave him a welcome excuse for a break from his run.

We have his name: Logan Bolt. He’s running. He’s glad for the interruption, and only he knows this. (flag”)

Or this:

Maddie busied herself with kitchen tasks, trying not to think that Logan might not have been completely honest.

We know the POV character is Maddie. She’s working in the kitchen. Only she will know what she’s thinking. (”flag”)

Doesn’t take much, but you’re grounding your reader.

I did a post a while back dedicated solely to different kinds of transitions, so if you want more, you can find it here.

How do you handle transitions? Tips and Peeves welcome.

And again, Happy Holidays. See you in January.


New! Find me at Substack with Writings and Wanderings

Double Intrigue
When your dream assignment turns into more than you bargained for
Cover of Double Intrigue, an International Romantic Suspense by Terry Odell Shalah Kennedy has dreams of becoming a senior travel advisor—one who actually gets to travel. Her big break comes when the agency’s “Golden Girl” is hospitalized and Shalah is sent on a Danube River cruise in her place. She’s the only advisor in the agency with a knowledge of photography, and she’s determined to get stunning images for the agency’s website.
Aleksy Jakes wants out. He’s been working for an unscrupulous taskmaster in Prague, and he’s had enough. When he spots one of his coworkers in a Prague hotel restaurant, he’s shocked to discover she’s not who he thought she was.
As Shalah and Aleksy cruise along the Danube, the simple excursion soon becomes an adventure neither of them imagined.

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Terry Odell is an award-winning author of Mystery and Romantic Suspense, although she prefers to think of them all as “Mysteries with Relationships.”