Interview with Kathleen Reardon, mystery author

Photo courtesy of Kathleen Reardon

Today, I’m visiting with mystery author Kathleen Reardon, Ph.D. She is professor emerita in management at the University of Southern California’s Marshall School of Business and now lives in Ireland. Her website is aptly named comebacksatwork.com because she is an expert in comebacks!

We “met” through the Authors Guild discussion group while discussing new strategies for book launches during the pandemic. The more we “talked,” the more I thought her story of persistence in the face of daunting setbacks would interest TKZ readers.

While Kathleen’s accomplishments are extraordinary, the challenges she had to overcome are even more extraordinary.

Welcome to The Kill Zone, Kathleen!

Debbie: Your background is academia and you have written numerous award-winning, bestselling business books. What prompted you to write fiction?

Kathleen: As a teenager, I loved writing fiction and poetry. My junior year English teacher, Judith Kase, was particularly encouraging. Back then, I expected to be a writer and English teacher for life, but my career took me on to an MA and Ph.D. in communication sciences, college teaching and research. There was little time for creative writing, especially prior to tenure. At thirty-two, I was diagnosed with breast cancer. Recovery took a while as did salvaging my career.

The fiction writing bug finally bit and wouldn’t let go in my early forties. My father had encouraged me to write fiction. He thought I’d pushed it aside long enough, but there was still the challenge of becoming a full professor. I also had three young children. So, I wrote most of Shadow Campus, my debut novel, during summer breaks until 2012 when I focused and got it done.

DB: What was the spark for this book and/or your series?  Please share how you came to write it.

KR: The spark for Shadow Campus was being the first woman to go up for tenure at a top business school. Breaking the glass ceiling is never easy. Change is hard. Sometimes resistance leads to incivility. One day I woke up early and began writing. Over the next week, I got the bones of the story on paper. I just couldn’t stop. Shadow Campus was born that week and I was en route to becoming a mystery author.

 Damned If She Does (2020) is a stand-alone sequel. Here again, the spark was experience as a female professor. I wrote most of the novel before MeToo began. It’s first and foremost a New York City crime mystery. But fiction often conveys messages about reality. A major subplot deals with abuse and the potential consequences of secrecy. Is there a best way forward? Is it better personally and for society to identify a perpetrator? Or are women damned if we do and damned if we don’t?

DB: A reviewer of your debut novel draws an interesting comparison between academia and organized crime! Is there an element of truth? Does it apply to Damned If She Does too?

KR: In my nonfiction, especially The Secret Handshake and It’s All Politics, I write about levels of politics in organizations from church choirs to multinationals – the worst of these is pathological politics. In my first trade book, They Don’t Get It, Do They?,as well as my Harvard Business Review classic, “The Memo Every Woman Keeps in Her Desk,” my focus was on the challenging road many women travel when they endeavor to be recognized and promoted for exceptional work. Weaved throughout both of my novels are insights from that work.

In Shadow Campus, Meg has all the credentials for promotion. Yet, in the opening scene – the night before her tenure decision – she is found hanging in her office, nearly dead. We learn that this crime was facilitated by several characters. I think that’s what the reviewer saw as “organized crime.”

DB: Readers are interested in your particular process for writing. Do you have special or unique techniques you use?

KR: People ask me how I keep readers from knowing who did it. The answer: I hide it from myself. Any of the primary characters could be the killer and I keep several as candidates until near the end. It’s a lot like spinning a number of plates, but that’s what I enjoy about mysteries. If I know precisely “who done it” while writing, there’s a good chance that I’ll accidentally telegraph that to my readers. So, keeping me in the dark keeps them in the dark too. I truly enjoy that aspect.

DB: You “interviewed” one of your main characters for a post on your website. What a great idea (which I’m going to steal)! Tell us about that.

KR: Shamus Doherty, Meg’s older brother, is a diamond in the rough. Many women who’ve read my two novels consider him very appealing. He’s complex and caring but a bit rough around the edges – gruff when he means to be tender. These characteristics wreak havoc with his love life. He can be overbearing as an older brother. To his credit, however, he does learn.

My interview with him was a chance to get inside his head a bit. He didn’t want to be interviewed, but he felt obliged because I’d created him. His wit and charm came through. I merely wanted to give him a chance to speak for himself. I can hear him now denying that altruistic claim. Be that as it may, I think he kind of likes me.

DB: Is there anything else you’d like to share with TKZ?

KR: I was fortunate to attend an Authors Guild webinar with Margaret Atwood and Judy Blume. It was great. Margaret said you need to grab the reader by page 5. By then he or she knows whether this is a door worth walking through. I think that’s great advice. Judy said she misses the freshness of being a new author. That’s food for thought. How do we get that back each time we sit down to write? I tend to take walks, enjoy nature, step away from the story and then allow myself to become enthused with where the characters are likely to take me next.

Book three of the trilogy is calling me. It will be based in West Cork, Ireland.

Thank you, Kathleen, for visiting TKZ! Congratulations on your new release, Damned If She Does, which Kirkus Reviews named among “Great Indie Books Worth Discovering.” 

~~~

TKZers: Do you have special tricks that propel you over the hurdles of writing? Have you come back from misfortune? 

~~~

 

 

 

Debbie Burke’s thriller, Dead Man’s Bluff, is available for pre-order at this link for only $.99. Publication date: June 23.

First Page Critique: Falling Free

Today we have a first page critique for a project entitled Falling Free. My comments follow so see you on the flip side (and enjoy because I think this is a great first page!).
Title: Falling Free

I fell hard to the closet floor.

My head hit the carpet. My arms just kind of flopped where they wanted.

I lay there, wondering what’d happened.

The carpet in this Seattle hotel smelled like it’d been shampooed recently. I used to be a hotel maid, so I know about carpet smells.

I stared at the ceiling for a bit. There was a black spider in the corner, moving its legs slowly, like it was doing yoga or something. I tried to mimic its movement, but couldn’t get my arms to respond.

My head hurt a little. I closed my eyes, I swear, just for a moment.

The next thing I knew, a cop bent over me. He stared for a minute, then put his gloved hand on my shoulder and rolled me up slightly.

I guessed he was looking at the back of my head.

He settled me back down on the floor, then leaned over and brushed my long hair away from my face. He smelled like stale cigarettes and had kind brown eyes.

My wallet appeared in his hand. “Junie. That your name, honey?”

I heard movement beyond him. The room outside the closet suddenly seemed filled with people, snapping pictures, going through drawers, talking on their cell phones. Saying things like “next-of-kin” and “keep the media out”.

Didn’t make much sense to me. Who’d care, anyway?

The cop yelled out the closet door. “Hey, Jimmy! Get the boss on the phone.”

“Okay, Frank.”

Then another cop, Jimmy presumably, entered the closet and handed a cell phone to Frank.

“Why don’t you get yourself a phone, Frank?”

“Why should I when you’ve always got yours?”

Jimmy left the closet in a huff.

“Yeah, hey boss.”

His eyes strayed to where it’d landed when I fell. “Nah. Nothing to do here. Get the crew over.”

Frank snapped Jimmy’s phone shut and stuck it in his shirt pocket.

He stood, looked down at me, shaking his head. “What’s your story, Junie?” He lingered over me a moment longer, then turned and walked out of the closet.

I heard him give orders to those in the room, to get this wrapped up. The scurrying intensified, doors and drawers slamming. Then it was quiet again.

Just Frank, studying me from the closet doorway.

My story? You don’t really wanna know, Frank.

I could’ve changed things. Put that in your report.

Comments:
I thought this first page was a great example of ‘less is more’ with short, snappy paragraphs that nonetheless evoked the scene, well-paced and believable dialogue, and a POV/voice that was already compelling. Bravo to our contributor!
For once I have very little to say in terms of input or advice…but if I was to make some recommendations (and honestly this piece is fine to stay as is!) they would be:
  • Perhaps consider one more sentence to give a sense of the injury that’s occurred (as it sounds like something far worse than just falling on carpet).
  • Perhaps consider a brief sentence in the closet describing the iron/ironing board or clothes/robe hanging – just something that might reveal whether this is a seedy hotel, a motel 6 or a more up-market hotel…
  • Possibly clarify time period as it sounds like it’s the 90’s (e.g. Frank snapped Jimmy’s phone shut) but I wasn’t totally sure.
  • This could also be important as I didn’t quite believe Frank wouldn’t have a phone these days (definitely would believe it if it was the 90s) – otherwise I was going to recommend changing “why don’t you get yourself a phone, Frank” to “why don’t you ever have your phone with you, Frank”,  if it was contemporary.
  •  I wasn’t quite sure how Junie could see the room outside the closet from the floor (she’d settled back down after the officer had originally rolled her up slightly). Maybe just have some movement (turned her head, or her eyes saw over the officer’s shoulder…something like that…)
  • Finally, I didn’t love the title ‘Falling Free’ – although without knowing more about the book I can’t really give good input, except to say that my initial reaction to this title was ‘meh’:)
All in all I think this is a really strong first page – TKZers, what do you think? What advice or recommendations would you make?

Public Speaking for Writers

by James Scott Bell
@jamesscottbell

Mark Twain

On occasion here at TKZ we’ve posted on the topic of public speaking for writers. Examples are here (Gilstrap) and here (Burke). Today I’ll add a few of my own tips for the scribe who gets a yakking gig. The first comes by way of Mr. Mark Twain.

Before his books and stories began to appear, Twain gained celebrity as a lecturer. Working as a correspondent for the Sacramento Union newspaper, he’d sent in dispatches on what were then called The Sandwich Islands (Hawaii). These proved wildly popular. When he returned stateside in 1866, he pondered how he might use this bit of renown to expand his wallet.

One possibility was delivering a lecture based on his columns. Encouraged by a friend, Twain rented a San Francisco opera house and charged $1 a ticket. He wrote up an advertisement for the newspapers:

MAGUIRE’S ACADEMY OF MUSIC
PINE STREET, NEAR MONTGOMERY

MARK TWAIN

(HONOLULU CORRESPONDENT OF THE SACRAMENTO UNION)
WILL DELIVER A LECTURE ON THE SANDWICH ISLANDS

AT THE ACADEMY OF MUSIC
ON TUESDAY EVENING, OCT. 2d

In which passing mention will be made of Harris, Bishop Staley, the
American missionaries, etc., and the customs and characteristics
of the natives duly discussed and described. The great volcano of
Kilauea will also receive proper attention.

A SPLENDID ORCHESTRA
is in town, but has not been engaged

MAGNIFICENT FIREWORKS
were in contemplation for this occasion, but the idea has been abandoned

A GRAND TORCHLIGHT PROCESSION
may be expected; in fact, the public are privileged to expect whatever they please

Dress Circle, $1.00 Family Circle, 50c
Doors open at 7 o’clock The Trouble to begin at 8 o’clock

Twain was nervous that evening, sure he’d be facing a mostly empty house. In fact, the place was packed. But when he first stepped out into the lights he was sandbagged by stage fright. He was, as one biographer put it, “wobbly-kneed and dry of tongue.” As the introductory applause died down, he told himself, “These are my friends.” His nerves began to calm. He spoke to the audience as if he were seated with pals around a cracker barrel in some old mining town.

The lecture was a hit.

Afterward, and older man found his way to Twain and asked, “Be them your natural tones of eloquence?”

Which is my first bit of advice for a speaker: Be yourself. Use your natural tones of eloquence. Don’t sound like a speechifier. Speak as you would to a group of friends.

Second bit of advice: Your address should have one main point. I wrote some time ago about my ride with Justice Thurgood Marshall, who told me the best oral arguments in the Supreme Court were designed around winning one, primary point.

Knowing the single point you want to make will take care of 50% of your nervousness. Write down that point in a sentence. For example: Anyone can improve as a public speaker if they will follow a few fundamentals.

Then design your speech to “prove” that point and inspire your audience to take action.

How do you prove a point? With evidence. In a speech, anecdotal evidence is best, because it’s a story, and stories make lectures come alive. In a speech about the above point, I might bring Mark Twain in again as “evidence” for the fundamental “Always leave them wanting more.”

In a 1901 lecture Twain reported:

“Some years ago in Hartford we all went to the church on a hot, sweltering night, to hear the annual report of Mr. Hawley, a city missionary, who went around finding the people who needed help and didn’t want to ask for it. He told of the life in the cellars where poverty resided, he gave instances of the heroism and devotion of the poor … Well, Hawley worked me up to a great state. I couldn’t wait for him to get through. I had four hundred dollars in my pocket. I wanted to give that and borrow more to give. You could see greenbacks in every eye. But he didn’t pass the plate, and it grew hotter and we grew sleepier. My enthusiasm went down, down, down – $100 at a time, till finally when the plate came round I stole ten cents out of it.”

Third tip: If you can get a laugh, it always helps. The easiest way to get a laugh is with a good anecdote, like the above. That way it doesn’t seem like you are trying to tell a joke, which can sometimes fail. Pepper your speech with a few choice quotes, too.

Fourth tip: Take off your name badge when you speak. It’s distracting.

Fifth tip: Don’t mangle the opening. The audience sizes you up within the first seven seconds. So don’t waste time with impromptu thanks (“Thanks, Fiona, for that lovely introduction”) or currying favor (“It’s so nice to be here tonight”) or, egad, confession (“I’m a little nervous, so I hope you’ll forgive me.”)

Instead, when you get to the podium, pause for three seconds. Then launch with one of the following:

Quote

“It was Mark Twain who said, ‘It usually takes me more than three weeks to prepare a good impromptu speech.’ ”

Statistic

“Eighty-three percent of Americans fear public speaking more than they do death. According to Jerry Seinfeld, that means if they go to a funeral they’re better off in the casket than giving the eulogy.”

Story

Arriving at a small town to give a lecture, Mark Twain went to a local barber for a shave. When Twain mentioned it was his first visit to the town, the barber said it was a good time to be there, because Mark Twain was going to give a lecture that night.

“You’ll want to go, I suppose,” the barber said.

“I guess so,” said Twain.

“Well, it’s sold out,” the barber said. “You’ll have to stand.”

“Just my luck,” Twain said. “I always have to stand when that fellow lectures.”

Where do you find such material? Research, of course, which is rather easy these days via the internet. But I’ll mention one favorite resource I’ve used for years—The Little, Brown Book of Anecdotes.

And now, lest you be tempted to remove a dime from the collection plate, I’ll stop.

You’ve all heard some great speeches. What have you noticed about them, and the speaker?

A Day in the Life of a Coroner

My last piece on The Kill Zone was about a day in the life of a detective. I was a criminal investigator for Canada’s national police force, the RCMP, and retired after 20 years of service with the Serious Crimes Section. We mostly concentrated on murder files, so I had a bit of contact with cadavers.

I left the detective business to take an appointment as a coroner. That gave me another investigation career as the guy no one wants an appointment with—Doctor Death. It was a smooth and fitting transition. I have to say I enjoyed the challenge.

People often wonder about the difference between a coroner and a medical examiner (ME). Simple, I say. It’s a lot cheaper to hire a fee-for-service coroner to do life’s dirty work than employing a full-time physician or pathologist.

The two death investigation systems, MEs and coroners, are used all across the civilized world. It depends on the region and the history as to what form the death investigation office holds. Coroners originated in Jolly Old England where the “Crowner” was appointed by the King or Queen to make sure no monkey business happened with royal subject bodies before due death taxes were collected.

Moving forward to the twentieth and twenty-first centuries, the coroner service served its purpose in smaller areas with low-volume death loads. It was usually a good ole’ boy in the community who got the coroner nod, and he was trusted to be fair and impartial when ruling on death causes. It didn’t always turn out that way.

As medical and forensic processes evolved, so did the need for specialized skills and knowledge. Look at it this way. The medical examiner is a highly-trained professional who employs field investigators and in-house technicians. It’s ideal for big city areas because of body counts. Coroners were appointed as fee-for-service retainees on a case-by-case basis in low-volume sites.

It’s much more economical to pay a coroner $80K per year to do death investigations and write rulings than it is to keep a forensic pathologist on staff at $200K-plus. Then, there are employee expenses where medical examiners keep payroll workers with overheads whereas a coroner sub-contacts undertakings like autopsies and toxicology examinations. Coroners pretty much go it alone.

It’s all about money. I can’t say one system is necessarily better than the other. We used a coroner service where I worked near Vancouver, British Columbia. You might note the term “British” as this place was settled by the Brits who evoked their coroner system. If it ain’t broke, don’t fix it, so it stayed.

Before getting on with what a coroner does in a typical day, let me tell you how I snagged a coroner appointment. You don’t apply to become a coroner and there’s never a job posting. It’s a secret society. Masons. Skull & Bones. Illuminati.

You’re carefully scrutinized, then cautiously invited into the service because you have something valuable to offer and no skeletons in the closet. That’s either investigation experience or medical knowledge. It’s no coincidence the vast majority of coroners I worked with were cops and nurses who took early retirement to double-dip pensions. I had no problem with that.

It sounds like an old boys club situation, right? Well, in my case it was the old girls who took a chance on me. I knew Rose when I was a cop and she was a field coroner. She moved up the ladder to be the boss and it seemed she thought I was a good fit.

The other good ole’ girl was Barb. She was a rare bird who didn’t come from the usual suspects. Barb was a high-profile, investigative crime reporter. I was her snitch, er, ah, contact inside the police department. We were also good friends and, when Barb got settled into a coroner appointment, she vouched for me.

Coroners in Canada get judicial appointments—we’re not elected. And, there’s immense power in a coroner’s hands. We’re essentially independent Supreme Court Judges whose rulings on death cases stand, except for a very tough appeal process through the federal justice minister. As coroners, we signed our own warrants like being able to search any place at any time or go out and exhume the dead.

Okay. That’s the deal of how I got the job. For this piece, I looked in my journals to find a typical day where interesting stuff went down. Many days in a coroner’s life are routine but this Tuesday in June certainly was not. It was the day we autopsied Mister Red Pepper Paste Man.

It started the day before. I got a field call of a sudden death in an apartment block. The cops were the first on the scene, and they didn’t have any valid foul play concerns, but the place was a slight mess with things knocked about. They also told me the neighbors reported a short screaming fit coming from the dead man’s apartment which they said sounded like someone skinning a live cat.

In death investigations, we focused on a triangle of information. One was the body and what its condition told us. Next were the scene and the general or specific details. Third was the medical history of the deceased. In other words, was this a medical time bomb waiting to explode?

That didn’t seem to be the case with Mister Red Pepper Paste Man. Here was this skinny old guy lying on the floor in the fetal position. He was in the kitchen, and it was relatively tidy except for a few items like an overturned chair, some dishes on the floor and some partially-eaten food.

The first thing I looked for was his meds. Time bombs usually have a pharmacy stored somewhere. That wasn’t the case with Mister Red Pepper Paste Man. I couldn’t find a thing—certainly nothing to identify a family doctor who could say he was long past his best-before date.

Then, there was the neighbor information that indicated he’d gone into some sort of painful distress. Myocardial infarctions and brain aneurysms will do that, so I suspected a jammer or a cerebral bleed. I bagged Mister Red Pepper Paste Man and hauled him back to the morgue.

That was Monday. There was a vacant postmortem spot for first thing Tuesday morning. I got there early and had a chat with my pathologist friend, Elvira. I told her about the scene and commotion. She just shrugged and said, “Let’s see”.

Elvira and the diener, or morgue attendant/autopsy technician, did the usual incisions and ruled out the heart and brain. Then she opened the stomach. “Whoa! Look at this!”

Even Elvira stepped back. The stomach contents were alive. They were positively moving in a mass of reddish pasty mess.

“Go back to the scene,” Elvira instructed. “Look for anything he’d been eating and bring it to me.”

I left Elvira and the diener to sew-up the man and put him back in a drawer. The apartment wasn’t far from the morgue so I was back there in about ten minutes. I saw right away what I hadn’t noticed before. There, on the kitchen counter, was an open jar of red pepper paste. There was also a knife, a toaster and a part-eaten sandwich.

I looked in the jar. It, too, was alive with a pathogen culture. Like, it was squirming as if trying to leave. With double gloves, I put the nearby cap on, put the bio-hazard in a container and took it back to Elvira.

“I thought so.” Elvira also double-gloved. She wore a Hazmat-rated respirator as she cultured a slide and put it under the microscope. “Botulism.” Then she looked at me and kind of smiled. “You know they make Botox out of this shit, don’t you?”

That was the story about Mister Red Pepper Paste Man, and he must have had an excruciatingly painful death. Another file I had going was this strange series of disarticulated feet stuffed inside running shoes that sporadically washed up onshore. Our city across from Vancouver was the center of Pacific tidal waters that merged the huge Fraser River drainage with the saltwater basin that extends through Puget Sound to Seattle. Around us was a breakwater of islands, small and large.

For the last three years, there was something strange in the neighborhood. These stupid severed human feet in runners kept popping up, and it created quite the stir. Major media outlets loved the story. They speculated anything from a serial killer with a foot-fetish to a weirder-than-normal satanic cult was behind it.

We, in the coroner service, liked to rely on science more than sorcery. It was Barb who first thought these floaters were from suicide bridge jumpers in the Fraser Valley. Barb theorized the jumpers would go into the cold Fraser freshwater and sink, then get dragged along the bottom out to the warmer seawater. Here, nature’s decomposition action, along with marine life caused the ankles to disarticulate and the foot-encased shoes would bob to the surface.

But why did this start happening now? We never heard of this before. Barb loved jigsaw puzzles. She always had one on the go in her office, and I think she saw the floating feet like a puzzle. She sniffed and she snooped and she solved the mystery.

Barb found it was simply a chemistry advancement compounded with economics. One thing all the shoes had in common—thirteen feet in total—was they were Chinese knockoffs sold in discount stores. To save production and shipping costs, the shoe manufacturers switched to a high-tech, lightweight polypropylene sole that floated like cork. The files remained open while we tried to make DNA matches to missing people.

In The Attic – A Psychological Thriller Based on a True Crime Story – is available PERMAFREE on Amazon

My cell toned. It was a cop from one of the Gulf Islands which ringed our area like a fence. He said they had a death to report, but he didn’t know the cause. He was following protocol as all sudden and unexplained deaths, by law, had to be reported to the coroner.

“Any sign of foul play or accident?” I immediately asked this to qualify if I should attend the scene. This island was a half-hour ferry ride each way and attending unnecessarily would take a chunk of what was left in the day. I’d only go that distance if there could be trouble down the road like criminal charges, lawsuits or a public inquest.

“Nope,” he replied.

“What’s the circumstances?” That was always my nest question.

“Looks natural to me.” The officer had no concerns. “It’s an elderly lady discovered dead in bed. Found by her daughter who said they’d long expected it. Her prescriptions cover the usual for the aged.”

“Have you got the family doc’s name and number?” I knew this was shaping up to be a Coroners Act Section 15 case where I had no jurisdiction in a natural death—only in homicide, accident and suicide. Here, the family doctor was responsible for determining the medical cause of death (MCD) and sign the death certificate (DC).

I copied the info, then asked the officer to take some scene photos and email them to me. “If there’s nothing weird,” I said, “like a screwdriver in the back, then you’re okay to remove the body.” Legally, no one can touch a dead body without a coroner’s approval.

I called the doctor and had her sign off. There was nothing weird in that case, and there’s nothing weird in most cases. Except for this one.

I had an open file waiting for toxicology results. It wasn’t the cause of death I questioned. That was obvious. It was what drove someone to commit such a horrific act of suicide.

I never saw anything like it. Not in my detective days. And, not in my days as a coroner.

I attended a death scene like no other. A sixty-six-year-old grandmother with no known history of mental or other illness—certainly not suicidal tendencies—had phoned her daughter to come and pick her up to go shopping. The daughter arrived with the eight-year-old granddaughter and couldn’t immediately find the senior. They walked about the house and heard a buzzing sound coming from behind a closed bathroom door. So, they opened it to find the mother/grandmother had slit her own throat from ear-to-ear with an electric carving knife. The tool was still running and spattering blood.

There was no way this was a homicide set-up although we investigated it as a crime scene. We found the senior was self-diagnosing and medicating on the internet. She’d ordered and taken gabapentin which is a veterinary anti-seizure medication. Once the tox report came back with the blood concentration, I’d be in a better position to determine if the consumption amount caused a psychotic episode.

I spent the day’s remainder writing two Section 16 judgements. Those were in my jurisdictional wheelhouse. One was a motor vehicle accident death, and I knew the family wasn’t going to like my finding. The other report was for an in-house complications-of-surgery case which had malpractice lawsuit written all over it.

It was four-thirty. I finished the drafts and closed my laptop. I left my little office that I squatted in at the morgue and went home. My wife was there—our kids were grown and gone—and she played Words With Friends on her iPad.

I joined her in a pre-dinner glass of wine. White. Not red. Normally, I’d have a few fingers of Scotch over frozen rocks. But, I was on-call, after all, and no one wants their dead body examined by a half-cut coroner.

   *   *   *

Garry Rodgers has lived the life he writes about. Garry is a retired homicide detective and forensic coroner who also served as a sniper on British SAS-trained Emergency Response Teams. Today, he’s an investigative crime writer and successful author with a popular blog at DyingWords.net as well as the HuffPost.

Garry Rodgers lives on Vancouver Island in British Columbia at Canada’s west coast where he spends his off-time around the Pacific saltwater. Connect with Garry on Twitter and Facebook and sign up for his biweekly blog.

Establishing Priorities

By John Gilstrap

It’s a common lament among authors struggling to make time to pursue or complete their writing tasks: With kids and a full time job, I can’t carve out the time to sit down and create.

Before diving into the advice portion of this post, let me show my prejudice. I wrote twelve books while working a full time job with executive responsibilities that kept me on the road for over 100 nights per year. That’s well over a million published words, all as a sideline. Through it all, I never missed a kid’s soccer game or school event, and my wife and I kept up a robust social life.

In the early days, my inspiration was Tom Clancy, who managed to create the techno-thriller genre while working full time in insurance. Later, I realized that Stephen King, Jeffery Deaver, John Grisham, David Baldacci, Tess Gerritsen, and countless other successful authors were able to squeeze their same 24-hour days in a way that allowed them to create works of fiction that changed their lives.

I put my inner engineer to work and ran some calculations.

Everyone of us starts Sunday with the same 168 hours available for use in the coming week. Including commuting time (if you don’t live in New York, L.A. or D.C.) work will absorb 9 hours per day, Monday through Friday. That’s 45 hours stripped away from your control.

We have to eat, of course, and take care of chores and personal hygiene stuff. Shall we agree on 10 hours for each, for a total of 20? Throw in another three hours as a rounding error (and to keep the math manageable) we’re down to roughly 100 hours of unaccounted for free time.

Okay fine. You want to sleep. And you’re blessed with the ability to sleep eight hours per night. Subtract 56 hours from the weekly assignment schedule. That leaves you with 47 hours to work with. We’re approaching the amount of true discretionary time. That’s almost six standard work days’ worth of time.

Oh, yeah. The kids’ soccer tournament on Saturday. Will seven hours cover it? Give or take a couple, you’re now hovering around the 40-hour mark for free time. That’s a standard work week, folks.

The hours are there. Now it’s a question of priorities. That episode of “Say Yes to the Dress” costs you 2.5% of your writing time. Scorsese’s “The Irishman” will cost a whopping 10% of your creative hours. (And if you’ve seen it, I trust you’ll agree that it is worth no more than 5%–7.5%, tops.)

The time is there, folks. The question that all writers must confront is how important is it to them to finish what they’ve started? Not to bite the hand that is currently feeding me, but recognize that every second you’ve spent reading this post and whatever responses it garners is a second you’ve decided NOT to spend on writing.

It’s all about choices.

 

First Page Critique: A Hike
That Might Be A Journey?

The trail head at St. Bees Head on the Irish Sea

By PJ Parrish

I don’t know about you, but I am really ready for a good writer to take me away from it all. And I am always up for a bracing hike. So today, come along on our First Page Critique, as our submitting writer takes us to the wilds of northern England across the Coast to Coast Trail. I hope we’re in for some good mischief along the way.

A Lethal Walk in Lakeland 

Chapter One

I settled myself on a weathered oak bench and began securing the laces of my leather walking boots. This was the start of a long-anticipated week’s walk in England’s fabled Lake District, but I was apprehensive. Before me angry waves were hammering the shore, each shaking the ground as if a bomb had exploded. Strong gusts of wind from the north were slashing against us.

“We’re supposed to walk into that?” said the woman beside me, a small grey-haired wisp of a creature named Billie, as she surveyed the roiling waters of the Irish Sea. She should have been wearing a waterproof jacket, but instead had on one of her thick self-knitted sweaters displaying a pattern of squirrels and acorns. The outfit had been fine when we were in the town center–protected from the wind by cliffs to the north–but no longer. It was hard to believe that a few hundred yards could make such a difference.

“We just have to stick in our boots in the water,” I said. “If we do it quickly enough we should be all right.”

Around us our fellow walkers, eight of them, were also eyeing the sea with the trepidation. Yet this ‘christening of the boots’ was a time-honored ritual for anyone about to tackle England’s famed Coast to Coast path, which traverses the Lake District, Yorkshire Dales and North York Moors to Robin Hood’s Bay on the North Sea.

“Everyone ready?” asked Charlie Cross, our white-haired tour guide. Beaming a broad grin, he didn’t seem fazed by the heavy surf. The group followed him down to the water.

“Are you sure it’s safe?” asked Fiona, a beautiful brown-haired woman whom, I learned, was one of the six members of the Upton family from Texas in our group.

______________________

I wish I were going along. I’ve hiked in a couple foreign countries, and one of my dreams has been to hike the Appalachian Trail. I hadn’t heard of the Lake Country’s Coast to Coast path. Something new to put on my bucket list. So, as you can guess, I am predisposed to liking this submission on the location alone. But as much as setting is vital to a good story, it isn’t enough. Does the story itself hold up?

I think this is a pretty darn good start. The writer has chosen to put us literally at the beginning of the action. I love the tradition of dipping the boots into the sea before venturing out. I almost wish the writer had given us just a few more graphs so we could see if this ritual works as a foreshadowing of something dire to come. (I hope it is!)

I like that the writer didn’t start earlier, say with the group meeting in the village with a clearing-the-throat introduction of the whole party getting acquainted. (The writer chose instead to just reference the village in passing). We should learn about the hikers (possible suspects?) as we meander on, not in a group-grope info-dump.

I suspect we are working in a cozy genre here, but I could be wrong. The tone registers on the lighter side, which is fine. As I understand it, the hike takes about a week which is plenty of time for something nefarious to happen.

I don’t know if this was the writer’s intent, but we are almost in the classic Agatha Christie “closed parlor room” genre here: A group of strangers is about to be cloistered on an adventure and I would guess someone will die and whoever our protagonist is will be charged with solving the on-the-road crime. Perhaps the murder takes place in hostel out in the wilds.

Likewise, it is good that the writer mentions only a couple named characters. I trust the writer will find a graceful way to tell us the name (and a little background) of our first-person point-of-view narrator soon.

Notes on craft: The writer is on solid ground here, I think. The dialogue is handled correctly, the paragraphing and syntax fine. But with such an assured hand, I’d like to see the writer work a little harder. I’m always a little tougher on the better submissions,

For starters, I’d like to see the writer work harder at more original description. This is such a stunning setting; it deserves more eloquence than surf that “explodes like a bomb.”  That’s a cliche, dear writer, it doesn’t come from you.  Find something more bracing. Likewise, don’t rely on lazy words like “beautiful” for Fiona. Ditto for Charlie. “White-haired” isn’t vivid enough.

Description is hard. You have to dig deep into your own experience to find the right words or metaphors and then filter it through your protag’s consciousness. I like what you did, for example, with Billie — by telling me, in one line, that she chose to wear an acorn/squirrel sweater instead of something more practical, you sketched an immediately sharp portrait of her.

But in general, I enjoyed this. It is a measured, leisurely beginning and that is okay. Just be aware, writer, that we need some injection of tension in your first chapter, a hint of bad things to come.  Even with a soft opening like this you have to have a portent of ominous things on the path ahead — the literal one the hikers will travel, and the metaphoric one you take your reader on.

Let’s do some line editing:

I settled myself on a weathered oak bench and began securing the laces of my leather walking boots. This was the start of a long-anticipated week’s walk in England’s fabled Lake District, but I was apprehensive. Not a bad first graph but this is an example of telling instead of showing. Instead of telling us she is apprehensive, find a way to showing it via her thoughts or dialogue or actions. Just an example here:

I finished lacing my walking boots and looked up at the roiling green sea. With each crash of the waves, I could feel the wooden bench shake beneath me. I pulled in a deep breath and blew onto my cold hands. A sharp wind was surging in from the north, penetrating the nylon of my coat.

I should have worn gloves, I thought. I should have packed that extra sweater. I should have told someone where I was going. But I hadn’t wanted anyone to know. For once in my life, I wanted to be alone. And I wanted to be brave.

That is corny, but I am trying to make the point that you need to find ways to inject drama and something personal about your protag’s METAPHORIC JOURNEY as early in the story as you can. Make us care about her and attach to her (or is it a him?) as quickly as you can.  And never let a chance go by to layer in her personality.

Before me angry waves were hammering the shore, each shaking the ground as if a bomb had exploded. Strong gusts of wind from the north were slashing against us. Nice verb there. But you could be more active: The angry waves hammered; the wind slashed. 

“We’re supposed to walk into that?” said the woman beside me, a small grey-haired wisp of a creature I rather like that named Billie, as she surveyed the roiling waters of the Irish Sea. Good way to slip in the geography She should have been wearing a waterproof jacket, but instead had on one of her thick self-knitted sweaters displaying a pattern of squirrels and acorns. The outfit had been fine when we were in the town center–protected from the wind by cliffs to the north–but no longer. It was hard to believe that a few hundred yards could make such a difference.

“We just have to stick in our boots in the water,” I said. “If we do it quickly enough we should be all right.”

Around us our fellow walkers, eight of them, were also eyeing the sea with the trepidation. Yet this ‘christening of the boots’ was a time-honored ritual for anyone about to tackle England’s famed Coast to Coast path, which traverses the Lake District, Yorkshire Dales and North York Moors to Robin Hood’s Bay on the North Sea. This sounds a little dry. I know you need to convey this info, but find away to make it sound like it comes from your protag and not Fodors. You can also use it, again, to tell us something about your protag. Example:

I wasn’t from this area of northern England. I had been born and raised in London so a long hike for me was to the tube station. But I had always wanted to do this week-long trip that stretched from the the whatever, crossed the whaterever, and ended wherever.

See what that does? It makes the info personal and lets the reader get to know your protag.

“Everyone ready?” asked Charlie Cross, our white-haired tour guide. Beaming a broad grin, he didn’t seem fazed by the heavy surf. The group followed him down to the water.

“Are you sure it’s safe?” asked Fiona, a beautiful brown-haired woman whom, I learned, was one of the six members of the Upton family from Texas in our group. Would be a nice place to slip in a thought from your protag. How does she feel about the make-up of her group? I went on a hiking trip in Provence once, and the first day I met my motley group — the people I would live with for the next two weeks — I was intensely curious about where they had come from. This is important if someone in this group will be murdered AND if someone is the killer.  Start laying your bread-crumb trail of clues as early as possible.

As I said, I think we’re off to a grand start here, but I know this writer has the chops to dig deeper and do better. Oh, speaking of which, as you go on your writing journey, dear submitter, be on the lookout for a better title. (Good titles often don’t reveal themselves until you’re done with the book). I don’t think this one does your setting and set-up justice. For starters, Americans like me will think of Lakeland, Florida. And “A Lethal Walk” is a touch too spot-on.  Look for something more metaphoric that captures the wild scenery and says something about the journey. One of my favorite quotes about hiking is from the naturalist John Muir: “In every walk with nature, one receives more than he seeks.”  Maybe that’s what your protagonist is after? Find something that speaks to the soul of your story.

Thanks for the submission and letting us share it.

 

World’s First Free Public Library Supported by Taxation

By Sue Coletta

Photo credit: http://www.libraryhistorybuff.com/

Our local TV station runs a short segment during WMUR’s Chronicle with Fritz Wetherbee, an old-timer who’s a brilliant historian. Every night Fritz shares fascinating stories about New Hampshire. I love learning about the statues, landmarks, buildings, rivers and lakes in my state.

The other night he shared a story about a Unitarian minister who founded the world’s first free public library supported by taxation.

Literary-minded Reverend Abiel Abbot (December 14, 1765 – January 31, 1859) moved from Wilton, NH to Peterborough, NH in 1827 and immediately set up a youth library in his home. He also founded the Peterborough Library Company, supported by membership dues. In proposing the creation of the town library, he described “a central collection of books that would be owned by the people and free to all of those that lived in the town.”

The library website offers the following…

“Inspired by the result, the New Hampshire State Legislature passed a law authorizing towns across the state to raise money for libraries in 1849. Britain wouldn’t pass its Public Libraries Act until 1850, and America’s first large public library—the Boston Public Library—was founded in 1852.”

Photo credit: http://www.libraryhistorybuff.com/

During a town meeting at Peterborough in 1833, Abbot proposed that a portion of the State Literary Fund be used for the purchase of books to establish a library, free to all the citizens of the town. Books purchased by Reverend Abbot and a board of trustees were made available for public use.

Reverend Abbot housed the original Peterborough Town Library in a general store that doubled as the post office, with the postmaster acting as librarian until 1854. After a short stint at town hall, a permanent home was finally built in 1893 to house a book collection that had grown into the thousands.

In a thesis published in 1947, Sidney Ditzion commented on the Peterborough Public Library.

“The account of the establishment of a town library at Peterborough, New Hampshire, is unique in that here we have an instance of what appears to be the spontaneous generation of an entirely new form.  Here, without the stimulus of private donation, without the permission of state legislation, without the semblance of a model in the mother country, a tax-supported town library was born.

The circumstances surrounding the creation of this institution raise an interesting historical question involving local circumstance and group motivation to which no answer has yet been offered.  In January of 1833 a group of farmers and small manufacturers under the leadership of the Rev. Abiel Abbot formed a social library whose shares sold at two dollars and whose annual membership fee was fifty cents. 

On April 9 of the same year the town, apparently under the inspiration of the same Rev. Abbot voted to set aside for the purchase of books a portion of the state bank tax which was distributed among New Hampshire towns for library purposes.  This was the way the first American town library to be continuously supported over a period of years was begun.”

Reverend Abbot founded several other libraries, too, including the Juvenile Library and the Library Company of Peterborough. In 1965, on the bicentennial of Abbot’s birth, New Hampshire State Legislature passed a resolution to recognize Abbot’s role in founding the “first free public library in the world supported by taxation.” This resolution also requested that the President of the United States and the Postmaster General issue a postage stamp to commemorate the bicentennial of Abbot’s birth.

Today, Peterborough Public Library remains the oldest public library in the world. Pretty cool, eh?

For discussion, please share one historical fact about your town or state. Does your local news have a guy like Fritz Wetherbee? The name kills me. He looks exactly how you picture him.

Quick update to my previous post: I’m still keeping the raven alive 19 long, emotional days, but it’ll be worth it if she flies again. One day I couldn’t find her, and I thought for sure a night predator found her. The next day, she strutted back into the yard for breakfast. What a will to live! Here’s a quick video of Rave chowing down. See the wing?

More later. I’m hoping this story has a happy ending.