Category Archives: the writing life

7 Things Writers Need to Do Right Now

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James Scott Bell
@jamesscottbell


Heraclitus, that old pre-Socratic philosopher who shuffled along the streets of Athens in 450 B.C. thinking deep thoughts, called reality a river, and famously noted, “You can’t step in the same river twice.”


He would not, therefore, have been surprised in the slightest by the changes in the publishing industry. For the only thing certain about the future of books is that none of it is certain. The flow of innovation continues apace and the river is filled with rocks, waterfalls and more than a few overturned kayaks.


But look at all the writers with life vests on. And some even shooting the rapids with a whoop and holler. If you want to survive and even thrive in the rush and spray of publishing today, you need to do the following:

1. Elevate your game

Here’s the deal for the rest of your life: you’re going to have to keep getting better as a writer. You have more competition. There’s a growing number of writers out there who know what they’re doing, and are hungry, and are after the same readers you are.
True, there’s an even larger number of writers who don’t have the stuff yet, and won’t put in the hard work to get it. They’ll eventually get frustrated and drop off the map. But, like a Hydra’s head, they’ll be replaced by nine more writers who areworking at this thing.


Be one of the workers. Write to a quota and set aside at least one hour per week to study the craft. Doing those two things consistently will get you further downstream than anything else. Every now and then go to a writer’s conference, or sign up for a specialized workshop like, ahem, this one. Subscribe to Writer’s Digest and at least scan every article. I always pick up a few things with each issue.

2. Understand publishing contracts

The traditional publishing world is still there. It’s big and it’s venerable. Sure it’s tight, but there are still deals being made. If you decide to go that route, learn what key contract terms mean. Especially understand non-compete clauses, option clauses, termination and reversion of rights. A good place to start is in the “Contracts” archive of The Passive Voice.
Have the attitude that many things are negotiable, but also understand your “leverage” depends on your track record (if any), the size of the publishing house and how much you desire to be traditionally published.
Strategize with your agent and determine: a) what you would LOVE to have in the contract; b) what would be NICE to have; and c) what you absolutely MUST have. Make sure your c) list is short and reasonable. Ask yourself if you are prepared to walk away from a deal if you don’t get your c) terms. If you’re not, make them b) terms.
Writers and publishers need to understand it’s more possible than ever to forge a win-win deal if the parties are flexible and creative.
3. Take more risks
Editors and agents all say they are looking for a “fresh voice.” What they mean is a fresh voice they can actually sell. Everyone wants to land in that sweet spot where originality and commerce meet to make that ka-ching sound.
You will grow as a writer, and get closer to that sweet spot, if you take more risks with your writing. Push yourself past comfortable limits. Deepen your style and character work. Especially if you’re doing genre books where we’ve seen just about everything many times over.
As I said when I made my own “risky” move (which has ultimately been worth it to me), don’t be afraid to “fail aggressively.”
4. Begin a self-publishing stream
There is absolutely no reason anymore for a writer not to have a stream of income from self-publishing. When approached the right way this will not only result in steady revenue, but also build that ever-loving “platform” everyone talks about. You will be making readers. Traditional publishers are starting to get that. There is no longer a stigma to self-publishing.
But, and I emphasize this, only if you approach it systematically and in a businesslike fashion.
Fortunately, the business fundamentals are not difficult to understand. I call these fundamentals The 5 Absolutely Unbreakable Laws for creating steady income as a self-publisher.
5. Set goals
Not everyone is a goal setter. Which is a little hard for me to understand, because I’ve been setting goals most of my life. Writers want to achieve. They want to publish, sell, make readers. To give yourself the best shot, you need to set goals that you can actually control, and work toward them every day.
Did you know that if you set down written goals and regularly work toward them, you immediately jump into the top 3% of achievers in any field? So why aren’t you?
There’s a Kindle article that fully and completely sets out the fundamentals of goal setting. It’s called How to Achieve Your Goals and Dreams. I had a goal to write it, so I did.
6. Work smarter
In addition to goals, there is the matter of using your time wisely. Do this: Look at the calendar of your upcoming week (I do this on Sunday). Fill in the places where you have obligations (job, soccer practice, appointments). Now look at the empty slots and start filling them with writing and studying time.
Anthony Trollope wrote almost 50 novels while working full time as a civil servant (of course, this was in the era before Twitter and Angry Birds. But I digress). He did it by finding the time to complete his quota of words. Day by week by month by year.
7. Stay cool
You can get yourself all tied up in knots about this crazy business. You can look at sales numbers and Amazon rankings and bad reviews and friends’ successes and your own perceived disappointments (though I maintain nothing is wasted in a writer’s life if he refuses to be defeated). There are going to be striking developments requiring fresh decisions, and those same decisions may look different to you a month later. 
But stay frosty. The way a writer does that, the best way, is to write, to have pages to work on every day. To be developing other projects even as you are working on your WIP. Here’s a favorite quote from Dennis Palumbo: “Every hour you spend writing is an hour not spent fretting about your writing.” (Writing from the Inside Out)
So don’t fret, type. Shoot the rapids. Live large.
I’ll see you downriver.

Anything else you would add to the list?  

Rhino Skin

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Today’s column is brought to you by Kit Shannon, turn-of-the-century Los Angeles lawyer. ANGELS FLIGHT, the second novel in The Trials of Kit Shannon series, is now available for Kindleand Nook.

Nothing had prepared her for the hostility of a city gripped by prejudice . . .

But you have to be prepared for the slings and arrows of the writing life. These may come in the form of rejection letters, bad reviews, angry reader e-mails,  personal jabs from a family member, or any  number of other places.
           
To survive, you need to develop Rhino skin. You need an outer armor that takes the hits but doesn’t stop you. Here’s how you get it:
1. Let rejection, or criticism, hurt for a day, no more
It’s all right to take a hit and feel its full force. Don’t try to hide from the emotional impact. Give vent. Destroy a pillow if you must. But let go after half an hour or so. Determine to go immediately to #2.

2. Write
When my son fell off his two wheeler the first time out, I didn’t let him quit. I got him back on the bike and almost burst my lungs running with him. We repeated the process till he got it.
           
He did not like falling. But when he was back on the bike and peddling, he was not thinking about the fall. He was thinking about staying up for the next few feet.
           
Writing is like that. When you are down about your writing, pound out those words. Dennis Palumbo, in his book Writing From the Inside Out,says “Every hour you spend writing is an hour spent not fretting about your writing.”
           
A daily quota is tonic for your ache.
           
What you’ll find is wonderful: when your mind reflects back on the hurt, the wound won’t be as deep as it once was. And the more you do write, the more the hurt begins to fade. You won’t forget it, but it won’t debilitate you.

3. Review your career path
And that’s what you’re on. Do not think of yourself as someone trying to sell a novel. You are a writer, and that means you never quit.
           
Do you need to start another book? What will you do differently? What can you learn from the rejection or the critic that is of actual value to you? Learn that thing then write and forget the rest.

4. Reward yourself
For a writing job finished, for a quota met, for a manuscript completed, heck, for just about anything, treat yourself to something.
           
When I finish a manuscript I like to take a full day off and go on a literary goof. There are used bookstores in L.A. I like, so I’ll start there, browse the shelves, pick up that Cornell Woolrich I’ve been missing, or add to my collection of 50’s paperback originals.
           
I might just go to a park or the beach, put out a chair and read.
           
That night, I’ll take my wife to one of our favorite places for dinner. You simply have to enjoy the journey or what’s the point of it all?

5. Remind yourself
Two reminders to put inside your head.
           
The first is to remember that the greatest writers of all time have been rejected and, once published, slammed in a review.
Thomas Bailey Aldrich, writing in the Atlantic Monthly in 1892, said of Emily Dickinson, “An eccentric, dreamy, half-educated recluse in an out-of-the-way New England village—or anywhere else—cannot with impunity set at defiance the laws of gravitation and grammar. Oblivion lingers in the immediate neighborhood.”
           
Nothing of Mr. Aldrich, to my knowledge, remains in print.
           
An unnamed editor returned Tony Hillerman’s first Navajo detective manuscript to him, with a note: “If you insist on rewriting this, get rid of all that Indian stuff.”
           
When you get a rejection or bad review, remember you’re in very good company.
           
And then remind yourself constantly that you are a writer, because you write. There are many more people who do not write yet feel perfectly at ease sniping at those who do. When such a snipe comes your way, know that you are the one putting yourself on the line, opening a vein, walking the tightrope, singing a solo under hot lights. You are part of a courageous bunch who are all about doing. Teddy Roosevelt’s famous advice applies to writers:
“It is not the critic who counts: not the man who points out how the strong man stumbles or where the doer of deeds could have done better. The credit belongs to the man who is actually in the arena . . . who, at the best, knows, in the end, the triumph of high achievement, and who, at the worst, if he fails, at least he fails while daring greatly, so that his place shall never be with those cold and timid souls who knew neither victory nor defeat.”
Get in the arena. Go at your writing with all the devotion and love and enthusiasm you have. When the darts of rejection or criticism come your way, keep writing. You will stop them with Rhino skin, and keep right on charging ahead.

The Most Important Characteristic Every Writer Needs

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James Scott Bell
@jamesscottbell

There are three things that are required for success as a writer: talent, luck, discipline … Discipline is the one that you have to focus on controlling, and you just have to hope and trust in the other two.
—Michael Chabon


Some time ago I waxed lyrical on the two things every novel needs. Today I’d like to focus on the writer, and the single most important characteristic for success: Self-discipline.
That’s right. Even more than talent. Talent is overrated. The ability to get tough, stick with it and produce words beats lazy literary giftedness every time.
That’s why you need your own inner drill sergeant. He has four areas of concentration.


1. Motivation
Desire drives discipline. Mega bestselling writer Phyllis Whitney once said, “You must want it enough. Enough to take all the rejections, enough to pay the price of disappointment and discouragement while you are learning. Like any other artist you must learn your craft—then you can add all the genius you like.”
You’ve got to go into this with the thought that nothing will stop you. And you’ve got to get yourself pumped up to do your work, which is producing the words.
One way to do this is with visual motivators. When I first started I got a coffee mug with WRITER written on it. I looked at it every day.
Another kind of visual is a “model of possibility.” I found a picture of Stephen King that did that for me.

There’s a guy working at his job, his dog under his chair, his office stuffed with books and papers, sitting back with his feet on the desk, editing a manuscript. That’s what I wanted to be doing. I put this picture in a frame and set it in my office where I could see it every day. 
Find your own visual motivators. Create some. It’s not hard to do, and they’ll get your blood flowing.
2. Action
The whole idea of motivation is to get you to take action. If you take action every day toward your goals you begin to feel unstoppable. Let’s say you decide to write 300 words a day, 6 days a week. Maybe that’s all you can manage because of your job or other life priorities. So you do it, and after a month you’ve acquired the habit. You keep this up and in a year you’ll have a book. Keep that up over 20 years and you’ll have 20 books, which is not a bad output at all.
If you have not set a weekly writing quota, do so now. What can you realistically accomplish in a week? I’ll wait.
Good. Now, up that by 10%. Push yourself toward that goal each and every week.
3. Assessment
At various times, just like any business would, you need to step back and assess where you are and where you need to improve. At different stages of my career I would look at where I was in the craft and find weak spots. For example, a few books in I knew I’d become a good plotter, but decided my character work needed improvement. So I designed a self-study program. I gathered a bunch of novels with memorable characters and read them with an eye toward studying what the authors did. I took from my shelf of writing books those that dealt with characters and re-studied key sections. Every time I learned something I would write a scene using that tip or technique.

4. Time Management
Finally, you must learn to manage time. That’s your real currency. When you are holding down a job or chasing kids around the house, finding writing time can be a challenge. But you can if you do three simple things:
a. Plan in advance (use Sunday to plan a week ahead, with a calendar in front of you)
b. Write it down (fill in your calendar with all your obligations, then block out times you can write)
c. Prioritize (learn to ignore those matters that are not important or urgent. Watching the Kardashians is not as important as finishing your novel)
The best book on the subject I ever read is now sadly out of print: How to Get Control of Your Time and Your Life by Alan Lakein (but you can pick up a used copy via Amazon’s used book sellers. You can have one for under $5. Well worth it).
So how are you doing on your self-discipline? Are you producing words on a regular basis? Or do I have to make you drop and give me twenty?

Writers, Awards and The Journey

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James Scott Bell


This past week TKZ blogmate John Gilstrap and I received the lovely news that we are finalists for a 2012 International Thriller Writers Award. Even lovelier, we are not in the same category, so we can root for each other without tight smiles. John’s novel, Threat Warning, is up for the Best Paperback Original. I’m up in the short story category for One More Lie.
Which prompted a few thoughts on awards, kudos and the writing journey.
Of course, every writer––indeed, anybody who does anything––likes awards and recognition. That’s our nature, and there’s nothing wrong with it. Used rightly, it can be a motivation to good work and striving to get better.
But it should never be a dominating drive, in my view, or it might become a snare and a distraction.
One of my heroes is the late UCLA basketball coach, John Wooden. When I was in high school I got to attend his basketball camp, and talk to him a bit. Coach Wooden gave all of us a copy of his Pyramid of Successand taught us more than just the fundamentals of the game.


“Individual recognition, praise, can be a dangerous commodity,” Coach Wooden once wrote. “It’s best not to drink too deeply from a cup full of fame. It can be very intoxicating, and intoxicated people often do foolish things.”
He was just as clear about losses. Never measure yourself by what you lost, but by how you prepared. That’s the only thing within your control and the only thing you can change.
“I never mentioned winning or victory to my players,” Wooden said. “Instead I constantly urged them to strive for the self-satisfaction that always comes from knowing you did the best you could do to become the best of which you are capable.”
That’s his famous definition of success, and it’s rock solid. When we work hard and know we’ve taken whatever talents we have and pushed them further along, that’s achievement. It’s one of the reasons I teach writing classes and workshops. I love helping writers get to their own next level, whatever it may be for them.
So regardless of what happens at this year’s ITW Awards, I will be happy for the trip to New York with my wife, for hanging out with John and other writers I admire, and appreciating the privilege of being included in such august company.
But then it will be time to come back to L.A. and hit the keyboard again, working hard to be the best I can be. It makes each day its own challenge and, in striving, its own reward. Don’t miss that by letting an inordinate desire for recognition mess with your head.
“I derived my greatest satisfaction out of the preparation, the journey,” Wooden wrote. “Day after day, week after week, year after year. It was the journey I prized above all else.”
*Quotations are from Wooden: A Lifetime of Observations and Reflections On and Off the Courtby John Wooden and Steve Jamison (Contemporary Books, 1997)



What is Writing All About?

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James Scott Bell
Twitter.com/jamesscottbell



Last month I received a lovely handwritten letter from a high school student (reproduced here with the writer’s permission):


Dear Mr. Bell,

Thank you for your incredibly helpful books on fiction writing. “The Art of War for Writers” and “Revision and Self-Editing” have inspired me every time I open their pages. I first heard of you at a conference you held in Hilmar. I had an idea for a story at that time, and your “Art of War” book helped me realize what my idea could become. During my busy years in High School this story has been on the verge of death several times. Your books full of helpful exercises and encouragement helped me keep my story alive, and I am incredibly grateful. Your writing style is very natural and always leaves me refreshed. Thank you again, a hundred times!
Sincerely,

How gratifying to get a letter (written on actual paper!) from a young lady who wants to write. She had come to a seminar I held in central California, and apparently my books have helped her.
That, to me, is what writing is all about. If I had to pick one thing to explain why I do this, it would be that I want to move people with words. If it’s fiction, I want to create an intense emotional experience. If it’s non-fiction, I hope to instruct and entertain at the same time.
All other things – money, awards, “fame,” professional associations – are ancillary to this, because those things come only after you connect with enough readers, over time.
So:
1. Why do you write?
2. If you had to distill what writing is “all about” in a sentence, what would that be?

What Writers Can Learn from Tim Tebow

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[NOTE: John Ramsey Miller and I are switching posting days this weekend, for reasons that will quickly become apparent. – JSB]
“There were ten guys in my writing class at Williams College who could write better than I. They didn’t have what I have, which is guts. I was dedicated to writing, and nothing could stop me.”
—John Toland
Did you really think Tim Tebow wouldn’t show up in a Kill Zone blog post?
How could he not? America’s favorite athlete is the talk of the sports nation. Unless you’ve been collecting moon rocks at their place of origin, you’ve read something about him over the last few weeks.
But for anyone who just got back from Mare Tranquillitatis,let’s summarize: Tim Tebow is the young quarterback of the Denver Broncos who, this past season, has been pulling out miracle wins all over the place. This in spite of the fact that virtually all NFL prognosticators said he couldn’t succeed in the league.
Yet, lo and behold, Tebow has led the Broncos into the playoffs, and last week to their first playoff victory since 2005. And he did it in stunning fashion.


Last Saturday against the vaunted Pittsburgh Steelers, big favorites to win, all Tim Tebow did was carve up the league’s #1 pass defense for 316 yards. The last 80 of those yards will be celebrated forever in Bronco’s history.
It was the first play of overtime. Tebow had played a great game, his best so far, but the Steelers had come back and tied it in regulation. Well, it took Tim Tebow all of 11 seconds to win the game in OT. He sold a fake run, got the Steeler linebackers to bite, then threw a strike to receiver Demaryius Thomas. Thomas caught the ball in stride, issued a sweet stiff-arm to Steeler defensive back Ike Taylor, and carried the rock all the way to the end zone for another miracle, magical finish.
I’ve been a Tebow fan since he played at Florida (which is a very hard thing for a USC Trojan to admit). What I love about the kid is that he harkens back to a time when athletes really did take role modeling seriously. Tebow, a devout Christian, does not act like an idiot off the field. He does not go to nightclubs with loaded firearms. He does not get hammered and sexually assault co-eds. He does not think, just because he has been blessed with amazing athletic talent, that he is immune from standards of civil conduct. He is, in short, what young men used to strive to be at one time in our society––a gentleman. (Even typing that sounds quaint nowadays, which does not reflect favorably upon “nowadays”).
But make no mistake. On the field Tim Tebow will cut your heart out. He will find ways to beat you. He will drive you crazy. Tebow, like all champions, is a fierce competitor in his arena of battle. I loved the shots of him on the sideline during the Pittsburgh contest. He had his game face on––intense, focused. And all this with the pressure of a lifetime on his shoulders.
You see, Tebow had played three mediocre to lousy games in a row. He was being counted out by the know-it-alls. He was a flash in the pan. He had no future in the NFL, let alone with the Broncos. So he not only had a playoff game to deal with, but possibly his whole future.
And yet he didn’t fold, falter, or play scared. He took it right to Troy Polamalu and the fearsome Pittsburgh secondary and shredded them. (And yes, props to his coaches and teammates, of course. Tebow would be the first to point that out).
So why do I bring this up for writers? Because we can learn something of the utmost importance from Mr. Timothy Richard Tebow. We can learn that it’s not a matter of what other people say about you that counts. It’s a matter of your heart and determination and guts. During his phase of getting criticized all over the place, Tebow never lashed out. He was full of humor and modesty.
Plus, he worked his butt off. He spent extra hours with his coaches, practicing his mechanics, giving every last ounce of energy to getting better at what he does.
The same should be true for you. You will get jeerers and critics in your writing life. You will endure negative comments and reviews and people – maybe even in your own family – telling you that you stink, or that you’re deluding yourself with this writing thing.
Maybe you have the dream of being published by an established company. Perhaps you want to go it alone in the new world of digital self-publishing. Or some of both. Whatever your profile, if you care about writing, if it’s a burning passion within you (I have nothing to say to those who are just out to make a buck), then you’ll get your share of blowback, much of it unfair.
So are you going to let that stop you? Or are you going to keep working, keep typing, keep studying the craft?
In short, are you going to dig down and find a way to win?
This post appears on the day the Broncos play the New England Patriots to determine who will take the next step toward that ultimate prize—the Super Bowl. I have no idea how the game, or Tebow’s performance, will turn out. But I don’t have to. Because I know something already: Tim Tebow will never give up, no matter what happens today. He doesn’t have any give up in him. He will keep on finding ways to astonish us, both on and off the field, despite anything the doubters have to say.
Go thou and do likewise.

Be Thankful That You’re a Writer

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James Scott Bell
Twitter.com/jamesscottbell

As we close up shop for a couple of weeks here at TKZ, it’s the perfect time to reflect on the year past and the year to come, and to pause and be thankful for the blessings you enjoy. If there is one thing world religions and secular philosophy largely agree upon, it is that gratitude is the key to happiness. Learning how to be thankful consistently may take some practice and discipline, but it can be done. And it is so worth it.

You can start by being thankful that you’re a writer.

Be thankful because you get to play. You get to make stuff up. You get to spin yarns that have the potential to move people. Do you know how hard that is to do? But when you do it, when you hear from a reader of your work who loved it – even if it’s just your Uncle Harry – there’s something magic in that transaction. And people today have precious little magic in their lives. You do.

So be thankful that you’re a writer.

It’s work, to be sure. It can be frustrating and bewildering and angering and insane. It can keep you up at night and wandering the streets talking to yourself like a mental patient without his meds (though what you are really doing is figuring out what your character might say in that scene you’re working on). There are plenty of obstacles and set-backs that happen in a writing life, but you know what? Those are the very things that make you stronger. If you persevere, if you care, if you feel your calling in your heart and mind and sinews, if you know deep down that you’re a writer, keep after it. If you do, when the dust all settles, you will have found a rich satisfaction in this passion of yours.

Because most folks don’t feel much passion for anything. As Thoreau famously noted, the mass of people “lead lives of quiet desperation.” But you’re a writer, so at least if you ever do feel desperate, it’s not going to be quiet! It’ll shout and beat drums and cry and scream. But that very noise will pull you out of despair and get you back to the page, where your passion lives. Writing will save you from ever being stuck in the Land of Bland sequestered in the Army of the Drab.

In Herb Gardner’s great play, A Thousand Clowns, Murray Burns tries to explain to his bland brother why he dropped out of the “rat race.”

Arnold, five months ago I forgot what day it was. I’m on the subway on my way to work and I didn’t know what day it was and it scared the hell out of me. I was sitting in the express looking out the window, watching the local stops go by in the dark, with an empty head and my arms folded, not feeling great and not feeling rotten, just . . .not feeling. And for a minute I couldn’t remember, I didn’t know, unless I really concentrated, whether it was a Tuesday or a Thursday or . . . for a minute it could have been any day, Arnie. It scared the hell out of me. You got to know what day it is. You have to own your days and name them, each one of them, every one of them, or else the years go right by and none of them belong to you.

You’re a writer, and your days belong to you. You can name them and own them. Be thankful for that.

And don’t fall into the trap of thinking money is the sole measure of success in this game. That’s only a part of it. Even so, the incredible thing is that it’s now more possible than ever for a writer to make something from writing. If you have the goods, you can find the buyers. The buyer might be a traditional publisher, or it might be a reader out there downloading digital. But you are living in a new golden age. Never have we had the choices we do now. Even if you only make a pittance it’s within your power to do so, which means you’re better off than the great majority of writers in the whole history of scribbling. Do you realize how fantastic that is?

Be thankful that you’re a writer!

Don’t be ashamed of it, don’t be afraid to call yourself what you are, don’t let the naysayers and critics (even if they are in your immediate family) keep you from doing what you love.

Here comes 2012. Resolve to write for all you’re worth, which is inestimable. Because, as Brenda Ueland puts it, each one of you is original and talented and has something important to say. A writer is original, Ueland says, “if he tells the truth, if he speaks from himself. But it must be from his true self and not from the self he thinks he should be.”

Be done with the shoulds. Tell your stories and don’t hold back. Give your imagination freedom to run. Study the craft because it’s your friend and helps you express your true self on the page.

And one thing more: keep on writing for the rest of your life. Don’t stop. Ever. Why should you? You’re a writer, after all, and that’s a wonderful thing to be.

Merry Christmas, Happy Holidays, and have a Joyous and Keyboard-Clacking New Year. 

The Post-Book Blues

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Everyone knows about post-partum depression, but how about the post-book blues? A writer works for months on a project. Momentum builds to the grand finale. And then poof, it’s all over. You’re done. Finished. Past the creative hurdle. What happens next?

What’s next is that you face reality, just like new parents who come home from the hospital with a squalling baby. Now it’s time to exert your parenting skills. For a writer, a manuscript is her baby. You polish your masterpiece, submit it, and then risk rejection, but you learn a lot along the way. Meanwhile, you begin to gather the research materials for the next story. It’s sort of like learning how to change a diaper and warm formula while already thinking about baby number two.

During this gap between writing projects, you can pay attention to bills, family members, and household issues that you’ve skirted while absorbed in your story. Dental cleaning? Check. Doctor visits? Check. Sort through files in home office? Check. Call for repair estimates? Check. If you have a day job, you can throw yourself into your work with renewed frenzy.

Is any of this fun? Nope. But you also have time to meet friends for lunch, to stroll in the park, to go shopping, or to do sports. Your mind is free to follow other pursuits. And yet as you go about your business, a yawning emptiness erupts. Where are those voices in your head? The characters who keep you company? The plot threads that invade your dreams?

When you can’t stand the silence any longer, the time has come to plant the seed for the next story or the next child, if you will. The joy of creation becomes impossible to deny.

So when you finish a book, how does it make you feel? Are you elated, relieved, or depressed?

How to Feel Miserable as a Writer

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On her website, artist and writer Keri Smith generated a lot of blog noise with her list of 10 ways an artist can feel miserable (h/t to agent Rachelle Gardner for referencing the post).
I thought the list perfectly applicable to writers, and wanted to see what you think. I’ve changed the wording slightly to reflect the writing life:
1. Constantly compare yourself to other writers.
2. Talk to your family about what you do and expect them to cheer you on.
3. Base the success of your entire career on one book.
4. Stick with what you know.
5. Undervalue your expertise.
6. Let money dictate what you do.
7. Bow to societal pressures.
8. Only do work that your family will love.
9. Do everything your editor asks you to do.
10. Set unachievable, overwhelming goals — to be accomplished by tomorrow.
So what do you think? Any of these resonate? Anything you’d add?

Storytelling Magic

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Over the weekend, one of our neighbors a block away had a loud party. The music reverberated through our house. As our bedrooms faced the direction of their home, I took refuge in the family room with a pair of earplugs and a sound-making machine. I turned on the steady rain sound and curled up on the couch. Around 1:00 am, I woke up and crawled into the bedroom for the rest of the night. The house was blessedly quiet. Ah, Silence is Golden.

Wait a minute. I’m getting a mental message.

Silence is a treasure beyond words.

This sentence popped into my mind. Of course, silence is a treasure, and the absence of words may describe the quiet state. But this phrase means something more. It relates to my Work in Progress, a paranormal romance based on Norse mythology. My characters are hunting for the legendary Book of Odin, while other characters in my trilogy search for a fabled rune.

What if the rune translates to the above sentence? What does it mean? Does it refer to a real treasure? Or is it the silence that will ensue once the evil demon Loki is defeated and the final battle is over?
It’s wonderful when your subconscious supplies you with ideas. Usually, these gems come to me when taking a walk, in the shower, driving, or nearing sleep. This is the magic that occurs when your story inhabits your head and it just can’t wait to come out. You think that all you need to do is sit at the computer and let the words pour through your fingers. But unexpected ideas seep through the barriers when your defenses are down. They can provide you with solutions to plotting problems or add a new wrinkle to complicate your tale.

Twice in the midst of mysteries, I’ve tossed in a new character that wasn’t in my original synopsis. Then I had to relate this character to the story. I’ll do the same with the above sentence, but oh, what a delightful challenge. Hey, my characters don’t know what it means when they interpret the rune. Why should I? We’ll discover its significance together.

For those of you who are writers, can you recall instances when ideas related to your story have flashed into your mind like a neon sign, begging you to incorporate them into your tale?