
Book Scars


John Ramsey Miller
Once, just before THE LAST FAMILY was released, I mentioned to my editor that I was thinking about taking a creative writing class at a local university. I had never taken a writing course in college–never graduated. She told me not to let any teacher tamper with the way I write. She said that they had nothing they can teach me without messing with what came to me naturally. She referred to my ability as a gift. She said nobody should trade what comes naturally by learning what others think you should pay attention to. I didn’t take the course. In fact I’ve never taken a writing course, or an English class after graduating high school. I am not an academic, never have been and never will be. Nothing bores me quite so much as formal learning.
I guess if I were operating in the art world I’d be what they call a primitive. In high school I was terrible in English classes, couldn’t diagram a sentence, and confused adjectives and adverbs. As a writer, I’ve been called a natural, but I’m not impressed with me because I’ve always operated at half speed and in my comfort zone. It comes easy for me, the writing thing. I’ve been told many times that were I more competitive and aggressive and a self-promoter I would be far more successful. I am what I am, what I have become based on my personality and experience, and I’m comfortable with it. I have two million books in print, and I enjoy telling the stories I tell, and it’s never been about the money or the prestige or anything but enjoying myself and making people forget their lives for a few pages at a time.
I cannot teach others how to write, or how to become published authors. I did it the way I did it and I don’t think my way could be repeated by anyone else. Had I known what the odds were, I might have done something else. I was lucky in how the cards hit the table. I met the right people when I was ready and all of the stars lined up in a certain way…
I think this the struggle is different for everybody because everybody has different strengths and weaknesses. There is no right way or wrong way to tell a story that is teachable. Either you can write or you can’t. Either you can tell a story or you can’t. I write the only way I know how to write. I write the way I talk.
I don’t think I have anything to tell anybody that will make a difference in their careers. I wish I did. All I can tell anybody is that if you know you know that you have it, go for it. Show us. Work hard, think harder. I never thought for one minute that I would fail, it just never occurred to me that becoming a published author was not probable. It just fit me. I truly believe I was born to it, that I was meant to do it. I never doubted myself. I just always knew. I never saw myself as a best selling author, but I saw myself as a successful author.
Now I have contracted with an editor, because I am an author who needs a good editor to make me a better writer. I’m going to publish my own books as ebooks. I’m going to be a movie that goes straight to DVD, and I’m going to work even harder than I have before, because I don’t have a major house to give me a feeling of security. I’m going to have to be my own marketing department. I don’t know how things will work out, but I don’t doubt for a minute that I will be successful. I’ve always been successful at doing what I love doing. I know it’s the stories, the characters, and I truly believe my books will be better than ever and I’ll be able to tell the stories I want to tell, and that my audience will appreciate my work more because it will be what I want to say the way I want to say it. I can experiment. I’ll keep you posted. I’m truly becoming excited and that is something I haven’t felt in a long time.
Well, I’ll keep you posted.
By John Gilstrap
I’m really looking forward to Bouchercon this year, as I look forward to it every year. Last year, San Francisco provided a terrific backdrop for the conference, but I have to say that in my experience, Midwest conferences somehow work out better. Perhaps it’s because there are fewer distractions, and therefore more people hanging around the conference hotel.
My Big Boy Job takes me to St. Louis a lot—at least twice per year. I don’t pretend to know the city well, but as a creature of habit, there are certain haunts that are particularly worthy of note:
JF SanFilippo’s Restaurant. If you like down home Italian food, complete with a full bar and a great wine list, this is a place you’ve got to visit. Located at 705 North Broadway, it’s just a few blocks from the conference hotel, an easy walk. The food is reasonably priced, and the owner, Joe, is a terrific guy. It’s a good-size place, but reservations are a good idea. (314) 621-7213.
Carmine’s Steak House is a terrific high-end beef restaurant, though compared to New York or DC, the menus is very reasonably priced. They’ve got an impressive wine list, too. Attached to the Drury Plaza Hotel at 20 South Fourth Street—virtually across the street from Busch Stadium—it has a warm ambience and a terrific menu. Be sure to try their toasted ravioli appetizer. The restaurant is walkable from the conference hotel, but allow fifteen minutes to get there on foot. While on the small side, it never feels cramped, so you’d be wise to make reservations here, too. (314) 241-1631.
If you’re a scotch drinker, the bar that’s attached to Carmine’s Steak House has one of the best selections of single malts I’ve ever found anywhere.
If you’ve never visited the Gateway Arch, you really ought to, if only to experience one of the weirdest elevator rides ever. The underground museum there is okay, but it used to be better.
Bouchercon. If you find yourself truly with nothing better to do, you might even consider coming to one of my panels. Thursday morning at 10:00, Kathryn Kennison will be wrangling—er, moderating—Val McDermid, Parnell Hall, Charles and Caroline Todd and me on a panel called, “The Mermaids Singing.” I think it’s loosely about Magna Cum Murder, but given the players, lord knows where it’s going to go.
On Saturday afternoon at 1:00, I’ll be moderating a panel called “Beyond Here Lies Nothing: The Challenges of Writing Your Next Book” which will feature authors John Billheimer, Jonathon King, David Levien, Lawrence Light and Jonathan Santlofer. I intend to lead the discussion in the direction of much of the stuff we talk about here in The Killzone: the future of the industry, eBooks, and lots of other stuff.
If you can’t make it to one of my panels, I’m pretty much a sure thing in the bar in the evenings. Y’all come and have a great time!
By Joe Moore
In a recent article in The New York Times, it was revealed that according to a survey last month from the Association of American Publishers, mass-market paperback sales have decreased by 14% since 2008. According to the article, there are a couple of factors responsible. Heavily discounted hardcover pricing from the chain stores and online sellers have contributed. Second, the increase in the trade paperback format as an alternative. Although a soft cover book, the trade paperback is larger, can command a higher price than the MMPB, and is usually a better quality product from a production standpoint. A third factor is the rapid rise of the e-book’s popularity, which is priced at or below MM prices and aimed directly at the MMPB reader as an attractive alternative.
The mass-market paperback was developed in the late 1930s to create an efficient, affordable, and highly portable form of printing books for the masses. One of the first to succeed in the venture was Simon & Schuster which created the Pocket Books imprint. It was so successful that the term “pocket book” became synonymous with paperback. Two of the most notable books published in pocket editions were James Hilton’s Lost Horizon and Pearl Buck’s The Good Earth. Both appeared in paperback in 1939. A number of companies followed after Pocket Book’s concept including Ace, Dell, Bantam and Avon.
Today, according to the NYT’s article, many big box stores and national chains are gradually shrinking their shelf space for MMPBs and using the space for more hardcovers and trade paperbacks. These include Hudson, Barnes & Noble, and Wal-Mart.
The slow vanishing act of the MMPB is another sign of a changing marketplace for the publishing industry. Once a devoted reading fan purchases a device on which to read electronic publications, the advantages of e-books over MMPBs are compelling. These include similar pricing, portability, convenience, and the immediate availability of the book as opposed to waiting a year for the paperback version of a hardcover.
Next time you walk into your favorite drugstore, airport, mall store, or newsstand, check for yourself. It doesn’t take long to realize that the MMPBs are disappearing right before your eyes.
If you’re an author and are being published as original mass market, what is your agent or editor telling you about the future? Are you going to be converted over to trade format or e-book only? And for readers, are you still buying mass market paperbacks? New? Used? Or have you made the transition to some other format?
Recently I found a fun new site called Booklamp–it helps you find new books by comparing and contrasting the content of books you enjoy, similar to the way Pandora.com helps music lovers find new music. To quote Booklamp:
“We’re attempting to help you find books with similar themes and writing style to books you’ve enjoyed in the past – comparing elements like Description, Pacing, Density, Perspective, and Dialog – while at the same time allowing you to specify details like… more Medieval Weapons.”
Booklamp identifies and parses the “story DNA” of various books, then uses that information to help you find similar stories. You can search for books by Story DNA, Book Title, Author, or Genre.
As an experiment I searched for books with DNA similar to Hostage Zero by our own John Gilstrap. Booklamp suggested matches to “similar” books by various authors, including Christopher Reich, Lisa Unger, Anne McCaffrey, Louis L’Amour, and even William Faulkner.
Booklamp claims to be advertiser independent, which means you won’t have your results filtered through marketing budgets. This means that mid-listers and newbies will have a fighting chance to turn up in results.
Booklamp is actively seeking publishers to sign on to the project right now–many publishers (and therefore authors) are not represented. But I’m hoping the project will catch fire.
Check it out, and let us know what you think. Is this something you would use, as a reader or writer?
James Scott Bell
Twitter.com/jamesscottbell
I have what my friends in Louisiana would call the “red ass” about something and maybe you can help me out. This is a real world occurrence, one which may have passed under your radar, and I am quite frankly puzzled as to the official explanation. I am going to present what has occurred as a writing exercise, in the form of a hypothetical situation, and maybe one of you can explain to me how such a thing could occur. Maybe you can see something that I can’t, and in the course of an imaginative whimsy explain to me what I seem to be missing.
Here we go: a woman was found dead, hanging from a second-floor balcony, a noose around her neck. Her hands were tied tightly behind her back. Her feet were bound as well. I also note, as an element of distraction, that she was naked. A relative who had spoken with her the evening before the discovery of her body stated that the deceased did not seem depressed or despondent. Her death, after a six-week investigation, was ruled a suicide by the local sheriff‘s office. The victim supposedly bound her hands and feet, tied a rope around her neck, and hung herself from the balcony. In that order.
Assuming, arguendo, that the ruling is correct, how was this unfortunate woman able to do this? Any theories among you mystery aficionados?
Note: Stephen King, for his novel GERALD’S GAME, actually had his family handcuff him to a bedpost in order that he could determine whether and how he could in fact free himself from the situation which he devised for his protagonist in the novel. I don’t want you to follow suit in attempting to solve my puzzle, no matter what sort of day you are having. To be honest with you, I just tried to do it and could not. I couldn’t get past tying my feet together. That was a neat trick in itself, since I haven’t seen them since 2001.
There is a prize for the best answer, by the way, which will be awarded at my discretion to the winner of my choice. Start your engines and shake your heads.