Tag Archives: Patreon

Micro Fiction For Your Writer’s Brain

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by James Scott Bell
@jamesscottbell

Want to have some fun? Write micro fiction.

Micro fiction is a story under 500 words (some put the limit at 300, but there is no governing authority calling the shots). Flash fiction is up to 1,000 words. After that, we’re into short stories.

I love all three forms, but micro is the most fun.

First of all, it doesn’t take that long to write. You don’t have to make a major investment of creative energy (which you mostly want directed at your full-length work).

It also trains your writing muscles. It teaches you to get into a scene in medias res—in the middle of things. That, in turn, will sharpen your skill at chapter openings.

It makes you characterize immediately, primarily through dialogue, a skill every writer should have.

And the best micro story has a twist or snapper ending. That skill comes in handy not only for the end of a novel, but also for scenes and chapters as well.

Getting Ideas

There are dozens of ways to get ideas for micro fiction. A few I’ve used are:

  • Writer Igniter 
  • Storymatic
  • Reading a news item, adding a weird element, and asking “What if?” (especially good for playing with spec fiction)
  • Opening a dictionary to a random page and riffing off the first noun I find
  • Jokes

Writing Micro Fiction

Usually, a micro story is going to have:

  • One setting
  • 1-3 characters
  • Action focus
  • Minimal description
  • Lean sentences

Take your idea spark and think about a set up, what characters might be involved, and a central conflict. For example, I just now took out two random Stroymatic cards: attention-seeker and reunited. I thought about it for five seconds and came up with: what if an attention-seeking narcissist is reunited with his high school girlfriend at the 50-year reunion, and she doesn’t remember him?

At this point I prefer to think of a possible ending, and write toward it. Of course, you can start writing and see if an ending presents itself (I call this “micro pantsing,” not to be confused with the mini-skirt craze of the 1960s).

But here’s the nice thing: whatever course you choose you will reap the benefits of writing micro fiction. And you haven’t invested a lot of time.

I can already hear a rumbling out there. It sounds like Why not use ChatGPT for all this?

Don’t.

I say this not as a Luddite; the uses of ChatGPT have been widely discussed, here and all over the place.

The reason I don’t recommend it for micro or flash fiction is that the whole purpose of these forms is to work your writer’s brain, keep it supple and creative. If you let a machine do the creating for you, you gain nothing. Indeed, your proficiency in that arena will begin to atrophy.

But it you do the work yourself, your mind will develop the capacity to do some wonderful things.

Like the other day, I was just walking through the house when an idea—unbidden and fully formed—popped into my head.

I sat right down and wrote it. Then published it to my Patreon community.

(Pause for commercial. It’s free to sign up and gain access to all my content on Patreon, and there’s no contractual commitment. So I say, give it a look risk free!)

What to do With Micro Fiction

There are places that pay for micro and flash fiction. You can check some of them out here.

My short fiction goes to Patreon, always free to my members.

I’m also thinking that in the future I might publish micro fiction to my email list.

You could also use micro fiction as a regular feature on your blog, or as a reader magnet on your website.

But again, the main benefit is what it does for you personally. And it’s fun, like doing the daily Jumble.

Here’s the micro story that came me complete. It’s 217 words.

The Confession

Bob looked at Ed. Ed looked at Bob. Bob hated the way Ed looked at him, with that penetrating gaze. They’d been walking along the beach. The day was cold and misty. Bob had stopped to pick up a piece of driftwood.

And now, with Ed’s inquiring eyes, Bob knew he couldn’t keep it in any longer.

“All right,” he said. “I’ll spill it. I have to. Just listen. Let me get it out. I did it. I killed her. I took a knife and I did it. Was it a fit of rage? I tell myself that, Ed, but I know deep down I’d been planning it for months. After I did it, I wrapped her body in plastic, I tied ropes around her and attached two cinder blocks, put her in the boat and went out beyond Anacapa Island. Right out there, I can point to the spot. And that’s where she is now. I set up an alibi, somebody to lie for me, but I can’t lie to you, Ed. I never could. So there it is. And hey, you know what? I feel better now. I really do.”

Ed just stared at him. Those eyes!

“Okay,” Bob said. “You win.”

Bob hurled the piece of driftwood into the waves.

“Fetch, boy!” Bob said.

What about you? Ever play around with micro or flash fiction?

It’s Crucial to Know Who You Are as a Writer

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by James Scott Bell
@jamesscottbell

Brandon Sanderson

Have you heard about what Brandon Freaking Sanderson is doing? As they used to say in the 60s, “It’ll blow your mind, man.”

Last Tuesday Sanderson made a “surprise announcement” via YouTube, telling his fans that over the course of the last two years he has produced four—count ’em, four—“secret” novels. Instead of releasing these books through a traditional publisher, Sanderson is running a Kickstarter campaign to sell directly to his readers. The books will be delivered each quarter in 2023. And not just books. At certain levels supporters receive a box of Sanderson swag in each of the other eight months.

When you run a Kickstarter, you choose a minimum goal for your campaign. If you don’t hit it, the pledges aren’t collected. Sanderson set his goal at $1 million.

In one day his pledges hit $15 million. 

In three days he raised over $20 million (from 84,600 backers) and officially became the most successful Kickstarter in history. And the campaign is open until the end of the month!

It doesn’t stop there. After the books are delivered, Sanderson will turn around and license those rights to a traditional publishing company and reap those royalties, too. 

This is, in short, an awesome display of how to exploit intellectual property. 

However, some things to keep in mind at this stage of my post.

  1. You are not going to make millions via Kickstarter. 
  2. Kickstarter campaigns are notoriously difficult to run successfully. The time and effort do not, in my opinion, offer enough Return on Investment (ROI). Sanderson is an exception because of his enormous popularity and the fact that he has a “team” to help him. Just thinking about the fulfillment aspect of this project makes my head explode. But if anyone can pull it off, he can.
  3. Forget about Kickstarter.

If that is so, why am I bothering to write about this? First of all, it’s publishing news. It’s viral. And it’s amazing. Just thought you’d like to hear about it if you haven’t already.

Second, to get to the basic reasons why Brandon Sanderson is able to do this, note that he is: a) a very good writer; b) prolific; and c) nurturing of his fans.

Thus, while very few writers ever get to the Sanderson level, we can do the same three things within our own sphere. To wit:

Be Good

You know me. I believe in a never-ending self-improvement program for writers. We expect that from doctors and plumbers; why should we not expect it from artists who ask us to spend money on them? 

Write, study, write, get feedback, improve. Write. That’s how you get to be good.

Be Prolific

Brandon Sanderson is a writing monster. I mean, not only has he written his own epics, he hired on to complete another massive series after the original author died! (The Wheel of Time books). 

Not many of us have the time to produce on that scale. But we can all produce with the time we have. I’ve said it often here and in my workshops, and I still consider it the best piece of advice I got as a new writer—write to a quota. I put it this way: figure out how many words a week you can comfortably produce. That means what you can write without turning the rest of your world—family, friends, day job—into a maelstrom of stress, anxiety, recrimination, illness or the desire to overeat. 

Be easy on yourself. Find your comfort zone, then up that total by 10% as a stretch goal. Make this a weekly quota divided into six days. That way, if you miss a day, you can make it up by writing a little more on the other days. Take one day off to recharge.

If you miss your weekly number, forget about it. Start your new writing week fresh. 

Be Nurturing

As your readership grows, find ways to connect with your audience. You can do this by:

  1. Growing an email list. Give away free content in exchange for signing up (I offer a free novella). Put a link to this in the back matter of all your books. 
  2. Communicate with your list regularly. Once a month is good. Every other month minimum.
  3. Make your communications fun to read. You don’t want readers to think you’re just more spam. If they like the content of your communication they’re much more likely to buy what you pitch to them.
  4. When readers contact you, answer them, and soon.
  5. Have a minimum social media presence. I say minimum because the key, in my opinion, is to pick the few that you enjoy and don’t try to spread out everywhere. My social media is:
    1. TKZ, because I love it here.
    2. A Twitter profile that I guard carefully from controversy (there is no benefit in that. Twitter is not the place for nuanced discussion). 
    3. A mini-social media site of my own, via Patreon, which I enjoy immensely because I can write short fiction for fans and interact with them there.

Could I do more? Yes, but I’ve calculated the cost/benefit for me is ultimately negative. I want to spend most of my creative capital writing more books.

As a final thought, I’m sure many writers look at the Sanderson numbers—and the numbers of many others in a higher income level—and feel some variation of envy over the money being made. Don’t let that happen. Every writer wants to make good dough and therefore has to utilize business thinking to one degree or another. But that degree depends on your personality and what kind of life you want to live.

For example, the quest for success can wreak havoc on personal relationships (you could have asked any one of Norman Mailer’s six wives about that). Money is a powerful motivator but can also be a menacing siren. As a wise Nazarene carpenter once observed, “Be on your guard against all kinds of greed—life does not consist in an abundance of possessions.”

On the other hand, a writer who creates without even a sideward glance at the market should not later howl at the moon because his stuff doesn’t sell.

Balance is the key. It’s different for each of us. I feel, after over 25 years in this game, that I’ve found my sweet spot. That doesn’t mean I don’t continue to learn and explore ways to increase my revenue. But I don’t run after every money-making morsel like a hungry ferret. Thus, don’t look for me on Kickstarter or doing dance videos on TikTok (my daughter is greatly relieved). 

And whenever doubts or disappointments start to creep in—Am I doing enough? Am I fooling myself? Will I ever be as successful as ____? Or even ____?—determine to write just one more sentence…and write it!  Then write the one after that. Get lost again in the joy of making stuff up. That is your safe haven, your home sweet home.

In short: Carpe Typem. Seize the Keyboard!

The questions for the day are as follows: Do you have an idea of what kind of balance you want from your writing life? Do you feel stress about any aspect of it? How would you describe your ideal writing profile?

How to Write Short Stories Worth Reading

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by James Scott Bell
@jamesscottbell

I love rooting around in Project Gutenberg. This amazing site has been digitizing public domain works since 1971! But wait, there was no internet then, so what gives? A visionary, that’s what. A 24-year-old grad student named Michael Hart at the University of Illinois foresaw the coming of a network of computers sharing knowledge. Gaining access to a university mainframe, he started adding digitized literary works in the public domain.

Thus, Hart was the inventor of the ebook. Really.

He spent the rest of his life (he died in 2011) dedicated to his project, which he called Gutenberg. And how did the books get digitized and uploaded? They were hand typed! By Hart himself and a team of volunteers. This work went on for 25 years until the coming of scanning technology. Since that time Gutenberg’s growth has exploded. It now has over 66,000 works in its collection available for free download on any reading device. Among works that have just come into public domain are Winnie-the-Pooh and The Sun Also Rises.

And not just books. Gutenberg is adding pulp magazine stories from the golden age, e.g., science fiction, detective. Also some audiobook versions. I have dozens of Gutenberg books on my Kindle.

I get their daily update and always find some interesting titles to have a look at. The other day it was Modern Essays and Stories: A Book to Awaken Appreciation of Modern Prose, and to Develop Ability and Originality in Writing by Frederick Houk Law, Ph.D., published in 1922.

Dipping inside, I came across the entry on what makes a good short story.

Brevity is the first essential of a short story, and yet under the term, “brief,” may be included a story that is told in one or two paragraphs, and a story that is told in many pages. A story that is so long that it cannot be read easily at a single sitting is not a short story.

That’s a good definition, as it includes what we now call flash fiction, and draws the line before crossing over into the novelette and novella range.

So what does a good short story do?

To make one strong impression on the mind of the reader, and to make that impression so powerfully that it will leave the reader pleased, convinced and emotionally moved is the principal aim of a good short story. To the production of that one effect everything in the story—characters, action, description, and exposition—points with the definiteness of an established purpose. All else is omitted, and thus all the parts of the story are both necessary and harmonious. Centralizing everything on the production of one effect makes every short story complete in itself. The purpose having been accomplished there is nothing more to be said. The end is the end.

Well now! If I may modestly mention my own book on the subject, How to Write Short Stories and Use Them to Further Your Writing Career, this affirms the “secret” I found by analyzing thousands of short stories. I call it “one shattering moment.”

What that moment is depends on the type of story you write. If it’s a crime or mystery story with a “twist,” that’s one kind of moment, and usually comes at the end (see Elaine’s post on that subject here).

Another type of story is the one that lays you flat with an emotional punch. Here the shattering moment may happen in the middle, as it often does in a Raymond Carver story. The emotional shattering can come at the end, as in Irwin Shaw’s classic “The Girls in Their Summer Dresses.”

Keeping one shattering moment in mind gives you all the direction you’ll need to write a short story worth reading. Just add your own stamp and creativity.

A good short story can be a gateway for readers to discover you and your full-length books. So where can you publish? There are established venues, like Alfred Hitchcock and Analog. These can be hard to crack and take a long time to hear from.

Some authors, like yours truly, use Patreon. (Hey, can I urge you to give it a try? No obligation, and I’d love to hear what you think!)

Many more use sites like Wattpad, Medium, and Comaful. Heck, you can start your own blog just for short stories.

Or why not go right to Kindle? Publish it in Kindle Select, price it at 99¢, and run a free promo every 90 days. Make sure you have links to your website and books in the back matter.

And if you can find a real bookstore with a window, you can sit there and type a story on the spot, like Harlan Ellison used to do. Ha!

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Short stories and flash fiction are good ways to keep your creative muscles juiced, and offer a nice respite from full-length fiction. And if you can give readers that shattering moment, they’ll come looking for your other work!

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BONUS: For you craft fans, I’m participating in a great StoryBundle of writing books. Check out how you can get them all at Write for the Win.