Can you really be desensitized to violence?

by Michelle Gagnon

During the Left Coast Crime Conference a few weeks ago, I attended, “Forensic Science Day.” We were images-5.jpgpromised that the “California Forensic Science Institute (CFSI) and the Crime Lab Project (CLP) would provide expert speakers and programming.”

And let me tell you, they weren’t kidding.

The eight hour event included a tour of the Hertzberg-Davis Forensic Science Center on the CSU Los Angeles campus, a lab which serves the LAPD and the LA Sheriff’s Department.

It kicked off with Don Johnson (not the one of Miami Vice fame-although he was wearing a pastel shirt) from the school of Criminal Justice and Criminalistics walking us through a quadruple homicide as it was initially encountered by the CSI team. Which meant dozens of photos of the victims as they were found, in addition to the trail of carnage through their house which gave you an extremely clear picture of the attack and how it proceeded. It wasn’t pleasant.

Now, I watch a lot of procedural shows on television-not CSI, because frankly I think it’s just silly. But the Law and Order franchise, The Closer, Southland, and in the past The Wire and The Shield. I’m no stranger to graphic depictions of violence. And what we were seeing was still photos, not video. images-4.jpg

Yet what really struck me was how when it comes down to it, there is a difference between a fictionalized vs. a real crime scene. I had expected to be somewhat desensitized, but somehow knowing that what we were seeing had really happened, that these were real victims who weren’t going to get up and walk away, made it almost too much to stomach. It didn’t help that two of the victims were an elderly disabled woman and a four year-old girl. During their close-ups, I almost had to leave the room.

images-3.jpgIn the course of researching serial killers a few years ago, I experienced something similar. It doesn’t matter how many times you’ve sat through “Silence of the Lambs,” or movies of that ilk. When I read about some of the things that serial killers had actually done to their victims, it was a gut punch. Some of the stories were so horrible it took weeks to get them out of my head. There were things I encountered that honestly I wish I’d never seen- and those of you who have read my books know that I don’t shy away from violent crime. So it surprised me to have such a strong reaction.

Since Columbine there’s been a lot of discussion regarding whether the violence on TV, in movies, and in video games has desensitized kids to a point where they’re more liable to commit violence in real life. I himages-2.jpgave to wonder, based on my reaction to that quadruple homicide scene. Is it true that for some people, the line between truth and fiction has become blurred? Or would a kid hooked on Grand Theft Auto have the same reaction I did to images from a real crime scene? I suspect that for the most part, they would. What do you think?

On a side note, the rest of the day was very cool. A trace evidence specialist led us through the Phil images-1.jpg Spector case (which, oddly enough, wasn’t nearly as disturbing. But then, what happened to Lana Clarkson wasn’t as terrible as what was done to that little girl). We also had a fantastic presentation from a “Questioned Documents” examiner who explained exactly how easy it is to forge a signature, and what to do to combat that (sign your name over itself 2-3 times) and we toured the labs, including the rooms that hold stainless steel water tanks where guns are fired to match ballistics from crime scenes. Very cool. More information on the lab and the Crime Lab project is available here.

JFK Assassination Solved

by John Gilstrap
http://www.johngilstrap.com/

Actually, today’s entry has nothing to do with the JFK assassination, but after Kathryn’s post on Tuesday, I figured we’d seed our audience with some conspiracy theorists. But since I opened this door, let me share the results of my years of research into the JFK murder (I really have done years of research): I can’t vouch for the why (I suspect the mob, but there’s lots of conflicting data), but as for the how, the evidence is overwhelming that Oswald was the only shooter, and the weapon was the Mannlicher-Carcano rifle that was found on the sixth floor of the Texas School Book Depository.

Moving on . . .

I attended my very first Left Coast Crime conference last week, and it was every bit as wonderful as people have been telling me for years. As a return favor, I recommend that all Left Coasties give Magna Cum Murder a try when it comes around at the end of October. Magna is held every year in Muncie, Indiana, and it is, hands down, the best mystery conference around. (Full disclosure: it’s in Muncie, Indiana. I know I mentioned that already, but be forewarned that Muncie ain’t no Los Angeles.) But that’s not what this blog entry is about, either.

Moving on . . .

I attended a panel discussion at LCC about the use of blogs as a means for authors to promote themselves, and I was shocked to hear at least half of the experts say that blogging is a waste of time; that is siphons creative energy away from the creation of good stories. There was some acknowledgement that group blogs like TKZ might be the exception because the burden is spread around, but still, the experts leaned to the negative.

Part of my shock was rooted in the response these same panel of experts received when they asked the audience what single factor is most likely to make them buy one book over another. By an overwhelming margin, people’s primary decision factor is whether or not they “know” the author. Is there a better way to get to know an author–I’m talking the person now; not the work–than by reading his or her blog? Single one-off entries like the ones you get from authors on their blog tour might only project a marketing image; but multiple entries, week after week, year after year, reveal not only the personalities of the bloggers, but of the regular commenters, as well.

While we’re on the subject, let’s address the blog tour for a moment. I think it’s wonderful when someone drops in on a blog to write something substantive and thought-provoking while they happen to be on tour, but is there anything more annoying than the guest blooger with the 500-word advertisement for their latest tome? I hate that.

For me, blogging is like a weekly chat with friends. I get to say what’s on my mind, and listen to what others think of it. Sometimes I’m in a good mood, sometimes not so much. Sometimes I’m harried and sort of dash something out just to fill the space, but mostly I do this with the hope of entertaining people and maybe sparking a discussion that spreads and brings strangers into the fold of friends.

I suspect I’m preaching pretty much to the choir here–except maybe for the visiting conspiracy theorists–but do y’all agree that over time blogging is a form of friendship? Don’t you think it’s a way to get to “know” someone? What one factor above others makes you seek out a particular author’s work? Do you think Jack Ruby worked for the CIA?

What makes you stop reading?

by Clare Langley-Hawthorne
http://www.clarelangleyhawthorne.com/

Aloha from rainy Hawaii! Waiting for the sunshine and inspired by a panel I attended on the weekend at Left Coast Crime on ‘things that make me stop reading’, I thought I’d offer my top 5 reasons for putting a book down (or throwing it against a wall!) and find out from you what, as readers (and writers perhaps), you consider ‘deal breakers’ – when you just cannot continue with a book.

The panelists (Hallie Ephron, Mysti Berry, Kate Stine, and Sue Trowbridge) mentioned a number of things which caused them to put down a book and not read further. Here’s some of their (abbreviated) list:

  • Stereotypes
  • Lack of clarity – where the hell are we, when are we, who is talking etc…within the first few pages.
  • Gratuitous violence, sex or animal cruelty
  • Lack of character pull – the character fails to draw them in
  • Geographical inaccuracies (like someone flying all the way from San Jose to San Francisco!)
  • Prologue that seems gratuitous, manipulative or contrived

Reducing these issues to a list always seems to lessen the impact of the discussion but I agree with all that was said and with the panelists’ assertion they will forgive almost any of these if the writing is sufficiently compelling to keep them interested.
As for my top five list – well here goes:
  1. Characters that make me a yawn- if I’m not drawn in by them then I’m not going to keep plowing through the book.
  2. Set up requires more than just a suspension of disbelief but putting aside all reality.
  3. Clunky, awkward writing that requires way too much concentration – I want the story to flow, to draw me in – I don’t want to have to take out the paddles and brave the rapids to get there.
  4. A sense of manipulation or self-awareness – if I sense the author pulling the strings I’m taken out of the story (and I’m pissed off).
  5. Blatant inaccuracies that make me doubt the writer. I think when you start a book you place a great deal of trust in an author and if that trust is broken too quickly by inaccuracies or false steps it’s hard to regain it and keep reading
So what are the deal breakers for you – what makes you stop reading a book? What about in a series – when does an author ‘blow it’ and stop you from continuing? For me bringing back dead characters (Patricia Cornwall anyone) is a deal breaker – If I want that kind of plot twist I’ll tune in to General Hospital…What about you?