Category Archives: #writerslife

From Cool to Heat

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Photo courtesy Eddie Howell on unsplash.com

The weather has turned cool since last we met. Each area of the United States has its identifiable seasons, from the Deep South (where New Orleans has two, those being “summer” and “February”) to the West (where, as Mark Twain is reputed to have said, “The coldest winter I’ve ever spent was a summer in San Francisco”). Ohio has a more severe line of demarcation. The heat of summer at this time of year sinks into the chill of fall. Leaves drop. One can’t um, leave them go without raking or mulching for too long, as snow will almost inevitably fall by November. One sets the thermostat from “cool” to “warm” and calls for the furnace check-up, even as it seems as if but a few weeks ago it was the air conditioning system that was being checked out. The circle, it seems, moves faster and faster.

I’ve of late been feeling the rapidity of the turning of my own seasons. I came across a passage in a new book entitled THE DARKNESS by Ragnar Jonasson. The protagonist is a police inspector who is being involuntarily retired as she approaches the age of sixty-five, muses that she feels little different than she did in her forties, other than for perhaps some minor fatigue. Just so. I’m waking up at 3 AM much too frequently but I’m doing it in my bed in my house and know where I am. There are no real complaints there. Still, I am increasingly aware that the miles in the rear view mirror are substantially greater than those between me and the final destination, and I increasingly doubt whether I’m going to get there before the warranty expires. Most of my close friends are a few years older than I — in their early to mid-seventies — and seem to be hitting a wall. One of them,  who I have known for well over fifty years, advised me yesterday that he was not up to making the two-hour drive to visit me this weekend due to vision problems. He reminded me that when we lived on the west coast he would call me and say, “Tahoe!” and off we would go, making the six-hour round trip to Nevada and back on the same day as if we had not a care in the world. We didn’t. Not then. It was high noon. We are well past that. The sun hasn’t kissed the horizon, but the lengthening shadows hint that, from our landlubber perspective, it is well-nigh approaching the yardarm. Sunset occurred for another friend last week. His body mercifully slipped loose of its moorings last week and followed his essence, which had been stolen by Alzheimer’s Disease, piece by piece, over the past two years. It’s not the way I want to go — I would prefer to pass either while writing at my desk or at the hands of an irate husband — but we don’t always get a choice. Shakespeare’s untimely frost follows no calendar. 

 

Photo courtesy Eddie Howell on unsplash.com

What more to do? I have four wonderful children, each accomplished in their individual ways, and a terrific granddaughter. There might be time for one more dog. I think I’ve made more people smile than otherwise which is something that not everyone can truthfully claim. It’s been a good ride and there are many more miles and adventures to come. I hope. The lesson I’ve learned, and which I am making so bold as to impart to you —particularly those of you here who are younger — is don’t waste a day, or even an hour. Decide what you want to do and work toward it, whether it is writing the Great American Novel — someone will do it, so why not you? — adopting a stretch of highway, or visiting every Sonic, Tim Horton’s, and Cracker Barrel in the country. Regardless of what you want to do, there are only a finite number of times that you get to switch from cool to heat and back again. Cherish each one, and enjoy them.

Photo courtesy Pathecho Grid on unsplash.com

 

Valet de Poulet – Some Thoughts on Self-Care (Guest: Bill Cameron)

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Jordan Dane
@JordanDane

A man and his chicken

It’s my pleasure to have my friend, Bill Cameron, join us today. I’m a big fan of his writing ever since I read his debut book LOST DOG. Bill was in my debut authors group for the International Thriller Writers (ITW) in 2008. That book featured an unlikely kleptomaniac anti-hero smart ass, Peter McKrall, with his unique voice that has always stuck with me. It launched Bill’s detective series that features Detective Skin Kardash.

I also follow/harass Bill on Instagram (@bcmystery) where he posts pics of his urban chickens. His daily videos and pics of his chicken drama are tons of fun and addictive, like his writing. Thanks for being our guest, Bill. Shake a tail feather and take it away.

***

Much of my day was spent chasing chickens around my yard—an act of pure slapstick if there ever was one. Usually the ladies will come right up to me (probably because I often have treats), but today they sensed I had something else in mind. So they fled, making comical “bock-bock-bock” sounds as they went. I was no doubt equally comical, trying to both run and scoop up indignant chickens simultaneously. The result was a kind of bow-legged lurch with my hands flapping around near ground level. I may have fallen, but if you don’t have video you can’t prove anything.

My problem, or rather the chickens’ problem, was a possible infestation of scale mites. These awful little bugs burrow under the skin of a chicken’s legs, drink blood, and can wreak havoc on the well-being of a flock. (Do not image search for “chicken scale mites” unless you want to see true horror.)

Now, I say possible infestation because until the the situation gets really bad, the vermin are difficult to see. Some discoloration on the legs of our oldest hen, Hinie, was the only indication something might be amiss. That discoloration could also mean nothing at all, but since we don’t want the mites to get a leg-hold, I decided to address the problem proactively.

The treatment is basically Chicken Spa Day, which probably sounds nice to you and me. And in fact some chickens enjoy a soak in a warm bath and maybe a massage. (Do image search for “chicken taking a bath” for some entertaining pics.) Not so much our ladies. But I was not deterred.

In advance, I’d prepared a warm Epsom salts bath with a little mild soap. As I caught them, the girls each got a soak and a mild scrub to clean off any mite eggs or mites that hadn’t yet burrowed. Then, after they were dried off, I coated each hen’s legs with Bag Balm to suffocate the pestilent buggers who remained.

The good news is all went relatively as planned, though it took me more than an hour to get all four into the tub. (Farm Fact: chickens are fast.) The girls had a lot to say about it, probably in the form of chicken swearing. But the endeavor was a success—though I got wetter than the girls did.

So what does this shenanigan have to do with self-care?

Well, for me, taking care of chickens is a lot like writing. It can be rewarding, fun, challenging—and also a source of heartbreak. Right now we have four girls: the aforementioned Hinie, plus Cheeks, Tuchus, and Buns. (Do you detect a theme? Guess what!) Earlier this summer, one of our first hens, Fanny, died unexpectedly. And last year, two others (Moon and Patootie) turned out to be roosters, which are verboten within city limits. That’s the heartbreak side of things. But the rest of the time there’s the slapstick comedy and the reward of eggs and affection from smart, engaged birds who each have their own personality.

When I’m away from the keyboard, I find chicken care is a good way for me to get my “I’m not an incompetent buffoon” fix—something that can be rare in my writing life. On days when things seem especially dire (“wait, did you say there’s no market for that manuscript I spent five years on?”), time with the chickens can give me a sense of worth. They need me—for food and water and spa days, and for a lap or shoulder to cluck on. And I’m up to the task.

The day Hinie pooped on Bill’s head

But as with writing, there’s no guarantee of success. They might get scale mites, and while I’m confident I have that problem in hand, the next problem might cost me a beloved pet. In the morning, I might get a manuscript rejection, but in the afternoon I might get a fresh egg and a nuzzle from a bird named after a butt.

Chicken Tending (think about it) isn’t the only thing I do for self-care. But the ways it’s like writing helps me deal with the tribulations of my writing life. Sometimes we just need a little success. For me, chasing birds around the yard goes a long way toward keeping me grounded and believing I can make a difference—on the page as much as in the coop.

Fanny (RIP) & Hinie by Bill’s daughter, Jessica

FOR DISCUSSION:

What do you do to take care of yourself?

 

Bill Cameron BIO

Bill Cameron is the critically-acclaimed author of gritty, adult mysteries featuring Skin Kadash. His short stories have appeared in Alfred Hitchcock’s Mystery Magazine, Killer Year, Portland Noir, First Thrills, Deadly Treats, and West Coast Crime Wave. In 2012, his novel County Line received the Spotted Owl for Best Northwest Mystery. His latest book, the young adult mystery Property of the State, was named one of Kirkus Reviews Best Books of 2016: Teen.

Bill is currently at work on a mystery set in the Oregon High Desert.

Bill’s Books

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25 Ways To Avoid Writer’s Butt*

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Credit: Go Daddy Stock Photo

A handy list for your writing day:

  1. Don’t write.
  2. If you choose to write, don’t eat while you’re writing.
  3. Chain yourself to your desk to keep from going to the kitchen.
  4. If your desk is in the kitchen, you need to move your desk.
  5. Don’t write about food unless you’ve just eaten. It will make you hungry.
  6. A candy treat is a fine reward for a potty-training toddler, not grown-up writers who’ve squeaked out 100 words in three hours.
  7. A single glass (not bottle!) of wine, spirits or beer is a fine reward for finishing your work for the day.
  8. Take your dog or cat for a walk. Bonus points if you’re not staring at your phone.
  9. Exercise before you write. Let writing be your reward. (Hey! Stop laughing!)
  10. When you get stuck while writing and find yourself headed for the kitchen, scream DON’T DO IT at the top of your lungs and do 10 push-ups. Knee push-ups count.
  11. If you’re on the phone kvetching with another writer about the sad state of publishing, your life, your advance, or your Writer’s Butt, wear a headset and walk around and around your office, living room, front yard. Bonus points for each 1K steps you take.
  12. Keep your fridge and cabinets stocked with food you hate, or food that takes preparation.
  13. Get a standing desk and a good mat on which to stand.
  14. Nap, at your desk, or napping place of your choice.
  15. Take your dog or cat for another walk.
  16. When you temporarily forget how to write, listen to an audiobook by a writer who inspires you as you walk, jog, etc.
  17. Don’t write when you’re exhausted. Exhausted writers are hungry writers.
  18. When you’re not writing, make your diet as carb-loaded and awful as possible. Then you’ll have acid-reflux the whole time and won’t be tempted to eat.
  19. Take a dance break.
  20. Write stomach-churning prose.
  21. Wear pants that are already uncomfortably tight instead of yoga pants.
  22. Use the Pomodoro method. This one is online, but you can get yourself an actual timer for your desk.
  23. Write at the library and leave your money in the car so you can’t use the vending machines. Bonus points for parking far away.
  24. When you’re reading, walk around the house. You know you did it as a kid. Watch out for the dog.
  25. During your writing time, turn off the Internet, have a tall glass of water on hand, and write like a demon. You’ll feel so good and accomplished when you look at those pages that you’ll either not care if you have Writer’s Butt (always an option!), or you’ll feel so virtuous that you’ll make yourself a healthy dinner, have a glass of wine (or not), take the dog for a walk, get a good night’s sleep, and do it again tomorrow.

*Disclaimer: I have used all 25 methods at various times, and my Writer’s Butt comes and goes. As to number 3, I have gotten so tangled up in the huge number of power cords around my desk that I may as well have been chained because it was a real pain to try to get away from my chair and go to the kitchen.

Okay TKZ-ers! Please share your Avoiding-Writer’s-Butt strategies. We’re listening…

Throw Away Your Shoehorn

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My adopted mother adored pretty shoes. She used to say if she won the lottery, she’d spend the money on shoes. A great pleasure in her life was dressing up for church on Sunday morning in a beautiful outfit with a fancy hat and matching shoes.

However, her feet were size 10 ½, limiting her choice of stylish footwear, always geared for women who wear size 6AA.

For her birthday, I often took her shopping for new shoes. The salesperson would use a shoehorn to jam, pummel, and squash her poor feet into lovely pumps that were at least two sizes too small.

Her pain made me cringe. I wondered how she could even walk. The ordeal brought to mind Lisa See’s brilliant book, Snowflower and the Secret Fan, about Chinese foot-binding.

By now, you’re wondering what shoes have to do with writing. Glad you asked…

A critique partner is rewriting her first novel. Her subject—a teenager struggling with a compulsive disorder that badly affects her appearance—is fresh and compelling. Her voice is wry and funny. For a relatively new writer, she has a strong grasp of how to write good scenes, from heart-rending to laugh-out-loud hysterical.

But, as good as they are, many of them don’t move the story forward.

No matter how hard we critiquers try to shoehorn these wonderful (but unnecessary) scenes into her plot, they don’t fit.

How do you determine if a scene is needed?

Novelist and writing instructor Dennis Foley identifies four major functions of a scene:

  1. Reveal character;
  2. Move the story forward;
  3. Create or increase tension;
  4. Foreshadow.

To test if a scene is needed, figure out what functions it performs. Today’s fast-paced fiction generally requires scenes that multitask, accomplishing two, three, or all four functions.

Revelations about a character can occur on the fly, while the character is taking action that moves the plot forward.

A scene may foreshadow lurking disaster, which increases tension for the reader at the same time it drives the story closer to that disaster.

Dennis offers another tip to determine if a scene is needed: remove the scene. Does the story still make sense? Can the scene easily be plunked down somewhere else in the story?

If so, it’s not part of the causal linkage that moves the story forward.

Causal linkage means something happens in A that leads to B where something else happens that leads to C, and so on. Each scene builds on the ones that precede it.

This tip is easy when stories are told in chronological order with limited characters.

However, what if you’re writing a Ken Follett-style saga or an epic fantasy with multiple plotlines and a large cast of characters? Such stories may jump around to different locations and time periods. That makes it tougher to determine whether or not a scene is necessary.

Even in “big” books, causal linkage can still be determined. Separate each plotline and string its scenes together. You can do this with color-coded index cards, plotting on a spreadsheet, or using Scrivener. After you’ve put all scenes from one plotline together, read them.

Does each scene link causally with the scene before and after it?  If a scene could fit anywhere, it may not be needed.

“But,” the writer protests, “if I cut those scenes, my book will be too short.” 

That leads to the question: how long should a book be? Lee Masterson at Writing-World.com offers guidelines for various genres but his main point is: a book needs to be as long as it takes to tell the story.

Better to write a concise, effective story than one that’s bloated and boring because of unnecessary verbiage added to reach an arbitrary number of pages.

If the story is “too short” as a novel, consider recasting it as a novella, a short story, or a screenplay. In a screenplay, one page equals approximately one minute of screen time. One-hundred-twenty pages is a two-hour movie.

The problem of excess scenes is not limited to newer writers. I just went through it with my current work in progress. About two-thirds of the way into the first draft, I hit a wall. A critique buddy suggested an abrupt, unexpected turn in the plot that punched a hole right through that pesky wall. Her idea was brilliant!

However, that change meant going back to the beginning and rewriting 200+ pages.

I’d worked diligently to hone certain scenes to the height of emotional resonance. As proud as I was of my darlings, they were now dead ends, irrelevant to the new plot direction.

So I used a trick TKZ authors taught me: cut those parts and stick them in an “outtakes” file.

You’re not killing your beloved children but instead sending them to a time-out.

A funny thing happened. Those scenes waited patiently, out of sight and out of mind. When critiquers and beta readers went through the revised draft, they didn’t notice their absence.

Those deleted scenes almost never get put back into the story. As wonderful as I thought they were at the time, those size 10 ½ scenes just plain didn’t fit the size 6AA plot. To shove them back in would require serious shoehorning.

And that just makes my feet hurt!

TKZers, how do you decide if a scene is needed? Do you have hints to chop the excess?

 

 

Debbie Burke’s thriller Instrument of the Devil is on sale in October for $1.99 or FREE on Amazon Prime. Here’s the link.

What’s Your Inspiration to Write Book After Book?

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By SUE COLETTA

After my book signing on Saturday, October 6th, I was mulling over what to write for my TKZ post today, and this little treasure popped into my inbox. The video is so inspirational, I had to share it with you. It’s about four minutes long. If you’re short on time, not to worry. I’ve explained the video below.

Ray Edward’s thought experiment goes like this. Imagine you’ve been given a treasure. This treasure, like all magical treasures, comes with conditions. Here’s the catch. While this treasure is unlimited, each day you can only take one coin. Just one. And every day you suffer from amnesia. You forget you have this treasure and you lose a day of unlimited value.

What would you do to remind yourself? Would you leave notes for yourself? Would you phone a friend and ask them to remind that you have this treasure? How would you remember not to waste a single day?

Here’s a new flash. You already have this treasure. Consider this your reminder. The treasure you’ve been given is your life. Everyday offers endless possibilities, in life as well as writing. Yet we squander so many days with “Someday, I’ll travel. Someday, I’ll finish the manuscript.” Unfortunately, “someday” is often code for “never.”

Life is a mystery. We didn’t know when we’d enter the world and we don’t know exactly when we’ll depart, but we do know someday our life will end. Each day between now and then is a treasure-trove of limitless value.

What will you do with your treasure? Will you spend your time wisely? Will you use the day to hone your craft to achieve your goals? Will you strive to make your dreams a reality? Or will you use excuses for putting off writing till tomorrow?

Hey, we’re all guilty of procrastination from time to time. The trick is, making our writing a priority. Even though writers spend hours alone with a blinking cursor, the stories we write have the ability to entertain, to bring a smile to the lonely widow or widower’s face, to let the exhausted parent escape for a while, to inspire the aspiring writer to dream without limits, to brighten someone’s day, or even, just keep someone company for a while.

Writers hold great power. So, the next time you don’t feel like writing, remember this. Every day you don’t sit in front of that computer with your hands on the keyboard is a day you’ve let down your readers.

Bold statement, I know, but this truth hit home at my book signing.

A woman stood in front of my table, rambling on and on about the characters in my Grafton County Series. She told me she was never what you’d call an avid reader. A friend recommended my books, and she bought MARRED for the heck of it. Three books later, she’s embarrassed to admit that she considers Sage and Niko Quintano her closest friends. So much so, she desperately misses them in between books. The tears in her eyes as she spoke about how much my characters meant to her touched me on such a deep emotional level, it caught me off-guard.

How could I ever let this woman down?

By the time I got my game face on again, I glanced up to see another woman rushing toward my table. Unbeknownst to me, she’s a long-time fan who brought her three-year-old grandson to meet “her favorite author.” I have no idea what his grandmother told him, but this young boy gawked at me as if I were a superhero. The look in his eyes about shattered my cool façade. All I could think was, I’ll never live up to his view of me. << There’s the ol’ familiar self-doubt again. If only there were a way to silence that voice forever. Sadly, as Laura so eloquently wrote recently, self-doubt and writers go hand-in-hand. Sigh.

When this sweet woman asked for a group photo, I couldn’t form the words to tell her how much it meant to me. It’s a day I’ll never forget. It’s also the driving force (writer crack 🙂 ) that’ll keep me tied to my desk, hour after hour, paragraph after paragraph, scene after scene, till I type The End one more time.

 

So, my beloved TKZ family, let’s share inspiration today. Tell me about an encounter with a reader that renewed your love of writing.

Pop Quiz

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Time for a pop quiz to test your knowledge of sneaky word traps writers can fall into.

Today let’s talk about homonyms, homographs, and homophones.

Homonyms are words that sound the same but have different meanings.

Example: “write” and “right.”

Homophones are words that sound alike but have different meanings and spellings.

Examples: rein, reign; aisle, isle; suite, sweet.

Homographs are words that are spelled the same but have different meanings and different pronunciation.

Example: desert (a hot dry place, pronounced with an accent on the first syllable) or desert (to leave, accent on the second syllable).

Don’t worry—the above definitions won’t be on the test. Only hardcore grammar Nazis care.

Some words are just plain confusing. They may sound similar but are spelled differently and have different meanings.

But…professional writers should know how to choose the right word in a particular sentence.

We’ve all typed “there” when we mean “their” or “to” when we mean “too.” Those fall more into the category of typos.

I’m talking about out-and-out goofs because of incorrect word choices. When your book is published, some readers are quite happy to point out those errors that you missed. Embarrassing.

Standards of proofreading and copyediting are on a steep decline. The below examples are boo-boos I’ve collected lately from recently published books, news articles, and blog posts.

See if you can make the right choices.

  1. Juicy gossip (a) peeked (b) peaked (c) piqued her interest.
  2. The hangman held the rope (a) taut (b) taught.
  3. The professor (a) honed (b) homed in on the novel’s theme.
  4. The study (a) sited (b) sighted (c) cited research from the Mayo Clinic.
  5. A serial rapist is careful to (a) allude (b) elude capture.
  6. The eyewitness (a) poured (b) pored over the photo lineup of suspects.
  7. A new zoning ordinance was brought before the city (a) council (b) counsel.
  8. Floodwaters (a) reeked (b) wreaked (c) wrecked havoc in homes along the river.
  9. A depressed person can suffer from (a) deep-seeded (b) deep-seated anxiety.
  10. The state must reduce the budget by (a) paring (b) pairing expenses.
  11. Skateboarders are getting a bad (a) rap (b) wrap.
  12. The (a) effect (b) affect of the new court ruling will (c) effect (d) affect millions of people.

How many of you looked up the test answers on Google? Come on, tell the truth.

That’s OK. It’s not cheating–it’s research. The lesson here is it’s always better to double-check before you submit to an agent or editor who might turn you down because of improper use. Or before you hit the “publish” button on your indie book.

Self-published books carry a stigma because many are full of such errors. If you’re an indie author, don’t contribute to the bad reputation with sloppy word choices.

Now that I’ve reached a certain age, I may think I’m sure about proper usage but sometimes find I’m mistaken. When it’s so easy to check on sites like Grammar Girl or Writing Forward there really is no excuse not to.

Answers:

  1. (c) piqued.
  2. (a) taut.
  3. (b) homed. “Honed” means sharpening a blade.
  4. (c) cited.
  5. (b) elude. “Allude” means to refer to.
  6. (b) pored.
  7. (a) council. “Counsel” refers to advice or legal help, e.g. The judge said, “Let counsel approach the bench.”
  8. (b) wreaked.
  9. (b) deep-seated.
  10. (a) paring.
  11. (a) rap.
  12. (a) effect, (d) affect. These two words are constantly mixed up. Effect is a noun (The effect of the ruling). Affect is usually a verb (The ruling will affect millions)…unless it refers to a blank facial expression known as “flat affect.” Then it’s a noun.

Not only that, affect is a homograph (spelled the same but pronounced differently). When used as a verb, the accent is on the second syllable. When used as a noun, the accent is on the first syllable.

No wonder writers get confused. Glad I was born in the USA because I’d never master the vagaries of English if I had to learn it as a second language!

 

TKZers, how did you do on the quiz?

Which homonyms, homophones, and homographs do you find confusing?

What words do you tend to mix up?

Do you have favorite tricks or tips that remind you of correct usage?

 

During October, here are two ways to get a cheap thrill:

Debbie Burke’s bestselling thriller Instrument of the Devil is on sale for $1.99; or if you’re a member of Amazon Prime, you can read it for free. Click here.

 

Could a Feather Send You to Jail?

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By SUE COLETTA

Raymond Reddington (left), Monny (right), Stretch (center)

While conducting research for my WIP, I stumbled across a law that blew my mind. As many of you know, I’m a huge animal lover. I would no more harm an animal than a member of my family. However, according to this statute, I may have inadvertently broken the law. And you might be guilty, too!

Years ago, I developed a fascination with eagles while writing Wings of Mayhem. When I wrote Blessed Mayhem, I became enamored with crows and ravens, as well. For those who aren’t familiar with Blessed Mayhem, Mr. Mayhem (the antagonist) has three pet crows. So, as the author, I had to know as much about crows as he did to portray him in a realistic manner. For months I studied their mannerisms, favorite foods, habitat, reproductive life, rituals, complex communication skills, body language, etc. And later, befriended a mating couple in my yard. You might remember my post about wildlife.

Some Native Americans believe that when a feather drops from the sky it carries the power of the bird, that crows live in two parallel universes, with one talon in a spiritual realm and one in the physical world, that they’re fore-tellers of change and messengers of the spirit world. When a crow visits, s/he expects to find our authentic self.

In writing, our character’s “authentic self” or “true character” is the 3rd Dimension of Character, the person only those closest to him truly know. The antagonist, especially a killer, will want to portray a false facade in public (1st Dimension of Character) to evade detection.

For my Mayhem Series, I take note of how my body reacts in the presence of crows, and then I transfer that emotion to the page to show Mr. Mayhem’s soft side.

Poe showing Shakespeare how to eat fries.

When my beloved murder of nine glides into the yard — awe-inspiring wings in perfect harmony with members of their tribe — my breath quickens, the world falls away.

As my stiff shoulders ease, I marvel at these incredible birds. I consider it an honor that they’ve let me share in the joyfulness of newborn chicks and the devastation of loss. I’ve reveled in their teachings of how to fly without smashing into a sibling’s wings, the intricacies of how best to crack peanut shells, and the unwavering belief that leftover French fries taste amazing first thing in the morning.

It’s probably no surprise then that when Poe leaves me a feather, I treasure her generous gift. But now, darn it, I found that pesky law …

Authorities created the North American Migratory Bird Treaty Act in 1918 when folks killed too many birds for the sole purpose of adorning their hats with feathered bling. It’s a broad-brush law intended to protect birds. Which is fabulous. The downside is, the law doesn’t recognize the difference between plucked feathers, shed feathers, or bird pieces. None of it is allowed in our possession. The Act lists over 800 birds. Crow feathers top that list, along with eagles, owls, ravens, hawks, and even blue jays.

In order to keep a feather collection, we need to visit our local Fish & Game headquarters and pull a permit. Maybe one of our TKZ legal minds could weigh in on any stipulations of obtaining said permit? I can’t bear to toss the feathers back in the yard, as the law requires. Poe and Edgar might consider it a slap across the beak.

Did you know it was illegal to pick up a feather? According to this law, not only are we required to figure out the exact species of bird who dropped the feather, but we need to cross-check the list to see if the feather is protected under federal law. The harmless act of collecting a feather from your yard could wind up costing you a hefty fine and even a misdemeanor conviction!

This discovery sent shock waves through my writer brain. Perhaps I could use this law in my WIP. We’re always searching for an interesting new angle, aren’t we?

Some of the ways I considered using this law are …

  • What if the detective uses the Migration Bird Act as “probable cause” to obtain a search warrant?
  • What if the confiscated feathers linked a suspect to the victim?
  • What if the detective witnesses a strange man pocketing a protected feather off the beach (yes, sea gulls are also on that watch-list) and he follows him to a killing lair?

None of those worked for my story, though. Too easy. I may have to abandon the idea.

How might you use the Migration Bird Act to heat up the investigation? Were you aware of this law?

 

“Sue Coletta is on a path. She earned her ticket into the crowded arena of dark thriller contenders with her previous novel (“Marred”), and in “Wings of Mayhem” she announces her arrival with the wail of approaching sirens and the quiet horror of a blade swinging at your throat in the dark. Don’t miss this one. A star is born.” ~ Larry Brooks

Look inside Wings of Mayhem HERE.

 

READER FRIDAY: How Are You Supported as a Writer?

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We’ve all experienced the naysayers who put up roadblocks for our writing passion, but what about those wonderful people who helped you nurture your gift? Please share some inspirational stories for those generous people in your life who have helped you write and sparked your passion.

Bonus points for sharing a story of how you paid the kindness forward to another writer. I know it’s hard to brag, but sometimes hearing a good story of support can inspire more of the same gestures.