Category Archives: flash fiction
What Makes a Critique Group Work?
Yesterday I attended the first meeting of my new critique group, the first group I’ve been in since 2004. I’ve never had much luck with such groups, probably because I was so new to writing that I didn’t know what to even want from a group. I had even started one and had to drop out, but this time should be different.
There are four of us. Very experienced authors. We have a mix of genres, which could make things interesting. I wasn’t sure how well I would fit in. I’m the only crime fiction and YA writer, but after our meeting and the fun we had brainstorming plots, it became apparent very quickly that genres won’t matter. Storytellers know how to kick start a plot.
Texas Hill Country Bluebonnets |
We met in the beautiful hill country of Texas, outside Boerne. Gorgeous drive up to a member’s beautiful home. The scenic drive is enough to start the creative juices flowing. Our hostess had lunch prepared, something easy and way too yummy. She knew the other two authors and had gotten us together after I whined about not finding what I needed in a few of my local (larger) writers’ groups.
We chatted via email on what we’d like to get from our group. At first I wasn’t sure my goals would match up. Initially we had planned on meeting once a month to talk about the business of writing and maybe brainstorm on plot or scene issues, but after the meeting yesterday, we are getting together once a week and it will be much more on craft and pushing each other to be the best we can be.
Yes, we talked promotion and I learned some new things there and we shared contact info for promo things that worked for each of us. We chatted about plotting methods and storyboarding, but when we got to brainstorming a plot, that’s where my mind was blown.
One of our members had purchased three covers from a designer, images that spoke to her. None of us realized what her intentions were until we got into it, but she bought the covers BEFORE even knowing what any of the books would be about. Basically our session turned into a major Flash Fiction exercise of brainstorming what a new series would be about using the cover designs for books that didn’t exist. HA! When you get the right people together, the ideas flow and we had a blast doing it. We set the stage for a world she’d be building from those three covers that would be bigger than three books, something she could grow into. I’d never done that before and I can’t say I would recommend it as a method of plotting, but with the right people, you never know where things will go.
So we set up our basic crit group intentions as follows:
1.) We will endeavor to get together weekly and bring new material from our current projects. The author will read (& hand out copies of the material), but advance copies will be made available to the other members prior to our meeting for “track changes” feedback. This will allow us to focus on the reading.
2.) None of us are very interested in line edits (unless something is glaring), but we want to get feedback on character, plot, scene choice, motivations, etc. (Craft issues)
3.) We will help each other through plot glitches and even do a “getaway retreat” for serious plotting sessions on future books.
4.) We chatted about limiting our reads to a number of pages and/or a time limit per member, but none of us liked the rigidity. So as we get into this, we will be considerate of not overstepping each other’s time and bring what we need to read to keep us on any publisher’s deadline. We will stay until everyone gets what they need.
5.) We’ll rotate the meetings between member’s houses, as long as the commute isn’t too much on any one person. (Two authors are located more conveniently for all of us.)
6.) We are at four members and like that headcount. Whatever we say in the group will be confidential.
So that is a summary of my new crit group. I’m sure we will define things as we go, to suit the needs of the group, but I’d love to hear from you, TKZers.
For discussion purposes, my questions to all of you (who have way more experience than I do with critique groups) are:
1.) What works in your groups? What do you look for in a crit group?
2.) What doesn’t work?
3.) What do you wish you could add to your groups?
Jordan Dane’s Crystal Fire (The Hunted Series with HarlequinTeen) now available for pre-order. Release November 26, 2013.
“The Hunted – Strong characters and a wild and intense story.”
4.5 Stars – Romantic Times Magazine
A Kill Zone Exclusive – The Show & Tell Book – Guest Photographer William Greiner
I am so happy to have photographer William Greiner as my guest today. I am one of the lucky authors who had an opportunity to contribute to his book – Show & Tell – a beautiful hardbound book that combines his photographs with short stories from authors with names you will recognize. The book comes from UL Press (University of Louisiana at Lafayette Press) and is available now at this LINK.
Below is the page image of the photo I wrote about in my story – On Her Special Day. I wanted you to see the fine quality of this book. I’ve ordered some for Christmas gifts and can’t wait to read what the other authors wrote. Welcome, William!
Cover – Show & Tell |
On Her Special Day by Jordan Dane |
So why is a book titled SHOW & TELL being blogged about on The Kill Zone?
First, the premise was to give a group of fiction writers (In this case 28 in total, including 6 TKZ writers), a photograph without any information about the image and ask each to make up a story about that image. The resulting stories are fascinating, entertaining and thrilling.
John Ramsey Miller, John Gilstrap, Joe Moore, Jordan Dane, Joe Hartlaub and James Scott Bell, amongst others, apply their writing skills to bring a story to every image.
“A Blur of Motion” by John Ramsey Miller |
“The Touch” by John Gilstrap |
The idea for this book came to me many years ago after doing a print trade with another photographer. In conversation, it somehow became apparent that this other photographer had a complete different take and understanding of my photograph than what it meant to me. It made me realize we all bring our own notions, expectations and experiences to what we view.
To see what your favorite TKZ author sees & tells, order SHOW & TELL from UL Press, hardbound, 28 photographs accompanied by 28 stories, 183 pages, $35. To order: click this LINK.
William Greiner is a photographer and artist, living in Baton Rouge , LA. For more on our guest, click HERE.
For Discussion: Have you ever seen a photograph that inspired you to write about it? Tell us about it.