Author Archives: Kay DiBianca

About Kay DiBianca

Kay DiBianca is a former software developer and IT manager who retired to a life of mystery. She’s the award-winning author of three mystery series: The Watch Series, the Lady Pilot-in-Command Series, and the Reen & Joanie Detective Agency Middle Grade Series. She's decided three series may be enough to keep her busy for a while. Connect with Kay on her website at https://kaydibianca.com.

Running and Writing
  and the Marathon

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Come what may, all bad fortune is to be conquered by endurance.  –Virgil

* * *

Writing a novel is often compared to running a marathon, and my experience dealing with the unexpected in the London Marathon in April 2010 was a good rehearsal for my later efforts in writing.

I’ve never been a good marathon runner. I’m better suited for the half-marathon. But in 2009, having completed three marathons (San Antonio, Vancouver, and Toronto), I decided I’d go for just one more. And I wanted to run one of the big marathons for that once-in-a-lifetime experience.

I told my husband I’d like to celebrate our anniversary in 2010 with a trip to the UK where I would run the London Marathon in honor of our marriage. Then we could spend a week or so vacationing. Frank was supportive, and for some unknown reason, I was convinced everything would go my way.

Hmm.

The major marathons are so popular that they can’t admit everyone who wants to enter. If you’re a very good runner and can meet the qualifying time for your age group, you’ll be entered. But if you’re like most runners (me, for instance) and can’t meet the qualifying time, they’ll put your name into a lottery and it’s just a matter of chance.

So when they opened the online registration in April 2009, I jumped in and registered along with 150,000 other runners. Although only about a quarter of those would get places, I was ridiculously confident. Around October, I received an email from the London Marathon notifying me that I wasn’t chosen. Rats.

But they held out another possibility. I could run for a charity. “That’s even better,” I thought. I could do a good deed as well as run the marathon. So I applied to several of the charities that I thought I’d like to support, and a few weeks later, one of them called. With about four months to go, I had cleared the first hurdle. I was in the race.

I was sure that from then on everything would be smooth sailing. (You can smile now.)

My running buddies at work were all excited that I was going to run the London, and that made me even more determined to do well. When they asked what kind of time I was planning on, I spouted off a near-impossible-for-me number. But if everything went perfectly, maybe I could make it.

Everything did not go perfectly.

  • Our treadmill, on which I was doing almost half of my training, broke. We needed a new one anyway, so we bought a bigger, better model. A few days of training lost.
  • I injured my knee in a tempo run. A couple of weeks of training lost.

I had stumbled over those first hurdles, but my excitement continued to ramp up as the days ticked closer to the race. Since I suffer from jetlag on international trips, we planned to fly to London six days prior to the marathon to allow my body to adjust to the time change before the race. But then…disaster.

  • A few days before our scheduled departure, I woke up to the news that a volcano in Iceland had erupted, volcanic ash was drifting over western Europe, and airports were closing. Heathrow was one of them. Our flight was cancelled.

You can overcome a lot of obstacles. But a volcano? Time to throw in the towel.

But then the winds shifted, and airports reopened. We managed to get on a flight that put us in London in the early morning hours of Friday before Sunday’s race day. Okay, so my jetlag would be a problem, but the excitement of the race would probably overcome that. (Are you laughing yet?)

I dragged myself out of bed on race day after just a few hours of sleep to discover there were more obstacles: the weather was warm (not good) and it was drizzling rain (super not good). Frank and I agreed on where we’d meet after the race, and he walked me to the starting area to join the other thirty-seven thousand people who had paid perfectly good money to punish their bodies for 26.2 miles.

But at least I had made it to the starting line. Now all I had to do was finish.

The London Marathon is unique. It’s a big party, and many of the marathoners wear costumes. One guy was dressed in a full suit of armor and someone else was carrying a huge replica of the Angel of the North sculpture on his back.

As time ticked down to the start, you could feel the buzz in the air. After an entire year of waiting, hoping, training, and planning, the starter’s pistol fired, and we were off.

I wish I could say everything went well.

  • For the first time ever, my GPS watch malfunctioned. Bad omen.
  • Another first: I got a side stitch. At least now I can describe in a book what it feels like to be stabbed just below the ribs.
  • As the miles went on, fatigue set in, and I realized I was getting a blister on one of my heels.
  • By the time I got to the eighteen-mile mark, I was starving. I guess the time change had messed up my body clock. Honestly, if I had seen a child holding a sandwich by the side of the course, I probably would have snatched it out of the kid’s hand and run away before anyone could catch me. But there were no sandwiches, my back and foot hurt, and I was run-walking so slow that I knew I was going to turn in a terrible time.

* * *

That’s when I had THE THOUGHT. I could quit. I could just step off the course, find a volunteer to give me a cart-ride to the finish, and it would be over. I wouldn’t suffer the embarrassment of a poor showing. I’d just tell everybody I was injured and couldn’t finish. I could bandage my foot and take an Advil and eat a steak dinner and forget this stupid marathon. The whole thing was wrong from the start. Why hadn’t I seen that? Why did I have to be so stubborn when there were just too many problems to overcome?

That little exercise in self-pity and frustration got me through the next mile or two. Then I had the SECOND THOUGHT. I would cross the finish line even if I had to crawl. Even if I was the last person across. Even if they had taken down the banners and all the volunteers had gone home and I didn’t get a medal or a T-shirt. Even if my feet were bleeding so profusely that I was leaving a trail of blood behind me on the course. (Self-martyrdom can be useful in certain situations.)

And I knew no matter how long it took, Frank would be waiting for me, and I knew exactly what he’d say when he saw me. After all, this was the race to honor our marriage, not to show off my great (ha!) running talent.

Those reflections got me through another mile or two, and then I was within just a few miles of the finish, so it didn’t make sense to quit.

I crossed the finish line. I didn’t crawl, and I wasn’t the last person in the race. There were still a couple of thousand people behind me, including angel sculpture man and the guy in the suit of armor. A volunteer hung a medal around my neck and someone else handed me a T-shirt that said “LonDONE 25.04.10.” Then I walked into the meeting area and saw Frank waving. As I limped toward him with my hair frizzy from the rain and my clothes damp with sweat, he jogged over and put his arm around me. “Great race, honey.”

* * *

So yeah. Writing a novel, especially a first one, is a lot like running a marathon. You start out with all this enthusiasm and confidence, but then things get hard, much harder than you thought. There are unexpected challenges, and it’s discouraging when agents and publishers don’t immediately see your genius and rush to sign you to a life-long contract.

That’s when many people give up. They hit the wall and decide it’s not worth all the pain and disappointment. According to selfpublishingus.com, only about 3% of people who start writing a book actually finish it. And of those, even fewer have their book published. But for those of us who stay in the race, there’s a satisfaction of accomplishment few have known.

I learned some lessons from the London Marathon that I believe apply to my writing.

  • Life (and running and writing) is more about what you put into it than what you get out.
  • It’s more about fighting the good fight than winning.
  • It’s more about the journey than the destination.
  • You value what you earn more than what someone gives you.

And in the long run (pun intended), whether it’s running or writing or living, endurance is more important than talent.

* * *

 

This has been a very long TKZ blog post, and if you made it to the end, you deserve a medal. Maybe you should consider running a marathon.

 

 

* * *

So TKZers: Have you ever run a marathon?
Have you faced obstacles when writing your books?
How do you deal with the setbacks?

* * *

 

Kathryn Frasier is training for her first marathon, but murderers keep getting in her way.

Run with Kathryn in The Watch Mysteries. The ebook boxset is on sale at  Amazon, Barnes & Noble, Kobo, Google Play, or Apple Books.

Clarity in Writing

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“Having knowledge but lacking the power to express it clearly is no better than never having any ideas at all.” –Pericles

* * *

I recently had cataract surgery on my right eye. The left eye gets its turn later this week. Prior to the surgery, I was accustomed to viewing objects with a slight blur to them, and that’s not bad when you’re looking at the world in general. As a matter of fact, maybe it’s preferable. But it wasn’t a great method for reading, and the font size on my iPad was getting close to max, so I finally agreed to undergo the procedure. Within a couple of hours after the operation, the world suddenly came into perfect focus, and I could see details I had been missing for years.

All this made me think about writing. No surprise there, but it’s not about seeing the words on the page, but rather seeing the story you want to tell. That kind of sight is what every author aspires to, and one way to obtain it is to understand the theme of your book.

* * *

In his book Story Engineering, Larry Brooks writes

“Not to be confused with concept, theme is what your story is illuminating about real life.”

I like that “illuminating about real life.” Theme is the fundamental message you want your readers to get. It’s the lens through which they will view your story and understand the deeper meaning within it.  And when that happens, the reader will walk away with a memorable experience.

But how do you choose a theme?

* * *

“To produce a mighty book, you must choose a mighty theme.” —Herman Melville

* * *

Writers.com lists some of the common themes in literature. These include

Coming of Age
Faith vs Doubt
Family
Fate vs Free Will
Good vs Evil
Hubris
Justice
Man vs Nature
Man vs Self
Man vs Society
Power and Corruption
Pursuit of Love
Revenge
Survival
War

A few of the novels mentioned on the writers.com site were Jane Eyre (Coming of Age) by Charlotte Bronte, The Iliad (Hubris) by Homer, To Kill a Mockingbird (Justice) by Harper Lee, and 1984: A Novel (Man vs Society) by George Orwell.

They didn’t mention All Quiet on the Western Front by Erich Maria Remarque, but that is the book I would choose for its powerful theme of War.

* * *

Some authors decide on a theme before starting a new work. Others may work on their novel for a while before seeing the theme take shape. In any case, having an underlying theme for the story leaves the reader with something more than a good reading experience. It’s a message to carry with them beyond The End.

As a mystery writer, the theme for my books is always that truth will be found and justice will be served. But my last novel, Lacey’s Star, took it one step further. It was based on the theme that finding the truth may depend on who you decide to trust.

My stories also reference the importance of faith and family and emphasize the need for endurance. “Never give up” is an underlying message in every book.

* * *

So TKZers: Do you identify a theme for your books before you start writing? Or do you “discover” the theme as you go along? What themes have you used in your books? What memorable themes have you taken away from books you read?

* * *

 

“The truth is bitter, but with all its bitterness, it is better than illusion.” –Ahad Ha’Am

2024 Eric Hoffer Grand Prize Award Finalist
2024 Eric Hoffer Mystery/Crime Award Honorable Mention

Available at  Amazon, Barnes & Noble, Kobo, Google Play, or Apple Books.

Clerihew, Haiku, and You

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A word fitly spoken
    is like apples of gold in a setting of silver.

–Proverbs 25:11

* * *

A few months ago, James Scott Bell posted Micro Fiction for Your Writer’s Brain on TKZ. It was about writing fiction that was less than 500 words long. (I’ll wait while you go back and review.)

That post gave me an idea for writing about even shorter form fiction, and I came across a few types that are both fun and challenging.

The Clerihew

The clerihew is a form of poetry that was invented by E.C. Bentley, the author of Trent’s Last Case and other novels. Bentley’s full name happens to be Edmund Clerihew Bentley. I guess when you have a middle name like Clerihew, you may as well come up with some clever and inventive use of it.

Here’s the definition of clerihew from Wikipedia:

A clerihew (ˈklɛrɪhjuː) is a whimsical, four-line biographical poem of a type invented by Edmund Clerihew Bentley. The first line is the name of the poem’s subject, usually a famous person, and the remainder puts the subject in an absurd light or reveals something unknown or spurious about the subject. The rhyme scheme is AABB, and the rhymes are often forced. The line length and metre are irregular. Bentley invented the clerihew in school and then popularized it in books.

Here are a couple of examples:

Sir Humphry Davy
Abominated gravy.
He lived in the odium
Of having discovered sodium.

Did Descartes
Depart
With the thought
“Therefore I’m not”?

Here’s my humble attempt:

Albert Einstein
Had a very great mind
While in his prime
He relativized time

* * *

The Haiku

Back in 2021, Steve Hooley and his sister, Joyce, wrote a wonderful TKZ post on haiku poetry.

Dictionary.com defines haiku as

a major form of Japanese verse, written in 17 syllables divided into 3 lines of 5, 7, and 5 syllables, and employing highly evocative allusions and comparisons, often on the subject of nature or one of the seasons.

Here are a couple of rather famous ones:

“A Caterpillar” by Matsuo Basho

A caterpillar,
This deep in fall –
Still not a butterfly.

 

“A Poppy Blooms” by Katsushika Hokusai

I write, erase, rewrite
Erase again, and then
A poppy blooms.

 

And another one by me:

Azalea blossoms
Pink, but ragged on the edge
Tomorrow’s lovers

* * *

The Limerick

Here’s what Britannica.com has to say about this poetic form:

Limerick, a popular form of short, humorous verse that is often nonsensical and frequently ribald. It consists of five lines, rhyming aabba, and the dominant metre is anapestic, with two metrical feet in the third and fourth lines and three feet in the others. The origin of the limerick is unknown, but it has been suggested that the name derives from the chorus of an 18th-century Irish soldiers’ song, “Will You Come Up to Limerick?” To this were added impromptu verses crowded with improbable incident and subtle innuendo.

 

Here’s a non-ribald example.

A tutor who taught on the flute
Tried to teach two tooters to toot.
Said the two to the tutor,
“Is it harder to toot, or
To tutor two tooters to toot?”

Personally, I love limericks. I occasionally compose one in honor of politicians or other strange creatures.  😎 I won’t share any of those, but here’s one I made up just for today:

My computer decided to die
Just as the deadline drew nigh
When the publisher screamed
I knew I was creamed
So I kissed my contract good-bye

* * *

So TKZers: What do you think about these poetic short forms? Pick one or two (or all three) and astound us by entering your work in the comments. Include something in your poem about one of your books if you’re so inclined.

* * *

There once was a pilot named Cassie
An intrepid sleuth was this lassie
She flew into danger,
But it didn’t change her
And she found the murderer fastly.

A 2024 Eric Hoffer Grand Prize Award Finalist

Buy on Amazon, Barnes & Noble, Kobo, Google Play, or Apple Books.

Book Clubs

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“There is more treasure in books than in all the pirate’s loot on Treasure Island.” –Walt Disney

* * *

I love the book club I belong to. With a diverse group of women from different backgrounds and experiences, we have robust discussions about the books we read and the lives we lead. Although people come and go, we’ve maintained about twelve members consistently. Since we meet monthly, each person is responsible for hosting the club once a year, and the host chooses the book to be read. This is a wonderful arrangement because we read books I probably wouldn’t have chosen otherwise.

* * *

Book clubs have been around for hundreds of years. One of the earliest was a religious discussion group organized by Anne Hutchinson aboard a Puritan ship in 1634 as it sailed to America. According to minnpost.com, the interest in reading groups, lectures, and debates grew over the centuries as the new country developed.

In 1926 Harry Scherman founded the Book-of-the-Month Club, a subscription-based club that offered a selection of several books to its members each month Some of the books selected for distribution by its panel of judges were Margaret Mitchell’s Gone With the Wind, John Steinbeck’s Of Mice and Men, and J.D. Salinger’s The Catcher in the Rye. According to encyclopedia.com, the BOTM club has distributed over 570 million books to its members in the U.S. since its inception.

Other 20th century book-related ventures were the Literary Guild founded in 1927 and the publication of The Great Books of the Western World in 1952.

In 1996, Oprah Winfrey started her own book club, and that began a new era. Online book clubs sprang up in the early 21st century, and they became essential meeting places during the Covid pandemic. Today it’s estimated there are more than five million book club members in the United States!

* * *

Here are recent reading lists from several book clubs.

The Book-of-the-Month Club

Let Us Descend by Jesmyn Ward
Wellness by Nathan Hill
Age of Vice by Deepti Kapoor
Banyan Moon by Thao Thai
Family Lore by Elizabeth Acevedo
The Unsettled by Ayana Mathis
Paper Names by Susie Luo
Happiness Falls by Angie Kim
The Half Moon: A Novel by Mary Beth Keane
Tomb Sweeping: Stories by Alexandra Chang

Oprah Winfrey’s Book Club

The Many Lives of Mama Love by Lara Love Hardin
Bittersweet by Susan Cain
Hello Beautiful by Ann Napolitano
The Covenant of Water by Abraham Verghese
Let Us Descend by Jesmyn Ward
Wellness by Nathan Hill

Reese Witherspoon’s Book Club

The Nightingale by Kristin Hannah
The House in the Pines by Ana Reyes
The House of Eve by Sadeqa Johnson
Romantic Comedy by Curtis Sittenfeld
Did You Hear About Kitty Karr? by Crystal Smith Paul
Cassandra in Reverse by Holly Smale
Yellowface by R.F. Kuang
Before We Were Innocent by Ella Berman
Starling House by Alix E. Harrow
Mother-Daughter Murder Night by Nina Simon
Maybe Next Time by Cesca Major
Tom Lake by Ann Patchett

 

The Cherryhill Book Club

The All of It by Jeannette Haien
The No 1 Ladies Detective Agency by Alexander McCall Smith
West With Giraffes by Lynda Rutledge
The Daughter of Time by Josephine Tey
South to America by Imani Perry
Memphis by Tara Stringfellow
River Sing Me Home by Eleanor Shearer
Crocodile on the Sandbank by Elizabeth Peters
Horse by Geraldine Brooks
The Diamond Eye by Kate Quinn
The Secret Life of Sunflowers by Marta Molnar

* * *

So TKZers: Do you belong to a book club? Have you been invited to discuss one of your books at a book club? Have you read any of the books on the lists in this post? What book(s) (other than by a TKZ author) would you recommend to be read by a book club?

* * *

Private pilot Cassie Deakin lands in the middle of a mystery and finds herself in the crosshairs of a murderer.

ebook on sale for 99¢ at: Amazon, Barnes & Noble, Kobo, Google Play, or Apple Books.

 

The Art of Darkness

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“Creativity – like human life itself – begins in darkness.” –Julia Cameron

* * *

April 8, 2024  The date of the great eclipse when a wide swath of the United States will be darkened as the sun and moon perform a heavenly pas de deux.

Memphis will see only a 98% covering, so my husband and I plan to travel with some friends to Arkansas to experience the full beauty of the show.

This will not be the first time we’ve observed a total eclipse. Way back in 1970, there was a total eclipse in my hometown of Savannah, Ga. I remember the experience well, but not for the reason you may think.

Unfortunately, the day was cloudy, but as the moon moved between the Earth and the sun, the clouds would occasionally break and give us a series of snapshots of the phenomenon. When the moment of totality arrived, the clouds once again opened, and we saw the black disk, then the bright flash of light as the moon moved on to continue its course. But that still wasn’t what astonished me.

It was the darkness.

Standing on the front lawn of my parents’ home, I looked down the street and saw a wall of black shadow racing toward us. It wasn’t like a cloud that covered the sun. It was a dark, menacing presence, rushing forward to devour the light in its path until it overtook us, and suddenly all was night.

Even though we understood what was happening, I had a sense of primordial awe that I have never forgotten.

* * *

Authors of mystery, suspense, and thrillers are well acquainted with darkness. It’s a symbol of the unknown, and that usually means fear, anxiety, loneliness, or panic will grip the main character and get the reader’s heart pumping a little harder.

“All great and beautiful work has come of first gazing without shrinking into the darkness.” –John Ruskin

A character walks out into a black night and senses a presence that he can’t see, or comes face-to-face with his own demons in the dark night of the soul when all appears lost. That heart-stopping look into the abyss rivets the attention and keeps the reader turning pages.

Here are a few examples.

 

* * *

We probably all studied Edgar Allen Poe’s The Raven in high school. Fear and doubt consume the poet as he contemplates his own loneliness late at night. Then he hears a sound and thinks it’s a visitor knocking. He opens the door and sees … nothing.

 

“Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before.”

 

The murky setting on the moors gave Arthur Conan Doyle’s The Hound of the Baskervilles a sense of mystery and foreboding. 

“As if in answer to his words there rose suddenly out of the vast gloom of the moor that strange cry which I had already heard upon the borders of the great Grimpen Mire. It came with the wind through the silence of the night, a long, deep mutter, then a rising howl, and then the sad moan in which it died away. Again and again it sounded, the whole air throbbing with it, strident, wild, and menacing. The baronet caught my sleeve and his face glimmered white through the darkness. ‘My God, what’s that, Watson?’”

 

A sense of impending doom in Dean Koontz’s Midnight builds as a woman goes for a run on the beach in the middle of the night.

“Suddenly, as she was passing a pair of forty-foot, twisted cypresses that had grown in the middle of the beach, halfway between the hills and the waterline, Janice was sure she was not alone in the night and fog. She saw no movement, and she was unaware of any sound other than her own footsteps, raspy breathing, and thudding heartbeat; only instinct told her that she had company.”

 

Last week Kris introduced us to the Edgar finalists in her post. The first sentence of All the Sinners Bleed by S.A. Cosby hints of a violent past returning to haunt a small town.

“Charon County was founded in bloodshed and darkness.”

* * *

 

So, TKZers, there you have it. The Art of Darkness. How do you represent darkness in your books? Do you have any examples from the works of others that illustrate either physical or metaphorical darkness? Have you ever seen a total eclipse of the sun?

* * *

I don’t know how much access I’ll have to TKZ during the day, but I’ll respond to comments whenever I can.

 

“Character, like a photograph, develops in  darkness.” –Yousuf Karsh

Private pilot Cassie Deakin has a lot of opportunity to develop character while she hunts a killer.

Buy on Amazon, Barnes & Noble, Kobo, Google Play, or Apple Books.

Investigating Agatha Christie

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I specialize in murders of quiet, domestic interest. –Agatha Christie

* * *

Agatha Christie is the best-selling novelist of all time. Her sales are exceeded only by the Bible and the works of Shakespeare.  According to her website at agathachristie.com, “She is best known for her 66 detective novels and 14 short story collections, as well as the world’s longest-running play – The Mousetrap. “

Agatha Christie’s books have sold over two billion copies worldwide!

Given Ms. Christie’s extraordinary success, it might be a good idea to see if we can discover some of her secrets.

* * *

A few years ago, I watched a documentary entitled “The Agatha Christie Code” (available on Youtube)  in which researchers examined various aspects of Christie’s writing. These researchers included

Dr. Richard Forsyth, Research Fellow in Applied Linguistics at the University of Warwick

Dr. Pernilla Danielsson, Academic Champion of Communications at the University of Birmingham

Dr. Marcus Dahl, Research Fellow at the School of Advanced Study – London University

They used computer technology to analyze Christie’s work, and they found interesting patterns in her stories that may give us a clue as to why she’s so popular.

Word Choices

Christie used simple language in her books, so readers were free to focus on the plot rather than the language. For example, the researchers found she used “said” often in an attribution rather than other words like “responded” or “answered.”

Christie also often repeated words within a short section of prose – something I’ve been warned against. Here’s an example from the novel Sad Cypress that was used in the video. (My notations in red.)

The researchers thought the repetition cemented the information in the reader’s mind. My editor would probably faint if I sent something like that to her, but maybe we should rethink the multiple uses of a word in a short section of prose.

Verbal Structure

The most interesting part of the video for me was when one of the researchers evaluated Christie’s works on the three criteria of

  •             Word length
  •             Word frequency
  •             Sentence structure

Dr. Danielsson plotted information about these aspects on a three-dimensional graph and plotted the same criteria from Arthur Conan Doyle’s works on the same graph. Christie’s books exhibited a consistency shown visually by her plotted points being clustered together while the points of Doyle’s stories were spread farther apart indicating his works were more dissimilar when compared to each other. This indicated that Doyle’s style had changed through the years while Christie’s had remained remarkably consistent.

Plot

Christie’s mysteries almost always create a world where

  •             There is a dead body
  •             A closed group of suspects are introduced
  •             A detective (either professional or amateur) is a character
  •             Red herrings are spread throughout
  •             There is a denouement scene where the detective identifies the murderer and brings closure to the story.

Some critics claim Christie wrote the same story over and over, but that’s not fair. For example, The Murder of Roger Ackroyd, Murder on the Orient Express, and And Then There Were None introduced novel twists to the standard murder mystery although they used a typical Christie template.

However, this general structure reassures the reader that there will be a logical puzzle that will be solved in the end, and that contributes to the sense of satisfaction.

Characters

While some famous characters appear in multiple books and are popular with the reading public (e.g., Hercule Poirot, Miss Marple, Captain Hastings), the number of characters in each novel may be just as important. This prompted an interesting theory by David Shephard, Master trainer in Neuro-Linguistic Programming.

Mr. Shephard pointed out that people have a limited focus and a conscious mind can only concentrate on five to nine things at a time. When presented with more information than that, a person will enter a sort of hypnotic trance.

Since Christie’s stories often have more than nine characters and several plot lines, Shephard thinks the reader’s mind can’t handle the overload of information, so he/she begins to “feel” the book rather than just think about it. This emotional connection makes readers want to return to Agatha Christie’s books again and again.

I’m not sure I can buy that explanation, but it’s very interesting and makes me think I should count the characters in my future books to see if I can put my readers into a trance.

Content & Style

As we all know, Agatha Christie’s mysteries contain no explicit sexual scenes and no explicit violence. So why do so many readers still buy her novels? Readers of Christie’s books know there will be a logical solution to the murder, the killer will be caught, and the clues are all available to solve the mystery.

David Suchet, who played the part of Hercule Poirot in the television series Agatha Christie’s Poirot, compared Christie’s books to sudoku puzzles. He believes readers enjoy the books because they’re completely absorbed in figuring out the solution to the puzzle.

Length

Although I found a site with the number of pages in each of Agatha Christie’s novels, I only found a reference to the word count on https://thewritepractice.com/word-count/. That site had an article that states Agatha Christie’s mystery novels average between 40,000 and 60,000 words. That’s a little short for most novels today, but it could explain why people found them easy to read.

 

Pacing

Agatha Christie controlled the speed at which her books were read by laying out more descriptive passages at the beginning, but picking up the pace of the story as it progressed. Hypnotist Paul McKenna had an interesting take on this. He felt her particular pattern of writing caused certain brain chemicals to be released, resulting in a sort of addiction in the readers. This theory goes a little beyond my pay grade, but I do think picking up the pace is a technique that works well in mystery writing.

* * *

So there you have it. While I’m sure there are other reasons for her success, these aspects of Agatha Christie’s writing are worth considering.

* * *

So TKZers: Have you read many of Agatha Christie’s books? Why do you think they’re so popular? Have you viewed “The Agatha Christie Code” video?  Is there anything you think we can glean from the data in this post that will help with our own writing?

* * *

 

“Very few of us are what we seem.” –Agatha Christie

Private pilot Cassie Deakin lands in the middle of a mystery and discovers things are not always what they seem.

Buy on Amazon, Barnes & Noble, Kobo, Google Play, or Apple Books.

Sleep: Embracing Your Inner Koala

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“Happiness consists of getting enough sleep. Just that, nothing more.” –Robert A. Heinlein, Starship Troopers

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Koala bears are the experts when it comes to sleep. An adult koala averages about twenty hours of sleep each day! To those of us who are trying to pack as much writing, marketing, networking, and everything else into a 24-hour time period, that seems a little excessive..

So why do those cute, furry critters need so much sleep? Koalas exist primarily on a diet of toxic eucalyptus leaves, and it takes a lot of energy for their digestive systems to break down the leaves which turn out to be low in nutrients to begin with. Bottom line: koala bears get the amount of sleep they need to support their lifestyle.

So how does that apply to humans?

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“A good laugh and a long sleep are the best cures in the doctor’s book.” –Irish Proverb

We all know that a good night’s sleep is essential for good health. Good sleeping habits help us maintain a healthy weight, lower stress levels, repair body tissue, and give us an overall sense of well-being. According to sleepfoundation.org, sleep is also conducive to mental acuity.

Sleep is believed to help with memory and cognitive thinking. Brain plasticity theory, a major theory on why humans sleep, posits that sleep is necessary so the brain can grow, reorganize, restructure, and make new neural connections. These connections in the brain help individuals learn new information and form memories during sleep. In other words, a good night’s sleep can lead to better problem-solving and decision-making skills.

Better sleep means better thinking, but how about creativity?

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“Man is a genius when he is dreaming.” –Akira Kurosawa, Japanese Film Director

It turns out creativity and sleep are related.

Scientists generally divide sleep into two categories: Non-rapid eye movement (Non-REM) sleep and Rapid Eye Movement (REM) sleep.

Ideatovalue.com posted an article that compared the two categories and examined their effects on creativity.

  • Non-REM sleep is where information we engaged with during the day is processed and formed into memories

  • REM sleep is where those new memories are compared and integrated into all of the previous knowledge and memories we have. This is also usually when we dream. This may form new novel associations between distant pieces of information, a vital component for new ideas

The article concludes:

This would imply that REM sleep is important for not only our ability to associate new ideas and solve existing problems, but also form new original and divergently creative ideas.

Okay. We need a good night’s sleep to perform at our best, but how do we get it?

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“A well-spent day brings happy sleep.” –Leonardo da Vinci

How much sleep do we need to maximize creativity? The National institutes of Health recommends adults get seven to nine hours of sleep a night. And how can you ensure a good night’s sleep? The Centers for Disease Control and Prevention recommend

  • Be consistent. Go to bed at the same time each night and get up at the same time each morning, including on the weekends

  • Make sure your bedroom is quiet, dark, relaxing, and at a comfortable temperature

  • Remove electronic devices, such as TVs, computers, and smart phones, from the bedroom

  • Avoid large meals, caffeine, and alcohol before bedtime

  • Get some exercise. Being physically active during the day can help you fall asleep more easily at night.

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So TKZers: Have you noticed a connection between sleep and creativity? How much sleep do you get each night? Do you remember your dreams and use them in your stories? Have you recovered from losing an hour of sleep to Daylight Savings Time?

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Private pilot Cassie Deakin lands in the middle of a nightmare when she finds her beloved Uncle Charlie has been assaulted by thieves. Then things get worse.

Buy on Amazon, Barnes & Noble, Kobo, Google Play, or Apple Books.

 

The Meaning of Success

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Dictionary.com defines success as

  1. the favorable or prosperous termination of attempts or endeavors; the accomplishment of one’s goals.
  2. the attainment of wealth, position, honors, or the like.

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There are many opportunities for success in life. Winning a race, getting the lead role in a play, graduating from college, etc. But how do we define success in writing? I can imagine a list of possibilities: publishing that first book, securing an agent, receiving an award. But every time one goal is met, another rises up to take its place. I was having a hard time understanding exactly how to define success in my own writing, so I sought wisdom from that most knowledgeable of twenty-first-century oracles: the internet.

People who are famous must be successful, right? So they would be the logical ones to provide us with clues into what it was that helped them attain their status. I began my quest at medium.com and brainyquote.com, and I roamed around in their quote galleries, moving from room to room looking for the perfect definition of success. I found an enormous variety of ideas, and I’ve listed some of the quotes below for your enjoyment. I’ve also provided an occasional thought or two of my own in bold.

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I started out with a couple of simple statements.

Reaching the goal is not success; success is moving toward the goal. –Bob Proctor  So it’s the journey, not the destination?

Eighty percent of success is showing up. –Woody Allen Well, that’s encouraging, but I’m not convinced.

I moved on and found some quotes that were more to my liking.

Success depends upon previous preparation, and without such preparation there is sure to be failure. –Confucius

Success is dependent on effort. –Sophocles

Judge your success by what you had to give up in order to get it. –Dalai Lama XIV

Success is to be measured not so much by the position that one has reached in life as by the obstacles which he has overcome. –Booker T. Washington

So it has to do with hard work and overcoming obstacles. But that’s not to say happiness doesn’t play a part.

Success is not the key to happiness. Happiness is the key to success. If you love what you are doing, you will be successful. –Albert Schweitzer

Success is getting what you want; happiness is wanting what you get. –Dale Carnegie

All of these were good, but I soldiered on and found a group of fascinating (and confusing) quotes that mentioned the part failure plays in success. 

Success is the ability to go from failure to failure without losing your enthusiasm. –Winston Churchill  I usually like quotes by Winston Churchill, but this one left me scratching my head.

Success is falling nine times and getting up 10. –Jon Bon Jovi  I don’t understand this. How can you get up ten times if you only fell nine times?

Failure is success if we learn from it. –Malcolm Forbes  It seems like this would depend on what we learn from it.

Success is often achieved by those who don’t know that failure is inevitable. –Coco Chanel  I read this one over about ten times, and I still don’t understand what it means.

Success is how high you bounce when you hit bottom. –George S. Patton  Once again, failure plays a part, and General Patton gives us a nice image to go along with it. 

Success does not consist in never making mistakes but in never making the same one a second time. –George Bernard Shaw  This one made sense to me.

Then I found a surprising quote from Andrew Carnegie who was once the richest man in the world. His net worth in today’s dollars would be over $300 billion.

There is little success where there is little laughter. –Andrew Carnegie   I bet Mr. Carnegie was laughing all the way to the bank.

Speaking of laughter, here are a couple of quotes that had me chuckling.

All you need in this life is ignorance and confidence, and then success is sure. –Mark Twain

If at first you don’t succeed, try, try again. Then quit. There’s no point in being a damn fool about it. –W.C. Fields

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All of the quotes were interesting, and different people clearly have different measures for accomplishment, but I still hadn’t come up with a definition of success in my writing. Then I realized success may not be what I was looking for after all. I remembered this quote by Viktor Frankl in his book Man’s Search for Meaning:

“Don’t aim at success. …For success, like happiness, cannot be pursued; it must ensue, and it only does so as the unintended side-effect of one’s dedication.”

Ah. Now we’re getting somewhere. 

Interesting note: James Scott Bell’s TKZ post yesterday quoted Louise Parr, an author who had contributed to On the Art of Writing Fiction, published in 1894. Ms. Parr observed

there is a moral satisfaction in having done good work which no one can rob us of.

That was written 130 years ago, and it’s still as fresh and meaningful as it was then.

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So TKZers: What is your definition of success in your writing? Is it one over-arching achievement or many goalposts along the way? Do you consider doing good work independent of recognition or success? Do any of the quotes in this post appeal to you?

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Private pilot Cassie Deakin has one measure of success: to find the culprits who assaulted her uncle. But when she achieves that goal, she faces a much more difficult challenge.

Buy on Amazon, Barnes & Noble, Kobo, Google Play, or Apple Books.

Surprise in Fiction: Trent’s Last Case

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Surprise – noun — a completely unexpected occurrence, appearance, or statement.

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Unsurprisingly, there’s been some research done on the science of surprise. I read this summary on Melissa Hughes’s blog.

There is science in surprise. Neuroscientists have discovered that surprise is one of the most powerful human emotions. As it turns out, the brain’s pleasure center (or the nucleus accumbens) lights up like a Christmas tree when you experience something that you didn’t expect. Not only do you get a nice boost of dopamine, the brain releases noradrenaline – the neurotransmitter responsible for focus and concentration. Think of it as the reset button for the brain. It actually stops all of the other brain activity to let you find meaning in the surprise.

An article on sciencedaily.com highlights the work of neuroscientists Dr. Gregory Berns and Dr. Read Montague who ran experiments that used functional magnetic resonance imaging to measure changes in human brain activity in response to a sequence of pleasurable stimuli, in this case, fruit juice and water.

“Until recently, scientists assumed that the neural reward pathways, which act as high-speed Internet connections to the pleasure centers of the brain, responded to what people like,” said Montague.

“However, when we tested this idea in brain scanning experiments, we found the reward pathways responded much more strongly to the unexpectedness of stimuli instead of their pleasurable effects.”

 

Given this data, maybe we authors should look closely at the element of surprise in our works. If we can cause the reader’s brain to suddenly experience a pleasurable shot of dopamine, we will have captured their attention and their loyalty.

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“Mystery is at the heart of creativity. That, and surprise.” — Julia Cameron

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When we read a mystery novel, we expect to be surprised. All those twists and turns are designed to keep our attention. When the shy, gentle woman suddenly pulls a gun out of her purse, or the disconnected nerd leaps into the line of fire to save a stranger, we love it.

According to an essay on thenetwriters.com,

The importance of surprising your readers should never be forgotten by any aspiring writer. In fact, it should always be considered a vital part of a storyteller’s toolkit. By seeking to confound your audience with plot twists, subverting the reader’s expectations with ‘the element of surprise’ can often allow you to heighten dramatic tension in your story, add suspense, or introduce humour.

Mystery readers, though, are a fairly sophisticated bunch. Most dedicated mystery readers have a sense of the story. We’re accustomed to surprises in the form of strange clues and red herrings to distract us from figuring out who the real culprit is. Complex twists and turns are part of a good mystery, but readers know that no matter what surprises or unusual events are thrown at the amateur sleuth, she will eventually solve the mystery and save the day.

However, I read a book recently that took a couple of turns I didn’t expect. (Note: spoilers in the paragraphs below.)

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Trent’s Last Case by E.C. Bentley was published in 1913 and is widely respected as one of the first, if not the first, modern detective novel. Agatha Christie called it, “One of the best detective stories ever written.” It was dedicated to Bentley’s friend G.K. Chesterton who encouraged him to write it and, maybe unsurprisingly, called it, “The finest detective story of modern times.”

The story begins when the body of a very unlikeable financial magnate, Sigsbee Manderson, is found by one of his servants, and there is concern that his death might shake up the financial markets  When the editor of an influential newspaper hears of the probable murder, he calls on the charismatic Philip Trent, an artist who is also a freelance reporter and amateur sleuth, to help solve the case. Highly respected by the police authorities, Trent seems to have the intellectual acuity of Sherlock Holmes since we’re told nothing can escape his astute powers of observation. (It turns out this is an intended comparison.)

There are the usual suspects in the case: the beautiful widow, the unhappy uncle, and various others who had reasons to do away with the unpleasant Mr. Manderson. And there is an abundance of strange clues to keep the reader busy trying to put the puzzle together. Not to worry, though. Trent puts his considerable analytical skills to work and comes up with a brilliant theory that satisfies all the clues. The only problem is that he has fallen in love with Manderson’s widow, and he believes she was having an affair with one of her husband’s employees who subsequently murdered Manderson.

Trent writes his dispatch to the newspaper editor but doesn’t send it. Unwilling to implicate the woman he loves, he gives the dispatch to the widow, leaves the site of the crime, and accepts a freelance reporting assignment in another country..

Surprise #1: Trent’s solution to the mystery comes just a little after the midpoint in the book. That threw me since I’m accustomed to the reveal coming in the last chapter. I read on, curious to see how the author would continue the story. Will the widow turn out to be a scheming murderer who hunts down Trent and kills him? Will she and her lover taunt Trent with his unwillingness to accuse them?

Several chapters later, we discover:

Surprise #2: The widow wasn’t involved. Trent was wrong.

Very clever, Mr. Bentley. You led me down the garden path, convinced that Trent could not make a mistake because he was modeled on the extraordinary Sherlock Holmes.

It turns out E.C. Bentley was not a fan of Sherlock Holmes, and he intended Trent’s Last Case to show the amateur sleuth as a fallible human, not a flawless reasoning superhero. But I didn’t know that when I began reading the book, and my expectations set me up for a few surprising plot twists.

There are a couple of other surprises in the book, but I won’t reveal them here in case anyone wants to read the story. Even though Bentley employs an early 20th-century style of writing that is no longer popular, the story is enjoyable and stands the test of time.

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“I love surprises! That’s what is great about reading. When you open a book, you never know what you’ll find.” –Jerry Spinelli

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An interesting postscript: I uploaded this post to the TKZ site last week. Over the weekend, my husband and I had lunch with a fellow author who was telling us about a book he recently read: Fade Away by Harlan Coben. Although I hadn’t said anything about my TKZ post, our well-read friend said the thing he loved about the book was that it held many surprises. So there you have it. The proof is in the pudding.

So TKZers: Have you read Trent’s Last Case? What books have you read that took you by surprise? How do you include elements of surprise in your books?

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Private pilot Cassie Deakin is in for a string of surprises when she lands in the middle of a murder mystery. Even Fiddlesticks the cat takes on a new persona that’s shocking.

Buy on Amazon, Barnes & Noble, Kobo, Google Play, or Apple Books.

 

Situational Awareness

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I can’t change the direction of the wind, but I can adjust my sails to always reach my destination. –Jimmy Dean

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Did you know the deadliest aviation accident in history happened on the ground? Yes, you read that correctly. It occurred in 1977 when two 747’s collided in dense fog on a runway in the Canary Islands. Here’s how it happened:

An incident at the airport on Gran Canaria Island had diverted aircraft to the smaller Los Rodeos Airport on Tenerife Island. The Los Rodeos Airport had only one runway and an adjacent parallel taxiway with several smaller taxiways connecting the two. Because of the increase in aircraft that had landed at Los Rodeos, several aircraft were parked on  the taxiway.

Two 747’s were lined up at one end of the taxiway, ready to depart. A KLM aircraft was to be first, followed by a PanAm flight. Because of the wind direction, each aircraft would have to move from its current position to the opposite end of the runway, but they couldn’t use the main taxiway because it was blocked by other aircraft.

An air traffic controller in the Los Rodeos tower instructed the KLM plane to taxi down the runway to the end and turn 180° in preparation for takeoff. While the KLM plane was taxiing, the controller told the PanAm plane to taxi on the same runway (which would put it behind the KLM) and then exit at a connecting taxiway. That way, the PanAm plane would be off the runway before the KLM started its takeoff roll.

Because of the fog, the crews of the two planes could not see each other, and the air traffic controller could not see the planes. They were relying on accurate communication to guide their movements. If the crews of both planes had obeyed the controller’s instructions, the accident would not have happened.

The KLM completed its taxi and turning maneuver and was positioned at the end of the runway. Now, an aircraft must have specific clearance from ATC before starting its takeoff roll. The tower never gave the KLM flight clearance to take off, but the captain of the KLM plane thought he had been given the okay. Because of his misunderstanding and his inability to see clearly, the giant 747 began barreling down the runway, unaware that the other plane was in its path.

The takeoff plane was traveling at approximately 160 mph when the crew spotted the other plane dead ahead. They were only one hundred meters apart. There was no time to stop or swerve to avoid the other plane. The captain of the takeoff plane pulled the nose up sharply in an effort to “leapfrog” over the other one. He didn’t make it. The lower part of the KLM aircraft struck the PanAm plane and crashed onto the runway, exploding in a huge fireball.

Although the crews of both planes were experienced, five hundred and eighty-three people died in that accident. All the people on the KLM flight perished, and most of the passengers on the PanAm plane also died. And it happened because the captain of the KLM plane lacked “situational awareness”, or the ability to fully understand his environment. He acted on an assumption that the runway was clear. He was wrong.

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Situational awareness applies to many aspects of life, not just flying. Fortunately for authors, lack of such an awareness will not endanger our lives, but it just might endanger our livelihoods!

So what is situational awareness for writers? Most writers (I hope) know what they want out of writing. It may be fame, financial success, independence, self-fulfillment, a way to touch other people’s lives, or just the experience of writing a very good book. But in order to achieve his/her goals, the writer has to know what the current landscape is. After all, if you don’t know where you are, how can you figure out how to get where you’re going?

If you’re a pilot, you depend on the air traffic controller to direct your flight. When you drive, you may use your car’s GPS system to get you to your destination. For those of us who are new to publishing, we rely on experts in the field to lead us. Add to that the notion that the publishing world keeps shifting beneath our feet, it’s more important than ever to be well-informed.

When I began writing my first novel, I understood early on that I needed an editor/mentor to help guide me. Imagine my surprise when she told me my omniscient narrator was out of style and I’d have to take a different approach. After I got over my “Well, it’s my book and that’s the way I want to do it” reaction, I realized I didn’t understand the big picture of where I was in this new world. I needed a map.

Fortunately for me, the first two resources that were recommended to me were Plot and Structure by James Scott Bell and Self-editing for Fiction Writers by Renni Browne and Dave King. Along with my editor, these books laid the groundwork for my moving forward.

Luckily, authors have an abundance of good information in craft books, podcasts, blogs, and a semi-infinite number of online resources. The information is there. We just have to take advantage of it.

Whatever methods you use to get you where you want to go, best wishes for a successful journey and a happy landing!

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So TKZers: What are your writing goals? What tools do you use to get you to your destination? Books? Blogs? Podcasts? Courses?

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Private pilot Cassie Deakin has her feet firmly planted in the air. But when she lands on the ground and has to help disentangle a murder mystery, the landscape isn’t nearly so friendly. 

Buy on Amazon, Barnes & Noble, Kobo, Google Play, or Apple Books.