Marketing in a Digital World – Maximizing FREE

By Jordan Dane

After Joe Moore’s interesting post yesterday – More Signs of the Times – about ebooks, online book pirates, & marketing, I thought I’d share what I’ve been focused on with my upcoming Young Adult book – On A Dark Wing (Harlequin Teen, Jan 2012) and the advance marketing we’re targeting for this release.

You might assume that targeting younger readers would automatically include a more savvy online promo approach, but more and more adult readers are turning to online resources to discover authors. With the growth in smart phones, having an aggressive online marketing strategy is important to create buzz for your books.
Below are some things I’m doing. I’ve also added promo ideas that I’ve heard lately and hope you’ll find some have merit.
1.)    GROUP Blogs – The Kill Zone is a fine example of how a group blog can draw online traffic, provide a service to its followers and share the workload. I’ve just started a group blog – TEENSHIVER – for Texas authors who write dark young adult books that make a reader shiver. TeenShiver will have an outreach to area schools, libraries & retail stores, as well as to readers of YA in our state, yet with an online presence that is global. Since publishers tend to spend money regionally, rather than on more costly national campaigns (unless you’re James Patterson), this concept has been well received by our publishers since we are optimizing our traffic while featuring our books too. We are offering our publishers a better place to justify spending budget dollars. Our followers will benefit too. Texas has amazing book conferences and the TX book review/blogging community is vital, thriving, and supports homegrown authors.
2.)    Virtual Book Tours – Many of you might be familiar with virtual tours, but I wanted to share a link that I think might help you figure out who to include on your tour stops. Quantcast (www.Quantcast.com) is a site where you can query a domain to see how much traffic they get and their demographics. Many blogs may request a spot on the tour, but since we are all tight on time or on deadline, writing a post or answering questions for an interview take time we may not have unless the site is active. Virtual tours today have hosts, generous bloggers willing to take on the host duties of pulling their community together for an effective tour, plus an author’s publisher can add a budget for a grand prize to generate buzz and participation. There is so much more to say about how these are run today, but not enough space here. Physical book tours are hit or miss as far as foot traffic & how successful they can be, but with virtual tours you never leave home and the blog traffic keeps coming long after you’ve posted.
3.)    Twitter – I’ve found twitter to be a wonderful community to get to know and if you post your blog link or website or stir up a virtual tour, you can actually track the stats on your blog. This is quantifiable data. Social media spots like Facebook don’t have stats on traffic because they are not set up to conduct business well. Twitter is free and can be used effectively to enhance the draw to your blog or other objectives. Cultivate the book blogging & review community. They are truly amazing & avidly into books. We use twitter here at TKZ. If you’re a TKZ fan, follow us at this LINK.
4.)    Blogging – Whether you do a group blog or fly solo with your own, blogging is free and has stats for traffic analysis. If you have an active blog with commenting followers and an even more active lurker community (reflected in stats for your site hits), blogging is a resource that can be especially useful to the self-published author, the aspiring author trying to get their name out, and the pubbed author with “out of the box” promo objectives. Used in conjunction with twitter, this can be an effective way to post interesting articles to the blogosphere without costing you the money that a website domain would.
5.)    Street Teams – This is a concept that may be more prevalent with young adult readers, but there are adults volunteering their time for this too. Street teams started with the music community for people wanting to support their bands. Authors have taken this concept a step further and created clever ways to tie this promo function into their books. You can post a sign up on your website (like a yahoo group) where avid readers can send contact info to participate in a buzz campaign for your next release or an ongoing support group. You set up the criteria they need to be approved (ie must have a blog or post to X number of blogs for an advance review, etc. Publishers’ qualifications are posted on http://www.netgalley.com/ and gives guidelines on what these pre-qualifiers might be.) These avid fans (with special team names you create) are promised special insider information about your upcoming release, sent advance teaser quotes from your book, given swag like bookmarks or other token gifts or signed book covers, sent bookmarks/postcards to hand out—in exchange for help to spread the word about your next book, both online and word of mouth. Again, this is a huge topic without room to expand here.
Bottom line—take advantage of what is free on the internet. Get to know the growing technology that readers are using and come up with fun new ways to get your name or brand out there. Even if you are an aspiring author or thinking about self-publishing, having an online presence is important to develop a solid foundation of marketing your work and exposing your name to the publishing industry and readers who might be looking for you.

If you’re a reader, I’d love to hear how your search for books has changed in this more digital world as newspaper review sections have declined and other resources have dried up? Where do you go online for book recommendations?

And if you’re an author, I’d love to hear any other ideas for online promo that you think might be worth consideration. What has worked for you?

Reckoning for the Dead (HarperCollins, Sept 27, 2011. Book #4 – Sweet Justice adult thriller series)
“Jordan Dane crafts nail-biting thrillers with fully-realized but very damaged characters, and plots that twist and turn and double-back to bite the unwary. Her novels are 21st Noir with guts and heart and a wicked sense of humor.”
—Jonathan Maberry, New York Times Bestseller

Making a Book Trailer

An author’s online presence has never been so important in order to sell their books. An active Instagram, informative Twitter and well laid out landing page are all perfect ways of boosting your growth. If you’re not sure how to make a website landing page, don’t worry; it’s simple, just look at bio.fm vs. Carrd for more information on the best one to use. Another great way to improve your presence while also building hype for your new books is to create book trailers.

Ever since book trailers came out, I’ve been taking notes off the writers’ loops on how to make them, what length they should be, what to include, etc. Recently, I distilled these notes into a one page outline for using Windows Movie Maker to make my own video. I’d save money if I could do it myself, right? First I began by writing the text for upcoming mystery release, Shear Murder. I made sure to use short lines and action verbs and keep it brief.  

Now it was time to search for photos to match the lines. I went to my favorite site for royalty free pix at http://www.123rf.com and started adding photos to my Lightbox. This is time consuming but fun when you find the right characters and poses to suit your story.
Next comes the music. You’ll want to find a piece that evokes the feel of your story, builds tension, and has stanzas that work where you want your images or text to change. Huh? I am not musically inclined enough to figure this out. I searched through some of the sites and found some cool melodies but they cost nearly $30 each. Clearly I wasn’t looking in the right place. Now I’d have to start all over somewhere else. I tried a new site for music, but damned if I could figure out how it works. I can play the samples, but there isn’t any Lightbox. How do you acquire the tune?
This is getting too time consuming and confusing. I really wish I could learn how to do it myself, but I am ready to give up. I look through my list of video trailer producers. There’s one who offers reasonable fees if you do some of the work. No problem; I’ve already written my text and selected most of the photos. Budget is a concern, and I don’t want to spend a whole lot for an entity that isn’t proven to drive sales. Nonetheless, I’m afraid I’ll have to bite the bullet and hire someone. My time would be better spent elsewhere.
As for learning how to do a podcast next, forget it!
See the video for Silver Serenade here: http://www.youtube.com/watch?v=bNcSYlRHAY4
Produced for me by author Linnea Sinclair.

How many of you are Do It Yourselfers?

Book Trailers and Our Visual Society

I got a Droid phone for Christmas and went from practically the Stone Age into a vision of an amazing future. I can scan barcodes and shop for the best price in town, use my GPS to find the latest trendy restaurant available by voice command, and even read books off my phone using a kindle download app for free. But the reason I’m blogging about my phone and the latest book trailer I had made for my first Young Adult book – In the Arms of Stone Angels (Harlequin Teen, Apr 2011) – is a cool app that I want to share with you.

A QR code looks like a Rorschach test. It is square and you may have seen them on pages of magazines, on signs, busses, business cards, etc. It works like a barcode and can be scanned like the stores ID their inventory at cash registers, but this code can be made by ANYONE using the hyperlink I posted above. It can be scanned via smart phone, like the Droid, with the right reader app. You can insert a secret message in text, insert contact information, or it can make a connection to a wireless network or link to a web page that opens on the phone’s browser. You can make the QR image play the part of a secret code made available only to winners in a contest or the code can direct a reader to your latest book trailer. Instant gratification for our visual society and a cool app toy!


This QR Code can be downloaded into a jpeg file that can be printed onto your latest bookmarks or made into stickers, whatever floats your boat. Anyone with a smart phone and a QR Code scanner can read your message. And in one swipe off your bookmark (or any other promotional material), a reader can be looking at your trailer in an instant. How cool is that?!

My contact at “Trailer to the Stars,” Misty Taggert, gave me the heads up on this app. It’s hard to quantify if book trailers actually sell books, but I sure love making them. And using a professional company like Misty and crew really made this effortless for me. I’m on deadline and they made the collaboration easy and simple, for my part. For them, not so much. I’ve done trailers myself before. It takes time and way more skill than I possess to do a trailer like this.

It’s hard enough to encapsulate your story into a short film of a minute and a half. But add a script, voice over talent, production music and action videos that fit, and movie animation effects for mood, and the process can get very complicated. And way above my paygrade.





For Discussion:
1.) What do you think of book trailers as a promotional tool? I was particularly interested in doing a trailer for YA. My target age for this book is 13-18 years old. And since Amazon and Barnes & Noble host trailers on an author’s book page, it’s great to have the opportunity to post a trailer at the point of sale.

2.) Have a great phone app to share? If you have a new phone and a great app to share, I’d love to hear about it. Hearing about new technology really stirs the creativity in me when I think of writing new books. Imagine an app that gives you Bluetooth capability, but also sends subliminal and subversive messages to your brain. Or picture an app that protects and backs up the contacts on your phone, in case it’s lost or stolen, but all the information for loved ones and friends (addresses, photos, phone numbers) make them a target for a dangerous predator unless you do exactly as they say. No one is safe. Anything can turn into a conspiracy with the right dose of paranoia.

3.) Want someone to indulge you? Hmmmmm, Basil? If you’re like the always inventive Basil Sands, you may want someone to invent an app just for YOU. What kind of phone app would that be?

“Stupid Writer Tricks”

or, “How far would you go to market your book?”

by Michelle Gagnon

A few weeks ago, author Tawni O’Dell wrote a very funny essay about some of the, oh, let’s call them “interesting,” experiences she had when marketing her first book. The article incited a rabid response on the Sisters in Crime listserv, where the debate centered on whether or not Tawni was taken advantage of because she was female, if she was a fool to go along with the absurd things that were asked of her, or if any author (gender be damned) would do the same.

Here’s what kicked off the uproar:
Tawni O’Dell’s debut, “Back Roads” is a dark, gritty portrayal of a family in crisis told entirely in the male first-person voice of 19-year-old Harley Altmyer. Entertainment Weekly offered to write a brief piece on O’Dell to coincide with the release.
Now, you can just imagine how excited her PR team was. A feature article, including photos, in a major periodical? Barring an Oprah appearance (more on that later), it doesn’t get much better.
So here’s how it went down, in O’Dell’s own words:

I was busily signing books at a table set up in the middle of the mall when I happened to look up and saw an anxious, overcaffeinated little troupe of petite Ray-Banned androgyny and ethnic ambiguity all dressed entirely in black and all clutching cups of Dunkin’ Donuts coffee coming toward me. (We didn’t have a Starbucks.) As they did so the wide-eyed, whispering herd of extra-large Steelers sweatshirts and camouflage hunting jackets milling around me split decisively in two to let them pass. The parting of the Red Sea couldn’t have been any more dramatic.

They turned out to be my photographer, Nathan (pronounced the French way, Nat-on,) his assistant, his other assistant, a makeup artist and a stylist.

One of the assistants informed me that Nathan would like to shoot me outside in some authentic Pennsylvania woods because his favorite scenes in my book had taken place in the woods and he envisioned me there. I told the assistant to tell Nathan, who was standing right beside us but apparently didn’t like to participate in his own conversations, that it was January and it was snowing. The assistant then told me not to worry, they would keep Nathan warm.

They then loaded me into their van like I was a kidnapping victim and off we drove in search of some authentic Pennsylvania woods. We didn’t have to go far. We found some behind the mall. A bunch of my family and friends that had been in attendance at the signing also came along. Nothing in the world was going to keep them from seeing this.

Nathan was thrilled with the woods. He found his voice and began barking orders in an accent I was never able to place. It was sort of a cross between Desi Arnaz and Kazu, the meddlesome martian on the Flintstone’s.

I stood by blowing on my hands and stomping my feet to keep warm when suddenly he turned to me, eyed me up and down, and proclaimed, “We need to tease her hair. I want glitter. Lots of glitter, and the clothes will have to go.”

“You want me to be naked?” I spluttered.

“Do we have some fabric?” he went on, ignoring my question and my obvious distress. “I see swaths of tulle billowing out behind her and hanging in the tree branches like a morning mist.”

“You want me to be naked?” I repeated.

Before I could do or say anything else, I was ushered back into the van where I was stripped down to my underwear and sprayed in glitter.

When I re-emerged, my chattering entourage became deathly silent. Jaws dropped open and I heard a few gasps as I crunched barefoot through the snow, wrapped in yards of sparkling gauze, with my butt hanging out, and wondering to myself, Did John Irving ever have to do this?

Nathan positioned me and began snapping away with his camera.

“You’re a wood nymph!” he cried. “Yes, you’re a wood nymph! You’re an ethereal spirit. You’re an incarnation of the sky. You’re real yet you’re not real at all.”

So. Should O’Dell have objected? Absolutely. Can I empathize with the fact that as an overwhelmed and inexperienced young author, she participated in the shoot without thinking it through first? Certainly. Have I done things in the course of hawking my books that I regret? Without question (although nudity has never been involved. Yet.)

The sad truth is that in a time of severely limited marketing budgets, when authors are must rely largely on their own resources with very little guidance, the results can occasionally be quite ugly.

Here are some of the more bizarre and extraordinary things writers have done in an attempt to sell their books:

* In 2008, an Indonesian writer threw $10,700 in cash from an airplane to promote his book. His editor probably should have clarified that when she told him to throw his entire advance into marketing, she didn’t mean it literally.
* This past spring, the aptly named Paul Story pitched a tent outside the cottage where his book was set and camped there for two months, selling copies to passing hikers (although I believe the book was mainly about isolation, so I question how many potential buyers he actually encountered).
* Remember when someone threw a book at Obama a few weeks ago? Turns out that was no political protest, but a misguided attempt by author Michael Lohan (who I can only hope is not related to Lindsay) to promote his work. No, I’m not kidding. The best part? The Secret Service released him without pressing charges.

So…I almost shudder to ask, but where would you draw the line on promotion? (Basil, I can practically hear you sharpening your quill in the wilds of Alaska.)

Oh, and don’t feel too sorry for poor Tawni. Turns out the EW article never went to print- because Oprah called and invited O’Dell to appear on her show fully clothed.

Writers who do way too much

Note: Sorry for missing my posting day last week. For the explanation, see Phase Three, below.

Everywhere I go, I hear it: Authors are cutting back on book promotion.

At conferences and on blogs, I hear published writers announcing that they are “scaling down” the time and dollars they spend flogging their books. They’re chopping their advertising budgets, attending fewer conferences, and abandoning blogs. In extreme cases, they’re even turning down contracts for new books—which guarantees that you won’t have to do any promotion.

In a world where most authors get little promotion budget from their publishers, some writers who previously spent tons of time “getting the word out” about their books are becoming more like Greta Garbo. They vant to be alone. Alone, in the company of their word processor.

I call this process the Quitclaim Syndrome. The syndrome usually progress in the following phases:

Phase One: Writer gets published, then spends first year in a giddy travel/networking/book signing spree.

Phase Two: Writer spends so much time promoting Book One that s/he risks falling behind schedule on producing Book Two, but manages to make the deadline by dint of superhuman effort. By now, Writer has spent more money on promotion than the combined advances for all the books, which haven’t even been paid out yet. Royalties are hiding somewhere in a La-La land called FutureWorld.

Phase Three: Writer begins to experience the physical tics of over-multitasking: chronic fatigue, self-medication therapies gone wrong, and desk rage, if she has a day job. Medical intervention may be required. Writer is so exhausted that she plans the promotion of Book Two with a more realistic—even jaundiced—eye. Kind of the way a guy regards the prospect of paying for a fourth or fifth failed date in a row. What’s this worth to me? he asks himself. For way less money, I could have more fun sitting at home on the couch with a beer and a copy of Debbie Does Dallas.

Phase Four: Writer reaches a fork in the road. To continue breathless promotion efforts, or not? Whereupon Writer either A) keeps promoting herself, but not nearly so breathlessly, or B) stops most promotion efforts except for the bare necessities.

Phase Five: Writer returns to more isolated, less frenzied writing schedule, and greater productivity.

Is anyone else seeing this as a trend? Is frenzied book promotion just not worth the effort as much anymore, because the costs are too high and there’s not enough payoff in terms of book sales? Does the whole thing interfere too much with the time it takes to write?
Thoughts?