Book Expo America 2018


The population of my Montana home town is around 25,000—about the same number of people I encountered during six days at Book Expo America (BEA) and BookCon in New York City.

BEA is the biggest annual convention of book publishers, booksellers, distributors, librarians, and authors in North America. With 840,000 square feet of exhibit space at the Javits Center and nearly 500 exhibitors, the show is so big that Publishers Weekly covers it with daily tabloid reports of 70-100 pages each.

The event is open to industry professionals, not the public. I was fortunate to be invited to check out the inner workings of the business. What a learning experience it was!

Big names draw big crowds. Celebrities launching new books stayed busy autographing advance reading copies (ARCs). Some wait lines rivaled Splash Mountain at Disney World. This year’s stars included a couple of guys named Patterson and Clinton who co-wrote a thriller, along with Nicholas Sparks, Sally Field, Barbara Kingsolver, Trevor Noah, and more.

Debbie Burke and Hank Phillippi Ryan


I was delighted to meet the charming Hank Phillippi Ryan at the signing of her new book Trust Me. A few weeks before, I’d watched Hank teach a great online class sponsored by International Thriller Writers (TKZ’s own James Scott Bell also taught a segment of the webinar).

One Librarian’s Bounty



Librarians from all over the country flock to BEA to pick up bagfuls of free ARCs to help them decide what to order for the coming year. Their biggest expense must be the charge for overweight checked baggage!

Important lesson to authors: librarians are your best friends. If librarians get behind your book, their efficient network can put millions of eyes on your work. See, not all librarians are there to ruin your mood! I guess we all had that one librarian who thought they owned the place, but thinking about it now, knowing that they have way more to do than just sitting behind a desk, maybe it’s time to cut them some slack. You may want to do some research into schools like USC Marshall to get a better understanding of what the essential roles are these days of a librarian.



Not surprisingly, Amazon isn’t exactly the most popular kid on the BEA playground. The headline of one daily report read: “Amazon’s Actions Remain a Problem,” a quote by the CEO of the American Booksellers Association. The article talked about the impact of “lost jobs, stores, and uncollected taxes” due to the online giant.

The Big Five (Hachette, HarperCollins, Macmillan, Penguin Random House, Simon & Schuster) had large showy booths on main aisles. In contrast, Amazon’s booth was in a distant corner, far from the entrance.

Since Amazon’s Kindle Press had published my thriller Instrument of the Devil, I trekked all the way to the rear of the exhibit hall to visit them. But when I got there…..

Black curtains surrounded all four sides of the booth. Through the gauzy fabric, I could see people moving inside. But there was no entrance.


Upon further investigation, I was told Amazon specifically requests a private booth for book publicists to meet with major media to pitch upcoming titles.


In addition to the Big Five, scores of indie publishers had booths, representing niche markets for religious, ethnic, political and social issues, health and fitness, food and cooking, short fiction collections. No matter what off-the-wall subject you imagine, chances are someone has published a book about it that shows up at BEA.

Children’s and YA book publishers were out in force, introducing thousands of new products: print books, graphic novels, puzzles, interactive 3D devices, plus tie-in merchandising like costumes, cuddly stuffed characters, sports equipment, etc. There were even quaint retro items like pens and stationary. Could writing actual letters be making a comeback?

Waiting for autographs from their favorite authors


BEA runs from Wednesday through Friday for industry pros. BookCon follows on the weekend and is open to the public. Thousands of readers crowded the Javits Center on Saturday and Sunday. They pored over new releases, waited in line for autographs from favorite authors…

BookCon 2018


…and posed for photos dressed up as popular book characters.

Older folks (like myself) often complain about young people zombie-walking through life with bent necks, mesmerized by their smartphones. Yet at BookCon, I didn’t notice a single example of that disconnection. Kids engaged with each other and were excited about new adventures in reading. Witnessing that gave me hope.



Audio book sales continue to grow by double digits, 30+% increase in the last year alone.

A major BEA sponsor for 2018 was Blackstone Publishing. In 1987, the family-owned independent audio publisher started producing cassettes in a garage in Ashland, Oregon. They tapped into the town’s renowned Shakespeare Festival for narrating talent.

Three decades later, Blackstone has expanded into a full-service publisher of print and e-books in addition to audio, employing more than 200 people. Still headquartered in Ashland, they’ve increased their presence in NYC with acquisitions editors, audio narrators, and a sound studio that’s second to none.

Blackstone also showed me firsthand what a debut author’s dream launch should look like.

Excited debut author Susan Purvis with the banner of her new book

Last April, I wrote about cadaver dogs and mentioned Susan Purvis’s upcoming memoir, Go Find, which Blackstone is publishing. At BEA, they rolled out the red carpet for Susan, including a 10-foot-tall banner at the entrance of the Javits Center.

At their booth, lighted signs showcased new releases. Book covers were displayed on video screens. During signings, representatives guided people through the waiting line, graciously giving out swag including postcards, book bags, and ARCs.

This contrasted sharply with some author signings sponsored by bigger houses where I wondered if cattle prods might be in use!


Blackstone’s good treatment of authors has resulted in them picking up bestsellers like Orson Scott Card, cozy queen M.C. Beaton, and mother-daughter fantasy writers P.C. Cast and Kristin Cast.

Despite BEA’s gargantuan scope, it offered opportunities to make personal contacts.

A couple of hours into the first morning, I sank down at a vacant table, already exhausted, eyes glazing over. A woman with a similar dazed expression sat across from me and we commiserated about feeling overwhelmed. Her name was Bee Kapitan, a designer from Vancouver. She had just received an Independent Publisher Award for her interactive e-book How To Say Cheese. I showed her the proposed cover for my new book, Stalking Midas, and she graciously made suggestions. She introduced me to the burgeoning world of interactive book design. We’ll be keeping in touch.

I’m learning from Umair Kazi (l) and Francesco Grisanzio (r)

Another valuable connection occurred with the Authors Guild. I knew of their excellent advocacy for writers but hadn’t gotten around to joining. At their booth, I talked with staff attorney Umair Kazi and digital services coordinator Francesco Grisanzio about rights reversion. Their guidance helped me make a career decision I’d been putting off. Needless to say, after their assistance, I signed up to become a member.

Another service they offer to authors is contract review. Before you sign a publishing contract, AG attorneys will review it and clarify the Byzantine maze of legalese. That alone is worth the $125 annual dues.

Authors Guild has also forged a communication channel into Amazon to register author complaints. Hopefully AG’s advocacy will temper Amazon’s review policies that, to authors, often appear capricious and arbitrary.

BEA gave me amazing insight into the publishing business. If I included all the adventures and interesting people I met in the Big Apple, this post would run into next week!

I’ll stop now and turn it over to TKZers for questions and comments.

A final post script: on the trip home I was privileged to meet a 91-year-old Holocaust survivor. That story is too long to add here but it can be found on my blog.


A Great Book Conference

By Mark Alpert


Back in the summer of 1981, between my junior and senior years of college, my roommates and I drove to California in a friend’s dad’s Cadillac. We left New York City at 9 p.m., watched the sun come up over Indiana, spent the afternoon in the Wisconsin Dells and kept on driving till we hit South Dakota. Over the next three days we toured the Badlands, gawked at Old Faithful, and somehow ignited a thingamajig on the Caddy’s underside, littering sparks on I-15 as we crossed the Mojave Desert. After delivering the battered car to its owner, Mr. Grisanti (who was none too pleased when he saw its condition), we spent the following two months in various parts of Los Angeles, mooching off our friends in Westwood and playing volleyball on the Santa Monica beach and working temp jobs at a Zody’s Department Store. I loved every laid-back minute of it.

Strangely enough, though, I never returned to the L.A. area until two weeks ago, when I attended the American Booksellers Association’s Children’s Institute conference in Pasadena. I was there to promote The Six, my Young Adult thriller about terminally ill teenagers who give up their dying bodies and download their minds to U.S. Army robots. The Six will come out in July, and my publisher wanted me to showcase the novel for the benefit of the booksellers from all over the country who come to the conference to see what’s new and exciting. The conference organizers stage a ritual that’s a bit like speed dating: while the booksellers eat lunch in a hotel ballroom, the representatives from the various publishers hop from table to table, describing their spring and summer offerings to each group of bookstore owners and buyers, summarizing their lists in a wild rush before moving on to the next table. And then a few hours later the authors of said books come to an evening reception to sign advance copies and answer questions from booksellers who are already eager to read the novels. Needless to say, I had a blast at the reception. It was an incredibly gratifying and flattering experience.

What struck me the most was the enthusiastic, entrepreneurial spirit of the booksellers. Many of them were young and new to the business, and many were longtime owners of revered stores, but all of them were upbeat and passionate about books. Their optimism stands in stark contrast to all the dismal prognostications about the future of book publishing. One conference participant pointed out a strange consequence of this disconnect between expectations and reality: a few customers at her bookstore act like mourners at a funeral. “They come up to me with very concerned looks on their faces and ask, ‘Are you all right? Is everything okay?’ And they’re genuinely surprised when I say, ‘Yes, business is great!’”

My favorite moment from the conference was when a bookseller showed me a review of The Six written by a fourteen-year-old boy in her town who’d read an advance copy. He loved the book but felt obliged to add that it was a bit scary.

And it was good to visit Southern California again after a 34-year hiatus. I had some fantastic sushi at a restaurant a few blocks from the Pasadena Hilton. After dinner I strolled over to the campus of Caltech, which is a shrine for science nerds like me and probably the least laid-back place in the whole state. I admired the bronze bust of Robert Millikan, the legendary physicist who was the first to measure the charge of an electron. I peeked into the windows of the labs and saw frazzled students still hard at work at midnight. It’s definitely not a good college for partying; there was no music blaring from the dorm rooms, and the only socializing I glimpsed was a rather pathetic klatch of half a dozen students standing around a pony keg. Worse, I overheard one of the students lecturing the others: “There are several types of fun, you know. There’s Type 1 Fun, which is very different from Type 2 Fun but somewhat similar to Type 3…”

I didn’t stick around for the full explanation.