Brain Science Offers Solutions for Writer’s Block

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Have you ever sat in front of your word processor, waiting in vain for words to flow? How can a writer reclaim her creative muse when her “boys in the basement” go radio silent?

This topic–breaking through writer’s block–is of particular interest to me. I’m one of those people who alternates between periods of intense, almost compulsive creative activity, and long stretches of floundering in a creative trough. So it was very heartening to read that  science offers strategies that can help people like me produce more consistently.

Rewiring the brain

In an article published in WD in 2012, Mike Bechtle argued that mere willpower is not the most effective solution for breaking through writer’s block. He suggests that we rewire our brains to get back into the “flow”.

Here were my major takeaways from Bechtle’s article:

  • Write first thing in the morning, when alertness and energy levels are typically at their highest. (My note: If you can’t write first thing in the morning, try to write at the same time of day every day. Your brain will “learn” to kick into gear at its regular writing time)
  • Fuel your brain with a nourishing breakfast (Think eggs and fruit, not an apple fritter)
  • Limit distractions (Don’t check email or messages before writing, and don’t read a newspaper, turn on the TV, or listen to radio, either)
  • Keep writing sessions short (The brain can focus intensely for only short periods of time, according to Bechtle)
  • Apply glue to butt (Stay seated while writing, that is!)
  • Don’t set your expectations too high

Other strategies

In my first foray as a fiction writer back in the 90’s, I was a contract writer for the Nancy Drew series. The schedule for those books gave me little leeway for writer’s block. As soon as the chapter outline was approved, writers were given six weeks to complete the novel. Six weeks! I had to write those stories so fast, I felt as if I was hurling words at the word processor. Every project was a race to the finish line. “Writer’s block” was a foreign concept.

Then my editor left, and the publishing landscape changed. I stopped writing NDs and began to vaguely contemplate writing something on my own. Inertia quickly set in. Months became years, and I hadn’t written anything new.shutterstock_156007538

15 minutes a day, that’s all we ask

I happened to read an article by Kate White, who is an author and former editor of Cosmopolitan Magazine. Her advice to getting started? Write 15 minutes per day, first thing in the morning. No. Matter. What.

To act on Kate’s suggestion, I had to set my alarm for five a.m. instead of six. That extra hour gave me enough time to down a cup of coffee and generate 15 minutes of quality writing time, before I headed off to my day job.

White’s advice worked for me. Fifteen minutes of writing daily eventually became an hour. Soon I was producing a minimum quota of a page a day.  (Yes, I know: a single page a day isn’t impressive as a quota. See the last bullet point of the previous list about lowering expectations.) A few months later, I had completed the first draft of my new novel.

Your strategies for breaking a creative logjam?

How have you broken through a creative dry spell in the past? Any tips you can share with the rest of us?

First Page Critique: Timber Ridge

Today we are critiquing the first page of a story called TIMBER RIDGE. After reading the page and my notes, please add your thoughts in the Comments.

Halloween, dead hand coming out from the soil

Timber Ridge

Digging a grave is thirsty work under the high summer sun, even when it’s your own.

“How about a break, we can both grab a drink? Five minutes, eh? I’m dying out here. Haha.”

Silence. It was my funeral, but he was being the glum one.

We picked this spot because the shade from the evergreens covered most of the rutted road shoulder, but over the course of the morning every worry from the past two days — every dead end, every lie, every person I couldn’t save — had hardened into a single, pure lust for water. The fact that I wasn’t likely to be thirsty for very long, or ever again, wasn’t any consolation. I couldn’t keep myself from wanting it.

Rice dropped his cigarette onto the dry pine needles that covered the road and smothered it with his boot heel, a good citizen. “There’s Coke back at the truck. In the cooler, on ice. A couple of beer bottles too.” Too much kindness hung off his high voice like an ill-fitting mask. “You know what you gotta do to get to it.”

Rice was not a bad guy, in fact I still thought of him as a friend. But he was a conscientious worker in a bad line of work. If this was the business for the day, he wouldn’t know how to neglect it. He’d feel bad about it later.

A Stellar’s jay sidled nervously across a low tree branch and screamed at us. We both looked vaguely past it, to the east.

The road was poorly maintained ahead, pitted and overgrown with thorny brush. Nature held court on both sides. Brambles were the only buffer before trees started jabbing into each other in a decades-long fight for position. The losers lay on the forest floor, damp and soft and rotten, where mushrooms and small bugs could use them. I looked down into the dirt and saw myself, blue-white and cold in the black topsoil, growing quickly soft next to them.

“Alright then.” I stepped out of hole and looked at him for a while. “Let’s go see about those beers. I’ll tell you what you need to know.”

I wouldn’t though, not for anything. I had one beer, maybe ten minutes, to make sure that Rice would be the one feeding the bugs and melting into the roots of the pine trees on Timber Ridge.

My comments:

There’s some good tension in the setup of this opening scene. I like the self-deprecating humor of the narrator’s thoughts as he’s forced to dig his own grave. I also like some of the imagery: the Stellar’s jay sidling nervously and screaming at the men, as if he knows what’s happening below; the fallen trees portrayed as losers in a battle, which foreshadows the coming battle between Rice and the narrator. I admire the way the writer uses these images to add layers of depth to the action in this scene.

On the other hand, the imagery didn’t work for me in the following sentence, “Too much kindness hung off his high voice like an ill-fitting mask.” I had to pause to make sense of everything that was going on in this sentence: the high voice with “too much” kindness, an ill-fitting, hanging mask.

Avoid confusing the reader 

On my first read-through, when Rice said (in reference to the drinks in the truck), “You know what you gotta do to get to it,” I thought he meant getting physically to the vehicle. This confused me until I reread the page and realized that Rice was demanding  information from his would-be victim.

My initial confusion made me question whether the narrator was actually in danger. This section should be revised for clarity.

Break up long sentences to enhance pacing and tension

While there’s nice tension in the scene, I think it could be strengthened by tweaking some of the longer sentences.

For example, instead of

“Rice dropped his cigarette onto the dry pine needles that covered the road and smothered it with his boot heel, a good citizen.”

Break it up as follows

“Rice dropped his cigarette onto the dry pine needles that covered the road and smothered it with his boot heel. A good citizen.”

Nits

This is a minor point, but the first sentence, “Digging a grave is thirsty work under the high summer sun, even when it’s your own” might be stronger written as “especially when it’s your own.”

Overall

Good tension, fresh imagery, an appealing narrator–overall, I found this first page to be a promising start. Thank you to the brave writer who submitted this page to us for review today!

TKZ’ers, do you have additional comments or notes for our writer today?

Internet Fame Doesn’t Always Drive Book Sales

shutterstock_175846916Have you ever wondered whether “going viral” with a video or Tweet would boost your book sales? Think again. The impact of sudden fame on a writing career can be fleeting as well as fickle.

Author Jami Attenberg recently wrote about her experience with instant  Internet fame. Attenberg, who has written around a half-dozen novels including a NYT-bestseller, became an overnight sensation when she set up a successful sting to recover a stolen bicycle. So how did all that media attention affect her book sales? Nada much, according to the writer. Attenberg’s “fame” faded quickly, and she eventually returned to the daily, unglamorous grind of writing.

It’s a different story with Zoella Sugg, a YouTube “vlogger” who built a large following with her online tutorials telling young women how to apply makeup, do their hair, and deal with personal issues. According to an article in The Guardian, sales of Sugg’s first book, Girl Online, made her the fastest-selling debut author on record. Her forward progress hit some bumpy air when it became known that Girl Online had been created in collaboration with a ghost writer. Happily for Sugg, her online fans didn’t seem to care about the news of a ghost writer, any more than they cared about her Tweet asking her fans to “Bare with me” as she took a hiatus from the Internet to uncloud her head.

There’s a scary side of Internet fame as well. You’re probably familiar with the story of how one ill-considered Tweet upended the life and career of a corporate communications executive. That story shows that when we take a false step on the Internet, we can quickly find ourselves swimming in uncharted waters. Such areas of risk on the Internet map should be marked with the cartographer’s ancient warning: “Here Be Dragons.”

Here’s my take on the benefits of Internet celebrity. If you become known for posting make-up tutorials, grumpy cat videos, or quitting a job in a dramatic fashion, you might be able to cash in on that celebrity with fans of make-up, grumpy cats, or dramatic exits. But if you’re an author who writes fiction for a living, don’t expect a passing burst of Internet attention to push your books. For that you need to focus on your writing, instead.

 

Five Inspired Gifts for Writers

If you’ve ever struggled to find a perfect gift for a writer friend, Buzzfeed has come up with a list of 32 suggestions. I surfed the web and turned up five more interesting gift ideas for the writer in your life:

1. Aqua Notes

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Every writer knows that some of the best ideas occur to us while we’re in the shower. Aqua Notes notepads contain waterproof sheets of paper– now you can scribble down those great ideas before they go down the drain.

 

 

 

 

2. Antique Book Leather Case for a Smart Phone

1iphonecaseThese distressed leather cases for smart phones make it look like you’re toting around a vintage book. You can even customize some of these cases with your own text.

 

 

 

 

3. Bamboo Bathtub Caddy

1bathrub A spa caddy lets you read in the tub while you’re drinking a glass of wine. What could be better?

4. Shakespeare Insult Generator

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My favorite. The Shakespeare Insult Generator suggests creative ways for telling off any “obscene rump-fed horn beast” who cuts you off in traffic. I had to buy one for myself.

 

 

 

 

 

5. Night Writer LED Pen

How many times have you wished you had one of these? These LED pens let you write in the dark without disturbing others.

Let us know if you have any more gift ideas to add to our list!