About Joe Moore

#1 Amazon and international bestselling author. Co-president emeritus, International Thriller Writers.

How do you describe your main character?

Recently in the comments section of one of John G’s posts, a TKZ’er asked, “What is the best way to describe a main character in a story?”. 

As tjc and John suggested, there are a few generally recognized rules you should  keep in mind when describing your protagonist:

* It’s considered cliche to have your character gaze into a mirror or something similar to deliver physical description. 


* Physical descriptions of the main character are best provided from the POV of secondary characters.


* For your protagonist as well as secondary characters, avoid using “description dumps.” Here’s an example of a description dump:


A woman entered the room. She stopped and drilled me with intense blue eyes. She was in her mid-twenties, tall, thin, and blonde.


This type of a straight-on physical description right after a character’s introduction will bring your story to a grinding halt. (Note: Credit for “description dump” goes to Chris Roerden, whose excellent books about the craft of writing, including DON’T MURDER YOUR MYSTERY, deserve to be on any writer’s shelf.)


* If your main character has any specific physical traits which will be used later, make sure to spell those out up front. Otherwise, your reader may form an image of your character that clashes with later scenes. For example, if your character is particularly tall or short, old or young, that’s likely to come up in later scenes in relation to other characters. If your reader  has already formed a specific impression that doesn’t agree with your details, it’ll be jarring note.


Even though most writers are aware of these rules, it’s amazing how often they violate them. In book after book, I get irritated by an author who brings his story to a full stop every time a character is introduced. Other books, including best sellers, freely use the mirror cliche to convey physical description. I suppose they do this because it’s hard to convey physical description in a fresh, original way. I’ve tried various approaches to describing the main character in my series. Kate Gallaher is a television reporter, so I’ve used cameras, secondary characters, and her own anxiety about her looks to convey what she looks like. And yet people continue to ask, “What does Kate look like?” Their reactions to her appearance are like a Rorschach test for their own attitudes. Some readers can’t believe that a woman who is 25 pounds overweight can be attractive enough to lure men.  Others see her as a modern-day Venus.


What approaches do you use when describing characters in your stories. Do you have any other do’s and don’ts to add to my list?

Resistance is Futile

by Clare Langley-Hawthorne



I had great difficulty rousing myself to write this blog post as we are down at my sister’s beach house on the amazing Great Ocean Road and so I am definitely in holiday mode! This is the Australian summer and we are taking our last opportunity to enjoy surf and sun before the school year starts next week. Anyway, I’ve been thinking a lot about resistance lately – those pesky barriers that seem to get in the way of actually writing. Call it procrastination. Call it fear. Whatever it is, it’s resistance. The brick wall that prevents you from getting the job of writing done.


For me resistance takes the form of a little voice inside that makes me doubt my own abilities. It goads me into avoiding the difficult task of facing an empty page and quite often, it works. To overcome this I remind myself that writing is my profession and, no matter how daunting the task sometimes seems, I just need to roll up my sleeves and get down to it. I succeed in overcoming ‘resistance’ in this way..well, most of the time…


I am just coming down off the high of finishing my WIP and so a new project beckons and with it the dreaded empty page…and so the little voice starts and I have to draw upon all my will power to combat the ‘resistance’. It’s kind of like the anti-force!


At least for the next few days I can be in holiday mode but then the real work starts. So what kind of resistance do you face when writing? Is it a little voice that undermines your confidence or an external force that tries to divert you from the writing course?


How do you overcome resistance? 

What is Writing All About?

James Scott Bell
Twitter.com/jamesscottbell



Last month I received a lovely handwritten letter from a high school student (reproduced here with the writer’s permission):


Dear Mr. Bell,

Thank you for your incredibly helpful books on fiction writing. “The Art of War for Writers” and “Revision and Self-Editing” have inspired me every time I open their pages. I first heard of you at a conference you held in Hilmar. I had an idea for a story at that time, and your “Art of War” book helped me realize what my idea could become. During my busy years in High School this story has been on the verge of death several times. Your books full of helpful exercises and encouragement helped me keep my story alive, and I am incredibly grateful. Your writing style is very natural and always leaves me refreshed. Thank you again, a hundred times!
Sincerely,

How gratifying to get a letter (written on actual paper!) from a young lady who wants to write. She had come to a seminar I held in central California, and apparently my books have helped her.
That, to me, is what writing is all about. If I had to pick one thing to explain why I do this, it would be that I want to move people with words. If it’s fiction, I want to create an intense emotional experience. If it’s non-fiction, I hope to instruct and entertain at the same time.
All other things – money, awards, “fame,” professional associations – are ancillary to this, because those things come only after you connect with enough readers, over time.
So:
1. Why do you write?
2. If you had to distill what writing is “all about” in a sentence, what would that be?

Soothing the Beast

I write this while listening to “Whipping Post” by The Allman Brothers Band, the live version that goes on for about three days from the At Fillmore East release. I need to hear music, in isolation, while I write. Such was not always the case. During the short time I lived in San Francisco, when I was less interested in writing and more interested in meeting new ladies, I used to carry a beat up spiral notebook down to Fisherman’sWharf, find an empty bench at Ghirardelli Square, and sit and write. Sooner or later, a winsome lass would approach and ask what I was doing, or, better yet, ask who I was (“Well, yes, actually, I amRichard Brautigan!”). This would no longer work, at least I don’t think so, and I don’t really want to upset the apple cart of my life to find out, so I eschew the coffee shops and the overpriced, trendy sandwich chain that offers free Wi-Fi in favor of the clutter of my basement office, where I blast my music as loud as I like.
I go on listening jags. It varies with my mood. The Allman Brothers Band disc a temporary swerve from Miles Davis. I’ve been listening to complete sessions of In a Silent Way and Bitches Brew, three to six hours of music at a stretch. If you think you’ve hit a wall with your writing, try listening to In a Silent Way, even if you don’t like jazz. I find that for some reason jazz music of a certain type opens up a corner of my mind that isn’t always accessible.  Before I got on the Miles jag, I listened to nothing but Guided by Voices for three weeks. In contrast to Davis’ extended pieces, GBV songs are anywhere from 35 seconds to three minutes long. In the last few months I’ve done this with Tom Waits, Black Keys, Fats Domino, Jimi Hendrix, and Kronos Quartet. I can’t write without it. On the other hand, if I’m disturbed by a phone call, a whiny cat, or news of a leaky or plugged up commode, my whole train of thought is derailed. Sometimes for the entire day. It’s not noise I seek, but noise of a certain type.
Some writers listen to music while they work. Others whistle. And others require a cone of absolute silence. Which are you? What works for you? And if it’s music that lures your muse into the room, what music?

Pure Coolness

By John Gilstrap


I’m writing this blog post on Sunday, January 15 knowing that when you read it, I will be in the middle of a very, very cool day.  Actually, a warm day, I hope.  In Las Vegas, where I’ll be signing books this morning at the 2012 SHOT Show.  According to the show’s website, www.shotshow.org, “The Shooting, Hunting, Outdoor Trade Show (SHOT Show) and Conference is the largest and most comprehensive trade show for all professionals involved with the shooting sports, hunting and law enforcement industries.  It is the world’s premier exposition of combined firearms, ammunition, law enforcement, cutlery, outdoor apparel, optics and related products and services.”  Last year, over 50,000 people attended.


I was invited to the show months ago by the nice people at 5.11 Tactical, a well-respected manufacturer of tactical apparel–the very kind of geat that Jonathan Grave wears as he charges through my imagination.  In fact, in preparation for the show, 5.11 tactical sent me a carton of gear, including shirt, pants, jacket and the best pair of boots I’ve ever worn.  I’ll be wearing the attire for the book signings and the press conference.


I’ve never enjoyed this kind of VIP treatment before, so I confess to being a little giddy.  Take a look at my official itinerary from yesterday:


6:30am — Firearms instructor will pick you up at the hotel
7:00am — arrive at range, setup/meet with range staff, gear check, etc.
7:00am-7:30am — Orientation, area familiarization, safety briefing, etc.
8:00am-11:00am — Firearms training
11:00am-12:00pm — Knife training
12:00 — depart back to hotel for lunch and classroom training
12:30-1:30 — Prefense Technologies — lecture, PowerPoint presentation, student interactive, etc.
1:30-2:15 — Prep for author panel
2:30-3:30 — Author Panel Press Conference, Venetian Murano Room 3306.

Really, how cool is that?  As I write this, I’m hoping that the knife training comes complete with either thick padding or fake knives.  You’ll know the answer, I suppose, if you see a post here next week.


Tally ho!

Handling the Crush

by Michelle Gagnon

I’ll be keeping this short and sweet today, because as you can probably tell by the title of my post, I’m feeling overwhelmed. In fact, I had to drag myself away from the paper bag I was busy hyperventilating in to compose this post.

I finished a book yesterday, only to find out that the deadline for the next one is just a few months away. And I have yet to write the first page of that one (argh!)

Somewhere in there are two week-long school vacations and a slew of long weekends, plus the editing of the book I just turned in (which I suspect-no, know-will require a major overhaul), plus the line edits of a third book.

I realize that this might come across as ungrateful. Believe me when I say that I am incredibly thankful to be under contract at the moment, when so many other people are having a tough time. A year ago, I was worried about selling one more book, and I ended up with two contracts for four. So this is a classic example of be careful what you wish for. Because now, I’m utterly swamped.

On top of everything else, chances are that I’ll be selling my house, finding a new place to live, and moving there in the same four month time period. With a five year-old and a cantankerous cat (and of course, said cat makes finding a pet-friendly place in San Francisco even more of a challenge).

So I’m actively soliciting advice on how to manage all this without losing my proverbial marbles.
My question to you all is…how do you handle it when life comes at you all at once?

Release Day!

Today is the official release date for Shear Murder, my ShearMurder (518x800)tenth Bad Hair Day mystery, so you’re going to have to put up with my shameless self-promotion. That’s the trouble when we authors must toot our own horns. We get as tired of talking about Me as you do hearing about it. Lately I’ve been clogging the loops and social networks with my blog tour announcements. I want to make it worthwhile for my hosts by getting a crowd on days when I guest post. But it means I am constantly tweeting and FB’ing and listing my tour dates and topics. I sent out one email newsletter to my fans already and will send another blast next month on my book’s official sale date.            

What? You thought I said today was the release date? Indeed, I did. However, for this publisher, that means the books are shipped from the warehouses today. They’ll be ready in the bookstores on February 8, the actual “on sale” date. Confusing, isn’t it? It was a lot less so with my prior publisher, who just had one pub date. As it is now, I’m not sure which day to urge fans to buy the book. Does it really matter anymore?

Here are a couple of sample interview questions from my online blog tour:

Tell us about your latest book.

Shear Murder is the tenth book in my Bad Hair Day mystery series. It’s the culmination of a personal journey for my hairstylist sleuth, Marla Shore. It’s about weddings and new beginnings. Just when Marla is planning her own nuptials, she gets caught up in another murder investigation. Marla is a bridesmaid at her friend Jill’s wedding when she discovers the matron of honor—the bride’s sister— dead under the cake table. She has a lot going on in her life, but when Jill pleads for her help in solving the case, Marla can’t refuse. It’s a fast-paced tale with humor, romance, and suspense as Marla races to find the killer before her wedding day arrives.

Considering the book is a mystery, how much can you tell us about the antagonist?

Since the story is a whodunit, I can’t tell you much! Many people had reason to want Torrie, the matron of honor, dead. Torrie was the bride’s sister, and Jill had a secret past that Torrie threatened to expose. How far would Jill go to maintain her sister’s silence? Then again, Torrie’s colleagues each had their own reasons to want her out of their way.

Meanwhile, Torrie’s husband inherits a piece of property that Torrie had jointly owned with her sister. How badly does he need the money from a property sale? And speaking of commercial property, Jill’s uncle and cousin were involved in a shady real estate deal with the owner of Orchid Isle, where Jill’s wedding took place. Did Torrie learn too much about his secrets? And so on. As you can see, there are a number of suspects. You’ll have to read the story to figure out which one of them is the culprit.

What motivated you to write this story?
My books all have happy endings, and so I wanted to give my series one, too. Seriously, my fans wanted to know when the next Marla Shore mystery would be coming out, but my former publisher had cancelled the series. As the markets changed, I decided to finish this book and give my readers the closure they deserved. So I really wrote it as a response to fans and in gratitude for their support. I hope they are pleased with Shear Murder. It was a delight to write, and I had fun bringing back all the secondary characters we’ve grown to know and love. I am grateful to Five Star for getting this book in front of readers. So if you’re looking for a humorous mystery centered around weddings with a whodunit puzzle to solve, check it out.

Watch the Book Trailer
BUY NOW!

Muscling the Muse: Or Three Easy Steps for Talent on Demand

By: Kathleen Pickering http://www.kathleenpickering.com

I was a sweet, but scrappy kid. Caught a couple of bruises along the way, but as you can see from the photo, whatever tangle caused the shiner, it wasn’t enough to get me down. I was quick to smile.

black eye

That’s how I feel about the writing process. You can’t let challenges get you down. I figure it this way: Writing is fifty percent talent, fifty percent Muse. Both need my undivided attention to stay strong. Every other obstacle will fall away with these two muscles pumped.

As stated above, talent for one’s vocation is a muscle that must be exercised. Otherwise, the gift atrophies. So, I write and write, and write some more. At different times, in different places or adhering to a schedule for a particular project. Whatever works. I do it.

There are talented individuals in  every field  who never realize their genius because they never exercise their gifts. Worse, some never know they possess unique skills at all. To that end, I highly encourage every thinking soul to explore what excites them. Always investigate topics that pique your interest. My mantra: Honor your passion. (Unless, of course, you are a terrorist or a serial killer. Then I suggest you seek help!)

My passions are writing and public speaking. These are the muscles I exercise. As we all know, the more we work our muscles, the more defined they become.

It is my sly little Muse, however, who until recently had me wrapped around her finger. For way too long I let her govern my work with her whims and fancies. Not any longer. When my editor asked for three more proposals, I realized I could not just wait for my Muse to wave her creative wand. She needed muscling.

So, you ask, how do you muscle your muse? I have three simple but important rules.  While they require determination, they are so easy that your Muse won’t even know she/he is being manipulated.

1. LOVE YOUR MUSE. You may say, of course I do! But keep in mind the self-critic can be cruel to our adventurous Muse. No matter what your talent, your individual creative view is unique to you. You have to respect that fact and let nothing damage your self-worth. It is your individuality that makes you one with the world. You might say, Not so. The world would carry on just fine without me. I say, the world might carry on if you were not to love and exercise your muse, but the world–and you–would sadly miss a profound part of creation. Otherwise, why are you here in the first place?

No one else sees the world quite as you do. It’s the Kurt Vonneguts, the Picassos, the daVincis, the Einsteins, the Maria Tallchiefs, the Luciano Pavarottis and Maria Callases, the Stephen Kings, The Kathleen Pickerings (just checking to see if you’re still reading) and YOU who make the world go ‘round.

All artists have their critics. They all have their admirers. Neither matters. You and only you matter to your Muse. If you don’t love what your Muse offers, you will not let him/her create. Your talent will atrophy and you will wonder why you have become a sarcastic and bitter being rather than a shining light.

writersforneworleans-2010At Heather Graham’s Writers for New Orleans conference with authors Linda Conrad and Traci Hall.

2. FEED YOUR MUSE. Now that she/he is loving you back, you must feed your Muse. What others call writer’s block, I call a poor diet for the Imagination. The Muse needs exposure to everything delectable—and sometimes things not so tasty in life. That means your Muse accompanies you on your travels. Let her be the finger that taps the keyboard or opens the books on your research. Let your Muse listen in on conversations and initiate a few of her own. Then Listen. Watch. Smell. Touch. Devour. Your Muse will not disappoint you. With love and food, your Muse will be generous in return. You might even get a belch for a good laugh out of the deal. That works, too!

3. LET YOUR MUSE FLY. Muses are flighty creatures. They may burrow. They may forage. But, once they feel safe, they fly. Your job as an artistic soul is to give your Muse the updraft, the cliff’s end, the launch pad to soar. Your Muse may create unusable material at first, but the more he/she exercises the muscles in those wings, the more beautiful the magic dust that will alight from them. Don’t be afraid. (Fear is an awful four letter word that shall not be used.) Love your Muse enough to let him/her take a chance, test an idea. Create. A Muse’s wings may be as delicate as a dragon fly’s or as powerful as an eagle’s. Only by launching from that artistic limb of “what if” will you know which wings your Muse possesses. Think of the freedom!

dreaming aMy artist friend, Kimana Evans, once asked me how I see my myself. I told her that in my dreams I fly. She gifted me with this wonderful water color of me . . . or shall I say, my Muse. (Can you see me flying in the clouds?) I love this artistic expression created by my friend. This painting hangs where I write. It reminds me of my passion, talents and Muse every day.

I’d say I’ve come a long way from that scrappy kid with the shiner! I may have had to muscle my way into a foothold in my creative world, but I have certainly carved out my ground. I know that by honoring my talent and adhering to the rules for my Muse, I will create the impression that I was born to make. So far, the journey has been exciting, challenging and way too much fun to be called work. I am a grateful woman.

So, tell me. What do you do to keep your talent fresh and your Muse loved, fed and flying?

Happy Writing or whatever your talent may be!

PS: By the way, Kimana would be happy to create a painting for you, as well. You can find her on Facebook: www.facebook.com/people/KimanaEvans/ Tell her I sent you.

Revision, Revision, Revision

by Clare Langley-Hawthorne

I’m on the final round of revisions to my current manuscript and considering a new editing process. In the past I have always tended to bite off more than I can chew when revising – trying to look for plot inconsistencies, character missteps (blue eyes one chapter, brown the next), typos, repetition, dull dialogue, boring exposition and errors all at once. What I’ve found is that about midway through the process, I get completely mired in the editing process and start dismantling what is essentially the final version of the novel, as I lose confidence in both the story and myself (you know, the usual author angst!). This time, however, while I am waiting for beta reader feedback, I am looking at adopting an alternative approach and would love some advice.


My current system involves editing throughout the writing process – from editing the first draft (which pretty much equals rewriting) to doing a final line edit on the completed manuscript before I turn it in to my agent. It’s what happens in these later stages that I need to refine. What I am considering is parsing the final editing into multiple discrete re-reads looking for:

  1. Plot/timeline issues alone – checking for holes, inconsistencies, and errors.
  2. Character issues alone – checking for inconsistencies, misdescriptions etc.
  3. Stylistic issues – repetition, boring/dull descriptions etc.
  4. Final line-edit – looking for grammatical and spelling errors and typos.



Although I’ve looked at all these areas already (multiple times!) while editing previous drafts, with the final version, it’s time to have one more look as invariably I still find errors. My concern is that trying to re-read the final manuscript multiple times to look for these discrete set of issues will be time-consuming and slow (and may possibly drive me demented!). 


What I’d love is feedback/comments on what final editing process has worked for you. 

  • Do you try and do everything all at once? 
  • Do you reread with specific areas in mind? 
  • Do you get others to do a final line-edit? 
  • How do you balance the need for one last look at all the critical areas in a manuscript against being driven crazy after the 50th reread?  


An Old Peg In A New Hole

John Ramsey Miller

I’m am not old. I hear that all the time, but I am sixty-two and often I feel old. I see myself working at a slower pace than I used to, and not just with the writing, but with most things. I have never been an organized person, and once in a while I jump into the chaos of my desk, my closet, my tool shed and put things on hangars, in ordered stacks and in proper cubbies. I admire the organized Miller world, and for a few days I keep the organization organized. After a few bits of time have passed I have scattered my tools all over the property, my desk is buried, and my closet looks like I’ve taken it back to college with me. It’s just me.

Here’s the thing. I need to be organized to write. We all do. I remember the stories of Kerouac’s editor getting his handwritten-partially typed manuscripts as loose sheets and legal tablets all shoved into a grocery bag or two and I smile. None of us believe that could be true, even though I have presented my financial dealings to my accountant that way.

I have accepted some of the changes in our fluid (think mountain stream rapids) world better than others. I still do not understand how Tweeting can be any more effective than going out into the back yard and barking what I’m doing at trees. I type something and it does what? I have a Tweet account and a few followers, but I have nothing going on in my life that seems worth telling people. I’m delighted to have followers even though I have no expectation of holding their interest.

Recently I looked at my writing /dining table made from cherry and walnut harvested from our Mississippi property, milled, planed, and built by my little brother). You might remember how I described it back when I started my rewrite- with the legal tablets, two dozen sharpened pencils, index cards, long roll of paper for time-lining, pens, highlighters, a laser printer, my lucky charm (A buckeye my father gave me when I was about to start my first high-school newspaper column), a huge McCarty bowl for balls of rejected notes, and all ordered in the manner of an actual anal compulsive. Looking back on my life is more like standing in the stern of a speedboat admiring the towering rooster tail. Now weeks later, the order is a dim memory and I found myself peering into something akin to a coal mine.

I decided last week that what I needed was a computer program that would allow me to have everything organized and at the touch of (both) my trigger-fingertips. I type with two fingers, while staring at the keyboard. I didn’t fail typing class in high school, I was asked by the instructor to find another sort of machine to abuse. So I asked Joe Moore if such a program existed that would think the way I think, only organize things. I wanted it to accept my outline, transfer that outline to index cards that I could line up and sort as I wished, keep my notes, order my research, show me what I’ve written, thrown out… basically become my anal writing partner.

Joe gave me two. Scrivener and another I can’t recall. I looked at Scrivener and the other (Tweedle-dum or Flip-sticks or something) and ended downloading Scrivener, a very British program. The tutorial has “organization” spelled “organisation” and the videos are all by a gentleman who sounds like an Attenborough. According to the tutorial it not only does what I hoped it would, but will do it the way I think it should do. It has templates for non-fiction, novels, short stories, radio, film, and TVscripts, and poetry. A template for poetry? What would e e cummings or Sandburg have made of that? It is all that I (be I novelist or poet or BBC presenter) could have wished for. Did I mention it will format eBooks in all known formats and allow you to add cover art?

Now all I have to do is figure out how to use it. My wife understands it, which means I may never do.

So this oldling is still working on Word with this rewrite, but I am going to write my next book using this amazing program (and it’s only $45.00 US which is cheaper than hiring an anal compulsive assistant for just part of one day). I am not recommending it yet. The thing is, if I can figure it out, I’ll either tweet about it, or maybe I’ll sing its praises to the trees in my back yard.