How Story Arcs Can Add Depth to Your Plot

JordanDane
@JordanDane

Close-up of kissing lips

Yesterday, Joe Moore had an excellent post “Tips for Pacing Your Novel.” It made me think of subplots and story arcs that are other tools to punch up a story line with pace while the main plot enjoys a much needed rest for character development.

In a story arc, whether it is the arc of a romantic relationship or the personal journey of your main character, it might help you think of the arc using these key points:

5 Key Movements in a Story Arc:
1. Present State
2. Something Happens
3. Stakes Escalate
4. Moment of Truth
5. Resolve

Present State –  Set the stage with the character or the relationship at the start of the story. This can also include a teaser of the conflict ahead or the characters’ problems that will be tested. If this is a thriller with a faster pace, you can start with a scene that I call a Defining Scene, where you show the reader who your character is in one defining moment of introduction. The reader can see who this character is by what he or she does in that enticing opener. Don’t tell the reader by the character’s introspection (internal monologue). Set the stage by his or her actions. These scenes take thought to pull together but they are worth it. Imagine how Capt. Jack Sparrow of Pirates of the Caribbean first steps onto the big screen. He wouldn’t simply walk on and deliver a line. He’d make a splash that would give insight into who he is and will be.

Something Happens – An instigating incident forces a change in direction and a point of no return. Your character and/or relationship often will move into uncharted territory that will test their resolve. Sometimes you can set up a series of nudges for the character to reject, but in the end, something must happen to shove him or her over the edge and into the main plot.

Stakes Escalate – in a series of events, test the characters’ problem or the relationship in a way that forces a conflict where a tough choice must be made. Make your character/couple earn the right to play a starring role in your novel. Don’t forget that this is not simply the main action of the plot or a conflict with the bad guys. This can also mean escalating the stakes of the relationship by forcing them into uncomfortable territory.

Moment of Truth – When push comes to shove, give your character or couple a moment of truth. Do they choose redemption or stay the course of their lives? When the stakes are the highest, what will your character do? I often think of this moment as a type of “death.” The character must decide whether to let the past die or a part of their nature die in order to move on. Do they do what’s safe or do they take a leap into something new?

Resolve – Conclude the journey or foreshadow what the future holds to bring the story full circle. I love it when there is a sense of a character coming through a long dark tunnel where they step into the light. A character or couple don’t have to be the same or restored in the end. Make the journey realistic. If a character survives, they are more than likely changed forever. What would than mean for your character? How will they be changed?

Apply this arc structure to individual characters or to a romantic love interest between two characters. These arcs are woven into the tapestry of your overall plot. The plot can be full of action and have its own arc, but don’t forget to add depth and layering to your story by making the characters have their own personal journeys.

Characters have external plot involvements (ie the action of the story), but they can also have their internal conflicts that often make the story more memorable. As an example of this, in the Die Hard movies, we may forget the similar plots to the individual movies, but what make the films more memorable is the personal stories of John McClain and his family. These personal arcs are important and need a structured journey through the story line. They can ebb and flow to affect pace. Escalate a personal relationship during a time when the main plot is slowing down. Make readers turn the pages because they care what happens to your characters.

For Discussion:
Share your current WIP, TKZers. How do you integrate your main character’s personal journey into the overall plot? Share a bit of your character and how his or her “issues” play into your story line.

Gifts for Writers

Nancy J. Cohen

What should you buy for the writer on your gift list? Here are some ideas that may appeal to all in no particular order. Some of the more interesting gifts I’ve received have come from my writer pals or my kids, like the jar labeled Writer’s Remedy that holds little squares with different words for inspiration, or the figure holding a hammer to his computer with a plaque that says #1 Author & Mom, or the coffee mug with my book title. One year, my husband gave me a glass-blown Disney castle to represent my dreams coming true. Be imaginative or be simple. Whatever you give will be appreciated.

movies

1. Books and DVDs on their Wish List.
2. Gift Cards to Amazon, BN, Starbucks, Office Depot, iTunes or their favorite shopping site.
3. Office Supplies: Sticky notes, highlighters, Sharpie pens, a good quality ballpoint pen, paper clips, pocket notebooks. You name it, we can use it.
4. Personalized notepads or sticky notes.
5. Cute desk accessories like Brighton pens or desk clocks or magnetic paper clip holders.
6. Scented candles to make the office smell good.
7. Body lotions, hand cream, scented soaps. These are always useful.
8. A gift certificate to a day spa. A manicure or massage can go a long way toward relaxation.
9. Flash Drive. We can use several of these to back up our files and to keep in different locations.
10. Portable charging device for electronics.
11. Food baskets, chocolates, and wine. You can never go wrong here.
12. Decorative coasters for their desktop.
13. Collectible paperweights.
14. Restaurant gift cards so they don’t have to cook.
15. Cute novelty items for writers. Look in all those catalogs you get in the mail.
16. DVD movies about writers. Years ago, I gave my critique group pals each a DVD of Her Alibi. Starring Tom Selleck, this movie is a hilarious romantic crime caper about a mystery writer. Or get one of the many take-offs on Jane Austen (Austenland, Lost in Austen, plus the works themselves), English period murder mysteries or Downton Abbey, the latest season of Castle, or anything else your loved one might appreciate. Remember how we all loved Romancing the Stone? The classics never go out of date.
17. Did I already mention chocolate?

What else would you add to this list?

FB and Twitter, she just can’t quit you

Eighteen months ago, I wrote a post in which I wondered whether social media were developing a personality disorder.  Now I’m wondering whether social media are causing people to develop personality disorders.

Over the years, the content of my Facebook feed has become progressively darker. It’s reliably clogged with distressing missives–political rants, plus tales of woe about suffering animals and the environment. (I suspect this content appears because Facebook’s algorithm, like Google’s, does an excellent job of micro tracking everything I “Like”, share, or search for.) Yes, I care about these issues, but I don’t want to be slapped in the face with how dreadful everything is, first thing in the morning when I turn on the computer. 

The more I read these distressing posts, the more upset I get about the state of the world. I do try to tune much of it out. For example, I skip over my friends’ political rants online–they’re tiresome, no matter what the point of view. (I don’t block these friends, because some of these people are dear to me in real life.)  But I worry about my friends who are struggling with depression or some other personal issue in real life, who do nothing but mutter darkly online about the nefarious activities of Evil Government, or Evil Corporations. Is it a sign that they’re slipping over the edge?

I tell you, it’s enough to make me long for the boring old days when people shared what they ate for breakfast.

And it’s not just Facebook. Whenever there’s a breaking news, I find that I stay ahead of the headlines on cable news by monitoring Twitter updates. Twitter has become our new wire service, and anyone can use it. I’ve developed an unhealthy fixation with the #Breaking hashtag. 

I know there’s a simple solution to my situation. “Turn it off! Unplug!” Easier said than done. I’ve been a news junkie all my life. Now apparently I’m a social media junkie, as well.

We’ve become a nation of social media junkies, it seems. I remember an incident from years ago. I was at a cocktail party, and feeling uncomfortable for some reason. I withdrew to a dark corner and began checking my cell phone. My husband came over to see what was wrong. Nowadays, I don’t think he’d bother. Everywhere  one goes, everyone is checking their devices. 

In the context of this discussion, I have to mention the Marysville shooting. I was stunned to see excerpts of the conversations that some of children involved had been posting online. I’m wondering why minors are even allowed to post profanity, plus violent and sexual content. Unfortunately, that kind of language seems to be the rule among adolescents in the Twitter-verse, rather than the exception. And that’s scary.

When one of my daughters was young, she was an early adopter of computer technology. She had taught herself to create a web site, and she posted a .gif of an animated dancing devil, complete with pitchfork. The image caused a big kerfuffle among the mothers of her friends, I recall, and I made her shut the site down. (I actually thought the dancing devil was kind of cute and creative, which tells you something about me. But I did want her to learn to respect “community standards”, such as they were back then).

Fast forward to current time. Where are the mothers and fathers who should be monitoring their kids’ online activities today? Perhaps we’ve all become  used to a level of discourse that’s unhealthy. Perhaps it’s unhealthy for us, as well as for our children. 

Here I was complaining about Facebook rants, but I seem to have written one of my own today. As writers, I know we all tend to be heavy users of social media. (For example, the #amwriting hashtag is a frequent trend on Twitter.) Do you think that social media is causing people to develop personality disorders, or does it merely reflect a pre-existing condition?

Attending a Writers Conference

Nancy J. Cohen

Today I am on my way to the Novelists, Inc. conference at St. Pete Beach. As I am contemplating what to say here, I’m thinking about the benefits of spending a wad of money to attend a writers conference. Ninc focuses solely on the business of writing for career professionals. You must have two published novels to join, so the membership consists of multi-published authors. This makes it different from any other conference, which may be aimed toward fans or writers at all levels.

Ninc doesn’t aim to teach you to write. It aims to get you up to date on industry news and trends in publishing; the how-to’s regarding promotion & marketing, indie publishing; legal aspects like literary estate planning and forming a collaborative group to produce a book box package; how to use Amazon or Book Bub or Goodreads effectively. Reps from Kobo, Amazon, iBooks and more will be present. I can’t wait to attend. I can pick anyone’s brain there for any career questions I might have, and I have plenty. Ninc is a goldmine of seasoned, professional authors.

So why should you attend a writers, as opposed to a fan, conference? Here are some of the benefits:

· Networking with other authors and making new friends
· Career guidance from more experienced authors
· Attracting new readers, as authors are readers, too.
· Workshops at all skill levels
· Editor/Agent appointments
· Name recognition
· Meeting authors whom you might ask later for an endorsement
· Giving back to the writing community by offering a workshop or volunteering

I have been attending SleuthFest for years. This premier mystery writers conference will take place Feb. 26 at Deerfield Beach, FL. And new this year is the Flamingo Pitch Tank, where you get the chance to pitch your novel to every attending editor and agent at once. This is in addition to one-on-one appointments. You’ll learn about marketing and brush up on your other writing skills. Last year I attended workshops on Kobo and ACX. So check out this event before it sells out. James Patterson and Dave Barry are guest speakers.

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What other reasons can you offer for attending a writers conference? As I will be unable to respond, please talk amongst yourselves. I’ll respond next week when I am back home.

The Phenomenon of the Group Blog (And why we should consider returning to its power)

Note: It is my great pleasure today to welcome author J.T. Ellison as guest blogger at The Kill Zone. J.T. Ellison is the New York Times bestselling author of twelve critically acclaimed novels. Her topic today is one of my favorite subjects–the art (and future) of group blogging! ~ KL

Several years ago, the fiction world exploded with a number of group blogs. I was lucky to be a part of one of them – Murderati. Founded by Pari Taichert, the blog served as a one-stop shop for all things crime fiction. We made an early agreement to stay away from divisive issues like politics and religion, choosing to focus instead of the writing life. We started with 7 bloggers, and over the course of the blog’s life, had two dozen regular contributors. And that doesn’t include the countless guest blogs. There were births, and deaths. Triumphs and heartbreaks. Breakups and makeups. And books. So. Many. Books.

I was one of the first group of 7, and was the only one with the time (no book deal yet) and inclination to get involved in the backend of the site – the coding and hosting and all that technical stuff. And that, ultimately, was the reason I left the blog as well, but I get ahead of myself.

I grew up on Murderati. Late to writing (I started on Murderati when I was 34, published my first book when I was 37), not knowing much of what I was doing, knowing virtually nothing about the industry. The blog was both a learning experience, and a way to mark my own growth as a writer. It taught me the discipline of a deadline – for the first several years, I blogged every Friday – how important it was to think about writing, even if I wasn’t creating. In the beginning, I had to dedicate a full day to composing and editing and fretting about my blog. I ate up every ounce of advice and insight the other bloggers were sharing. I learned; we all did.

And it wasn’t just Murderati. The group blog phenomenon was everywhere. It crossed genres. There were mystery blogs and sci-fi blogs and romance blogs. There were male-centric and female-centric. We could gorge on the posts – I know the first thing I did every morning for years was get up and read everyone’s blog from all the sites. We all had communities of readers who chipped in daily with their own opinions. It was awesome.

And then we started repeating ourselves. After hundreds and thousands of entries, it was inevitable. The pressure to find a topic no one had discussed grew. People started dropping off to go work on their – you know – books. New people came in, and new life would be given. For a while.Then they too would run out of original topics, and peel away.

The decline of the group blog was gradual, but no less striking for its attrition. Facebook and Twitter gave quicker feedback, though its false intimacy at first didn’t seem to be enough to hook us all. But we began building ourselves as individuals, and boom. Talking to, instead of talking with. And like a lead singer who does a solo album, the next album had that shadow hanging over it. It was all over, though we didn’t want to admit it. We dragged on, desperately trying to keep things fresh and relevant, to work together, but all around us, the group blogs began dropping like flies, until Murderati too finally gave up the ghost.

We had a great run. Seven years of original work. Millions of words written. A built-in platform for book launches and celebrations. The respect of our peers. A community unlike any other.

Shutting down sucked.

Did the rise of “I” overcome the power of “Us”? Or did we all simply run out of things to say? I know for me, running the backend of the site was taking time away from my actual writing. I had so many deadlines that my head was spinning, and I had a massive set of personal losses that made me question the whole purpose behind the endeavor. Everything felt shallow to me – writing, blogging, reading, living – and I pulled out, knowing I wasn’t doing anyone any favors being involved anymore.

I know I missed the phenomenon that was us. But I kept telling myself it was for the best.

Oddly enough, several months later, we realized most of the Murderati folks still were blogging. Though we’d run out of things to say, and complained bitterly about the time it took away from our writing, we’d kept on blogging. We just didn’t do it on Murderati. We didn’t do it together. Together became too difficult. Too time consuming. Too much effort. But we still wanted to talk. So we did it on our own blogs. On Facebook. Alone. Built our own networks of people. Our own communities.

And damn if we didn’t miss being together.

Missed it enough to try an experiment.

With the help of Writerspace, we revamped Murderati.com. We built an archive site. Every blogger has their own pageof their old blogs. And everyone who was interested has their current blog feed automatically into the site. So we’re together, but not together. Blogging, but not on a set schedule.

I love seeing group blogs like The Kill Zone that are still going strong. I wish we could have found a way to make that happen for Murderati. Maybe someday in the future, we’ll all come together again, realizing that there is a reason animals run in packs – there’s safety and camaraderie in numbers.

What do you think? Can we ever get that heyday back again? Or have we become so divisive as a community – and we are, trust me. There’s a war going on out there –   that we are better off on our own?

Thanks so much for having me today. Y’all rock!

J.T. Ellison is the New York Times bestselling author of twelve critically acclaimed novels, including The Lost Keyand When Shadows Fall, and is the co-author of the Nicholas Drummond series with #1 New York Times bestselling author Catherine Coulter. Her work has been published in over twenty countries. Her novel The Cold Room won the ITW Thriller Award for Best Paperback Original and Where All The Dead Lie was a RITA® Nominee for Best Romantic Suspense. She lives in Nashville with her husband. Visit JTEllison.com for more insight into her wicked imagination, or follow her on Twitter @Thrillerchick or Facebook.com/JTEllison14. Or, if you’re so inclined, read her blog, The Tao of JT.