Your First Mystery

How did you get started writing mysteries or thrillers? Assuming you were an avid reader of the genre, did you outline the plots of your favorite stories? Study structure and pacing? Attend writing workshops by seasoned authors? Or did you use a how-to book?
Keeper of the Rings, my fourth sci fi romance now available in digital format, is the story wherein I learned how to plot a murder mystery. It has all the elements for a cozy: a limited number of suspects, most of whom know each other and who have a motive for the crime, a confined setting, and an amateur sleuth.
Here’s the story blurb:

Taurin is shrouded in black when Leena first meets him, his face shaded like the night. At first she believes him to be a simple farmer, but the man exhibits skills worthy of a warrior. With his commanding presence, he’s an obvious choice to be the lovely archaeologist’s protector on her quest for a stolen sacred artifact. Curious about his mysterious background, and increasingly tempted by his tantalizing touch, Leena prays their perilous journey will be a success. She must find the missing relic, or dangerous secrets will be revealed that may forever change her world.

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Who stole the sacred horn that must be blown to reset the annual cycles of Lothar, the god worshipped by the people of Xan? Only the members of the ruling priesthood, the Synod, had access to the holy artifact. Was it Zeroun, the ambitious Minister of Religion? Perhaps Karayan, a friend of Leena’s family and the Minister of Justice, is involved. Or maybe Sirvat is guilty. As Minister of Finance, she has something to hide. So does everyone on this twelve person council, including the Arch Nome himself.

While Leena’s brother is assigned the task of investigating the Synod members, her mission is to retrieve the artifact. Here the story becomes Indiana Jones meets Star Wars. Leena and Taurin survive one peril after another on a desperate quest that takes them around the globe and deep underground beneath the ruins of a holy temple. Do they find the horn before disaster ensues? Is the thief unmasked? Was he responsible for the accident that killed Leena’s mother?

Here’s an excerpt where Leena and Taurin discuss the suspects with her brother, Bendyk, and his assistant, Swill.

Swill tugged at the long sleeves of her burgundy blouse, tucked into a black skirt that hugged her hips. “Magar makes regular unexplained entries in his receipts, which Sirvat deposits into the Treasury. Magar refuses to elaborate on the source. Sirvat’s financial records are impeccable, but the odd thing about her is these trips she takes every so often, returning with a new piece of jewelry each time. The items are created with rare gemstones. Usually, she’s not one to adorn herself.”

“I’ll bet I know where she gets them.” Taurin related what he and Leena had learned about Grotus and Sirvat’s relationship.

“I don’t believe it.” Bendyk shook his head. “She seems so strait-laced.”

Leena gave a small smile. “Perhaps she hides a passionate nature. She certainly has a peculiar bent to fall for a man like Grotus.” Her face grimaced in disgust at the memory of the smuggler. “You know, some of those items I saw in Grotus’s mansion are similar to pieces in Karayan’s house.” She pursed her lips in thought. “Karayan has quite an extensive art collection.”

“Are you implying that he buys his art works from Grotus?” Bendyk asked with a horrified expression.

“Not really. They just share the same kind of artistic taste, although Karayan is a much better dresser.”

Beside her, Taurin snorted. “We’re not here to discuss anyone’s preference in art or clothes. Did you investigate Zeroun? As Minister of Religion, his department is responsible for administering the Black Lands. Someone there has granted the Chocola Company illegal rights.”

“We’ll check into it,” Swill assured him. “We’ve cleared most of the other Synod members but weren’t sure about Sirvat’s trips and Magar’s secretive dealings in his trade commissions. I still feel he’s withholding information from us.”

“You’re wasting your time with Magar,” Taurin snapped. “I suggest you check out Zeroun. The Minister of Religion would also be responsible for—” He held his tongue; he’d nearly said for excising any records of the Temple of Light. “—for the Black Lands,” he finished.

*****
They could easily be discussing suspects in a murder. This was the last romance I wrote before switching to mysteries, but it taught me everything I need to know about plotting a whodunit. How did you learn the craft?

Where Evil Lurks Beneath the Sun or Picnic at Hanging Rock

By Clare Langley-Hawthorne
www.clarelangleyhawthorne.com

As I’m in Australia at the moment, visiting relatives and friends, I thought it was about time I discussed some home-grown Aussie mystery. If you’re thinking I’m sunning myself on the beach somewhere you’d be wrong – Melbourne is in the depths of winter so think rain and lots of it! Since I’m in the cultural capital of Australia (sucks to Sydney – you can see where my allegiances lie!) I have to talk about one of my all time favorite mysteries – Picnic at Hanging Rock.

I read the book by Joan Lindsay when I was about twelve and I was convinced it was based on a true story – the eerie mystery surrounding the fate of a party of schoolgirls who visit Hanging Rock was deliciously fraught. Then along came Peter Weir’s film and the whole ambience and sexually charged atmosphere came to the fore. There are even hints that the events in the book may have been based on events in Joan Lindsay’s own life but there has never been any record found of anything similar happening. Yet the mystery endures today, probably because it remains unsolved (although there is a missing final chapter which Lindsay wrote that apparently solves the mystery. It was excluded in the original book and, to be honest, I don’t want to even know what it says).

I’ve visited hanging rock (Mt. Diogenes) and each time I was struck by the strange energy of the place. It is located just outside Melbourne, where I grew up, and is now forever associated with those haunting few words :
“On St. Valentine’s Day in 1900 a party of schoolgirls went on a picnic to Hanging Rock. Some were never to return…”

Hanging rock is a place where anything is possible and there is a distinct evil vibe that is hard to ignore. When you climb the rock, your sense of perspective and time becomes confused. I think that’s what makes Peter Weir’s film so incredible. He captures the essence of a summer day at the turn of the last century, its drowsy, erotic overtones as well as the heady sense of foreboding – that evil of an unknown nature might have taken the girls forever.

The place itself was the most important character in the book as well as the movie. What places have inspired the same fear within you?

The Ideal (Fictitious) Villain

By Clare Langley-Hawthorne
www.clarelangleyhawthorne.com

John Mortimer, creator of Rumpole, wrote that “most of the interest and part of the terror of great crime are not due to what is abnormal, but to what is normal in it; what we have in common with the criminal rather than the subtle insanity which differentiates him from us.” I couldn’t agree more – for me, it is the commonality rather than the abnormality that makes a villain truly villainous.

Take Doctor Crippen – an unremarkable man in real life, the least likely man perhaps to have poisoned and dismembered his wife or to have been pursued across the Atlantic with a young mistress in tow disguised as a boy. Part of the fascination with this case is the sheer ordinariness of the supposed murderer – and now, with DNA evidence casting doubt on whether the woman whose body was found was that of Doctor Crippen’s wife, Cora, the mystery of what actually happened may never be solved.

In fiction of course, some of the most fantastical crimes that occur in real life can never be used simply because readers would never believe them. Take for example the man who murdered his wife over an affair that happened 40 years before and then left her body as a gift beneath the Christmas tree. Writers have to walk a fine line with villains too, making them both believable as well as intriguing. Are they merely the flip side of the protagonist? Are they an ordinary person pushed to the brink? Or does some deep psychological wound create the monster within?

As a historical mystery writer and fan, I have a preference for the enigmatic ‘villain or not’ character. I still recall the terror I felt as a twelve year old reading Daphne DuMaurier’s Rebecca late one night when I realized Maxim de Winter may have murdered his wife.
Part of the pleasure of reading Dickens, for me, is his rendition of such memorably odious characters as Mr. Murdstone, Uriah Heep and Steerforth (and that’s just in David Copperfield!)

As for female villains, I love Annie Wilson in Dorothy Sayers’ Gaudy Night. Even though no murder is committed her vitriolic outburst and her ability to mask her hatred beneath sheer ordinariness and subservience made her a perfect villainess in my book. Then of course there’s Mrs. Danvers in Rebecca and that other Annie in Stephen King’s Misery…now they’re just downright bloody terrifying.

So what makes the ideal ‘fictitious’ villain for you?
Please also join me as I guest blog at Good Girls Kill for Money where I discuss what makes the ideal ‘fictitious’ husband…which is in no way inspired by my musings on villainy…