Interview with Randy Ingermanson – The Snowflake Guy

By

Debbie Burke

@burke_writer

 

Randy Ingermanson AKA the Snowflake Guy

Brilliant people understand complex concepts. But, despite their superior intelligence, they often cannot explain those concepts to less-than-brilliant folks.

But Randy Ingermanson can. He’s brilliant but he has a simple way of breaking down the incomprehensible so we mere mortals understand what he’s talking about.

For those who don’t know Randy, he has a PhD in physics specializing in elementary particle theory. According to the bio on his website: “Most of my work was in nonperturbative methods in quantum field theory.”

Did that lose you? Yeah, me too.

When I Googled nonperturbative, I recognized three words in the definition: cannot be described. That’s for sure!

Yet…Randy, in his spare time, became a successful author of fiction and nonfiction as well as a sought-after writing instructor. His two-book Snowflake series and Writing Fiction for Dummies still remain in the top 100 writing reference books on Amazon many years after they were published.

Randy has the extraordinary ability to break down complex writing concepts into easily digestible bites. In addition, his step-by-step plan of action template helps writers track and accomplish their goals.

Randy graciously agreed to chat with us here on TKZ. Welcome, Randy!

Debbie Burke: Your day job as a physicist requires a lot of brain energy. You also keep up the Advanced Fiction Writing blog and write bestselling craft books. Plus you write multiple fiction series, some involving extensive historical research, including archaeological digs. And you have a family. Do you ever sleep?

Joking aside, your ability to juggle multiple projects is impressive. Can you share some hints on how you manage your time and prioritize tasks?

Randy Ingermanson: For a big chunk of my life, I didn’t manage my time very well. I took on too many things and then felt really stressed. But things began to change about 15 years ago when I read David Allen’s classic book Getting Things Done. I realized that I was doing things badly, and that’s the first step to doing things better.

One key thing I’ve learned is that sometimes you just have to prune things out of your life. That’s very hard, but over the last several years, I’ve cut back several parts of my life that I thought were essential. And nobody died. I have a theory that everyone has a set limit to the number of main projects they can juggle. My limit is three. Some people can do four, and I admire them to death, but I can’t do it.

Another key thing I’ve learned is that it’s OK to have a hundred things on your To-Do List, as long as they’re not all visible right now. So I have a cascading sequence of To-Do Lists, one for “Someday”, one for “This Year,” “This Quarter,” This Month,” “This Week,” and “Today.” Every Sunday, I review the lists and promote some tasks from “This Month” to “This Week”. Every day, I choose things from “This Week” to put on the “Today” list. The beauty of this is that a day is a success if I knock off all the things on the Today list. I only have to look at those 15 items and decide which to do next. I don’t have to look at the dozens or hundreds on This Week or This Month or This Year. Those will all get done in due time, but the name of the game is to not be overwhelmed. When you get overwhelmed, your brain goes into panic mode, you spend all day spinning your wheels, and you end up eating all the Haagen-Dazs.

I use a nifty method called “Kanban” to manage my tasks. (This is very popular among software developers.) There are a bunch of websites that let you set up Kanban projects. The one I use is at Kanbanflow.com, and it works for me. But I recommend that people always use a tool that resonates with them.

DB: Writing a novel is a hard project. You have a wonderfully workable system for how to tackle hard projects. Can you explain the steps in that system?

RI: I wrote a blog post awhile back on the general problem of managing any hard project. I’ll refer your readers to that post here: https://www.advancedfictionwriting.com/blog/2021/01/21/how-to-make-an-action-plan/

I’ve gotten extremely famous for my system for managing one particular hard project—writing the first draft of your novel. The “Snowflake Method” will probably be listed on my headstone. It’s a ten-step method I use for writing my first draft. I wrote out the ten steps back around 2002 in answer to a question somebody asked in an online writing group I was on. And some people liked the idea enough that I posted it on my website. And then it just took off. It’s now been viewed more than 6 million times and has earned me a ridiculous amount of money.

The core idea is that you design a novel before you write it. Some people hate this idea and would rather just write by the seat of their pants. That’s fine by me. Different people are wired different in the brain, and it doesn’t matter how you get your first draft down on paper. We all can respect each other and recognize that we don’t all think alike. The Snowflake Method happens to work well for about a third of the writing population.

You start by taking an hour to write down a summary sentence for your story. This will be your selling tool forever, so it makes sense to take a little time to do it. But don’t spend weeks obsessing on this. Write down your best one-sentence summary for now and then move on to the next step. You can always come back and improve it later. In fact, you certainly will.

The Snowflake Method has another nine steps, and I don’t have space to even summarize them here. But anyone can Google “Snowflake Method” and find my 3000-word web article or my 50,000 word book on the subject. If you like to know approximately where you’re going before you start writing, then the Snowflake Method is designed for you. If you don’t, then it’s not for you.

 

 

DB: Most authors dread marketing. What do you recommend as the most important marketing tools for a writer?

RI: I used to hate marketing. In fact, I remember the day I told an agent friend of mine, “I hate marketing! I’m a terrible marketer, and I don’t ever want to have to market my books again!” She got a panicky look on her face and told me not to say such things out loud, because the walls have ears. And she was right.

I now believe there are three main keys to good marketing for a novelist. I call them the Three Rings of Power. They are:

  • Your website
  • Your email newsletter
  • Paid advertising

Your website is important because you own it. Social media is notoriously fickle, and any social media platform can suddenly become unusable, for a variety of reasons. Various platforms can ban you, or go out of fashion, or start charging you. But you own your website and it’s very hard to take it away from you.

Ditto for your email newsletter. If you have a newsletter with 5000 loyal readers who know you and actually read what you send, you have a guaranteed bestseller, every time you launch a book. That’s gold.

Paid advertising is now just a fact of life. None of us like paying for ads, but they work. If you use Amazon ads and Facebook ads and BookBub ads and the various book promo sites effectively, you can move copies with a positive return-on-investment. I think TikTok will soon join this short list of paid-ad opportunities that authors routinely use.

So the Three Rings of Power are great, and I personally have done extremely well using them. However …

However, a lot of authors don’t see a good return on their investment for their website, their email newsletter, and their paid ads. Why not? Do the marketing gods hate them?

No, the reason is very simple. The Three Rings of Power are useless unless you also master the One Ring that Rule Them All. That One Ring is copywriting. The ability to write good headlines, strong sales copy, and a compelling call-to-action, all without smelling like a weasel. This is a fine line to walk, but once you learn it, you can apply it everywhere. To your website. Your newsletter. Your paid ads. And away you go.

As it happens, I began to learn copywriting shortly after I had my “I hate marketing” conversation with my agent friend. And that has made all the difference for me. In some sense you make your own luck in marketing, and my luck changed permanently when I took the time to learn how to write copy.

Copywriting is not particularly sexy or fun. But if you go to Amazon and do a search for books on copywriting, you’ll find any number of sources that will teach you the fundamentals. And then you just need to go do it, determined to learn it, no matter what.

Learn copywriting, and the Three Rings of Power are your servants, not your masters. Many Bothans died to bring me this secret.

DB: What are you working on currently?

RI: I read Steven Kotler’s book The Art of Impossible back in October, and it revolutionized my thinking. I decided that for the next few years, I’m going to focus on fewer things and do them better. I have a day job doing image analysis for a biotech company in San Diego, and that consumes half my life, because it’s a half-time job. I am currently writing a series of historical novels on the most influential person ever to walk the planet, Jesus of Nazareth, and that’s going to take me another three or four years to finish. And I’m working on a project I call “Project Chronologicus” that will combine my mathematical/computer skills with my interest in ancient history—it’s a project to harvest historical data from ancient documents and compute the best-fit chronology for ancient history. (This is a notoriously hard problem, too difficult for any human to solve without a computer; but my whole career has been spent solving problems humans can’t solve alone, so I may possibly be able to write the software to solve this one. And if not, I’ll have fun.)

 DB: Is there anything else you’d like to add? Any questions you wish I’d asked?

RI:  As Gandalf once said, you don’t know your danger when you ask a hobbit such a question, because the hobbit will go on endlessly. This hobbit will have mercy on you and just say no.

~~~

Randy, feel free to go on endlessly with all the knowledge you have to impart to writers! Thanks for visiting The Zone!

Randy’s Snowflake series

Advanced Fiction Writing blog

Randy’s website

~~~

TKZers: Have you tried the Snowflake method of plotting?

Please share your best tips for time management for writers.

Where Do You Get Your Ideas?

Nancy J. Cohen

At book events, someone in the audience always asks the author, “Where do you get your ideas?” As a writer, I don’t understand why it isn’t obvious. Ideas are everywhere. It’s having the time to write them all into stories that is the problem. But if you really want to know our secret, here’s where you might pluck an idea out of thin air.

idea

Newspaper and Magazines

Even in this digital era, I like to clip articles from print newspapers and magazines. Sometimes the subject is relevant to a current plot. Other times, I’ll file the clipping for later when I might need a motive for a suspect in a mystery or a scientific explanation for one of my paranormal romances. Don’t forget to look in the freebie community newspapers, too. Also check out your local library. Some of them have book sales where gently read magazines are available for a good price. Printouts from the Internet can serve a similar purpose, but they’re not the same as discovering random articles in a magazine. Instead, you’ll have to search for a specific subject, unless you have one of those applications that compile daily news for you on selected topics. Or you’ll have to scan the headlines. If so, you’ll be missing the thrill of turning pages in a print publication and discovering an article of interest. I always read the Sunday newspaper with scissors in hand.

Television and Movies

A TV show can stimulate your train of thought. For example, you may like the premise of a particular episode, but if you wrote the story, it would turn out differently. Or maybe the social issue or theme of a show inspires you. A news report might elicit an emotional response that makes you want to include the topic in a story. You never know when inspiration will strike.

Dreams

Do you dream in detail with color and dialogue? If you can remember your dream, write down the sequence of events as soon as you wake up, before reality pushes away the cobwebs of sleep. I used to have story dreams that were detailed enough for me to write several pages. A dream inspired my first published novel, Circle of Light. Lately, my dreams have been a continuation of thoughts or concerns I’ve had during the day, so I seem to have lost this source of creativity. If you have a good dream, write it down. Or consciously direct your thoughts at bedtime to a plotting problem you are having, and let your brain work on it while you sleep.

Books

Do you ever get an idea for a story while reading someone else’s work? Or maybe their book stimulates a new plot thread for your storyline. Ideas cannot be copyrighted. How you develop your characters and plot will differ from anyone else and will be unique to your voice. If you find that a story fires your imagination, scribble down notes and then return to the book you’re reading.

People You Meet

Friends, relatives, and even strangers can provide inspiration. They might generate an idea for a plot twist or give you thoughts on character development. A woman whose bearing and clothes I’d admired on a cruise became the Countess in my cruise mystery, Killer Knots. People who helped me with my research for Peril by Ponytail, my next Bad Hair Day mystery, serve as the model for some of the folks in this story. And I’d better not mention how real life experiences inspired Hanging By A Hair. The lesson learned here is that if you befriend a writer, you might become fodder for her stories.

Personal Experiences

Our life experiences cannot help but influence our stories. With the exception of murder, many of the incidents in my mysteries stem from real life. Naturally, you have to alter the people and the settings, but the actual events might remain similar. Certainly the antics of my late dog are reflected in Marla’s poodle, Spooks. And many of the other things that happen in her life have happened to me. Infusing these experiences into your stories will enrich them. You cannot better describe events than having known them first-hand.

Suited up for copper mine like in Peril by Ponytail

Writing Techniques

If you’re totally stuck for ideas, various writing tools can help. You’ll find each writer has a favorite how-to book or software program for generating plot ideas. Check out the reference section in your local bookstore or library, or go online and ask on your writer loops for what other authors use. You’ll get as many varied responses as there are subgenres.

So where do we writers find inspiration? It’s everywhere—in the air we breathe, in the people we meet, in our dreams, and in the stories we read or see on the big screen. The problem isn’t finding ideas. The problem is having enough years of good health and peace of mind in which to write them.

So where do YOU get your story ideas?

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And Introducing my New Release!
Hanging By A Hair, Bad Hair Day Mystery #11 

HangingbyaHair (414x640)

Marla and Dalton Vail move into a new neighborhood and discover a murder next door.

Amazon Hardcover: http://www.amazon.com/Hanging-Hair-Nancy-J-Cohen/dp/1432828142
Amazon Kindle: http://www.amazon.com/Hanging-Hair-Bad-Day-Mysteries-ebook/dp/B00JJ2XVUQ/
Barnes and Noble: http://www.barnesandnoble.com/w/hanging-by-a-hair-nancy-j-cohen/1116603785

How well do you know your neighbors?

Opening Chapters

Throughout my years as a published author, I’ve participated in various mentoring programs. This past weekend at the Space Coast Writers Guild Conference. I was assigned to mentor three writers for a total of six hours. This being my first such experience at a conference, I wasn’t sure what to do. Guidelines would have been helpful, but I was out there on my own. So I started by asking my subjects how far along they were in the writing process and what they wanted to learn.

The eager writers were nearly done with their manuscripts and wanted to hear writing tips and how to submit their work, where to find agents, what to do in terms of author branding. So we talked about all of those topics. Then they gave me about 30 pages each of their work to read. It would have been helpful to have had those pages emailed to me before the conference, because after going all day from around 9 to 7 or so, I wanted to relax. But I diligently read through and critiqued their manuscripts that evening.

Sunrise (800x600)
SUNRISE ON THE BEACH
Lois Winston (800x600)
LOIS WINSTON AND NANCY COHEN

Each person wrote fantasy or science fiction so we had those elements in common. That was up my alley since I write sci fi and fantasy romance in addition to cozy mysteries. As for the basics of fiction writing, it doesn’t matter what genre you favor. The principles are the same.

When I read their work, I found the world building blocks to be solid. The problems they shared involved pacing in the first chapter.

Either I found too much backstory repetitively entwined through the current action, with snippets of dialogue from prior conversations running through the protagonist’s head in the middle of a fight scene, or prolonged chit chat between characters that could be shortened. In a couple of cases, I suggested moving up the beginning to the point where my interest really kicked in.

These are not uncommon problems. I’ve revised my own openings endless times, haven’t you? And nowadays, when on Amazon potential readers can sample your first chapter and determine on that basis if they’ll buy your book, these first few pages are critically important. This experience also shows why it’s good to work with critique partners who can view your opening from an objective perspective and tell you if it works or not. So here are the basic points I’d like to reiterate about first chapters:

  • Start with action or dialogue. If you absolutely must begin with a description, make sure it is emotionally evocative from the main character’s viewpoint.
  • Leave backstory for later or weave it in with dialogue. Or drop it in a line or two at a time in the character’s head if it relates to the action.
  • Make sure all conversations serve a purpose.
  • Remember to include emotional reactions during dialogue between characters.
  • Make sure your characters are not talking about something they already know just so the reader can learn about it.
  • Keep the story moving forward.

Are there any other points that you would add?

Opening Chapters

Throughout my years as a published author, I’ve participated in various mentoring programs. This past weekend at the Space Coast Writers Guild Conference. I was assigned to mentor three writers for a total of six hours. This being my first such experience at a conference, I wasn’t sure what to do. Guidelines would have been helpful, but I was out there on my own. So I started by asking my subjects how far along they were in the writing process and what they wanted to learn.

The eager writers were nearly done with their manuscripts and wanted to hear writing tips and how to submit their work, where to find agents, what to do in terms of author branding. So we talked about all of those topics. Then they gave me about 30 pages each of their work to read. It would have been helpful to have had those pages emailed to me before the conference, because after going all day from around 9 to 7 or so, I wanted to relax. But I diligently read through and critiqued their manuscripts that evening.

Sunrise (800x600)
SUNRISE ON THE BEACH
Lois Winston (800x600)
LOIS WINSTON AND NANCY COHEN

Each person wrote fantasy or science fiction so we had those elements in common. That was up my alley since I write sci fi and fantasy romance in addition to cozy mysteries. As for the basics of fiction writing, it doesn’t matter what genre you favor. The principles are the same.

When I read their work, I found the world building blocks to be solid. The problems they shared involved pacing in the first chapter.

Either I found too much backstory repetitively entwined through the current action, with snippets of dialogue from prior conversations running through the protagonist’s head in the middle of a fight scene, or prolonged chit chat between characters that could be shortened. In a couple of cases, I suggested moving up the beginning to the point where my interest really kicked in.

These are not uncommon problems. I’ve revised my own openings endless times, haven’t you? And nowadays, when on Amazon potential readers can sample your first chapter and determine on that basis if they’ll buy your book, these first few pages are critically important. This experience also shows why it’s good to work with critique partners who can view your opening from an objective perspective and tell you if it works or not. So here are the basic points I’d like to reiterate about first chapters:

  • Start with action or dialogue. If you absolutely must begin with a description, make sure it is emotionally evocative from the main character’s viewpoint.
  • Leave backstory for later or weave it in with dialogue. Or drop it in a line or two at a time in the character’s head if it relates to the action.
  • Make sure all conversations serve a purpose.
  • Remember to include emotional reactions during dialogue between characters.
  • Make sure your characters are not talking about something they already know just so the reader can learn about it.
  • Keep the story moving forward.

Are there any other points that you would add?

Inspiration for Writers

Readers always ask writers, “Where do you get your ideas?”
Ideas for novels can come from anywhere. The inspiration for my paranormal romance series arose from a ride at Disney World’s Epcot theme park (Epcot = Experimental Prototype City of Tomorrow). In World Showcase stands the Norway pavilion and a ride called Maelstrom, one of the best attractions in the theme park, in my opinion. You board a boat and enter a dark tunnel up a steep incline. At the top, staring down at you, is a glowing eye. The boat takes you into a misty forest where a troll pops up (or is it three trolls? I don’t remember). This evil character casts a magic spell on you to “Disappear…disappear.”
Suddenly, you are whisked backward through time (and literally backward as well). Then the  boat glides past a series of historical panoramas depicting Norse history. But then, uh oh, it appears as though your transport is about to plunge over the edge of a waterfall. Instead, after a slight turn, your boat does plunge downward but at a much less scary angle, landing with a splash amid oil rigs at sea. You’re back in the present and disembark at a seaside village.
From here, guests are herded into a theater for a film about Norway. Here’s a tip: if you do not wish to linger, walk directly past the seats and out the door on the opposite side before the film starts. You’ll exit in the shops and can browse the expensive wool sweaters, fanciful troll dolls, books, and jewelry. The Norway pavilion also has a sit-down restaurant and a fast food café. A little known gem is a tiny museum with lifelike figures depicting ancient kings and warriors.
From this experience was born my fictional Drift Lords series with a band of warriors who come from outer space to save Earth from an invasion of Trolleks (my term for trolls), who arrived through a rift between dimensions (think Bermuda Triangle). They join forces with a group of Earth women whose special powers are just awakening. An ancient prophesy says history is repeating itself and Ragnarok, the destruction of the universe, approaches and only our heroes and heroines can prevent disaster.
My story is based on Norse mythology. I bought some books at the Norway pavilion on Vikings and Norse gods, studied up on the mythology, and watched some movies involving trolls. By now I’ve completed two books in this trilogy with one more to go. I put that aside to work on later because I’m working diligently to finish a mystery, first book in a new series, inspired by a reader at one of my book signings who said, why don’t you write a mystery about xxx−and so I did. Again, inspiration hit from an unexpected place.
Where do our ideas come from? They’re out there. We have only to latch onto them and turn them into our fictional worlds. And world building is a topic for another time.
So fellow writers, what inspired your current project?