I was presenting at my sons’ school on Friday, and one of the questions I was asked was how I turned my ideas into novels. Part of my answer was that, although I have heaps of ‘ideas’ jotted down in various journals, only about a handful of these have (so far ) developed into complete stories. This is because the majority of my ideas aren’t ‘story ready’. They’re either too flimsy or under-baked at the moment or, as I tinker with the plot options for them, turn out to be incapable of sustaining an entire story.
There are many reasons an idea fails but one question that keeps coming up is – how do you know when an idea is sufficient to carry a great story? I think the easiest way to answer this is to ask the reverse – when is it not a good idea for a story?
- You think it’s a good idea only because it fits in with a current publishing trend
- You like the idea only because someone else told you it would make a great story
- You like the idea only because you think it will make you lots of money
Clearly, you have to love an idea to turn it into a terrific story. You have to love it because you’re going to live with it for a very long time as part of the writing process. Merely liking an idea isn’t really enough to sustain the commitment required to complete a novel.
You also have to let go of some darlings, because sometimes, no matter how much you love an idea, the characters, story and plot line simply don’t come together to make a successful story.
I adopt the following process when converting my ‘raw’ ideas into novels.
- Firstly, I jot down all my ideas. You never know which ones might stick with you or which ones, years later, suddenly resonate. That’s not to say I write down every half-baked idea I get in the middle of the night, but if I’m still mulling over it in the morning, it’s probably worth putting down in my journal.
- Then I let a few of these ideas percolate, to see which ones I am most passionate about writing about, now. Some ideas I love, but still don’t feel quite ready to explore.
- I then work through the ideas I’m most passionate about, summarising the overall premise of the story, characters, and plot overview in order to prepare a proposal (about 1-2 pages) for my agent and I to consider. Sometimes, even at this stage it’s clear I’m forcing an idea that doesn’t yet work.
- Then, once my agent and I agree on which proposal seems to stand out as the story I should work on next, I draft the first few chapters and do a more detailed plot outline to see whether it all looks as if it’s going to hang together.
Now I’ve had ideas fail at all these levels – either because the premise wasn’t clear enough, the plot was too unwieldy or, even after the first chapters and outline have been prepared, the idea still didn’t seem to work for a successful novel. (In this case, at least I discovered this before I finished the entire first draft!)
So what about you? How do you know when an idea is really ‘story ready’. How do you evaluate whether the idea is sufficient to sustain a novel? Do you plan it out or muddle through?