One New Year’s Resolution

by Debbie Burke

@burke_writer

Welcome back to another year in The Kill Zone!

Yesterday, Kay compiled a great collection of various new year’s resolutions.

Today, I’d like to share a different slant on resolutions, courtesy of bestselling author Eric Barker. For years, I’ve followed Eric’s “Barking Up the Wrong Tree” blog because of his witty, ironic take on human foibles.

Here’s Eric’s humorous perspective about New Year’s resolutions:

Cynically, you could see these resolutions as a yearly exercise in self-delusion. The tradition where we all collectively decide to lie to ourselves in a more structured format. Often, they’re like annual subscriptions we buy for a better version of ourselves… only to realize we’re more into the free trial.

Photo credit: Jon Tyson, Unsplash

 

Eric suggests we tackle this new year differently: Make ONLY ONE RESOLUTION.

That’s right. ONE RESOLUTION.

Eric kindly granted permission to share reasons why a single resolution can be effective and methods to keep that single resolution.

How can writers apply his advice? 

 

Photo credit: RDNE Stock Project, Pexels

 

Stop fantasizing: Year after year, we writers let our imaginations overload us with unrealistic fantasies. We waste energy dreaming about what we can’t possibly achieve.

I’m going to turn out as many books as James Patterson.

I’m going to score interviews on NPR, Good Morning America, and Drew’s TV book club.  

 Lofty goals but, for most of us, not likely.

Better to make one writing resolution that can you have a realistic chance of achieving.

My resolution: Publish the ninth book in my Tawny Lindholm Thriller series.

For some writers, a goal like this is not ambitious enough; for others, it’s too much.

Before you decide on your resolution, examine your individual circumstances. Be honest. 

Do you work long hours at a stressful job? Do you have children and/or aging parents to care for?

Do you have limited physical or mental energy? Do you struggle to concentrate? Are you easily distracted?

Are you a procrastinator? Do you love the idea of writing more than you love actual writing?

After a realistic self-assessment, choose a resolution that’s not a fantasy.

Make a plan: Right now, I’m 170 pages into the above-mentioned ninth book. My goal is to release it for sale by March or April. Based on that timeline, here’s the plan:

  1. Complete the draft;
  2. Think of a title;
  3. Send the manuscript to beta readers then incorporate their suggestions;
  4. Edit;
  5. Have cover art designed;
  6. Format, upload, and proof;
  7. Do pre-release publicity.

Following a step-by-step plan means there’s a good chance I’ll achieve my resolution.

Whether your plan is three steps or 300, if you take one step at a time, you’ll eventually arrive at your destination.

Do the minimum: Eric says, “When we’re too ambitious we’re much more likely to give up altogether.”

After assessing your individual circumstances, set the bar so low, you can’t help but trip over it.

Say you’re a writer who works full-time, cares for family, and lives with long Covid. What is a realistic resolution? Write one paragraph a day. 

RDNE Stock Project, Pexels

Doesn’t sound like much until you add it up.

If a paragraph is 50 words, that’s 18,000+ words in a year. Not bad!

Most important, it’s a resolution that can be kept despite an overwhelmingly busy life. 

That doesn’t mean you have to limit yourself to one paragraph. If the words are flowing, keep going. Write a page, a scene, a chapter.

At one page a day, by the end of 2024, that’s 365 pages.  

 

Make bad habits hard: Eric suggests erecting roadblocks to discourage bad habits. For instance, if you waste too much time on social media, delete distracting apps and shortcuts from your devices. You can still enjoy Instagram or goat yoga sites, but you’ll probably do it less often if you must first enter tedious login credentials every time.

Exception: Keep The Kill Zone readily accessible.

Make good habits easy: When Eric resolved to play his guitar more, he took it out of the closet and set it on a stand in the living room. Cutting time and effort made it easier to strum.

Make the habit of writing easy by keeping your tools accessible.

My laptop is on the dining table where I can’t possibly avoid it. If an idea occurs to me while cooking dinner, the computer is only steps away. HGTV decorators would shudder and our home won’t be featured in House Beautiful. But I get more work done than if it were in the office upstairs.

Leverage friends: Eric says, “Peer pressure can be a good thing.”

Hang out with people who encourage your resolution. Surround yourself with friends and family who will cheer you toward your goal. They pump you up when you doubt your ability or when your resolve falters. They help you over roadblocks.

Real life also includes negative peer pressure from snarky in-laws or jealous coworkers. But strive to spend less time with detractors and more time with positive influencers.

Commitment Devices: Eric’s suggestion below makes me smile because it sums up human nature so well. 

Give $100 to a trusted friend. If you stick to your resolution, you get your money back. Fail, and that money gets donated to the opposing political party’s reelection fund.

Photo credit: Jonathan Borba, Pexels

Instead of kicking off the new year with unrealistic fantasies that are doomed to fail, choose ONLY ONE RESOLUTION that you know you can keep.

Then keep it.

It’s that simple. Really.

Here’s a link to Eric’s full article.

~~~

TKZers: What is your SINGLE RESOLUTION for 2024?

~~~

 

Holiday gift cards burning a hole in your pocket? Please check out Deep Fake Double DownFinalist for the BookLife Prize. Sales link.

New Beginnings

The beginning is the most important part of the work. –Plato

* * *

Happy New Year! I’m honored to be the first to welcome TKZers to 2024! I hope you had a wonderful holiday season, filled with family, food, and fun, Now that the turkey and dressing have all been eaten, the relatives and friends have left, and the decorations have been put away, let’s get back to business.

January 1 is a clear-cut marker, a notch in time for new beginnings. It’s the start of another trip around the sun. Another 365—366 this year—opportunities to imprint our written work on the human experience. So, naturally, we think about how we can best use our time in this new year. Many people choose to make resolutions.

resolution — noun — the act of resolving or determining upon an action, course of action, method, procedure, etc.

Since this first TKZ post of 2024 landed squarely on January 1, I thought it would be fun to see what resolutions are trending this year.

* * *

The following list of the most popular resolutions for 2024 was compiled at forbes.com. The list shows the percentage of people who mentioned each one.

  • Improved fitness (48%)
  • Improved finances (38%)
  • Improved mental health (36%)
  • Lose weight (34%)
  • Improved diet (32%)

Less popular resolutions include traveling more (6%), meditating regularly (5%), drinking less alcohol (3%) and performing better at work (3%).

It’s interesting, isn’t it, that the five major resolutions all concerned health or money.

* * *

Although the Forbes list contains items with admirable intentions, I was more interested in resolutions targeted specifically at authors. So I looked around some more and found several sites that suggested resolutions for writers in 2024. I’ve included the major points from those sites here, but you should visit the sites to get more detail for the individual items.

This list comes from thgmwriters.com:

  1. Read more
  2. Write more
  3. Write to the audience
  4. Paint a picture
  5. Write simpler
  6. Get an editor
  7. Share your writings
  8. Call yourself a “writer”
  9. Start making money
  10. Remain true to yourself

Jeff Goins had a 17-item list:

  1. Measure activity, not results.
  2. Tell the truth
  3. Write what scares you.
  4. Don’t take yourself so seriously.
  5. Try a new genre.
  6. Write when you don’t feel like it.
  7. Do your research.
  8. Rewrite until it hurts.
  9. Shut up.
  10. Read widely.
  11. Fast from social media.
  12. Break a rule.
  13. Publish something
  14. Make money.
  15. Start a blog.
  16. Meet other writers
  17. Quit stalling and get writing!

Did you notice that both lists of resolutions for writers include truth and money? I don’t know what conclusion to draw from that, but it’s interesting.

So resolutions are great. They represent a strong commitment to improvement. However, it’s important to measure progress, so while a resolution might be to “read more,” a goal sets an explicit target: “Read one novel each week in 2024.” Including measurable goals within each resolution gives the best chance for success.

But whether you prefer resolutions or goals, writing them down and posting them somewhere so that you’ll see them during the year is a good idea.

* * *

So TKZers: Did you come up with a list of New Year’s resolutions for writing? Did you see anything on the lists here that inspires you? What other resolutions and goals would you suggest for 2024?

* * *

 

“DiBianca’s plot is tightly woven, but her cast of quirky and lovable characters steals the spotlight.” –BookLife Reviews, Editor’s Pick

Buy at Amazon, Barnes & Noble. Apple Books, Kobo, or Google Play 

It’s a Wonderful Spice: Minor Characters

by James Scott Bell
@jamesscottbell

’Tis the season for Christmas spice. Starbucks has reissued the ever-popular Pumpkin Spice Latte. All over the land people are dipping into their children’s college fund to buy the brew.

It’s also the season for Christmas movies. It’s been a tradition in the Bell family to gather around the hearth…I mean TV…after the Thanksgiving meal to kick off the season. Not with football, but with a classic Christmas movie. Doesn’t matter that we’ve seen it many times before. We’re always delighted, and there’s a good reason for that. I shall explain anon.

But first, here are our top three: Miracle on 34th Street (1947 version only), A Christmas Carol (1951 Alastair Sim version), and It’s a Wonderful Life.

Honorable mention goes to: Die Hard, Lethal Weapon (both, of course, take place at Christmastime), Home Alone, A Christmas Story, The Santa Clause, and Elf. If we’re feeling particularly silly, we’ll pop in Ernest Saves Christmas.

What is it about these movies that warms the cockles of the heart? [Note: The cockles of the heart are its ventricles, named by some in Latin as “cochleae cordis”, from “cochlea” (snail), alluding to their shape. The saying means to warm and gratify one’s deepest feelings.] Of course, most of it is the story itself, uplifting in its own way. A Christmas Carol tells us no one is beyond redemption. It’s A Wonderful Life literally spells out: No man is a failure if he has friends. Die Hard: One New York cop is better than a whole a gang of European terrorists. Etc.

But there’s something else in the best of these movies. I call it the spice of fiction: minor characters. Like nutmeg on your nog or cloves on your honey-baked ham, they up the pleasure. Let me give you three examples.

Thelma Ritter as the ticked-off mother in Miracle on 34th Street

This story has a great premise: What if a department store Santa was the real Santa Claus?

The main characters are perfectly cast. Edmund Gwenn as Kris Kringle won the Academy Award for Best Supporting Actor. Maureen O’Hara was never lovelier; John Payne shows off his light comedy chops; and little Natalie Wood is, as they used to say, cute as a button.

The film is filled with spicy minor characters: the judge overseeing Kringle’s mental health hearing (Gene Lockhart); his political advisor (William Frawley); Alfred, the Macy’s janitor whom Kringle befriends (Alvin Greenman). There’s even one bit in one scene that never gets old. Mrs. Shellhammer (Lela Bliss), the wife of the head of Macy’s toy department, has been plied with “triple strength” martinis by her husband, hoping to get her to consent to having Kringle move in with them. She is completely blitzed as she tries to talk on the phone. Cracks us up every time.

My favorite, though, is the great character actress Thelma Ritter in her very first film role. She’s shopping at Macy’s and lets her little boy chat with Santa. The following ensues:

Later, she tracks down Mr. Shellhammer and compliments him on this “new stunt” they’re pulling. Sending people to other stores! “Imagine a big outfit like Macy’s putting the Christmas spirit before the commercial.” She tells him she is now a dedicated Macy’s shopper.

Kathleen Harrison as Scrooge’s charwoman in A Christmas Carol

Scrooge, of course, mistreats those around him, from his meek clerk Bob Cratchit, to his nephew, to the two gentlemen collecting for charity:

“Are there no prisons?” asked Scrooge.

“Plenty of prisons,” said the gentleman, laying down the pen again.

“And the Union workhouses?” demanded Scrooge. “Are they still in operation?”

“They are. Still,” returned the gentleman, “I wish I could say they were not.”

“The Treadmill and the Poor Law are in full vigour, then?” said Scrooge.

“Both very busy, sir.”

“Oh! I was afraid, from what you said at first, that something had occurred to stop them in their useful course,” said Scrooge. “I’m very glad to hear it.”

And then there is his poor domestic, Mrs. Dilber, whom he underpays and overworks. But on Christmas morning he is a changed man, and Sim spectacularly shows us the transformation. But almost stealing the scene is Miss Harrison:

Bert and Ernie serenade George and Mary in It’s a Wonderful Life

No, not the Sesame Street characters. Bert the cop (Ward Bond) and Ernie the cab driver (Frank Faylen) are friends of George Bailey (James Stewart). George and Mary (Donna Reed) have just gotten married, but George has to stop a run on the Bailey Building and Loan by using all the money he has saved up to take Mary on a honeymoon. Offscreen, while the crisis is being averted, Mary—with the help of Bert and Ernie—arranges for a honeymoon night in an old abandoned house she’s always loved. The astonished George arrives. It’s raining. The house leaks. But there’s a fire and a record player going. That would be a nice, romantic scene on its own, but the addition of Bert and Ernie serenading makes it perfect:

Spend time with your minor characters this season. Make them unique. Allow them to surprise you. Spice up your WIP.

Merry Christmas

Prospero Año y Felicidad

And we’re out. See you right back here on January 1, 2024!

 

Endings: Words of Wisdom

“Sticking the landing” with a novel can be tricky. Wrong tone, wrong payoff, a cliffhanger that withholds some of the payoff and especially emotional resolution, too long a resolution are just examples of endings that don’t work as they should. Endings which can leave your reader unsatisfied.

My novel Empowered: Rebel, the fourth in my Empowered series, ended rather abruptly, immediately after a huge reveal which threw the entire series into a new light, and changed everything for my hero, Mathilda Brandt. Not only did I think this was a fine way to end the novel, I thought it was a fine way to end the series. I couldn’t have been more wrong. Fortunately, I saw the light and wrote Empowered: Hero, the actual final novel for the series, which resolved the series arc, but also had an ending which worked.

With that in mind I’ve found three posts from the wonderful KZB archives that discuss different aspects of endings to share today. Michelle Gagnon asks if thrillers need to have a happy ending, Clare Langley-Hawthorne ponders whether or not you need to provide a resolution, and Joe Moore gives a rundown on the elements of an ending that work.

Does a thriller need to have a happy ending?

Mind you, I’m not panning happy endings. It’s just that at the end of the great ride this book provided, everything was wrapped up so patly it struck me as false. None of the good guys had suffered so much as a serious injury. The bad guys all died horribly. There was even a marriage proposal. All that was missing were bluebirds flying down from the trees a la Snow White.

And to be honest, I felt a little let down. Not that I wanted something terrible to happen to any of the characters, but I wondered: must all thrillers end like this? Because as I started to review the list of bestsellers over the past few years, I couldn’t recall many with unhappy conclusions. (Although I’d love to have someone jog my memory).

Crime fiction films seem less leery of this: I’m not entirely certain that “The Departed” qualifies as a thriller, but it certainly doesn’t have a happy ending. Same with “Seven” and “The Usual Suspects,” two of my personal all-time favorite films.

I understand that there is a level of comfort in having everything tied up neatly at the conclusion of a book, and that happy endings are inherently satisfying.

But notable exceptions like “Sharp Objects” and “In the Woods” really stuck with me after I finished them, since they dared to end on dark and/or ambiguous notes. Neither of those is truly a thriller, however.

So what do you think? Does a thriller need to end on a high note to be satisfying?

Michelle Gagnon—January 14, 2010

This weekend I attended Booktown the annual book festival held in the small Victorian town of Clunes, where I heard Peter Corris, Jean Bedford, and Michael Wilding speak on the topic of the long arm of crime fiction. One issue which prompted some discussion was the issue of whether readers still look for good to triumph over evil in a mystery novel. The panelist seem to think that far more ambiguity is now allowed. They noted that writers such as James Ellroy have already upended the traditional mystery form and felt that it was possible now to end on a note in which evil, while not triumphant, certainly hasn’t been bested by the forces of good.

This got me thinking about the need for a satisfying ending and how, in many books, I have been more disappointed by a trite or glib happy ending than I ever have by books in which evil doers get away (at least in part) with their misdeeds.

Nevertheless, I do think resolution is critical in any kind of novel, and by that I mean that all the critical plot elements have been explained and resolved. I wonder though if I don’t secretly yearn for justice at the end of a mystery or thriller. Would I be satisfied with a conclusion that allowed the crime to go totally unpunished? Would I feel let down if the protagonist failed to succeed in bringing the perpetrator to justice? To be honest I’m not sure.

What about you? What kind of resolution are you looking for in a crime novel? Do you need to see justice done?

Clare Langley-Hawthorne—May 16, 2011

It’s obvious that a strong ending is as important as a strong beginning. Your reader should never finish your book with a feeling that something was left hanging or unanswered that should have been completed. It doesn’t matter if the ending is expected or unpredictable, it shouldn’t leave the reader with unanswered questions. You don’t want to wind up with a dead ending.

Oftentimes, beginning writers don’t successfully bring all the elements of a story together in a satisfying ending. There’s no real feeling of accomplishment at the end. Your readers have taken part in a journey, and they should feel that they have arrived at a fulfilling destination. This is not to say that every conflict should be resolved. Sometimes an open-ended conflict can cause the reader to ponder a deeper concept, perhaps an internal one. Or a more obvious reason to have an unresolved conflict is to suggest a sequel or series. But something has to occur that will give your readers the feeling of satisfaction that the journey was worth the investment of their valuable time and money.

There are a number of basic methods you can use to make sure your ending is not a dead end. Consider ending with a moment of insight. Your character has gone through an internal metamorphosis that causes her to learn an important life-lesson. Her growth throughout the story leads up to this emotional insight that makes her a better or at least changed individual.

Another technique is to set a series of goals for your main character to work toward and, in the end, are achieved. Naturally, the harder the goals, the more satisfying the ending will be for the character and the reader.

The opposite of this technique is to have the protagonist fail to overcome the main obstacle or goal in the story. The ending may not be a happy one for the character, but he can still experience an insight that is fulfilling for the reader. An example of this would be a character who truly believes that riches bring happiness only to find that true fulfillment comes with the loss of material wealth. In the end, the goals of becoming rich are never met, but he is a better person for it.

You might choose to end your story with irony. This usually occurs when the character sets out to accomplish a goal and expects a certain result only to find in the end the result is exactly the opposite. A con artist tries to pull off a big scam only to be conned and scammed by the victim. There’s an old saying that the easiest sell in the world is to a salesman. Watch The Sting.

How about a surprise ending? There’s probably never been a bigger surprise ending than the movie The Sixth Sense. A kid keeps telling a guy that he can “see dead people”. Well guess what? He sees the guy because the guy is dead. There were audible gasps in the theater at the ending of that one.

As you decide on an ending and begin to write it, think of the summation an attorney makes right before the jury goes into deliberation. The final verdict will be whether the reader loves or hates your book. Or worse, feels nothing. Present a convincing argument, review all your evidence, and walk away knowing you’ve done all you can to get the verdict you want.

Joe Moore—January 21, 2015

***

  1. Do you feel thrillers need happy endings to be satisfying?
  2. Do endings need to provide a resolution to work? If not, how do you help the ending satisfy the reader?
  3. What do you think of Joe’s tips? Do you have any additional ones you’d like to share?

This is my last KZB post for 2023. I’ve appreciated all the discussions and comments we’ve had together this year, and look forward to many more in 2024. Wishing everyone wonderful holidays and a very Happy New Year!

Reader Friday: Books Worth Reading More Than Once

We’ve all read books that pulled us in, entertained us, inspired us, informed us, enough that we wanted to read the book again, maybe multiple times.

  1. What books have you reread because they were so good?
  2. Do you plan to reread any of them over the coming vacation?
  3. Would you recommend any of them to the rest of us?

 This is my last post for 2023. I wish you and your family a Happy Holiday season and a Wonderful New Year!

I’m off from blogging in January, but I’ll see you in February!

The Christmas Rescue

By Elaine Viets

 This is my last blog before the holiday break, and I wanted to tell you about my favorite Christmas memory.

When I was growing up in St. Louis, I waited for my grandfather to bring home the Christmas tree. Grandpa had a real knack for picking them.

Every year, he had the worst tree on the block. It was skinny, scraggly and bald. The needles fell off when he brought it through the door.

It looked like a bottle brush.

Grandpa didn’t buy a tree. He rescued it.

He’d wait till the last minute on Christmas Eve. Then he’d stop at the local tree lot and buy one for a buck. He overpaid.

Grandma would take one look at the homely thing and burst into tears. “Just once, I’d like a real tree, like normal people,” she’d say.

We kids would burst into laughter. You had to work had to find a tree that ugly.

Grandpa looked bewildered. After all, he’d saved a poor little tree from a cold lot. And now everyone was mad at him.

Operation Tree Rescue kicked into high gear. Dad would get extra branches from the tree lot and try to drill holes in the spindly trunk to make the tree look fuller. He had to be careful. The tree’s trunk was skinny.

He strung the tree with lights, which made the branches sag. Now we had a bald, round-shouldered tree, like a bad blind date.

Grandma would Christmas cookies and Christmas cards in the wide-open spaces. She brought out the colorful glass ornaments. Then she’d fill the biggest holes in the branches with popcorn strings and beads.

The tinsel went on last. That covered a lot of problematic places. Grandpa’s tree ended up looking like Cousin Itt from the Addams Family.

Meanwhile, Grandma’s normally pristine carpet was knee-deep in needles. The tree shed needles we didn’t even know it had. Grandma vacuumed twice a day, and there were still needles.

Every holiday, Grandpa would surpass himself. No, considering what those trees looked like, he’d outstrip himself. “Next year, just bring home a broom handle,” we’d tell him, as we tried to rescue his latest find. He’d sit in his recliner, looking pleased with himself.

Year after year, the saga of the rescue tree continued. Until it didn’t.

My grandparents are long gone, and I can have any tree I want. Big, beautiful trees. Perfectly shaped trees. Trees that are decorator delights.

But none of them are as good as Grandpa’s rescue trees.

Happy Holidays, however you celebrate.

Radio Redux

By John Gilstrap

I’ve mentioned several times in the Killzone corner of cyberspace that one of the great bits of good fortune I’ve encountered since moving to West Virginia was to nail a regular drive-time co host slot on WRNR/TV10 in Martinsburg. While the primary focus of Eastern Panhandle Talk Radio is on local politics–which are far more abundant than I would have imagined–we frequently feature authors, including our own Debbie Burke and Reavis Wortham.

The format of the interviews is informal and conversational–24 minutes uninterrupted by commercials. With that much radio wave real estate to fill, the interview has to be about more than just the book du jour. Authors of nonfiction have the benefit of being subject matter experts on the topic about which the book is written. It’s trickier with novelists, however, where much of the substance of their story is purely a product of the author’s imagination. It’s incumbent upon the writer to offer up a compelling hook. When Debbie was on to pitch Deep Fake Double Down, the interview was as much about deep fake technology as it was about the book itself. If I were interviewed about the latest Jonathan Grave books, I’d talk about weapons and the Mexican drug cartels.

Remember, the point of a long form interview is to make people interested in you. Of course, you want to hype the book, but the more important takeaway is that you as a person are interesting.

The stark reality of mainstream radio and television is that a relatively low percentage of the audience will be big readers of anything. Of that population of readers, fewer still will be readers of your genre, and a solid percentage will be exclusively fans of nonfiction. Being interesting is the most reliable tool in your kit.

Which brings us to the most critical interview error to avoid.

Those of us who travel to lots of conferences are used to giving presentations that are geared toward other writers. We all have schtick on outlining, character development, techniques to increase suspense and countless other writerly topics about which mainstream broadcast audiences care not one whit.

A couple of weeks ago, we had a local self-proclaimed literary author on the show who literally could not articulate what any of the 23 short stories in his collection were about. He praised his own prose as lyrical and he spoke about the beauty of his language. There was a long riff on synonyms. We know from the interview that the stories in the collection are about “the common struggles we face.” Less clear are what those common struggles might be. Despite multiple attempts to get him to speak about the specifics about the plot or the characters, the author couldn’t turn off his inner MFA-speak to communicate with a mainstream audience. We ended up cutting the interview off after 18 minutes and running the top of the hour commercial set a few minutes early.

My intent with the story above is not to make fun of the author, nor to criticize his book. In fact, I’ll stipulate for the sake of argument that the book is brilliant. It’s a shame that he’d given so little consideration to how to pitch it to strangers.

And here we are at the end of another year. The older I get, it seems the faster the calendar pages turn. As we prepare for our annual hiatus, I think it’s important to impart upon our TKZ family how special a thing we have going here, and how grateful I am to be a part of it. Here’s wishing all of us a glorious Holiday Season and healthy, happy and prosperous New Year!

 

 

Are You Moonstruck?

For the last few days, I’ve felt off. Writing had been difficult. Words refused to flow. Pumping out a decent chapter likened to delivering a 10 lb. baby with wide shoulders and oversized head. Even my playlists didn’t match my mood.

And sure, moments of melancholy go hand-in-hand with the holidays, but that wasn’t it. So, like I often do, I turned to nature for the answer. Specifically, the ebb and flow of the Moon.

When the lunar calendar showed the waning crescent phase, I’d found my answer. We’ve done battle before, her and I.

The waning crescent means one thing: early nights. With the final stretch of this lunar cycle, it’s normal to feel exhausted by the past month and want to unwind as the New Moon approaches. It’s also a time of reflection. Perfect time for journaling and self-care.

I’ve long known how the Moon affects me. It’s undeniable. I also know my views may conflict with yours, and that’s okay. We’re writers, after all. It’s our job and passion to question the mysteries of life.

Why would I believe the Moon is responsible for my lackadaisical mood?

I’m glad you asked. 😉

Let’s first look at the composition of the human body.

According to the Journal of Biological Chemistry 158:

  • An adult human body is made up of about 60% water.
  • The brain and heart consist of 73% water.
  • Lungs are about 83% water.
  • Skin has 64% water.
  • Muscles and kidneys are 79% water.
  • Even bones are 31% water.

The above percentages vary by age, gender, and where people reside. An adult male, for example, needs about 3 liters per day of water while an adult female only needs 2.2 liters. Some of which we derive from food. Keep in mind, fat tissue doesn’t have as much water as lean tissue.

Infants are born with the most water — about 78% of their body. By their first birthday, that number decreases to about 65%.

Water serves several essential functions:

  • first acts as a building material, then provides nutrients to every cell in the body
  • regulates internal body temperature through sweating and respiration
  • metabolizes and transports carbohydrates and proteins in food to the bloodstream
  • assists in flushing waste through urination
  • acts as a shock absorber for brain, spinal cord, and fetus
  • creates saliva
  • lubricates joints

With all the water in our bodies, how could the Moon not affect us? 

If you’re still not convinced, perhaps it’ll help to understand how and why the Moon wields great power.

Tides

The Moon’s gravitational pull generates something called “the tidal force.” The tidal force causes Mother Earth — and its water — to swell on the sides closest and farthest from the Moon. These bulges of water are high tides. As the Earth rotates, our regions pass through both stages every day. If we’re in one of the bulges, we receive a high tide. If we’re not, it results in a low tide. This cycle of two high tides and two low tides occurs on almost all of the world’s coastlines. The rare exception is when the tide circles around an island, like in New Zealand.

In addition to the tides, the Moon controls time, light, and stable seasons.

For many animals, particularly birds, the Moon is essential to migration and navigation. Others will time their reproduction to coincide with the specific phases of the lunar cycle. There’s also a whole world of fascinating adaptations relating to tides and the unique properties of moonlight.

Power of Lunar Cycle

The lunar cycle changes circadian rhythms — day/night cycles driven by Earth orbiting the Sun. Human circadian rhythms are easily thrown off by jet lag or when we change the clocks. But circalunar rhythms, which are tied to lunar cycles, can also impact us.

Circalunar rhythms are difficult to discern, but they effect different types of organisms. Some animals respond to both a circadian rhythm and a lunar clock. I recently wrote an in-depth article about why animals don’t get lost that may interest you.

“The Moon has been up there as long as evolution has been taking place, and lunar rhythms are embedded in the life cycles of many organisms. The challenge is working out when the Moon truly is a factor and what is merely myth and legend.”

— Dr. Tom White, Senior Curator of Natural History Museum

Day Length

The gravitational pull of the Moon is slowing Earth’s rotation, an effect known as “tidal braking,” which increases the length of our day by 2.3 milliseconds per century. Early Earth was spinning at a much faster rate. According to computer models, we had a six-hour day 4.5 billion years ago. Since then, with the help of our Moon, the Earth’s rotation has been slowing. The result is longer days.

Seasons

The giant impact that formed the Moon may have tipped the Earth and contributed to the 23.5° tilt of our North Pole. This tilt gives us our seasons.

The Moon’s gravitational pull acts like training wheels for Earth on its journey around the Sun, and keeps the axis pointed at a consistent angle. Without the Moon, the Earth’s stately progression through spring, summer, fall, and winter would have massive fluctuations.

If the Moon controls tides (with help from our Sun), time, light, and seasons, it’s naïve to think it can’t impact human life. Or maybe, you’ve never given it much thought.

Fair enough. We do live busy lives and have different interests.

A few fun facts:

  • Behaviors of several species have been linked to lunar periodicity.
  • The word “lunacy” stems from the Latin word “lunar,” which means “Moon.”

Ask your local police if crime rises during a full Moon. Many will say yes. A registered nurse friend of mine swears the nursing home goes berserk during a full Moon. Yet, neither have been scientifically proven as cold, hard facts. Doesn’t mean they aren’t true, but I’d be remiss if I didn’t mention it.

  • Some philosophers say the Moon affects human behavior and health by its gravitational pull on body fluids.

The gravitational pull is so strong, our planet’s crust is stretched by these same tidal effects on a daily basis.

Can the Moon Disrupt Sleep?

2021 study found that people fell asleep later and slept less overall on the nights before the full moon — called Moonstruck sleep. Other research suggests the full Moon may be associated with less deep sleep and increased REM (rapid eye movement) latency.

Sleep latency is the period between when you first fall asleep and when you enter the first stage of REM sleep. So, increased latency means it takes longer to reach REM sleep.

As restrictions in sleep duration have been shown to adversely affect glucose regulation and physical activity to improve glucose regulation, one could argue cardiometabolic risk factors might also be affected by the lunar phase.

Despite dismissal by many non-holistic practitioners, scientific studies show we sleep less during certain Moon cycles.

“While the sun is the most important source of light and synchronizer of circadian rhythms for almost all species, moonlight also modulates nocturnal activity in organisms ranging from invertebrate larvae to primates. Moonlight is so bright to the human eye that it is entirely reasonable to imagine that, in the absence of other sources of light, this source of nocturnal light could have had a role in modulating human nocturnal activity and sleep.

 

However, whether the moon cycle can modulate human nocturnal activity and sleep remains a matter of controversy. Some authors have argued against strong effects of moon phase on human behavior and biological rhythms, but recent studies have reported that human sleep and cortical activity under strictly controlled laboratory conditions are synchronized with lunar phases.”

Some people are biologically more sensitive to the lunar clock than others, along with the Moon’s alignment with astrological signs.

So, TKZers, if you’d rather snuggle up with a good book or watch a sappy Christmas movie, I grant you whatever permission you may need to go for it. When the New Moon arrives on the 13th, light up the keyboard!

I have only one question for you today. How are you, friend? 

This is my last post before our holiday break. Wishing you and yours a joyous season!

 

 

 

Your Book Means Something

by James Scott Bell
@jamesscottbell

In her excellent recent post Kris wrote:

I know you’re tempted to dismiss theme as mere enhancement. Le cerise sur la gateau, as the French say. But it’s essential. Try this experiment: Write the back copy for your work in progress — three paragraphs at most. Ha! Can’t do it? Well, you might not have a grip on what your story is about at its heart. Now often your theme doesn’t show itself until you’re well into your plot. Well, that’s okay. But when it begins to whisper, listen hard. Good fiction, Stephen King says, “always begins with story and progresses to theme.”

No matter what you do, your book will have a theme (or meaning) at the end.

Because your characters carry a theme. Always.

Do the good guys win? Justice will triumph.

Do the bad guys win? Justice is a myth. (This is the theme of Woody Allen’s Crimes and Misdemeanors.)

So: you can set out to say something, or can wait to see what you’re saying. But say something you will.

As Viktor Frankl puts it in his classic book on the subject, “Man’s search for meaning is the ultimate motivation in his life.” It is a subconscious reason readers pick up books. In the fictional search, they also are exploring their own inner territory.

Vision

Develop a vision for yourself as a writer. Make it something that excites you. Turn that into a mission statement—one paragraph that sums up your hopes and dreams as a writer. Read this regularly. Revise it from time to time to reflect your growth.

Root that inspiration in the world—your observations of it, and what it does to you. “I honestly think in order to be a writer,” says Anne Lamott, “you have to learn to be reverent. If not, why are you writing? Why are you here? Let’s think of reverence as awe, as presence in and openness to the world.”

If you stay true to your own awe, your books cannot help but be charged with meaning. That’s not just a great way to write. It’s a great way to live.

What Theme Is

Theme is a statement about life. It can be implicit or explicit, subtle or overt. But it must come through fully realized characters engaged in a believable plot. Otherwise the book will come across as a thinly veiled essay, sermon, or jeremiad.

Now, there is nothing wrong with “message fiction.” In message fiction an author says to the reader: I have strong, heartfelt beliefs about this issue — and I think I know what the truth is. I’m going to reveal that truth in this novel, through the lives of these characters, and I hope to convince you to believe as I do. It’s not a matter of shades of grey. There is a right and a wrong here, and everything depends on my convincing you to cling to the right.

But the key word here is not message; it’s fiction. If your book doesn’t work as a story, the message will fall flat.

Uncle Tom’s Cabin is message fiction. So is To Kill a Mockingbird. The Narnia books of C.S. Lewis are message fiction, but they work as engaging stories with characters we care about.

Donald Maass says:

A breakout novelist believes that what she has to say is not just worth saying, but it is something that must be said… Strong novelists have strong opinions. More to the point, they are not at all afraid to express them.

But the key word here is not message; it’s fiction. If your book doesn’t work as a story, the message will fall flat.

Uncle Tom’s Cabin is message fiction. So is To Kill a Mockingbird. The Narnia books of C.S. Lewis are message fiction, but they work first as engaging stories with characters we care about.

Try This:

  • Write down the five things you care most about in the world.
  • Now the five people you most admire.
  • For each of the above, write 250 words about how you feel about each one, as if you had to convince a skeptic of the truth of your convictions.
  • Now pick one of the paragraphs and put that fire and emotion inside your main character. How might your MC show that on the page?
  • Go to the end of your WIP (either as written or as it might be written) and ask your character to explain to you what life lesson he or she has learned through the struggle of the plot. (In mythic structure, this is called “the elixir” which the hero carries back to benefit the community.) There’s your theme.
  • Or look to your character’s “mirror moment” to find what your story really means.

Over to you now. Do you think about theme before you begin to write? Or do you let it emerge as you go? Or do you not think about it at all?

Is there a theme you see recurring in your writing?

This post is brought to you by the audio version of The Mental Game of Writing. I was invited to try Kindle Direct Publishing’s beta of “virtual voice” narration. Since I have narrated a few of my writing books, this is an experiment in saving massive amounts of time. What took me 10-15 hours before (narrating, editing, etc.) now takes 10-15 minutes to set up and go live. You can listen to a sample of the result here.