Hardcovers vs. Paperbacks
My third novel, Extinction, will come out in paperback on Tuesday. I’m a big fan of paperbacks in general; of all the books I buy, only about twenty percent are hardcovers. The main reason is the price difference. Whereas the list price for the hardcover of Extinction is $25.99, the price on the cover of the mass-market paperback is only $9.99. The difference isn’t quite so extreme after discounting — Amazon, for example, sells the hardcover for $18.80 and the paperback for $8.99 — but it’s still pretty significant for all but the wealthiest book-buyers.
Reader Friday: Alone
In Absentia – Mea Culpa
@JordanDane
JordanDane
Apologies for the lack of a post today, TKZers. I’m dealing with an increase in personal demands regarding my aging parents. My siblings and I are fortunate that our parents are in reasonably good health and are still living in their HUGE home, but that’s where things get crazy. None of us want to intervene in their decision making process. We’re sure that will come eventually, but it’s hard to know what’s best for them when they still have steam left in their mid to late 80s.
Are any of you dealing with something like this?
My dad is adamant he wants to stay put or move into a bigger home, when my mom wants something smaller and newer so there are no maintenance issues. We’ve discussed my husband and I living with them or moving into a situation where we both buy homes next door, but I am a firm believer in privacy for married couples. My dad is hard of hearing (and won’t admit it) and has the TV blaring all day on news stations. I couldn’t work under those conditions. We’d have to invest in a headset or make sure he has his own needs taken care of, independent of the rest of us under the same roof. There is no easy solution to the living arrangements, but they are realizing something needs to happen.
They also need services to help them day to day. Services like: grocery delivery, maid service, perhaps assisted living, but my father refuses to start anything that reminds him he is aging. Weird, I know, but his outlook has kept him “young” with an active mind so it’s hard to tell him otherwise and I don’t know if I want to. He’s still driving, but his days of being behind the wheel are numbered. He’s beginning to realize it.
So this week my mom has leg pain and is wheelchair bound or on a walker. We’ve got med appts lined up and I’ve been taking her since I can question the doctor and make sure she’s getting his replies right. She writes down her ailments and goes down her list to make sure she covers things, but it helps to have someone younger with her to make sure she’s explaining things right. That way we can both talk about it after and I can discuss further with my siblings.
So I’d appreciate any input from you on how you’re dealing with aging parents. I need commiseration, people. Any help?
Thanks my TKZ family!
Careful what you wish for
When your first book was published, was the experience everything you dreamed it would be? For me, it was quite different than what I expected. In 2005, when I first walked into a national chain bookstore and saw my brand new novel on the new release table, it was a
rush. I was proud. I felt like I was on top of the world. I couldn’t wait to see customers gather it up in their arms and rush home to read it. Then I stood back and watched as shoppers picked up my book, glanced at the back cover copy, and put it down with no more interest than in choosing one banana over another at the supermarket.
Didn’t they realize that book cost me 3 years of my life? How could they pass judgment on it within 5 seconds?
Reality set in. Not everyone will want to read my book. Not everyone will like it if they do read it. And I found out rather fast that once a book is published, the real work begins.
Today, I’m about to start (with co-author, Lynn Sholes) my eighth novel. My books have won awards, become bestsellers, and been published in many languages. And yet, every day I face the reality that the true test of my success or failure is what the customer does when they stand over that literary produce bin and pick what they think is the ripest banana. It’s about as scary as it can get.
As a full-time writer, I have the best job in the world. I would not trade it for anything. But a word to anyone dreaming of publishing their first book: be careful what you wish for. You just might get it.
So when your first book came out, was it everything you dreamed of? And if you’re still working at getting that first banana out there, what are you dreaming it will be like?
————–
Coming this spring: THE SHIELD by Sholes & Moore
Einstein got it wrong!
Have you attended a virtual conference yet?
Cyber Conferences – A Growing Alternative to Costly “in-Person” Conferences?
by Jodie Renner, editor & author
(TKZ’s beloved “den mother,” Kathryn Lilley, is feeling under the weather today, so I volunteered to fill in for her. Get well soon, Kathryn!)
Live, in-person conferences — stimulating and great for networking
Do you attend many writers’ conferences and/or book festivals? Since I started editing books 7 years ago, I’ve been to a lot of writers’ conferences (including Thrillerfest & Craftfest 4 times) and a few great book festivals (notably the Tucson Festival of Books). I’ve also presented workshops and participated in panels at several in the last few years.
Overall, I’ve found writers’ conferences to be a stimulating and enriching experience, not to mention great for networking and selling books. And best of all, I’ve made some lasting connections that have turned into great Facebook and blog friends. And finally met up with other blog and social media friends in person!
For a detailed, comprehensive list of “real” in-person writers’ conferences in North America in 2014, click HERE.
But traveling to conferences and book festivals can be costly and time-consuming.
The down side is it can get really expensive flying across the country and continent to attend live conferences and book festivals! (I’m in Canada and an excellent one I attended was in San Miguel de Allende, Mexico.) Also, for a rather hyper, type-A introvert like me, all that stimulation can be exhausting! By the second or third day I end up missing great stuff to grab a nap!
So if your finances are tight or you just don’t have time to interrupt your paying job or writing schedule, cyber conferences might be the way to go. Now we just need more of them!
Advantages to attending an online conference:
Virtual conferences are a great way to get a lot of useful info and even interact with presenters without getting out of your sweats – or pyjamas! I have to admit it’s great doing these through video conferencing. And more importantly, without spending big bucks on plane fares, conference registration, hotel costs, restaurant meals, etc. Not to mention the packing and traveling time.
Presenting a webinar – a learning curve.
Recently, Caralee Hubbard, the president of the Calgary Assoc. of Freelance Editors (CAFE) contacted me about presenting a webinar at an upcoming Cyber Symposium for Editors & Writers. The topic was a breeze – we quickly agreed on “Spark up Your Stories – Add Tension, Suspense, & Intrigue.” I’ve written lots of blog posts and a whole book (Writing a Killer Thriller) on this subject and knew I had lots of value to offer fiction writers and editors, so that was the easy part.
But I’d never presented a webinar, and with my busy schedule, have only viewed a few so far. In addition, their preferred format was PowerPoint for the main screen, with me smaller in the corner, speaking live. That sounded fine, except that I’d also never presented a PowerPoint before, so I had two new skills to learn on time for the conference on April 11. But I’m not one to shy away from a challenge, and I figured it was time I learned to do webinars and audio/video presentations anyway, as I could apply that skill to present short clips on my websites, blog, or YouTube on various topics to do with on writing compelling fiction or indie publishing.
So between editing, packing to move across the country, and doing income taxes, I’ve been learning
how to present a webinar and also PowerPoint, starting with getting the right equipment.
I think I’ve got the hang of it all now!
A few great virtual writers’ conferences I /we missed:
Indie ReCon
Too bad I didn’t know about Indie ReCon’s FREE virtual conference, 2013, for indie authors. Events and presentations included costs of self-publishing, building a publishing team, and using social media. In 2014, they decided to go back to a live conference, held in February. It will be interesting to see what happens for 2015!
The 2013 Muse Online Writers Conference, Oct. 7-13, 2013
This one looked great! Missed it? Mark your calendar in advance for the 2014 Muse Online Writers Conference on Oct. 20-26.
WANACon International, February 21-22, 2014 – Kristen Lamb’s excellent WANAtribe conference – a recent one I’m kicking myself for missing.
Here’s the info from before the conference:
“Welcome to WANACon Feb 2014. The conference you can should attend in your PJs.
“Why spend your hard-earned money on plane tickets, overpriced food and hotels when you can have the conference experience right from the comfort of your own home? YES. WANA has made it that easy with live presentations in our state-of-the art virtual classrooms. This is as close to the conference experience as possible, only every seat is the BEST seat.
“WANACon is a truly interactive entirely-online Writer’s Conference. No Yahoo loops or text based online conferences here. You’ll be able to chat with the presenters, see most presenters via their webcam, see a slideshow or the presenter’s screen, type text questions if the pets or children are making noise, and of course, pass notes behind the moderator’s back.”
And if, like me, you missed this conference, you can still purchase recordings of the various excellent presentations. Check it out HERE.
Two notable upcoming online conferences:
Nonfiction Writers Conference, May 7-9, 2014. This is their 4th annual cyber conference, so these people really know what they’re doing! Looks like they’ve established an excellent model for other writers’ conferences to emulate.
Their brief description: “Once again we will feature 15 speakers over three days, all conducted via teleseminar. No travel required–attend from the comfort of your couch via phone or Skype! Recordings and transcripts are available, depending on your registration option.”
And I love this feature: You can choose your registration option, depending on whether you want to save money and just listen and view live on their schedule, ($99), have both live access and downloadable recordings of all the sessions ($199), or opt for live access plus recordings and Word doc transcripts to review at your leisure ($299).
Cyber Symposium, a PD Event for Editors & Writers, April 11-12, 2014. This online event, organized by the Editors’ Association of Canada – Prairie Provinces Branch (EAC-PPB) and the Calgary Association of Freelance Editors (CAFE), is the virtual conference where I’ll be presenting my webinar called “Spark up Your Story: Adding Tension, Suspense, & Intrigue.”
Check it out here and scroll down for info on the webinars and presenters. Eight webinars are scheduled, on a variety of topics of interest to both writers and editors. As Caralee Hubbell, President of CAFE, says, “See you in cyberspace!”
Readers – do you know of any other good upcoming virtual conferences of interest to writers and/or self-publishers? Or have you had any experiences attending or presenting at cyber conferences? Please share in the comments below!
And by the way, I just found out that my editor’s writing guide, FIRE UP YOUR FICTION (formerly titled Style That Sizzles & Pacing for Power), in addition to having won a Silver Medal from FAPA and an Honorable Mention from Writer’s Digest, is now a finalist in the ForeWord Reviews Book of the Year Awards and also just received a great review from IndieReader.
My Favorite Irish Writer
In honor of St. Patrick’s Day, I’ve been thinking about my favourite Irish writer, Edna O’Brien, and just how influential she was to me when I was a ‘formative’ (i.e.: terribly young and earnest) writer. I was first introduced to her as a teenager and fell in love with her lyrical, stream-of-consciousness approach to writing. Much of her work inspired my own (far less stellar) writing attempts. She was also so quintessentially Irish, that her work resonated with me at a time when I was particularly fascinated with Irish history (my family has Irish blood and I do believe in a kind of genetic memory that draws me to the places and stories of my ancestors).
In recent years I’ve not read as much of O’Brien’s work and I wonder if that’s partly due to the fact that her books were inextricably tied up with a particular period of my life. I was also
worried that if I re-read her old books now, their impact and beauty would have somehow diminished over the years. I’ve often found that when I go back to a novel which had a huge impact on me at one time in my life, I’m disappointed that it no longer has any such impact at all.
But in anticipation of the day that celebrates all things Irish, I sought out my Edna O’Brien novels on my bookshelves and started leafing once more through their pages. I was relieved to find the lyricism of her writing still drew me in and was delighted to feel the same sense of anticipation, wonder and sadness I used to feel when I read her work. I thought I’d share a short passage – from the opening to her 1994 novel, House of Splendid Isolation:
It’s like no place else in the world. Wild. Wildness. Things find me. I study them. Chards caked with clay. Dark things. Bright things. Stones. Stones with a density and with a transparency. I hear messages. In the wind and in the passing of the wind. Music, not always rousing, not always sad, sonorous at times. Then it dies down. A silence. I say to it, have you gone, have you gone. I hear stories. It could be myself telling them to myself or it could be these murmurs that come out of the earth. The earth so old and haunted, so hungry and replete. It talks. Things past and things yet to be. Battles, more battles, bloodshed, soft mornings, the saunter of beasts and their young. What I want is for all the battles to have been fought and done with. That’s what I pray for when I pray. At times the grass is like a person breathing, a gentle breath, it hushes things.
As O’Brien writes at the very start of this book: History is everywhere. It seeps into the soil, the sub-soil. Like rain, or hail, or snow, or blood. As a writer of historical fiction, I love being reminded of this from a wonderful writer who captures the essence of place, history, and emotion, so beautifully.
So do you have a favorite Irish writer, and if so, what is it about their work you find so compelling? Or, if you aren’t as into Irish history as I am, which writer captures for you the stories of your ancestors?
Now You Can Call Yourself A Writer
@jamesscottbell
There was a bit of a dustup recently over the issue of who should be “allowed” to be called an “author.” The incendiary post can be found here. A response, here.








