Reflections on the “R” word

Note: Like Clare, I’m in a topsy-turvy environment this week–a beloved family member has come to live with us (my father-in-law, who is 93 years old). I’m entering a brave new world, trying to make sure we can successfully manage his needs in our hectic household. I’m not sure our rambunctious Lab puppy has gotten the memo–he’s already torn up a pair of Dad’s slippers.

Meanwhile, I’ve been thinking a lot recently about what rejection means to writers. At the writer’s groups I attend, people frequently talk about rejection. Someone will mention that an editor, agent, or magazine has rejected a submission. When this happens, everyone at the table nods in sympathy. They make encouraging comments like, “Keep sending it out. You have to go through a lot of rejection to get published.”

I’ve been sitting silently during some of these morale-boosting sessions. In these cases, I know that the submitted work wasn’t  publishable quality. Yet I’ve watched the writer toil over it in our group  sessions, rewriting and revising the work, sometimes for years. And it just hasn’t gotten to the level it needs to be.

Recently a member came to a meeting in tears. She’s been working on a novel for years. After laboring over the story with us, she showed it to a friend who is a published author. The friend went ballistic in her comments.

“She sounded so angry about the writing,” the woman said at our meeting. “Outraged, like how could I have been so stupid to think this was good?”

This woman felt blind-sided and abused by her friend, but I couldn’t help agreeing with the critique. The novel isn’t ready to submit–it’s nowhere close. And yet in our group sessions, we have this polite way of focusing on the good, while regretfully, almost as a postscript, mentioning things that need  to be fixed.

I think we let each other down by doing that. We have let this writer spend years on her novel,  thinking that it’s getting better, thinking that it’s going to be published, when there’s no chance whatsoever of that happening.

I don’t know what the best approach is in these cases. What do you do when someone’s writing doesn’t improve no matter how hard they work at it? Should you continue to encourage, or hit them over the head with a sledgehammer like this woman’s friend did? In the end, I think it was our group that let her down, not her critical friend (to whom she’s no longer speaking, by the way). We should have been more honest with her all along.  The problem is, you can lose a lot of friends and critique group members that way.

If you’ve made every suggestion you can think of and the writing hasn’t measurably improved, do you simply say, “This needs a page one rewrite–I’m afraid it’s not working at all.” I honestly don’t know what the right approach is.

What do you think?

The perfect panel

by Clare Langley-Hawthorne


While we continue to be in the midst of renovations (and eventually getting new floors from when we flooded earlier this year) I am trying to fit everything in while juggling workmen (not as sexy as it sounds), internet access and finding space to write (my office still contains most of the furniture moved in said flood), so blogging today was a bit of a challenge – and how can I possibly hope to follow on from Jim’s procrastination exercise yesterday?! By continuing the fun of course…

I thought we could come up with fabulous and funny panel topics and panelists for an imaginary writers’ conference entitled No, you really don’t want to be a mystery writer!

My contribution is for a conversation between Joe Konrath and Barry Eisler on the topic ‘The digital age apocalypse’ and a panel comprising our own John Gilstrap, John Ramsey Miller, Michelle Gagnon and Joe Hartlaub on ‘the bloodstained cozy rules’ or ‘why we secretly love mysteries involving fluffy kittens and little old lady detectives’.

So if you could, what panel title, and panelists would you chose?

Now back to those pesky renovations…be creative folks, I need a good laugh…sigh…


– Posted using BlogPress from my iPad

My Muse


I truly believe that I would not have achieved anything I consider worthwhile in this life without my wife, Susan. I have never loved anyone or anything with the sincerity and intensity that I feel for her. She had a birthday on the 20th of May. I bought her this set of very expensive wheels, which she looks great in. She looks great in anything.

I know it’s like giving pots and pans for Mother’s Day, but wait… Here was my thinking. We have a large place. A small house, but a large garden, which is hers entirely, and she likes to move things like wood, stones, dirt, mulch, and other heavy things around on the property. We have a regular wheelbarrow with one wheel, which is hard to hold straight when its loaded. I have a five-horsepower motorized wheelbarrow that carts 1,000 lbs and dumps its load, but Susan has a hard time cranking it. I have to start it. This is a wheelbarrow that will allow her the independence to do more of what she enjoys without needing anyone’s help.

Susan is the most unselfish person I have ever known. She wants everything for others and only what she needs for herself. She has never once expressed any doubts that I would succeed at whatever I attempted. And she worked a job, made the meals, and raised my children while I sat in our bedroom day after day for several years typing. She never got discouraged as the 161 rejections stacked up, because she liked my manuscripts and honestly believed I would sell a book and then several more, which I did. My biggest regret is that she is still working while I sit and type day after day. I always wanted to give her the best the world has to offer, but she has always been satisfied with simple things. I have heard her say more than a few times, that our life together has been a lot of things, but never dull.

I know that if it were not for her I never would have found the author in me. And I would never have been happy, which I truly am. Every good female character I write is mostly made up of Susan, so strong, independent women are easy for me to write. Knowing how hard she works is what drives me to work as hard as I can. The world disappoints, but she never does.

My youngest son is getting married on June 4th and I have not been writing at all for the past few weeks. I’ve got too much on my plate to think about any story but our own. I hope each of you has a muse, an inspiration, and a reason to sit day after day and pound out your soul and take the blows we all have to take.

John Ramsey Miller

Resolution, justice and happy endings

by Clare Langley-Hawthorne

This weekend I attended Booktown the annual book festival held in the small Victorian town of Clunes, where I heard Peter Corris, Jean Bedford, and Michael Wilding speak on the topic of the long arm of crime fiction. One issue which prompted some discussion was the issue of whether readers still look for good to triumph over evil in a mystery novel. The panelist seem to think that far more ambiguity is now allowed. They noted that writers such as James Ellroy have already upended the traditional mystery form and felt that it was possible now to end on a note in which evil, while not triumphant, certainly hasn’t been bested by the forces of good.

This got me thinking about the need for a satisfying ending and how, in many books, I have been more disappointed by a trite or glib happy ending than I ever have by books in which evil doers get away (at least in part) with their misdeeds.

Nevertheless, I do think resolution is critical in any kind of novel, and by that I mean that all the critical plot elements have been explained and resolved. I wonder though if I don’t secretly yearn for justice at the end of a mystery or thriller. Would I be satisfied with a conclusion that allowed the crime to go totally unpunished? Would I feel let down if the protagonist failed to succeed in bringing the perpetrator to justice? To be honest I’m not sure.

What about you? What kind of resolution are you looking for in a crime novel? Do you need to see justice done?

Dark Humor…or…How To Embarrass Your Daughter Anywhere

DARK HUMOR or, HOW TO EMBARRASS YOUR CHILD

Bad weeks seem to be in abundance around here. I have been fortunate. I have witnessed bad and wrong and sad things, but from a distance, from the periphery. I’ve done what a could, and can, to help, while silently giving thanks that the bullets of misfortune missed me, even as I feel badly that they hit someone else. This of course, does not prevent my penchant for inappropriate comments from rising to the fore.

The saddest of a series of events occurred two weeks ago when the son of a family in my wife’s prayer group was found dead at home. He was eleven years old. My thirteen year old daughter had seen him and talked with him just three hours previously. I cannot even begin to imagine what his family went through, what they continue to go through, but I hope to never experience it.

The wake was held a week later. We went to the funeral home, where I was reminded why I want no calling hours, no service, no memorial eulogies, no pictures projected onto a screen. Harvest my organs, burn me up, and scatter my ashes into the Mississippi in view of the Café du Monde. I hope it brought comfort to them; it just isn’t for me. As with such events, I was ready to go after paying my respects. My wife and daughter, however, wanted to stay, so I wandered around the facility while they visited with the family and acquaintances. It wasn’t long before they remembered why I am best left at home, preferably attached to an ankle restraint.

Those who know me are aware that I get into trouble when I am idle. My imagination runs wild. I start talking with attractive but unfamiliar women. And I get creative. So it is that I observed that there was a table laden with toys and a basket full of bags of skittles candy in the viewing room. It was fairly obvious that these were objects which had been important to the young man during his life, and that the family wanted to share his special interests with their friends. A half-hour or so later I observed my daughter talking with some other young people who were there. They were all eating candy. I motioned her over to me and asked, “Where did you get that candy?” She replied, “It was in the basket on the table in there.” I reared back in (pretend) shock and said, “No! You weren’t supposed to eat that!. The things on that table are going into the casket with him!” She turned green, put her hand to her mouth, and said, “Tell me you’re kidding!” I smiled and said, “Okay. I’m kidding!”

I am hoping that she will forgive me before she graduates from high school.

Last week was one HUGE bunch of days.

John Ramsey Miller

I didn’t watch any of the coverage of the Royal Wedding that I could avoid. Not that I don’t appreciate romance or tradition, because both are the glue that holds the world together, but because I thought the idea of being glued to TV to watch two rich kids getting married at the cost of millions of dollars in this day and time is absurd. I understand that the Royals are important to people in the UK and to some of their ex-colonies. Even though diluted English blood runs through my veins, I’ve only been to England once, and have no intention of returning. I thought the coverage of that Royal event was going to last for weeks, maybe months, and the 328 deaths from tornadoes became secondary to a wedding an ocean away. I expected coverage of their honeymoon, perhaps all the way through their first child’s birth. And then our Special Forces whacked bin Laden and the Royal couple was abandoned as though it never happened. How’s that for a plot twist.

So after ten years we stopped the monster with a round or two through his left eye. The most wanted and hated man in the history of America. In all honesty, he probably wasn’t even in the ranks of top twenty mass murderers in the past fifty years. When you put him up against Eichman, Himmler, Hitler, Pol Pot, Mao, Stalin, or even Latvia Beria, he was something of a piker. Well, he was responsible for thousands of deaths of innocent men, women, children. And he’s cost the US 3 trillion dollars in ten years. Because of this one psychopathic, individual, we have been brutalized physically, economically and emotionally. We’ve engaged in two wars resulting in thousands upon thousands of deaths and injuries and immeasurable suffering and spending those trillions of dollars we might otherwise have used for extending our golden age. Glad he’s dead and don’t care to see a picture of him being all dead.

We write a lot about bad people. How many times do we give our killers super-human abilities. Osama bin Lauden proves once again that the worst killers are often the ones with the least amount of actual blood under their nails. It’s like getting rich. You don’t often get rich working a job, you get rich when lots of others do the work and you just direct.

Who is more evil, the killers in the trenches, or those who inspire, give them direction, define their purpose. Who do you think was worse, Hitler, or the groups of mass murderers who did the actual killing?

Writing believable villains is far more challenging than writing good guys. An effective villain has to be complex and self-deceived. A murdering brute can be frightening, but how many can hold a book together the way Hannibal Lector can?

Nothing unifies like fear. Now that the Boogy man is dead, how long do you imagine it will be before we get a new one to take his place?

Are we becoming Cat People? Redux

A few years ago I felt like an alarmist when, over at Killer Hobbies, I asked whether a cat parasite might be capable of altering human behavior.
 

I’d just discovered that the Toxoplasma parasite changes the behavior of infected rats. Cats are the natural hosts for the Toxoplasma parasite, which gets very crafty in its attempts to reach a feline. Research shows that when a rat is infected with Toxoplasma, its brain is altered so that the rodent loses its fear of cats. The infected rat becomes much more likely to get eaten by a cat, and then—voila!—the parasite reaches its target host.

Other research indicates that even human behavior can be affected by parasites.

A parasitologist (who knew such a field existed?) reports that women who are infected with Toxoplasma tend to be more extroverted and caring—to what end as far as the parasite is concerned, is not known. My personal theory is that perhaps the parasite is trying to make us take better care of its feline hosts. I come from a family of dedicated cat lovers. As a clan, we like dogs just fine. But we’re nuts about cats. For example, I have an aunt who owns nine indoor kitties. She also feeds and takes care of dozens of feral cats.

My sister is another fierce protector of all things feline. She has appointed me executor of her estate on behalf of her two cats. I have precise instructions for where and how they’ll be cared for if they outlive her (her will even includes funding for a long-term kitty haven).

Then there’s me. My husband calls me a “cat whisperer.” When I see or hear a cat on the street, I’m magnetically drawn to it. I’m strangely drawn to it, I’m thinking now.

Our familial tendency to adore cats and care for them makes me wonder—could it be that we’re all infected with the Toxoplasma parasite, and we’ve been passing the bug down through the generations? Maybe the parasite has altered our brains to make sure that we take excellent care of its host, Mr. Cat.

Bottom line: Is a bug pulling our strings?

Technically speaking, I’m not even sure that a parasite is a bug (science teachers, help me out here). But I’m sure it looks like one under a microscope. I’ll bet it looks really disgusting, too.

The whole thing makes me think about some signs my relatives have hanging all around their houses. The signs say things like:

“The cat owns the house. We just work here.”

Things may be worse than they know.

We might all be working for a damned bug.


Update: 


Now I feel vindicated for having sounded the alarm about parasites affecting humans. Radiolab weighed in recently with an entire show on the subject. Think about it next time you’re communing with Kitty!

Don’t Follow Me. I’m Lost Too.

I would like to follow up, if I might, from James Scott Bell’s excellent contribution of Sunday last titled “What Will Book Publishing Look Like In Six Months?” I started to write a comment to that essay but it soon became long enough for a post of my own, so here it is, for what it is worth. I will tell you ahead of time that I have NO idea what book publishing will be like in six months, other than it’s going to be more chaotic than it is now. Herewith, however, are a couple of factors that are influencing things now that no one seems to want to talk about.

I read an article recently in the Wall Street Journal concerning the fact that publishers are noticing that self-published e-books offered at a two to three dollar price point are getting an increasing share of the market. Now, traditional publishers will tell you that they simply cannot offer e-books in that price range. For one thing (they say) it only costs three to four dollars per unit to physically publish a book. That may well be. There is an additional problem that traditional publishers face, however, an expense which is also factored into that publisher‘s list price. That problem is the very expensive cost of the Manhattan real estate upon which those who toil on the publishers’ behalf hang their hats each morning. The Konraths and the Crouchs and the Lockes and the Wynnes and yes, the Eislers who are doing quite well on their own are already paying for their own office space. It’s called home. The publishers, on the other hand, have to pick up their fixed cost (those expenses that remain the same whether they sell a million books or don’t sell any) somewhere, and they do it somewhere in the remaining twenty-two bucks of that hardcover you used to buy at Borders. Not all of that remaining money goes to the landlord for the lights and carpet and walls, but some of it does. And authors such James Patterson sell enough books to keep the candles burning. Those e-book prices accordingly aren’t going to be coming down any time soon (but read on).

Trad publishers also have another problem. They have to keep the gnomes of Zurich happy. The gnomes in this case are the parent companies like NewsCorp, Sony, Bertelsmann and the like who are looking at the balance sheets and figuring out how they are going to explain to their stockholders that the reason that the dividend checks aren’t as big this year because this or that publishing company did not perform to expectation. The money for those declared dividends comes out of that unit price as well. With the gents I mentioned earlier, their stockholders are their families. If an independent e-book authors take their families out for an extra nice meal, and the bills all get paid on time, they’re happy. That’s their stockholder report. But the traditional publishers have a constituency that is not so easily satisfied.

One might think, after considering the above, that the traditional publishers are accordingly stuck at a twelve dollar price point for an e-book. I mean, they have fixed costs, stockholders, and, of course, the author needs to be paid too. Actually, however, they are not stuck. At least theoretically. There is a school of thought — one that I happen to subscribe to — that says that at a (much) lower price point the traditional publishers could sell enough e-books to make up the difference in what they lose in selling at a higher price. It is my humble opinion that at some point, sooner rather than later, one of the traditional publishers is going to bite the bullet and price a book by one of their A list authors at three to five dollars, and then sit back with a bottle of Maalox in one hand and a .38 Special in the other, waiting to see if the sales numbers jump high enough to make up for the decrease in sales price per unit. In other words, if I’m selling one thousand books at ten dollars apiece, and I drop the price to five dollars, I have to sell two thousand books to make the same money. I think they can do it. If they do, they’ll put the Maalox to their head. If not…It will be interesting to see which publishing house will walk that plank first, and which author will be holding hands with it. And those offices in mid-town? They are the real estate equivalent of a dead man walking. I know of one gentleman who is running a very successful independent music label imprint out of a hotel lobby. He has a smartphone, a laptop, a pair of ear buds, and access to a nearby Kinkos. He farms out his publicity, promotion, booking, and marketing and he stores his artists’ music on an external hard drive that’s the size of a spiral notebook. He’s making good money. And no one even knows he’s running a business. He is the future.

As we look at the landscape, what I just described could be called the hills. What about the trees? To get a description of that we have to ask a tough question which is also being asked, and answered, by CPA bean counters in boardrooms, even as I write and you read: at what point does the percentage of e-book sales in relation to physical book sales reach the point where the manufacture and sale of physical books — either by genre, or for the industry as a whole — becomes a losing proposition? I have seen opinions that set that point as the moment when e-book sales constitute twenty percent of total books sales. Some genres have reached, and exceeded, that point already. My understanding is that, for the industry as a whole, e-book sales constitute thirteen percent of sales. It may well be somewhat more than that; I doubt that it is less. Whether the point has already been reached, however, or is reached six months or six years from now, it raises some tough questions. Will publishers gradually phase out physical books for all but their perennial best sellers? Will physical books be published in sharply limited qualities, marketed for collectors? There are some genre publishers that have survived quite nicely for years publishing limited editions (Subterranean Press and Cemetery Dance come to mind). But those limited editions come with expensive price tags.

I hate the thought of a world where a physical book is a luxury which can ill be afforded. But we have to consider that scenario as possible, too. The market, and the unseen hand that guides it, does not always come to rest upon a happy medium. At least for some.