Today, I’m delighted my pal, multiple-Agatha winner Leslie Budewitz, stopped by to visit. Leslie and I are often found in Montana cafes, noshing pastries while plotting someone’s demise. In this guest post, Leslie discusses how cozy authors can avoid explicit language but still have fun playing with words. Welcome, Leslie!

Agatha-winning author Leslie Budewitz

A recent thread on the Short Mystery Fiction Society discussion list on language—captioned ”Swearing Bad, Murder Good”—prompted me to talk to myself, on my morning walks, about why cozy mystery authors work hard to keep our language clean. You weren’t there that day, so thanks to Debbie Burke for inviting me to share some of my thoughts here.

First, what is a cozy? It’s a subset of the traditional mystery, which itself has quite a range, from the lightest of cozies (Krista Davis, Laura Childs) to historicals (Victoria Thompson, Rhys Bowen) to more psychological drama (Lori Rader-Day, Laura Lippman, Hank Phillippi Ryan). Generally, there is no graphic or gratuitous sex or violence. The killer and victim often know each other, or at least come from the same wider community; these are not stories of serial killers who prey on a certain type of victim or anonymous bombers wreaking havoc on marathon runners and those gathered to cheer them on. Typically, the traditional mystery involves an amateur sleuth, though there are exceptions; Louise Penny’s books are considered traditional mysteries though Gamache and his crew are police officers, aided by locals.

Reading a cozy is a walk on the light side. Think Jessica Fletcher and Murder She Wrote, or Midsomer Murders. The cozy is the comfort food of mystery world, and who doesn’t love a little mac and cheese now and then?

The murder is the trigger, the inciting incident, while the other characters’ response is the story. A bit of an oversimplification, and it’s crucial, in my opinion, to make sure we get to know and care about the victim, and to show how the murder disrupts the community. The estimable Carolyn Hart asks what’s more uncomfortable than murder in a small town where everyone is affected? And she’s absolutely right, though the same is equally true of urban cozies, which focus on a community within a community.

Ultimately, the cozy is about community. The sleuth, usually a woman, is driven to investigate because of her personal stakes. She wants justice, for the individuals and for the community. The professional investigators—law enforcement—restore the external order by making an arrest and prosecuting, but it’s up to the amateur to restore internal order, the social order, within the community. (I could go on about the elements of a cozy. Another time.)

So, what about the language?

Cozies tend toward clean language. SMFS members have pointed out the contradiction in readers who accept murder but dislike cursing or vulgar language. It is a contradiction, a bit. But then again, it isn’t. Murder happens in all social strata—among drug dealers and religious zealots. The murder in a cozy is typically off-stage; we don’t see the blood and gore—a character might, but she isn’t going to describe it for us.

Nor are most cozy settings and scenarios places where you’d expect swearing. Most of us, even if we cut loose now and then, watch our language at a street fair, in a tea shop, at a community theater rehearsal or on a tour boat headed to a clam bake. We might be freer of tongue at home or with close friends, but we know when to watch our language. So do cozy characters.

Who are the characters? Does the language fit them?

A frequent criticism by other writers about deliberately clean language is that it isn’t realistic, that a mobster won’t say “gosh, darn it” or “oh, firetruck.”

Nope, he sure as sugar wouldn’t.

But it goes both ways. Reality isn’t one size. Some people choose not to swear, from personal preference, out of moral or religious conviction, or for other reasons. TV broadcasters train themselves not to swear in private because one accidental “f*ck this sh*t” on the nightly news could cost them their jobs. (Credit for that insight goes to Hank Phillipi Ryan, a TV reporter who writes about them.) Retail shop owners, with some exceptions, watch what they say on the shop floor because most customers don’t want to be surrounded by curse words when shopping, especially if their kids are with them. I gave one of my series protagonists the word “criminy,” borrowed from a former legal secretary who chose it as her dastardly expression when she taught kindergarten; I doubt she knew it’s a contraction of “Christ Almighty,” but the word has long slipped the bonds of its blasphemic origins.

A sleuth who runs a bookstore or bakery and is investigating to right a wrong and restore the social order of the community she loves is not going to suddenly open her mouth and make sailors blush. “I swore under my breath” or “I’d never heard David swear before” makes the point just fine.

Tone matters.

Cozies often involve humor, as the titles make plain. Crime Rib, Assault and Pepper, Chai Another Day are a few of mine. The word play continues as a Spice Shop owner named Pepper says “parsley poop” when she learns a troublesome fact or calls an annoying customer a pain in the anise. The creativity fits and it’s fun.

But what about the killer? They aren’t all little old ladies wielding knitting needles.

No, they aren’t.

In traditional mysteries, including cozies, the killers are often opportunistic, motivated by emotion and injustice. They may strike out in the spur of the moment. Some act from the conviction that the victim needed killing. Others plot and plan, though pure evil and psychosis are the exception, not the norm. Still, planning a murder doesn’t necessarily equate to a potty mouth. With some exceptions, cozy killers come from the same community as the rest of the characters. They run bars and restaurants, work as TV cameramen, winemakers, and veterinarians, collect movie memorabilia, captain tour boats, and drink good coffee.

Many cozies are written in first person. We see the killer through the protagonist’s lens, although of course, they speak their own truth, sometimes spelled with four letters. When and where killer and sleuth meet might affect the language, too. For example, in one of my books, we first see the killer at a memorial service held in an upscale art gallery, where mourners are wearing linen and silk and sipping sparkling rosé. Not a crowd or a place for vulgarity—though if it did erupt, we might have a sudden silence, followed by a hubbub as the offender is escorted from the scene, all good action for a cozy. Later in the same book, we see the killer prowling around a darkened antique store, aiming to confront and stop my sleuth. The dialogue is limited, as they taunt each other while trying not to give away their locations. Swearing could happen; it doesn’t.

In my latest book, the killer and my first person narrator see each other several times, but only meet face-to-face once, outside a hospital. Again, it’s a place where swearing could happen, but isn’t essential—this isn’t the docks in the dark of night, and their conversation is a battle of wits. The protagonist, a spice shop owner, has no objection to swearing, but rough language isn’t going to help her tease out the killer’s motives or get him to feed her the info she needs to break his alibi. Vulgarity isn’t going to help him convince this pesky woman that he’s the wronged party, that he only did what anyone in his position might have done.

Last, consider the audience.

Cozy readers may be young teens, old ladies, and anyone in between. They are reading to meet the characters, get to know a place, eat good food, and learn about the subject of the book. They are there to see justice done and community restored. Why make them uncomfortable without good reason?

Language affects tone and characterization; it reflects plot and theme; it contributes to setting. If a well-placed “f*ck” or “sh*t” would advance any of those without pulling the reader out of the story, go ahead. Use it. Swearing is just another tool in your writer’s box. But in the well-written cozy, you won’t have to.

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Leslie Budewitz blends her passion for food, great mysteries, and the Northwest in two cozy mystery series, the Spice Shop mysteries, set in Seattle’s Pike Place Market, and the Food Lovers’ Village mysteries, set in NW Montana. The Solace of Bay Leaves, her fifth Spice Shop Mystery, is out now in ebook and audio; paperback coming in October 2020. Leslie is the winner of three Agatha Awards—2013 Best First Novel for Death Al Dente, the first Food Lovers’ Village mystery; 2011 Best Nonfiction, and 2018 Best Short Story, for “All God’s Sparrows,” her first historical fiction. Her work has also won or been nominated for Derringer, Anthony, and Macavity awards. A past president of Sisters in Crime and a current board member of Mystery Writers of America, she lives and cooks in NW Montana.

Find her online at www.LeslieBudewitz.com and on Facebook at www.Facebook.com/LeslieBudewitzAuthor

Pepper Reece never expected to find her life’s passion in running the Seattle Spice Shop. But when evidence links a friend’s shooting to an unsolved murder, her own regrets surface. Can she uncover the truth and protect those she loves, before the deadly danger boils over?

More about The Solace of Bay Leaves, including an excerpt and buy links here: http://www.lesliebudewitz.com/spice-shop-mystery-series/

By Debbie Burke

@burke_writer

Gruesome Warning – This post contains graphic details of a horrific bombing that killed three people, including a two-year-old child.

Luna, Gauge, Ace – photo courtesy of Kerrie Garges

Dogs are helpmates that do most anything their people ask of them…including jobs that no one, human or animal, should have to do…like finding body parts after an explosion. 

Kerrie Garges has spent nine years as a volunteer dog handler for Alpha K-9 Search and Rescue (SAR) in Chalfont, PA, population 4,000. Until the COVID 19 crisis, her day job was teaching environmental education at Peace Valley Park Nature Center in Bucks County.

She fell into SAR “by accident” as a dog-loving empty-nester looking for a way to help her community. At a training exercise with her then-new Labrador, Ace, the instructor observed that Ace showed an aptitude for “air scent” (tracking smells through the air rather than on the ground) and invited her to join SAR.

Luna hot on the trail with Kerrie – Photo courtesy of Kerrie Garges

Ace, age 10, is now retired but Kerrie continues to train and work with two more Labs: Luna, age 5, is Trailing Certified and is training for Human Remains Detection (HRD). She practically yanks Kerrie’s arm out of the socket when she’s on the hunt.

Gauge is Kerrie’s rambunctious one-year-old about which she jokes, “Just shoot me in the head!” He’s gradually growing out of puppyhood as he trains for certification in Live Find and HRD. She says, “When Gauge has his vest on, he knows he’s working.”

Most searches Kerrie has worked involve people with dementia who’ve walked away from home and gotten lost.

A completely different—and hideous—search would test the mettle of Kerrie and other dog handlers who were called in by the Lehigh County assistant coroner to work a murder-suicide crime scene in 2018. 

On September 29, at 9:30 p.m., an explosion shook the Center City neighborhood in Allentown, PA. The cause was initially believed to be a car fire. First responders instead found that a powerful homemade bomb had detonated inside a car, killing three people and damaging surrounding buildings and homes for blocks.

Investigation determined the bomb had been built by Jacob G. Schmoyer, 26, with the express intention of killing himself, his two-year-old son Jonathan (“JJ”), and a casual friend David Hallman, 66, to whom Schmoyer owed $150. Before the explosion, Schmoyer had sent letters to family members and the Allentown Police Department in which he expressed anger as well as concern that JJ might have autism.

That night, Schmoyer lured Hallman into his Nissan Altima, where he and JJ were already sitting, with the promise to pay back the money.

Instead, he detonated the bomb which killed the three occupants, shredded the car, and cast debris and body parts over a five-block area.

Following the initial investigation, Lehigh County’s assistant coroner requested help from Alpha K-9 SAR to locate human remains amid the rubble. Kerrie said, “We’re a small group without a lot of resources, so we were honored to be called for this important mission.”

For this job, Kerrie did not bring her own dogs, which are still in training. Dogs must be tested and certified by National Association of Search and Rescue (NASAR) to perform real-world work. Kerrie acted as a support person to handlers and three dogs that are certified in HRD.

On the morning of October 2, the Alpha K-9 SAR volunteers arrived in Allentown, an hour’s drive from Chalfont. An eight-block area had been cordoned off. They were escorted past crime scene tape into destruction that Kerrie described as “a war zone.”

Following the blast, residents of surrounding blocks had been evacuated. Broken glass, tree limbs, chunks of buildings, and hazardous debris were everywhere, causing Kerrie concern because the dogs didn’t have protective footwear. Coroner’s office personnel offered to adapt the knee-high protective coverings that humans wore to fit the K-9s. After discussion, the handlers decided that, since the dogs weren’t accustomed to working with booties, wearing them might be too distracting. They closely monitored the dogs’ paws but fortunately there were no injuries.

Kerrie expressed “new respect for disaster dogs” working under similar dangerous conditions.

The day was hot and coroner’s office personnel made sure the volunteers and dogs had extra water and could cool off in air-conditioned vehicles when necessary.

The densely-populated, inner-city area of Allentown contrasted sharply with the suburban schools, parks, and rural locations where the Chalmont team normally worked. Older houses were crowded together, many converted to multi-family apartments. Narrow passageways called “bakers alleys” separated the buildings.

Adjacent to the cordoned-off crime scene area, Kerrie smelled meth cooking. Although law enforcement was nearby, she was startled to see bystanders carrying on drug deals and smoking marijuana. Those scents, mingled with dust and smoke caused by the explosion and fire, created a confusing mix for the dogs to sort out. She said, “It took about twenty minutes for them to get acclimated to the scene” in order to focus on finding human remains.

The coroner’s office created a map of the areas to be searched. Each dog team was assigned a different sector. Coroner’s assistants accompanied the teams, taking photos of pieces of burned flesh as they were found. The evidence was then “bagged and tagged” and taken to the crime lab.

One dog kept wanting to climb over a stone wall to get into a particular house. Inside, the searchers found shattered windows and furniture overturned by the explosion. A TV was still on, forgotten when residents quickly evacuated. The team also found a frightened puppy that had been left behind, tied up with no food or water. “That bothered me a lot,” Kerry said. Officers carried the pup to safety.

As they proceeded through the area, the dogs kept raising their heads, looking up, which mystified the handlers who couldn’t see anything. At last, they discovered “a giant flap of flesh” stuck high in the gutter of a four-story building, a horrifying indication of the power of the blast.

“We [searchers] felt disgust,” Kerrie said. “Not stomach-churning kind of disgust but rather mental and emotional disgust that the man had killed his little boy and his friend and caused all these poor people to be ousted from their homes and businesses.”  

The search lasted four hours and located human remains as far away as five blocks from where the bomb had exploded. Each dog found at least three pieces, the largest being the flap of flesh in the gutter. The smallest was a charcoal-colored, wafer-thin piece of burned flesh the size of a quarter. Kerrie recalled, “I’d watched a documentary about [the atomic bomb at] Hiroshima and that’s the first thing I thought of when I saw this piece.”

Even veteran law enforcement officers were shaken by the devastation and the senseless death of a toddler. Counselors were offered to those struggling with what they’d seen.

When I asked Kerrie how the dogs reacted to such horrors, she said, “Dogs consider it a job.” They were just happy to please their humans.

Letter of appreciation from Lehigh County Coroner to SAR – photo courtesy Kerrie Garges

The handlers had a hard time expressing their emotions about the gruesome mission but they all felt pride in the dogs and the teamwork of SAR. “The memory always stays with you. You never forget,” Kerrie said. “But this is what we train for every week. We want to utilize the skills we’ve learned. We almost felt rejuvenated, as well as proud and humbled to be called to do this important work.”  

Investigations continued for more than a year by local police and the Bureau of Alcohol, Tobacco, Firearms and Explosives, which determined Schmoyer acted alone and the explosion was not related to terrorist activity.

No amount of investigation will ever explain why Schmoyer intentionally killed his own child and a friend who’d been decent enough to lend him money.

Gauge after a successful training session – photo courtesy Kerrie Garges

SAR volunteers perform difficult jobs few people could endure. They can be summoned in the middle of the night or during miserable weather. They finance training out of their own pockets. They work without pay. They’re proud of the job they do and the strong bond they develop with their dogs.

Crime dogs perform other functions, too. One recent evening, Kerrie felt particularly blue because of current events in the world. Her youngest dog, the often-exuberant Gauge, came from two rooms away and climbed on the couch beside her. He laid one paw on her shoulder and snuggled his face in her neck. “He made me feel better,” Kerry said. “He made me smile.”

That may be a dog’s most important job.

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TKZers: Have you been involved in SAR work? Have you been in a situation where search dogs were deployed?

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A big shout-out of appreciation and gratitude to TKZ regular reader Brian Hoffman who designed this beautiful new cover for Dead Man’s Bluff.

Brian, you’re the best! 

Today is launch day for Debbie Burke’s new thriller, Dead Man’s Bluff, on sale for only $.99 for a limited time at this link.

Photo courtesy of Kathleen Reardon

Today, I’m visiting with mystery author Kathleen Reardon, Ph.D. She is professor emerita in management at the University of Southern California’s Marshall School of Business and now lives in Ireland. Her website is aptly named comebacksatwork.com because she is an expert in comebacks!

We “met” through the Authors Guild discussion group while discussing new strategies for book launches during the pandemic. The more we “talked,” the more I thought her story of persistence in the face of daunting setbacks would interest TKZ readers.

While Kathleen’s accomplishments are extraordinary, the challenges she had to overcome are even more extraordinary.

Welcome to The Kill Zone, Kathleen!

Debbie: Your background is academia and you have written numerous award-winning, bestselling business books. What prompted you to write fiction?

Kathleen: As a teenager, I loved writing fiction and poetry. My junior year English teacher, Judith Kase, was particularly encouraging. Back then, I expected to be a writer and English teacher for life, but my career took me on to an MA and Ph.D. in communication sciences, college teaching and research. There was little time for creative writing, especially prior to tenure. At thirty-two, I was diagnosed with breast cancer. Recovery took a while as did salvaging my career.

The fiction writing bug finally bit and wouldn’t let go in my early forties. My father had encouraged me to write fiction. He thought I’d pushed it aside long enough, but there was still the challenge of becoming a full professor. I also had three young children. So, I wrote most of Shadow Campus, my debut novel, during summer breaks until 2012 when I focused and got it done.

DB: What was the spark for this book and/or your series?  Please share how you came to write it.

KR: The spark for Shadow Campus was being the first woman to go up for tenure at a top business school. Breaking the glass ceiling is never easy. Change is hard. Sometimes resistance leads to incivility. One day I woke up early and began writing. Over the next week, I got the bones of the story on paper. I just couldn’t stop. Shadow Campus was born that week and I was en route to becoming a mystery author.

 Damned If She Does (2020) is a stand-alone sequel. Here again, the spark was experience as a female professor. I wrote most of the novel before MeToo began. It’s first and foremost a New York City crime mystery. But fiction often conveys messages about reality. A major subplot deals with abuse and the potential consequences of secrecy. Is there a best way forward? Is it better personally and for society to identify a perpetrator? Or are women damned if we do and damned if we don’t?

DB: A reviewer of your debut novel draws an interesting comparison between academia and organized crime! Is there an element of truth? Does it apply to Damned If She Does too?

KR: In my nonfiction, especially The Secret Handshake and It’s All Politics, I write about levels of politics in organizations from church choirs to multinationals – the worst of these is pathological politics. In my first trade book, They Don’t Get It, Do They?,as well as my Harvard Business Review classic, “The Memo Every Woman Keeps in Her Desk,” my focus was on the challenging road many women travel when they endeavor to be recognized and promoted for exceptional work. Weaved throughout both of my novels are insights from that work.

In Shadow Campus, Meg has all the credentials for promotion. Yet, in the opening scene – the night before her tenure decision – she is found hanging in her office, nearly dead. We learn that this crime was facilitated by several characters. I think that’s what the reviewer saw as “organized crime.”

DB: Readers are interested in your particular process for writing. Do you have special or unique techniques you use?

KR: People ask me how I keep readers from knowing who did it. The answer: I hide it from myself. Any of the primary characters could be the killer and I keep several as candidates until near the end. It’s a lot like spinning a number of plates, but that’s what I enjoy about mysteries. If I know precisely “who done it” while writing, there’s a good chance that I’ll accidentally telegraph that to my readers. So, keeping me in the dark keeps them in the dark too. I truly enjoy that aspect.

DB: You “interviewed” one of your main characters for a post on your website. What a great idea (which I’m going to steal)! Tell us about that.

KR: Shamus Doherty, Meg’s older brother, is a diamond in the rough. Many women who’ve read my two novels consider him very appealing. He’s complex and caring but a bit rough around the edges – gruff when he means to be tender. These characteristics wreak havoc with his love life. He can be overbearing as an older brother. To his credit, however, he does learn.

My interview with him was a chance to get inside his head a bit. He didn’t want to be interviewed, but he felt obliged because I’d created him. His wit and charm came through. I merely wanted to give him a chance to speak for himself. I can hear him now denying that altruistic claim. Be that as it may, I think he kind of likes me.

DB: Is there anything else you’d like to share with TKZ?

KR: I was fortunate to attend an Authors Guild webinar with Margaret Atwood and Judy Blume. It was great. Margaret said you need to grab the reader by page 5. By then he or she knows whether this is a door worth walking through. I think that’s great advice. Judy said she misses the freshness of being a new author. That’s food for thought. How do we get that back each time we sit down to write? I tend to take walks, enjoy nature, step away from the story and then allow myself to become enthused with where the characters are likely to take me next.

Book three of the trilogy is calling me. It will be based in West Cork, Ireland.

Thank you, Kathleen, for visiting TKZ! Congratulations on your new release, Damned If She Does, which Kirkus Reviews named among “Great Indie Books Worth Discovering.” 

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TKZers: Do you have special tricks that propel you over the hurdles of writing? Have you come back from misfortune? 

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Debbie Burke’s thriller, Dead Man’s Bluff, is available for pre-order at this link for only $.99. Publication date: June 23.

by

Debbie Burke

@burke_writer

Photo credit – Pixabay

Montanans are no strangers to bear encounters. Most times, it’s hard to tell who’s running away faster—the bear or the human. But when bears are hungry, not much stands in their way. They push through fences to eat calves, bust into chicken coops, knock down bird feeders, and pillage unattended campgrounds.

If bears become aggressive, pepper spray is recommended. However, if that’s not handy, you might have to improvise.

In 2010, near Huson in Missoula County, a woman let her three dogs out around midnight, not realizing a bear was a short distance away, snacking in an apple orchard. Two dogs started out into the yard. A third dog, a 12-year-old collie, remained with the owner in the patio. The two dogs sensed the bear and ran back into the house.

Before the owner could react, the 200-pound bear was at the door, mauling the collie. The woman screamed and kicked the bear but it persisted, scratching her leg through her jeans.

When she tried to close the door, the bear shoved in, blocking the door open with its head and paw.

Fortunately, the woman had a ready weapon. While holding back the bear with the door, she grabbed a fourteen-inch-long zucchini she’d harvested earlier that day from her garden. She threw it at the bear, bouncing it off its head.

Wikimediaimages – Pixabay

The bear turned tail and fled.

The collie recovered from injuries and the brave woman only needed a tetanus shot.

The bear escaped and is still at large.

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TKZers: Have you heard stories about someone who used an unusual weapon to ward off an attack?

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Debbie Burke’s new thriller, Dead Man’s Bluff, is now available for pre-order at this link. If you order now, the special price is $.99. Dead Man’s Bluff will be delivered to your device on June 23.