Reader Friday: Where do YOU write?

Last Friday we shared some pix of where the TKZ bloggers write. This week, it’s your turn. A number of readers responded to our request with some great photos of their writing spaces. Here we go!


Basil Sands:

Basil is a self-described “on the go, write-where-you-can” kind of guy.

“I have three primary butt parking spots where my literary juices tend to spike highest,” he says. 

I vote for #2, the comfy, cozy chair.

John Gilstrap:
Blogger Emeritus John Gilstrap sent in a view of his office as you come in from the front door. I have to say, John’s writing space comes closest to my ideal vision of a bestselling author’s writing space!

Mike Dennis:

OK, forget the office–just look at Mike Dennis’s place (I think it’s hidden behind the palm trees). It must be great to work in paradise! 

And here’s his office…
Mike Jecks
Mike from the UK accused us of cleaning up our desks for our photos last week. Guilty as charged, Mike! He included a photo of his office and canine muses.

“As you can see, British writers don’t tidy up the desk before wandering off to pointlessly take photos, even leaving both dogs in the shot to prove we’re not idly ambling around the lanes instead of working,” he said, with lovable British sarcasm. “No. We’re sitting indoors pretending to concentrate on the next book, while actually taking photos of the ‘workspace’ instead. Work displacement activities are a wonderful thing! Hope you like the way I took one photo, didn’t like it, so took a second while leaving the first on the screen … yeah, I forgot.” 

Oh, and the second dog? If you look under the desk, you’ll spot a nose.




Zoe Sharp:

Zoe gets her creative juices flowing in an unlikely spot–her car. 

“I get a lot of productive work done in the car on motorway journeys,” she says.

Seriously, Zoe? Be careful doing that in Southern California–they hand out tickets here for texting and using a cell phone, much less tapping out the Next Great American Novel! 

Michael Harling:

Michael is shown working in his office.  


“This is me, our dining table and, yes, that is my permanent ‘office.’  It is where I work when I am not writing on the bus or a train,” he says.


I’m a dining room table writer too, Michael. Thanks for sharing!


Richard Mabry:

Richard Mabry sent us a photo of his office from his iPhone. Very cool! 

Mark Terry:

“My office used to be in the basement… and my youngest son wanted to move down there so I switched with him,” Mark says. “I rather liked the solar system hanging from the ceiling, so I left it up.” 

The acoustic guitar provides an additional outlet for creative expression.
 

Terri Coop:
Terri describes her office as “very much my cocoon.”

“This is my little corner of the world where I write and run my business,” she says. “It is in a free-standing apartment built inside my warehouse. I rescued the desks and wall mount cabinets from the alley behind an insurance agency (there is another on just like it to the left holding all my graphic design printers). Then I decorated the office around the desks.”

I love the HOPE sign on top of the cabinet. Every writer needs one of these!

Thank you! 
Sending out a big thanks to everyone who shared their pictures and stories about their writing spots this week. Hope we didn’t overlook anyone. Please share your story today in the Comments!

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THE VENGEANCE ANTHOLOGY

by Michelle Gagnon

I hope you’ll excuse a little BSP today. I have a short story out in the new Mystery Writers of America Anthology, VENGEANCE, edited by the wonderful Lee Child. Plus I think there’s a lesson to be learned from the long, occasionally tortuous journey this story has had over the past twelve years…

Some background first. This was the first real piece of crime fiction I ever wrote. I composed it while working with the San Francisco Writers’ Workshop back in 2000. I’ve never been much of a short story writer, but at the time I was just diving back into fiction, and figured that playing around with briefer pieces might help me find my voice. So this was one of the first (and only) stories I ever wrote. Shortly afterward, I started working on my first book (the one that never sold), and then, eventually, moved on to writing THE TUNNELS.

I always had a soft spot for this story, but had no idea what to do with it. Filled with hope, I submitted it to a few literary magazines. After it was roundly rejected by them, I shrugged and put it away in a drawer.

Fast forward to 2004. Lee Child was headlining the Book Passage Mystery Writers’ Conference, and at the last minute I scraped together enough money to attend. On the last night of the conference, all the participants were invited to read a short piece of fiction, kind of an informal critique exercise. I wasn’t happy with the opening of my novel yet, and was considering skipping the event entirely until I remembered this story. So I pulled it out of the drawer, dusted it off, and read it that night. All in all, it was well received; Lee attended the reading, and spoke with me afterward about how much he’d liked it. Which was terribly flattering, but again, I had no idea what to do with it. So back in the drawer it went.

Fast forward another seven years, to 2011. Lee emailed me out of the blue and asked if I’d ever done anything with that story from the Book Passage reading. He explained that he was putting together an anthology for the MWA centered around the theme of vigilante justice, and thought my piece might fit in perfectly. He asked if it would be all right to include it. Once I finished turning cartwheels across the room, I said yes.

So this week my little story, the first piece of crime fiction I ever wrote, was published alongside the work of some of my idols, including Lee, Dennis Lehane, Michael Connelly, Karin Slaughter, and Zoe Sharp. To say that I was honored to be part of this anthology would be a tremendous understatement. It really is a dream come true.

And from it, I’ve learned a few things:

a) It’s impossible to judge the true value of a writing conference. Sometimes they might seem like a waste of time and money, but you never know what may come of the contacts you make there.

b) Never empty that drawer. The story that can’t find a home today might bear fruit years down the road (or even decades!)

c) Never give up. I have to confess, when those literary magazines first snubbed my work, I was disheartened and almost tossed in the towel. I really thought the story was pretty great, and discovering that not everyone agreed was crushing. It was hard to go on when it felt like what I was writing might never be appreciated, or even read, by anyone outside my critique group. Eight published or soon-to-be-published novels (and one short story) later, I’m really happy that I decided to forge ahead.

What follows is an excerpt from my story, IT AIN’T RIGHT. The VENGEANCE Anthology is currently on sale at bookstores and online.

IT AIN’T RIGHT


“It ain’t right, is all I’m saying.”

Joe just kept walking the way he always did, shovel over his shoulder, cigarette clinging to his bottom lip.

“You hear me?”

He stopped and turned, lifting his head inch by inch until his eyes found my hips then my breasts then my eyes. A dustdevil whirred away behind him, making the bottom branches of the tree dance like girls on Mayday, up and down. He stared at me long and hard, and I felt the last heat of the day seeping into my skin and down through my bones, reaching inside to meet the cold that burrowed in my stomach early that morning.

“She’s dead, ain’t she?” With his free hand he scratched his belly where the bottom of his ‘Joe’s Diner’ shirt had pulled away.

“Yeah, but just cause she’s dead don’t mean she should be put down like this.”

He looked past me, towards where the road met the hill and dove behind it, wheat tips glowing pink in the twilight. “What else we gonna do with her?”

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To be Audacious

By Clare Langley-Hawthorne
www.clarelangleyhawthorne.com

I literally just flew back from Mayhem in the Midlands and, after delays due to tornado warnings and foul weather, my apologies for being a bit woolly headed now that my body is telling me it’s close to midnight (even if that’s not quite the case back on the West Coast yet). The conference was fabulous, small but intimate, the way Mayhem is supposed to be. After hearing Jan Burke’s great interview of Dana Stabenow and Kent Krueger’s hilarious interview of Zoe Sharp I have come away with a new goal:

To be Audacious


Jan Burke said she thought all writers had to be audacious to be successful. Just committing something to the page and believing it was worthy of another person reading it was audacious in and of itself but, after hearing some background for both Dana Stabenow and Zoe Sharp, I soon realized I am way, way behind on the audacity stakes.

Though I don’t consider myself to be a totally boring wuss in real life, I do have to at least pretend to be the stable, serious mum to my boys (husband included) and this limits my capacity for recklessness in real life. In my writing life, however, I have the freedom to be whatever I want…and I definitely think I need to add more audacity…which got me thinking…

How does one become an audacious writer? How can I constantly challenge myself and the craft of writing? What is the most audacious thing I hope to achieve in my writing? Hmmm…the most erotic sex scene ever? craziest murder victim ever? Perhaps the most unexpected death of main character ever…(hmmm…am I getting anyone worried at this point???) No, I know I need to aim higher – but how?

So help me out here – what do you think is the most audacious thing a writer can do?

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