When this post is released on TKZ in the wee hours of the morning, my brisket will be cooking low and slow all night and waiting to be swaddled in heavy foil. I’m praying for a crispy thick bark, an elusive phenomenon for me. My house is filled with an incredible aroma. Someone should bottle it.
There is a genuine art form to making a perfect Texas-style smoked brisket and I already know I will never be worthy, but I’m giving it a go. My older brother is a God when it comes to being a pit master. He’s given me tips and I am sticking to them…as much as my headstrong mind will allow me. I am my mother’s ‘let’s wing every recipe’ daughter.
Just like a good, tried and true recipe is for brisket, we pick up new tips but keep what works. The same goes for writing. There are ways we all use to build upon our craft methods of writing a novel. We try new things to see what works. We discard other methods that we’ve outgrown as we evolve.
Below are some questions I’d like for you to answer if you see anything that fits you. Feel free to add what you’ve learned about writing in your comments. I am a sponge for picking up new stuff.
Writer Questions – Share your Experiences
1.) Are you still finding time to read? Do you read outside the genre you write? Even when life gets busy, reading can be a comfort, but it can also open your eyes to new techniques or interesting POVs or genres. Always be a student when it comes to your writing craft. You will keep growing.
2.) Do you cherish the time you write, where you write and make sure you don’t get interrupted? Life, family/friends and your day job can pile on to add stress in your life. Is your writing the first thing to go? I hope not. Even if you only finish a page a day, that’s progress. I find that once I establish a routine, my body can react in a bad way if I stray from my writing schedule. I can physically get the shakes. Even when I had my day job, I made sure to write every evening and on weekends. It wasn’t easy but it paid off.
3.) How do you capture those big ideas that can spring on you any time of day or night? Do you keep notebooks all over the house or a voice recorder? I get lots of ideas while I’m driving. The best ones, I pull over and reach for my purse where I keep a small notepad and pens. Or better yet, get someone to drive you so your genius is unfettered. Is there a place where you consistently get your big ideas? No pictures if you tell me “the shower.”
4.) Do you have personal rules/discipline when it comes to unplugging from social media and the internet while you are writing? My usual day is writing 9:00 am until 3:00 pm with short breaks to care for my dogs and grab a snack. I try to get up every 3 hours to stretch and walk and replenish the well for a quick change of scenery but I don’t get to emails or social media until after I’ve achieved my word count goal. YES, I have a daily goal. I generally shoot for 1500-2000 words per day and do rolling edits to keep my progress going on the overall project. But social media and emails are a time drain. No sneak peaking as a diversion when you hit a wall. Pick another way to shake out the cobwebs.
5.) Do you read your work aloud? After all these years, I still read my edits aloud. It’s a great way to insure you have a natural cadence to your dialogue and prose. Even if you don’t do this every day, I recommend doing it for important passages/proposals or as one of your final draft processes. This is the best way to find words you’ve left out.
6.) Do you use the first third to a quarter of your book to set up your world building and character introductions? An editor with a large publishing house said something at a writer’s conference about expecting to read the basic set up with characters and conflict within the first 3 chapters. Now it may not be 3 chapters exactly, as I see it now, but he wasn’t wrong about how to establish your world for the reader. Even if you don’t plot ahead of time, expect that readers and editors and agents will expect you to set that foundation for your story and include your cast of characters and their conflicts in the first part of the book.
7.) Do you plan the ending of your book while you’re working on your plot idea or are you willing to let it happen when you get there? If you’re like me, each book can be different. Sometimes I get up in the middle of the night with a new character telling me the ending to his/her story. True. That doesn’t happen with each book, but when it’s that strong that it wakes me, I listen. On the other hand, I am flexible enough to see new ways to add twists. I want to be open to new character motivations too. More times than not, I have found better books by staying open to my endings. How rigid are you? Have you ever been pleasantly surprised with an ending you never expected, just because you followed a rabbit trail or discovered something new about your main character?
8.) How open are you to criticism? Does it matter who gives it? I used to be more prickly when anyone criticized my masterpiece, but after having many good editors from the publishing houses I’ve worked with and solid beta readers, I’ve grown very open to their suggestions. I think of their criticism as a collaboration to make the book better. I may not always take every suggestion. Only the author should decide what makes sense for the world they are building, but pick your battles. Generally, if someone is confused or something isn’t working for them (even if they can’t describe it exactly), I pay attention and try to find a solution. I’ve never regretted that approach. For anyone taking the time to give a critique, take what they say and make changes where it’s appropriate, even if you have to come back to their feedback later. Keep an open mind.
1.) Share your answers to any of the questions I’ve mentioned above–the questions that resonated with you the most.
2.) Add any new questions or tips that you have found a must to your process. What are your core “must dos” and what have you discarded?
3.) Any brisket tips? I promise I will listen, even if you’re not from Texas.