It’s Winter break here at the Kill Zone. During our 2-week hiatus, we’ll be spending time with our families and friends, and celebrating all the traditions that make this time of year so wonderful. We sincerely thank you for visiting our blog and commenting on our rants and raves. We wish you a truly blessed Holiday Season and a prosperous 2014. From Clare, Jodie, Kathryn, Kris, Joe M., Nancy, Jordan, Elaine, Joe H., Mark, and James to all our friends and visitors, Seasons Greeting from the Kill Zone. See you back here on Monday, January 6. Until then, check out our TKZ Resource Library partway down the sidebar, for listings of posts on The Kill Zone, categorized by topics.
Category Archives: Nancy J. Cohen
Are Book Events Worthwhile?
Nancy J. Cohen
I’ve been doing speaking engagements for many years now. It’s a way of giving back to the community and meeting new readers. But after this last one, I’m wondering if they are a waste of time in the digital age. I gave up three hours to speak to this group, had my hair done, painted my nails, and chose my wardrobe with care. Fortunately, it was local, so I didn’t have to travel far.
Sixty women attended this book and author luncheon, so you’d think they would all be readers, yes? The tables were beautifully decorated, with homage given to my latest title, Shear Murder. In this story, Marla the hairstylist discovers a dead body under the cake table at her friend’s wedding. Witness the cake motif on the centerpieces.
It was a lovely event. People were friendly and welcoming. But when I finished my speech, and after the raffle ticket numbers were called—an event as long as my talk—people left. Oh, a few came over and complimented me before asking if my books were available on Kindle.
Now, I wouldn’t mind if they went home and some of them ordered my titles. Most ladies took the brochures that I designed and had printed in two-sided color, but I did not sell a single book. Had they spent their money on raffles and ran out of cash or didn’t want to spend anymore? Was that it? Or do readers expect books on the cheap now and a signed copy means nothing?
I’m all for going out and meeting the public to increase readership, but consider the value of my time. I lost three hours of work and more, if you count the prep time. This is why I started charging a speaker’s fee if I go out of town for a talk. But even locally, is it worth the time and effort? Should I cease ordering my books to sell at these events? Already I have cases full of books stocked in the house. How will I get rid of them, other than donations? And even that means paying postage and a trip to the post office. It’s easier to do a giveaway with a digital copy.
If you are a multi-published author, and not a newbie looking to build a readership, do you still seek out speaking opportunities in the community? Would you go if—as one woman suggested to me—you’re invited to talk at her gardening club across town? Or will you suddenly have deadlines that prevent you from accepting?
I love speaking at libraries, but groups looking for a free speaker? Not so sure anymore. I know it’s not so much about the book sales as it is about meeting new readers, so I guess it’ll depend upon the circumstances. Or I might, in lieu of an honorarium, request a minimum book purchase agreement. Your comments?
Getting Back on Track
How do you get back on track after being away from home? When I go on vacation, attend a conference, or even do a one-day speaking engagement, I lose about two days of work for every day gone. It’s hard to jump back into your Work in Progress when you have bills to pay, receipts to file, emails that need response, phone calls to return, and household chores like laundry and food shopping to complete. With that being said, the idea of being able to use a shift swapping app when people are away could make getting back into work a lot easier. Plus, people can switch shifts if certain people can’t make it.
Photos from our visit to Epcot’s Food & Wine Festival:
Easing into a work schedule is impossible for me when all these things are on my mind. Thus I allow a few days to get caught up, maybe not in everything but at least in the essentials, before turning to the work left waiting for me.
There’s no easy way to get back to the grind. You can reread your material and do some edits to put the story into your head again. Or you can set a writing/editing schedule beginning with a certain date.
I’m expecting line edits on Warrior Lord, #3 in my Drift Lords paranormal series. Before these arrive, I want to move ahead with Peril by Ponytail, my next Bad Hair Day mystery. This story is based on my recent Arizona trip, and I’d like to write it while those details are still fresh in my mind. And yet I have travel arrangements to make for a New York trip in January, bank statements to reconcile, a wedding invitation that needs a response, family visits to plan, and more. Plus the laundry and food shopping must be done today, not to mention paying the property tax bill, etc.
In a week or so, I’ll be caught up. And this is only from going away for four days. So how do you ease into your work schedule after a vacation? Do you jump right into it, or do you allow yourself time to get caught up?
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Fall into Reading Contest, Oct. 28 – Nov. 15 Enter to win an ebook copy of Dead Roots, my haunted hotel mystery, and a $10 Starbucks gift card or one of three runner-up prizes: http://nancyjcohen.com/fun-stuff/contest/
Booklover’s Bench Contest Nov. 4 – Nov. 18 Enter to win a $25 Amazon or BN gift card or one of six runner-up ebook prizes: http://bookloversbench.com/contest/
First-Hand Research: Arizona
Do you believe in ghosts? I would like to think they exist, especially after numerous orbs came out in the photos I took on our Arizona trip. However, sites online explain the phenomenon as artifacts like cameras reflecting dust motes or water vapor droplets. Nonetheless, we visited many haunted sites on our recent trip west. The most exciting one was the Grand Hotel in Jerome. Formerly a hospital, this structure was built on a mountainside to serve the local miners. We took the nightly ghost tour and were given our own instruments to investigate.
How does this work into the book I’m planning to write? I needed first-hand research, and it’s a good thing I went on location. When I’d put a forest in my story synopsis, I imagined the northern kind with tall trees and thick undergrowth. Man, was I off mark! Arizona forests, as least where I went, consisted of low scrub brush, scattered trees, reddish-brown dirt, and cacti. Uh-oh. Nix the victim in my story dying when a heavy branch falls on him. Instead, he’ll tumble off a mountain ledge. As mountain vistas are all around, this should be more plausible.
Copper mines play an important role in my story, too. Little did I realize you had to be at higher elevations for this factor. My protagonists explore a mine in the story. Now I know what they should wear, what they will see, how they will face the scariness of pitch darkness below ground. As for the orbs, it’s either very dusty down there or the shafts are haunted.
And the dude ranch where we stayed one night is the background setting for the entire story. I couldn’t possibly have written a word without being there in person, smelling the horses, having a drink in the lounge called the Dog House, and sampling the food in the dining hall. Plus interviewing the staff changed another story element. A character’s horse won’t be spooked by a snake let loose in its path anymore. Instead, someone strings a trip wire across the trail.
We had many more adventures, from gazing at the awesome red cliffs of Sedona to an off-trail jeep ride to a recreation of the gunfight at the O.K. Corral. We stayed at the dude ranch, rode down into the copper mine, and went on our own ghost hunt. I also got to tour the Desert Botanical Gardens to note the varieties of plants, trees, and cacti. All of these experiences were essential for my novel. Sometimes you can’t get what you need online or in the library. You have to go to the place to sniff around for yourself.
You can see more of my pix here: http://fw.to/SB2DmEH
So what trip have you made that was essential to your research?
First Page Critique: PHV
Today we have the privilege of reading the first page of “PHV.” My critique follows.
“I want out.”
I squared my shoulders and said it louder, “I’m finished. I want out of the firm.” I repeated it three times.
Silence. Then a loud honk from behind let me know the light had turned green. I hit the gas and made the short sprint to the next stoplight. Usually the downtown traffic made me crazy.
However, today I was in no hurry. Today, I planned on telling my dad that I quit. He and the firm could do their deals without me mopping up after billionaire clients and their obnoxious offspring. I was done being his cleaner.
I made a quick right turn the wrong way into an alley and pulled into a trash strewn vacant lot. The garage attached to our office building had been under construction for three months and I’d made a deal with the owner to park here. So far, all he had charged me was getting a nephew out of a marijuana jackpot. Given the price of parking in Dallas, that was cheap.
Practicing my speech one more time in the side view mirror, I grabbed my briefcase and picked my way through the beer bottles and burger wrappers to a hidden door leading to the garage elevator. I’d already ruined on pair of heels in this mess and had no desire to do it again.
Thankfully, the elevator was still running. The construction supervisor told me that until we were out of dutch with the city, it was technically closed down, but they used it anyway. He’d slipped me a maintenance key. The price? One DUI. Again, to avoid walking around the block to the front door, it was well worth a couple of phone calls. I was used to barter. It’s what I did.
The elevator doors slid open at three where my office was located. Since I wasn’t on the letterhead at dad’s law firm; I insisted on being separate from the sixth floor suite. Plus, I didn’t like it up there with the Texas hair and two-thousand dollar boots. I did my best work when I could blend into the background.
To my surprise, the upper floors of the garage were silent. I heard none of the usual jackhammers, concrete saws, and swearing that had greeted me since the building inspector had threatened to condemn the structure. What I did see was the ass end of a black Suburban parked by the landing and I heard voices coming down the stairwell. Something was wrong here. I hadn’t seen a non-construction vehicle on my floor in weeks. Ducking under the plastic chain with the “Out of Order” sign dangling from it, I crossed the short hallway to a window overlooking the front of the building.
MY CRITIQUE FOLLOWS
Time Management for Writers
How do you juggle between writing, marketing, and having a life?
Things used to be simpler when all we had to worry about was selling to a NY publishing house. When I wrote for Kensington, I turned in one book a year. Easy, right? I wrote my Bad Hair Day mysteries and nothing else. No blogs or Facebook posts. I didn’t have a second publisher to worry about making deadlines with double the work. Promotion consisted of mailing out packets of bookmarks to booksellers, letters to reader groups, and personal appearances.
It wasn’t until my option book was turned down that I started writing in other genres to see what would sell. Now it’s years later, and Wild Rose Press has picked up my romances while Five Star is publishing my ongoing mystery series. I am preparing to self-publish an original mystery and a few other items on my agenda as well. Currently, I have four books in various stages of the publishing process. This means edits and page proofs, along with research, plotting and promotion.
Never before have we had so many options. It’s an exciting era, but it’s also utterly time consuming. Who has free time when we can publish our entire body of works through various formats, and spend hours on the social networks promoting them?
Establishing priorities is paramount. When I’m in a writing phase, I set myself a daily quota of five pages a day. That’s my minimum, and I have to be at least halfway through before I’m permitted to peek at my email via Microsoft Outlook. I have to be finished before going online. This is the only way to get your writing done. Do it first before anything else intrudes.
When I’m in a revision phase, I also set limits. Maybe it’s one chapter per day to edit or 50 pages per day to proofread. Again, this work must get done.
As for the rest of the day, it’s spent on promotion and marketing, interspersed with errands, meeting friends for lunch, or whatever else is on my daily schedule. I’m fortunate that I can write full-time. My retired husband helps out with errands, freeing more of my time. Some of you may not have this luxury. In that case, you have to set your own limits.
How many pages can you reasonably write in one day? How many pages can you edit or proofread on a steady basis? How many days a week can you devote to your writing career?
Do you enjoy social networking and marketing, or would you rather watch paint dry? Does someone have to handcuff you to the keyboard to get you to participate?
Where it comes to marketing, create a specific promotional campaign for each upcoming title. Follow this template so you’re not reaching blindly in the dark. As for the social nets, pick a select few and check in there often. Visit the other sites whenever you get to them. Schedule tweets ahead of time if you have a chance. I’ll visit Facebook several times a day because I feel this one is the most important.
Twitter comes next for me. I’ll pop in there every now and then and do a few posts. Pinterest isn’t on my daily role call. I’ll pin photos after I do a blog post with pictures I’ve uploaded. Goodreads is on my list but not on a daily basis, as is commenting on other people’s blogs and posts. You have to do what feels right for you.
I’m a big believer in lists. Write down your writing and business goals for the year. Each day, decide what you have to accomplish. These lists will give you a concrete path to follow. Write down the marketing plan for your next book. This will give you a specific focus, i.e. a blog tour or a book trailer. What you don’t want to do is flounder about, because that’s truly a time waster.
So what’s your plan for today? Mine included writing this blog. Marketing task number one is done. On to task number two.
Book Production
What happens after you sell a book to a publishing house? Despite what you may think if you’re a new author, your work is far from finished. In case you haven’t had experience yet with this stage in the writing process or if you are an interested reader, let me describe it for you.
First you’ll hear back from the editor with line edits. Usually we get these as Track Changes in Microsoft Word. The editor will write comments in the margins relevant to the story and will delete/add sentences in the body of the work. You may or may not have a deadline for returning revisions, with your corrections also done in Track Changes.
Assuming your editor accepts this version, next you’ll receive the copy edits. If you’re unsure about the difference between line or story edits and copyediting, see my article here: http://bit.ly/18zyJbj. You make corrections again and send them back. Often I’ll find problems like sentences that should be bumped ahead to the next paragraph, missing punctuation or dialogue attributed to the wrong character. These are formatting errors.
Next come the page proofs or galleys. This is your last chance to make changes and to proofread your work. Again, you’ll have a deadline, often a week or two, in which to respond.
Sometime along the way, you may be lucky enough to receive an advance peek at the front cover design. Recently I got the one for my next mystery, and I immediately sent back two corrections and some color preferences. I’m lucky my publisher is so accommodating.
You may also get a glimpse at the inside cover flap (for a hardcover) and back cover copy. Once I felt the wording was too revealing about the suspects and requested changes. It’s nice when you have a chance to give your approval.
Naturally, if you are self-publishing, you have to hire people to do all these tasks. But you’ll still have the proofreading and corrections regardless of which route you take.
At the moment, I am working on four books. Three are already written. On Book 1, I’m waiting for page proofs and final cover design. This one already has a scheduled publication date. On Book 2, I am hoping for an offer followed by line edits. These will take me a while since the story is a long one. On Book 3, I’m working with an editor toward self-publishing my first original title.
As for book 4, I’m only at the synopsis and research stage, but I need to start writing it soon to finish by my editor’s requested date. Add in various trips and holidays within the next few months, and I’ll be lucky to have time to breathe. This requires prioritizing. The books that come in with edits or page proofs from my publishing houses will be first on the list.
So you see, until a book is actually on the virtual (or real) bookshelves, your work isn’t finished. When the book finally is for sale, then you’ll be jumping on the marketing bandwagon. And that starts a whole new ride.
How many of you have several works in production at the same time?
When is “Dark” too dark?
One of the words I’ve been repeating in my works lately has been “dark”. You know, the man swung his dark gaze her way. He wore a dark suit. He had his dark hair brushed back over a wide forehead. Shadows darkened in a corner as he gave her a dark scowl.
Ouch.
This can be considered lazy writing, except I hadn’t even been aware of this fault until I ran one of the self-edit programs described in my personal blog at http://bit.ly/12iU9nZ. I embarked on a search and find mission to replace as many of these weak terms as possible.
Let’s start with clothes. Face it, men wear dark suits. To get a better idea of colors, I accessed this website: http://lawyerist.com/suit-colors-for-the-clueless/. Ah, now it became clear which colors are popular for men and suited to business. My descriptions of dark suits changed to black, charcoal, slate or navy. That’s a lot better than “dark”, isn’t it?
If you want to get even more particular, go online to a department store site like Macys.com and put in the search feature “suits, “blazers”, or “sportcoats” and you’ll get a wide variety of colors.
What about the character who has dark hair? Is it black or dark brown? Check this reference:
http://en.wikipedia.org/wiki/Human_hair_color. Instead of black hair, give your character raven, ebony, or onyx hair. Varying the descriptions adds spice to your story.
Also watch out for redundancies like dark shadows & dark scowl. Both of these work well without the “dark” element.
Despite its ambiguity, this word is popular for movies. Witness Batman’s The Dark Knight; Thor: The Dark World; and Star Trek into Darkness.
The filmmakers can get away with it, but as a writer, you cannot. What other ambiguous words like this might you want to change?
Broadchurch
Are you watching the British crime drama, Broadchurch, on BBC Wednesday nights? It’s a limited episode series that started last week, so you’re not missing much if you pop in tonight. As a mystery writer, I can’t help analyzing the story structure.
Episode one presents the scene of the crime. A young boy is found murdered on the beach. The time and method of death are established. We meet his family, some of whom are keeping secrets. The boy may have been killed between 10:00 pm and 2:00 am last night. Where was the father? Supposedly out on an emergency plumbing call. Oh, really? How lame is that alibi?
Yet not once does the lead detective suggest verifying the plumbing job. This handsome bloke, by the way, is David Tennant of Dr. Who fame. I like him with his scruffy beard. But someone needs to clue him in on finding the facts. Will it be the ambitious reporter? Or did he have a hand in this horrible event to create a story for himself?
And where was the victim’s father the night of the murder? Is he having an affair? Involved in a smuggling scheme? The rugged coastline may have been the site for smugglers in historic times. Perhaps there’s a new gang at work and the boy became a liability.
And how was the boy involved? His best friend isn’t so innocent. The kid erases all his computer and cell phone files after his mum, a detective on the force who’s been passed over for promotion, tells him he’ll be questioned about what he knows. What’s the kid hiding? Could he and the victim have been involved in a shady scheme with the victim’s father?
Then again, the father seems too easy a mark. Maybe he’s the red herring.
As the show progresses, we’ll see more townspeople guarding secrets. Eventually the detective will unravel them until he exposes the killer. And what about his own past? He was sent to this little hamlet after something scandalous occurred in his career. He couldn’t have created a murder to boost his own reputation, could he?
Everyone in this village is a potential suspect. It’s a juicy story in that respect, and I’m eager to see how it plays out. This is why I like whodunit mysteries. We are guessing along with the detective. The small town atmosphere becomes a character in its own right as we learn that not all of the inhabitants are as innocuous as they seem.
So are you going to watch the show tonight?
Leaving a Legacy
I had the weirdest dream, wherein my family moved into a multi-room apartment. Along came a man and his wife who claimed they had the legal right to occupy a room in any one of a multitude of properties in the city. We had no choice except to allow his presence. But when he began to redecorate, I got angry. He replaced my pictures on the walls, changed the furniture around, and put out his own knickknacks. But what fueled my fury the most was when he covered up my bookshelves. I could no longer see my collection of books—in particular, the hardcover mystery novels I’d written.
The man had no idea I was a writer, so he didn’t understand when I desperately began moving his belongings out of the way to search the shelves. I became frantic to find the books with my name on them.
When I awoke, I realized how much those shelves of books meant to me. These are my legacy, more so than anything I can leave my children. The books I’ve written will hopefully stay around in libraries and used bookstores and people’s minds long after I’m gone. Perhaps I am arrogant in this belief, and I will be forgotten after my demise. But unless there’s a big bonfire like in the science fiction tales or folks stop reading altogether, the books will still be around somewhere.
So where does that leave e-pubbed only authors? With a digital file? And why does hardcover seem more durable than mass market paperbacks? Will trade editions stand the test of time?
When you see pictures of those big manor houses in England, they all have the most sumptuous libraries. Is this tradition to be lost forever in the digital age? Will no one care to have home libraries anymore, regarding books as dust collectors rather than cherished tomes of knowledge, adventure and imagination?
This legacy is something to think about when you make your choice about where and how to publish your work. Holding a print book with my name on it still means a lot to me.
This post does not address other parts of leaving a creative legacy, such as donating your literary materials to a library collection. Those provisions should be included in your will along with instructions for ongoing management of your creative literary estate.
Here are some more shelves with some writing references plus more of my books in different formats.
How do you feel about leaving your books in print formats versus digital for posterity?