Writing As Therapy?

By John Gilstrap

My goodness but it seems like a long time since I’ve played blogger. How’s everyone been? I’ve been typing my fingers bloody trying to meet my fast-approaching deadline for the next Jonathan Grave book. That book has a title now, by the way: Threat Warning. Look for it in 10 months.

A dear friend of mine who also happens to be a fan sent me an email a couple of weeks ago in which she wrote, “One day over some drinks, we’re going to talk about what happened to you when you were thirteen.”

She was mostly teasing, but only mostly. She was referring to the recurrent theme in my books of boys who are coping with significant danger and angst. Many of my books do in fact feature adolescent boys who find themselves in difficult circumstances. In my breakout book, Nathan’s Run, the title character is twelve. Subsequent to that, there have been 13-year-old Travis, 16-year-old Scott, and most recently, 13-year olds Evan and Jeremy in Hostage Zero.

Given such a focus, I see how one might assume that I am using fiction to work through my own childhood issues. Honestly, I don’t think I am. Fiction is fiction, and that means it’s all made up. I’ve never killed anyone, and have only been shot at once, and that happened when I was nearly twenty. To my knowledge, I have no demons to exorcize.

I do, however, have nightmares just about every night, and not infrequently, my dream-screams wake my wife, who mercifully talks me back to the present. In one hundred percent of the dreams that invade my real world like that, I am a child and I am terrified, but I never know what the source of the terror is. It never materializes for me in the dream. Once the adrenaline rush subsides, I just fall back to sleep.

Should I consult a shrink to get to the bottom of the dreams? Probably, but it’s not going to happen. I think I bring these things on myself by writing stories about people in jeopardy. Call it an occupational hazard. Maybe romance writers are constantly ripping bodices in their dreams. If the dreams are more than that—if they are representative of some repressed violence from my youth—then I’ll gratefully listen to the subconscious brain that was courteous enough to blank it from my memory. If I’m a neurotic, at least I’m a functioning neurotic, so why rock the boat?

I write about children because families in peril are a recurring theme in my books. I write about boys because that’s what I was, and our only child is male. Write what you know. That’s my story and I’m sticking to it.

Am I kidding myself here? Am I delusional? As a writer, does your made up world ever pay unwelcome visits to your real world?

After a certain amount of time and a certain number of books, does a novelist give attentive readers an accidental look into his subconscious? Or is it all just, you know, made up?

Summer Vacation Reading List

by Michelle Gagnon

This post is coming in a bit late thanks to United airlines and their travel delays- apologies for that.

In my last post, I asked for advice on what to read during my vacation- and got lots of great tips. Thanks to the abrupt failing of my first generation Kindle the day before I left, what I ended up reading turned out a bit differently than planned. So below, find a brief description of each book (excerpted back cover copy), along with my impressions:

THE HARD WAY

Lee Child

Jack Reacher was alone, the way he liked it, soaking up the hot, electric New York City night, watching a man cross the street to a parked Mercedes and drive it away. The car contained one million dollars in ransom money. And Edward Lane, the man who paid it, will pay even more to get his family back. Lane runs a highly illegal soldiers-for-hire operation. He will use any amount of money and any tool to find his beautiful wife and child. And then he’ll turn Jack Reacher loose with a vengeance — because Reacher is the best manhunter in the world.

I enjoyed this one. Not my favorite Reacher book (which remains the one that follows, BAD LUCK AND TROUBLE), but solid. There were a few glitches, mainly in terms of the fact that yet again, Reacher takes longer than any reasonable human to figure out what’s really going on. But THE HARD WAY was a perfect beach read.



STAR ISLAND

Carl Hiaasen



An actr
ess secretly stands in for a derailed pop star and finds herself stalked on South Beach by a crazed paparazzo – and befriended by an unhinged hermit who was once the governor of Florida.



I’ve always been a big Hiaasen fan, and this book didn’t disappoint. Our current tabloid culture is laid bare, in all it’s ugliness, the main character a thinly-veiled stand in for all the Lindsay Lohans and Britney Spears of the world. To love Hiaasen requires being a lover of the absurd–his books always read like modern-day Moliere farces. As that, I enjoyed them. Some of his old standbys appear here, although I have to confess some of them appeared in earlier books that I barely remember, so it was hard at times to keep track of references to what they’d been/done in the past. The ending was a trifle flat, compared to other works like SKINNY DIP, which still stands as his best work IMHO.



THE STRAIN

by Guillermo Del Toro and Chuck Hogan

They have always been here. Vampires. In secret and in darkness. Waiting. Now their time has come.

In one week, Manhattan will be gone. In one month, the country. In two months–the world.

I don’t generally partake in the vampire/zombie books that are so ubiquitous these days. But this was a standout (and, more importantly, the only non-bodice ripper on the shelf in the local drugstore). So I gave THE STRAIN a chance- and wow. This was a thriller of the first order. Apparently the first in a trilogy, it details in unnerving detail the extent to which a pandemic could rapidly seize hold if the powers that be are more concerned about containing public panic than stopping the virus. A co-written effort between director Del Toro (PAN’S LABYRINTH) and Hogan, it was tightly plotted, believable, and extremely unsettling. On a side note, the opening scene involves the stalling out of a jet on the taxiway immediately after landing. What happened to the passengers wasn’t pretty, so I don’t recommend reading it the way I did- on a plane endlessly circling SFO.



So now that we’ve reached the dog days, what have you all been reading lately? I just started WOLF HALL, which I confess I’m having a lukewarm reaction to- the writing and plot strikes me as extremely disjointed, and I’m having difficulty understanding what all the fuss is about.









Yeah, I write like that famous guy

Do you think you write like Ernest Hemingway? Or maybe Stephen King? Now you can find out. Sort of.
 
Public discussion about a new tool called “I Write Like” made the rounds of the cyber-sphere while I was away on medical leave, so I’m sure I’m the last person on Earth to discover it.  It purports to be a “statistical analysis tool, which analyzes your word choice and writing style and compares them with those of famous writers.”

Even though IWL has been mocked by many in the media, the idea of comparing one’s own writing to famous authors is actually appealing. It’s as if we could run a DNA test of our writing. Who is our real parent: William Shakespeare, or (gasp) a James Patterson clone?

When I ran the first page of my WIP through the tool, it said I write like Dan Brown. I was actually shooting for something closer to Michael Crichton in my current work, but okay, no complaints from me. Then I ran a few paragraphs of an earlier draft through the program, and it told me I write like Arthur C. Clarke. That’s closer to Crichton’s neck of the solar system, right? I got stoked about that result. Until, that is, I read someplace that Lindsay Lohan also writes like Sir Arthur. And unless her writing shows depths not heretofore displayed in her public Tweets and twitterings, I think there may be a fundamental problem with the IWL’s algorithm.

Heck. I don’t care if it’s accurate or not. I can dream, can’t I? Give me Clarke’s reputation with Brown’s sales, and I’d be one happy camper.

Have you tried IWL? What was your result? 
     
— KL

The Homeward Stretch

by Clare Langley-Hawthorne

My family and I are on the homeward stretch after visiting over ten national parks in the West over the last seven weeks. We’ve made our way from Yosemite to Yellowstone and are now in Denver en route to Tucson. Hard to believe, but this time next week we will be on a plane crossing the Pacific on our way to Australia (!). We are certainly on a huge adventure but, as we still have only limited internet connectivity, I will have to wait until next week’s blog to give a full round up of the trip. Suffice to say we had an incredible experience and one that I hope my twin boys will never forget. They have some fourteen junior ranger badges to remember it by at least! So stay tuned for my full account over the next few weeks…

In the meantime, a question for you – what was the most unforgettable journey you have ever taken? How has it influenced you as a writer? Is there a trip you would love to take and, if so, where? I have warned my husband that Africa is next on my list but I have to say I would be quite happy to retrace our steps from this trip – the national parks are awesome and a true reflection of this amazing country!

Writing Quote for Sunday

Hope you’ve enjoyed our week of writer quotes. We’ll return tomorrow with our regularly scheduled blog. Feel free to revisit the quotes we’ve put up since Monday and add to the conversations.

Here is today’s quote, from that fellow pictured on the right.
“I write to entertain. In a world that encompasses so much pain and fear and cruelty, it is noble to provide a few hours of escape, moments of delight and forgetfulness.” – Dean Koontz
Source: How to Write Best Selling Fiction (1981, Writer’s Digest Books)

Writing Quote for Saturday

Here is today’s quote. Would you give this same advice to someone?
“If you want to write fiction, the best thing you can do is take two aspirins, lie down in a dark room, and wait for the feeling to pass. If the feeling persists, you probably ought to write a novel.” – Lawrence Block
Source: Writing the Novel (1979, Writer’s Digest Books)

Writing Quote for Friday

We are taking the week off, but each day posting a quote about writing to spark discussion. So discuss!

“You must avoid giving hostages to fortune, like getting an expensive wife, an expensive house, and a style of living that never lets you afford the time to take the chance to write what you wish.” – Irwin Shaw
Source: Writers on Writing (1990, Running Press, ed. John Winokur)

Writing Quote for Thursday

Here’s a biggie. A controversial quote from a well respected writer/teacher. What does it say to you?
“I think that the difference right now between good art and bad art is that the good artists are the people who are, in one way or another, creating, out of deep and honest concern, a vision of life . . . that is worth living. And the bad artists, of whom there are many, are whining or moaning or staring, because it’s fashionable, into the dark abyss.” – John Gardner
Source: The Writer’s Chapbook (1989, Penguin, ed. George Plimpton)

Writing Quote for Wednesday

Here is today’s writing quote. Check each day this week for a new one. Don’t forget Monday and Tuesday, either. Reactions?
“When I was younger and first beginning to write, I’d think I was going to get the Pulitzer and the Booker and the Nobel Prize. Now I don’t give a damn. I’m content to know that I write . . . good. I’m a good writer and that’s all I care about.” – Evan Hunter (aka Ed McBain)

Source: Writer’s Digest, Sept. 1996

Writing Quote for Tuesday

As mentioned yesterday, we Kill Zoners are taking a week off, but posting a writing quote each day. Fill up the comments section with your reactions!

Here is today’s quote:


“Do not look toward writing as a profession. Work at something else. Dig ditches if you have to, but keep writing in the status of a hobby that you can work at in your spare time. Writing, to me, is a hobby—by trade I’m a farmer.” – William Faulkner

Source: On Being a Writer (1989, Writer’s Digest Books, ed. Bill Strickland)