Mob Rules?

Two recent articles in the New York Times  caught my attention – not just because they highlight the frenzy of vitriol that so often explodes on social media but also  because they point to a disturbing ‘faceless mob’ mentality permeating our digital lives. As a writer, an active presence online (to both market and publicize my work as well as create connections with my readers) is, however, a necessity but one which, especially after reading these articles, I increasingly view with trepidation.

The first article “Feed Frenzy‘ details the misery of online ‘shaming’ victims – people like Lindsey Stone and Justine Sacco who, because of inappropriate and ill-advised jokes/tweets, were subject to relentless (and I mean relentless) Twitter attacks that all but ruined their lives. I have always been cautious about what I tweet but after reading this article I’m not sure I want to tweet anything ever again!

The second article entitled ‘The Epidemic of Facelessness‘ points to the dissonance between the world of faces (the real world of interpersonal communication) and the world without faces (our increasingly ‘anonymous’ digital lives). Apart from the disturbing number of ‘troll’ incidents reported with varying degrees of threats of person violence against actual people, there is also the basic lack of humanity and compassion that we now see spreading across the digital world. The article highlights a few key rules we need to adopt when ‘conversing’ through Twitter, Facebook and other social media. One is ‘Never say anything online you wouldn’t say to someone’s face’ (something you’d think would be pretty obvious) and the other is ‘Don’t listen to what people wouldn’t say to your face’ (a much harder proposition I think for most of us).

Now I’m pretty sure I’ve never said anything on social media that I wouldn’t say to someone in person. Likewise, however, there are many things I won’t say on social media that I would say to someone’s face – and that self-censorship is starting to make me feel disheartened. It’s hard to be a writer in this digital age and not engage online with readers across a range of social platforms and media – but  often I feel that I cannot really present myself authentically on social media because of the risk of trolls, flame-wars and all the other horrible reactions seemingly innocuous posts or tweets can inflame (as anyone who’s ever been on any social media has witnessed). I find myself refusing to comment not just on political or social issues that I would otherwise freely discuss, but also hesitating to post or comment on a range of issues that in my ‘real world’ I wouldn’t even think twice about talking about. It’s become an issue not just about professionalism versus personal disclosure but about censoring my online ‘appearances’ to the extent that I fear I must be very boring indeed!

So what do you TKZers think about the current state of our ‘faceless’ digital world? How do you navigate the treacherous digital waters?

Have you ever been the subject to the kinds of ‘faceless’ attacks these articles discuss? Do you, like me, censor how you appear online (not just out of professionalism, but also out of fear?). Does the current ‘faceless mob’ mentality affect how you market and publicize your work online? What about what you actually write? Are you even hesitant to deal with controversial political or social issues in the work itself?


The One-Page Synopsis

Nancy J. Cohen

My mystery publisher requires a one-page double-spaced synopsis along with a manuscript submission. That’s probably harder for me to write than the book. My normal synopsis runs about fifteen pages on average. I write this guideline before starting the story, and later I attach it to my art department’s request for a full synopsis. In the meantime, how does one condense this bulk of material into a single page? Here’s my method for a traditional mystery.


First I’ll give the book title, my name, and the series title a few lines down from the top and centered. Then I’ll offer a tag line that sums up the plot. We’ll use Shear Murder as an example.

A wedding turns deadly when hairstylist Marla Shore discovers a dead body under the cake table.

The Setup
This initial paragraph presents the setup for the story.

Hairstylist Marla Shore is playing bridesmaid at her friend Jill’s wedding when she discovers the bride’s sister stabbed to death under the cake table. Torrie had plenty of people who might have wanted her dead, including her own sister who threatened her just before the ceremony.

The Personal Motive
Why does your sleuth get involved?

At Jill’s request, Marla agrees to help solve the case. With her own wedding four weeks away, her salon expanding into day spa services, and her relatives bickering over nuptial details, she has enough to do. When Jill is arrested for Torrie’s murder, though, Marla has no choice but to unmask the killer.

The Suspects
Here’s where I give a brief profile and possible motive for each of the main suspects.

Jill and Torrie owned a piece of commercial property. Their cousin Kevin, a Realtor, was trying to find them a new tenant. Meanwhile, Jill’s uncle Eddy, a shady attorney, has been urging them to sell. Now Torrie’s husband Scott has inherited his wife’s share. Scott has another motive besides greed. Torrie had announced her plan to leave him for another man, Griff Beasley. Griff was a photographer at Jill’s wedding and Torrie’s colleague. Griff implicates Hally, another coworker. Hally and Torrie were competing for a promotion. [Somebody else ends up dead here, but that’s a spoiler.]

clip_image003The Big Reveal
The final paragraph, which I won’t share with you in the hopes you’ll read the book, is where the clues lead to the killer, and the protagonist has her insight about what she’s learned. This last is important for emotional resonance, not only with your readers but also with your editor.

Further Tips: Leave out character names except for your main players, and don’t include subplots. If you’re writing romance, the mid-section would include major plot twists along with the resultant emotional turning points. So now share your tips. What else would you include or not include in your one page synopsis?


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