Creating Buzz

Creating Buzz
Terry Odell

Buzzy Bee toyIn my last post, I talked about how the cover for Deadly Ambitions came to be. I mentioned in a response to a commenter, that with the book in the hands of my editor and an extended period before the book will go live, I need to put on my dreaded marketing hat and come up with ways to generate some buzz.

Unless you can afford to hire a publicist, I don’t think it matters whether you’re indie or traditionally published—you’re still going to have to do a lot of the heavy lifting. Publishers don’t fork over the big bucks for most of their authors.

If you’re working with social media platforms, you’re going to want visuals, be they ads, memes, or whatever you call them. I’m not a graphics designer, so I rely on other programs.

I’ve found two resources that have helped me: Mockup Shots and Canva. (I do have paid accounts at both.) I know a lot of authors use Brush instead of Canva, but I found it too limiting since I create images for a lot more than book promo (like for my blog, newsletter, and TKZ).

Mockup Shots is very easy to use to generate images featuring your book. You plug in your cover, and it creates a huge number of choices. These are just a few.

You pick the ones you like and download them. Here are a few I picked.

Next, I take the mockups, and any images of my own I might want to use, and upload them to Canva. From here, it’s a lot of playing around with all the options and tools they offer.

My go-to design template is their landscape Facebook size, but you can choose your own dimensions. From there, it’s a matter of dragging the image(s) onto the template, and adjusting the size using the “handles” for lack of what I’m sure is a more correct term.

Next, I add the text. I have several tag lines so my projects won’t all be the same. I also have snippets of text from the manuscript. Canva gives you the opportunity to choose fonts, size, color, outline, shadows … more features than I need.

Another handy feature is the transparency adjustment. I tend to use this for my backgrounds so my text is more conspicuous. There’s also a position feature, so you can move your additions forward and backward. You go to the ‘text’ on the left sidebar and play around from there.

Another thing I like about Canva is they have people who will help you. I’ve used them. A lot!

Once I’ve finished, I download the file as a jpg (best for sharing). Rinse, repeat.

Here’s what I’ve come up with so far.

I’m not fond of the marketing side of publishing as an indie, but at least playing around with these sorts of images is something I enjoy. Now, it’s a matter of deciding how to put them to best use. Suggestions welcome!

Oh, and before I forget. I’ve set Deadly Ambitions up as a preorder. The ‘go live’ date is January 14th, so I have plenty of time to work on honing my marketing skills.

What marketing/promotion tools do you use? Likes? Dislikes?


New! Find me at Substack with Writings and Wanderings

Deadly Ambitions

Peace in Mapleton doesn’t last. Police Chief Gordon Hepler is already juggling a bitter ex-mayoral candidate who refuses to accept election results and a new council member determined to cut police department’s funding.

Meanwhile, Angie’s long-delayed diner remodel uncovers an old journal, sparking her curiosity about the girl who wrote it. But as she digs for answers, is she uncovering more than she bargained for?

Now Gordon must untangle political maneuvering, personal grudges, and hidden agendas before danger closes in on the people he loves most.

Deadly Ambitions delivers small-town intrigue, political tension, and page-turning suspense rooted in both history and today’s ambitions.

Preorder now.


Terry Odell is an award-winning author of Mystery and Romantic Suspense, although she prefers to think of them all as “Mysteries with Relationships.”

 

Edits and Covers

Edits and Covers
Terry Odell

I’ve been focused on getting my new book, Deadly Ambitions, ready to meet the public. Given scheduling conflicts between my editor and my own travel, plus not wanting to compete with the barrage of holiday books, I’ve decided to put of the release until early next year.

Does that mean I can relax until then?

(Sputter, Snort, Guffaw.)

The first complete draft came in at about 85,000 words, which was longer than I wanted, so when I did my first read-through, I looked for excess. I talked a little about my process in my last post. Plot threads, scenes, and just plain wordiness. SmartEdit makes it easy to find these culprits, although it’s a tedious process. I’ve managed to cut about 4,000 words. One “thing” I’m doing this time around is opening the manuscript to a random page and looking at random paragraphs and sentences. Taken out of context, I’m finding places where my penchant for rambling shows through, so I’ve done some microsurgery using that technique.

But Wait. There’s More.

As an indie author, I wear many hats. My least favorite is the marketing chapeau, but it’s a necessary evil. I’m no marketing guru, but I know enough to know people want visuals. That meant a cover.

What did I want on the cover? I had plot threads running through the book that I considered. . One revolved around a construction project. A half-finished remodel wasn’t likely to entice readers. Or it would make them think it was a DIY book.

Another thread began with a traffic accident. A little more compelling, but I was having trouble finding images, not to mention Deadly Puzzles already had a similarly-themed cover.

A car tipped down a snowbank with an overlay of puzzle pieces

I regrouped (after a few nudges from one of my critique partners).

Since my Mapleton Mystery series is set in Colorado (although I’ve never pinpointed  where), I decided on a Colorado image for the background, something many of the other books included. But what? The book is set in December, so snow-capped mountains? Been there, done that.

Wait. We’d been up to a couple of old mining towns recently, and I’d decided to go along with the Hubster when he pulled onto a side road, saying “he just wanted to check something out.” Of course, that meant a hike along one of the old mine trails. I finished the hike with a bunch of pictures of old mining equipment.

What a coincidence. There’s a plot thread relating to an abandoned mine in the book. I browsed through some stock images on the site my cover designer, Kim Killion of the Killion Group, prefers and found one or two that might be acceptable. However, after going through my own images, I found one I thought had promise for the background.

Turned out, that’s the one she preferred. Yay me!

But the book is a mystery, and it’s not actually set in a mine, or even a mining town. How to let potential readers know it’s a mystery? I followed that plot thread (don’t want too many spoilers here), and sent Kim some more ideas.

This is what she came up with. I hope you like it.

Cover of Deadly Ambitions by Terry Odell

What’s your favorite and/or least favorite “non-writing” part of getting a book published? Do you like having creative control, or would you rather turn everything over to others?


New! Find me at Substack with Writings and Wanderings

Danger Abroad

When breaking family ties is the only option.

Madison Westfield has information that could short-circuit her politician father’s campaign for governor. But he’s family. Although he was a father more in word than deed, she changes her identity and leaves the country rather than blow the whistle.

Blackthorne, Inc. taps Security and Investigations staffer, Logan Bolt, to track down Madison Westfield. When he finds her in the Faroe Islands, her story doesn’t match the one her father told Blackthorne. The investigation assignment quickly switches to personal protection for Madison.

Soon, they’re involved with a drug ring and a kidnapping attempt. Will working together put them in more danger? Can a budding relationship survive the dangers they encounter?

Available now.

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Terry Odell is an award-winning author of Mystery and Romantic Suspense, although she prefers to think of them all as “Mysteries with Relationships.”