Expectations and Mediocrity

Expectations and Mediocrity
Terry Odell

Light brown dog peering through a fenceRecently, James Scott Bell posted an article about whether writers should write mediocre books. Having just completed a book that’s on the fringes of my normal writing genre, I’d been struggling with the “is it good enough?” question. Given my primary goal in writing this book was to be able to use my recent trip to the Faroe Islands as a tax write-off, I had to resist the urge to crank something out quickly, just to have something to wave at an IRS auditor should they question the validity of my deductions.

I couldn’t. I needed to write something I’d be proud to have my name on. Not something that might have a reader crossing me off their reading list.

JSB’s post reminded me of frequent discussions I have with my son, who’s a photographer.

Our trip to the Faroes, wonderful as it was (There were Puffins! And waterfalls! And striking landscapes! and sheep!), led to discussions with both my son and the organizer of the tour.

Now, I’m no spring chicken, but I think (or thought) I was in decent physical shape. The description of the photography tour/workshop said most days would be “easy walks, gentle hikes.” There was one day, they said, that would be longer and more strenuous, but the views would be worth it. My expectations were nothing like the actual efforts required for almost every shooting venue.

Granted, the weather increased the efforts required. We had rain, which made the uneven terrain muddy and slippery. Add schlepping camera gear, and those of us in the over 70 group were challenged.

My “solution” was to minimize the gear I carried. Never mind that the tour organizer said, “Bring everything” almost every time we got out of the van, I opted to leave almost all of my gear behind. Not once did I use my tripod to get wonderful long-exposure shots. Only once did I bother with a polarizing filter. It was damp, drizzly, and sometimes the drizzles were more like light rain. I didn’t want to go to the trouble of changing lenses, or adding and then removing filters when everything was getting wet. My main lens was water sealed, but raindrops on the lens mess up one’s shots. Most of the dedicated photographers in the group, however, did make these extra efforts.

Getting back to the point I made with my son, and also the tour operator who seemed surprised when I told him my favorite site (other than the puffins, of course) was a stop at a lighthouse. The van parked maybe a five minute walk away. The ground was relatively level. And there was more to photograph than waves crashing against sea stack.

Of course, had I been a serious photographer, I’d have been content to have my camera set on its tripod, and sit around waiting for the light to change for the better. But I’m a writer with a photography hobby. Not a serious photographer. I belong to a book club, not a camera club. He was also surprised when I told him that on day 3, I had under 300 images on my memory card. He probably had 3000.

Although I had much of the suggested equipment, I decided it wasn’t worth dealing with given the effort required to get to the designated shooting area. Yes, I hiked the 7 kilometer round trip to get to the top for the “hanging lake” iconic shot. Uphill. Through mud. Slippery grass.

Terry Odell standing atop a cliff in Vagar, Faroe Islands

Photo by Jason P. Odell

"Hanging Lake" Faroe Islands

Lake Leitisvatn, Sørvágsvatn, Faroe Islands

No, I didn’t climb even further for a ‘better’ view. Most of those ended up being one shot. Nor, after that day, had I any desire to go on yet another hike to get a sunset shot. (Note: this time of year, sunset is around 10 PM). Did I feel guilty? Did I regret it? Nope.

My son and the tour organizer are photographers. Their reputations and their business depends on people seeing photos that say, “If you come on one of my tours, you, too, will be able to get photos like this one.” Putting out a mediocre shot will do more harm than good.

How does this relate to writing? Ah—maybe she’s getting to the point! Putting out a mediocre book isn’t going to help my career or my reputation. Taking photographs that are acceptable to me to put on my website’s photography section is my goal. Heck, the odds are the vast majority of people looking at them are seeing them on their phones.

It all boils down to audience and expectations.

If you’re going to a photography website, you want to be impressed with the images. You’re probably interested in photography as much as looking at striking pictures.

My audience is readers more than anything else. Do they like my photos? Feedback says they do.

But … think about how many mediocre books get stellar reviews. Do readers really know what makes an outstanding book? If I had decided to crank out a down-and-dirty novel based on a trip I took, would my readers know?

Some would, of course. But how many would praise the book for any number of reasons that had little to do with the quality of the writing? My guess (assuming they take the time to write a ‘review’—but that’s another story) is quite a few. People are praising the schlock put out by AI.

Something that can help a book rise above the mediocre level is editing. As authors, we have a myriad tools available: critique partners, beta readers, professional editors, and a variety of software options. How far we choose to go is up to us.

Did you like the photos I shared above? I worked on them to a small degree. Nothing fancy when taking the pictures, and minor tweaks using Lightroom software. In the context of writing, these would be chapters I asked my critique partners to look at. I used my writing skills to create the chapters (taking the picture) and then applied my parnters’ feedback (where I agreed with it) to enhance the words.

Compare this to a professional photographer’s efforts. In this case, the photographer applied his knowledge and skills to set up his shot. These are the ‘tools’ he used:

Camera: OM System OM-1 Mark 2
Lens: Olympus 8-25mm f/4 PRO
Exposure Data
1.6” f/8 ISO 400
Shot at 8mm (16mm full-frame equivalent)
Tripod + Polarizing filter

Seascape at Faroe Islands by Jason P. Odell

Drangarnir, Faroe Islands, Photo by Jason P. Odell

But he wasn’t finished. While he doesn’t use “betas” because he knows what he’s doing, he has his editing toolbox, which includes Lightroom and Nik Color Efex, which he used for this final edited version.

Faroes Seascape by Jason Odell

Makes mine look mediocre, doesn’t it? Did you change your opinion of my images?

**Want to see more of his images? Go to Luminescent Photo.

Bottom line for me: people bring their own expectations and experiences to whatever product they’re looking at. If they’re reading a book by a best-selling author, odds are most of them are predisposed to assume it’s going to be great. And many—probably very many—of them don’t really know how to judge quality. One of the things I’ve noticed in the book clubs I’ve belonged to, is that readers don’t read like writers. When I mention that I found the author’s use of having more than one character in a paragraph with dialogue distracting, none of them were aware there was a “convention” of One Speaker Per Paragraph. It’s always interesting to see what they notice—and what they don’t.

What about you, TKZers? Anything you’ve noticed getting raves when it falls into your definition of mediocrity? Or something you consider fantastic, but then see feedback to the contrary?

Cover of Double Intrigue by Terry Odell(Oh, and if I can take a moment for some BSP. Double Intrigue my international romantic suspense set against the Danube river cruise I took last December is now available for pre-order.)


How can he solve crimes if he’s not allowed to investigate?
Gordon Hepler, Mapleton’s Chief of Police, has his hands full. A murder, followed by several assaults. Are they related to the expansion of the community center? Or could it be the upcoming election? Gordon and mayor wannabe Nelson Manning have never seen eye to eye. Gordon’s frustrations build as the crimes cover numerous jurisdictions, effectively tying his hands. Available now in ebook, paperback, and audio.
Like bang for your buck? I have a new Mapleton Bundle. Books 4, 5, and 6 for one low price.
New! Find me at Substack with Writings and Wanderings

Terry Odell is an award-winning author of Mystery and Romantic Suspense, although she prefers to think of them all as “Mysteries with Relationships.”

28 thoughts on “Expectations and Mediocrity

  1. I have noticed that nothing is universally loved or hated. People pass judgment on dog videos, babies, and books with vengeance!

    If a writer writes what I think of as an average book I don’t cross them off my future read list. Stephen King, Harlan Coben, and Ace Atkins, have all written a book that when I read I thought “meh”.

    I think writers are like baseball players. If they are coming to the plate to bat, I appreciate their efforts. Sometimes it is a single, and sometimes it is a home run. I always appreciate the attempt.

    • Good points, all, Warren. Pick any popular book and check out the online reviews. Not everyone loves it. And most of the time, their likes/dislikes will be for different reasons.
      The question for me is, “Did that author know this book was not their best work when they wrote it?”

  2. Terry, your photos are beautiful and stir my wanderlust. Thanks for sharing them!
    I studied Jason’s before and after shots, and of course it’s obvious that the edits did their job. But he didn’t add anything artificial. He tweaked it and worked it until he revealed what was already there just waiting to be uncovered. His eyes saw what the camera didn’t, so he used his knowledge and skills and brought light to a dark image, made it true to life.

    In writing, we strive to describe the pictures/movies in our minds in a way that allows the reader to see them as we do. We try to have our characters speak and move and do what a real person would do. I’ve read far too many books and watched too many movies where I think that’s out of character, or that would never happen in real life. We need to gain the knowledge and skills to pull readers into the world of our stories, make them so real that when the last page is finished, the reader feels a loss, is reluctant to let the story and characters go. I once read a book four times in two weeks because I didn’t want it to end. I bought all the books by that author (which sadly, isn’t very many) and have studied them. Did the author write them that way, or like James Michener, is a ‘masterful rewriter’ and knows how to bring light to them? Good writing, like good photography, is a life-long learning process. Reading TKZ every morning helps. Getting varied points of view from lots of different writers helps. But in the end, we each have to take what we study and find our own way.

    • Thanks so much, Becky. Some say “Writing is Rewriting” and for me, that’s true, although I still try to get my best words down on the first go.
      I’m reading a book right now where a main character shows up and is doing things I think are stupid. The book is a collaboration between two well-known authors, and I’m wondering if they wrote their sections separately, or if they actually talked to each other during the process.
      But others, I’m sure, will accept what the character does because it adds conflict and tension.

  3. Love puffins! What a treat it must’ve been to watch them in their natural habitat. Enjoyed your photos. And your son? Wow, he’s a gifted photographer.

    As for our work, mediocre is never good enough. Like you, if my name’s on the cover, it better be perfect (or as perfect as I can do).

    • Thanks, Sue – the conditions weren’t ideal for my camera kit, but for most people in my audience (readers) looking at them, they turned out fine. And yes, it was fun just to watch them.
      Yes, my son has the photography chops. He’s always telling me “get this” or “do that” and I remind him that our audiences aren’t the same.

  4. This post & discussion on mediocrity also ties in to the recent post discussing “classic” fiction. To your point, not everyone views a book in the same manner. I have found some books designated as classics to be quite mediocre while others believe it was one of the greatest works written.

    We want to write the best book we can. But then there’s also perfectionism to deal with. Perfectionism prevents mediocrity because you don’t even put your work out there. You gotta have time to grow and get better, so some level of mediocrity, it would seem, is inescapable. The key is not to stay there.

    • Thanks, BK – nothing will be perfect for everyone. Each of us has to make the decision of what quality of work we want to present to the public.

  5. The challenge as a writer is to continue to improve. If I ‘settle’ for less than my best, I’m not only cheating my readers but also myself. In my opinion, the longer I write the harder it gets because I expect more from myself.

    • Exactly, Jane – we want each book to be better than the previous one, so the bar keeps getting higher.

  6. Terry, fabulous photos! Thanks for sharing.

    Excellent analogies between writing and photography, esp the before and after shot by Jason–so gorgeous. As Becky noted, editing brings out the potential that’s hidden in a first draft.

    Writing a story is like building a bridge. A lot of planning, hard work, and skill goes into it that most drivers never recognize or appreciate. They want to get from Point A to Point B and don’t care about engineering calculations, metallurgy, and plan specs. As long as the bridge doesn’t fall down, they’re happy. With a story, readers want to be entertained and don’t usually care that the writer avoided adverbs or stayed consistently in one POV/scene.

    But we’re the story engineers (hat tip to Larry Brooks) and we do care about our craft. We want to create a quality product that satisfies and resonates. We work hard to make it look easy to readers. Mediocrity doesn’t stand the test of time. Quality does.

    • “Mediocrity doesn’t stand the test of time. Quality does.”

      Good point, Debbie, and glad you liked the photos.

  7. What a wonderful trip, Terry. The Faroes look like the perfect setting for that mystery.

    I love your photos. Your son’s are terrific, too, needless to say, but you excelled in ones you shared. That light house is a compelling subject, as is the shot of the cliffs (which remind me of the Cliffs of Moher in Ireland). I think within the context of what you chose to photograph, and how you approached it, you excelled.

    Which, I believe, each of us here at TKZ is striving to do with each book—excel. In this alleged age of “A.I.” what we writers have to offer is our own individual vision, imagination, concerns, passions etc, in our own idiosyncratic style, and to the best of our ability.

    • You bring up a good point, Dale — nobody sees the rejects and first drafts. My son said he culls his 3000 photos down to 300 that he thinks might be worth a second look. Most of those get rejected, too.

  8. I love the images, Terry. How delightful to see puffins in the wild.

    I think it was Steven James who said, “Rage Against Mediocrity.” I have that quote on my whiteboard, so it should tell you where I stand on this issue.

    I especially like Warren’s analogy with baseball players. They never get up to bat hoping to strike out or to hit a short fly to the second baseman. They always try to do their best, and it takes years of practice and hard work to get there.

    • Thanks, Kay.
      I think it was Roger Federer who pointed out that he won only about half his points, despite all his Grand Slam wins. You have to do your best, and accept that it’s not going to be easy, but that’s no reason not to give it your all.

  9. Most readers may not know WHY a book is mediocre (and be able to identify the nuts and bolts) but they do FEEL it. That’s really what the craft is about, isn’t it? It’s not to impress our critique group; it’s to weave a dream for the readers and not jostle them awake with needless bumps in the road.

    • Well said, JSB, although my book club experiences have leaned more to the members liking books that fell into my category of mediocrity.
      We did all agree that the last book we read was flat through the first 3/4, and that it was because the author failed to get us into the character’s head and we felt no connection.

  10. You said it best when you wrote: readers don’t read like writers. Readers read for story, not format. Readers don’t care about meeting rules written and changed numerous times by who knows who over the centuries. As for the Faroe picture comparison: I know what I saw when I was there (yes, I love Puffins too!), and the edited picture–beautiful though it is–is not what I saw on a gloomy day.

    • The gloom lifted from time to time. Plus, a long exposure and the right filter can work wonders. The camera captures more than the eye can see.

  11. It’s an interesting subject. Many readers are not critical or discerning. They’re happy with mediocrity.

    It’s the mental equivalent of eating at McDonald’s.
    But who can blame them? They buy the books.

    It’s the writer’s obligation to create the best they’re able to do. If, knowing this, they prefer to generate swill (as my mother called it) to produce revenue or say “Whee! I’m a published author!” on reddit thats another thing entirely.

    For me, whatever the genre may be, the question is this.

    Does the story stand on its own two feet?

    As Ernie H. opined once (paraphrasing), if after reading it the reader puts the book down and says to herself “Yeah. That really happened to that guy.” the writer has done his work well.

    • “It’s the mental equivalent of eating at McDonald’s.”
      Good point. I almost included food in this post, but it would have been too long. My brother’s a chef, and our palates are very different.
      That being said, I’ve considered my books as “airplane reads.” They don’t require a lot of thought, and if you leave them in the seat pocket (back when books were all in print), I wouldn’t be offended. I think ‘beach read’ is the current name.
      But they’re still the best books I can put out, and with my name on the cover, I don’t want to submit anything “close enough.”

  12. I started my journey in literature by reading classical poetry, novels and drama. These are books that use elevated language and require a level of intelligence to understand. With time, I became familiar with the language use and it didn’t take me long to understand such work any longer.

    But a time came (I’m not sure this applies to every part of the world or even the US) and it became a norm for writers to use simple and bare language, stripped of colors and figures. I consider this a mediocre way of writing.

    I’m not saying that literature should be difficult to read. But something must show that this is a literary work, not just a piece of writing as you’d find on social media. Sometimes, students have to study these books in school and I have to teach them. It’s one of the worst part of the job for me as a teacher. Even people now write with good mastery of rhetorics on social media.

    I think I should stop ranting here.

    The pictures are beautiful. I checked Jason’s website too, amazing work he’s doing out there.

    • You bring up some interesting points, Stephen (and I sympathize with you having to teach works your students might not want to read, and help them understand it. I taught junior high science back in the day, and faced similar challenges.)
      On a whim, I checked some readability scores for some ‘classic’ fiction (using Flesch-Kincaid)
      To Kill a Mockingbird: grade level 4.6
      1984: 8.9
      The Great Gatsby – 5.5

  13. A friend and I recently read a book from an author we both enjoyed. This author had previously put out quality, if fluffy reads with good characters and just enough action to keep it interesting. We both picked up the latest book from a new series, and it was … just … mediocre. The author seemed to have phoned it in. The characters were copies of other characters from other books. It leaned very heavily on a previous book in another series. It was a retelling of a classic book. It was so many things … and it didn’t work. While there were reviews praising it, there were many more reviews complaining that they didn’t like the characters and pointing out that the love interest should have been the shadowy antagonist. When I see a successful author start hitting the stage where they’re bored and churning out books by rote, that’s usually the kiss of death for their career.

    • “When I see a successful author start hitting the stage where they’re bored and churning out books by rote, that’s usually the kiss of death for their career.”
      And who wants to risk that?

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