I visited one of our local Barnes & Noble superstores — one of those two story freestanding buildings that one can get lost in for hours — and was on the receiving end of a mental gut punch. A good portion of the second floor which had formerly been set aside for fiction has been given over to the expanded children’s section. I don’t have anything against children’s books, mind you; if young ones don’t love reading early it’s doubtful they’ll develop even a deep fond for it later — but a lot of what I saw consisted of book-related merchandise (stuffed animals and the like) as opposed to books. What caused the sinking feeling in the pit of my stomach (and yes, there’s quite a distance to be traversed before one reaches my pit) was that I recalled a very similar occurrence several years before. There was a popular chain store named Media Play that I used to frequent. I walked into one about a year after digital downloading of music became popular, and found that their music CD section was reduced by forty percent. Media Play, by the way, is no longer in business.
What you will find at Barnes & Noble: signs everywhere you look for the Nook (you might say they‘re in every cranny). And the Nook will be available at your local Wal-Mart beginning Monday October 25. You’ll be able to find the Kobo there as well, along with the Sony e-book Reader and something called the iPad. The battle has been joined.
Here’s an idea for you: renting e-books. If you can’t afford Ken Follett’s latest book, even as an e-book, rent it for two bucks for two weeks. Pay two bucks, download a DRM-protected file to your Kindle (or Sony Reader, or Nook, or iPad) and read it. It disappears after two weeks. The provider gets a cut and — yes! — the author and the publisher (if there is one) get royalties as well every time a book is downloaded. Under the traditional library model, nobody gets anything when a book is borrowed from the library. I remember a few years ago when I went to borrow a book about a Da Vinci code or something or other and was on a waiting list behind 288 people. If you don’t want to wait to read it, then for a couple of bucks you won’t have to. Reader’s groups would love this. You wouldn’t need a public, tax-supported entity to sustain it, either. I don’t see libraries loving this idea (or jumping on it (some libraries offer audio book and e-book downloads, but the selection is paltry) but its meant as an alternative, not a substitute, to libraries. And suppose you really like the book, and want to keep it? Your rental fee could count, in full or in part, toward the purchase price.
A new site to bookmark and check daily: Len Wanner’s The Crime Of It All The Crime Of It All
The Crime Of It All
. It’s devoted to mystery and crime fiction. Worth a look and a read. Repeatedly.
And speaking of reading: I’m juggling two books. One is NASHVILLE CHROME by Rick Bass, a fictional treatment of the history of country music’s Brown Family. It’s a wonderfully told cautionary tale about the downside of getting what you wish for. The other is BOOK OF SHADOWS by Alexandra Sokoloff, a beautifully dark tale by one of my favorite authors and people.
By John Gilstrap
Once a year, in late June, I embark on a post of shameless self-promotion. This would be that post for 2010.
Hostage Zero, the latest entry in the Jonathan Grave thriller series launches next Thursday, and I am pumped about it. Fueled by a starred review in Publisher’s Weekly, which amazon.com was kind enough to put on Hostage Zero’s product page, and excellent advance reviews from other publications, this feels to me like it could do some real business. Let’s all take a moment to cross our fingers on that one.
Good reviews help, but it takes more than that to really get people to take notice of a book. It takes promotion, advertising, and word-of-mouth sales. I don’t mean to presume, but I hope I can count on y’all to help with that last one. C’mon, it’s an investment of $6.99. How can you go wrong?
My publisher, Pinnacle/Kensington, is really stepping up to the plate with this one. From June 29 through July 5, in an effort to build the buzz for Hostage Zero, they are giving away free e-books of No Mercy through Kindle, Sony E-Reader, B&N’s Nook and Kobo. That’s free, folks; as in, you know, FREE! Gratis. No charge. That’s a free copy of the book that is one of five nominees for ITW’s Thriller Award. How cool is that?
The real marketing push for Hostage Zero begins July 6, when the co-op money kicks in to get great placement in Borders, Walden and Books-A-Million. There’s talk of other placements, but they’re not yet firm. You should see a fairly significant online ad presence, as well.
So, the boat’s in the water, and everyone is pulling on an oar. Will Hostage Zero become a bestseller? Lord, I hope so; but then every author hopes so. That’s the really scary part of this business. Think of the hubris. Each of us believes that out of the thousands and thousands of titles that are published every year—out of the hundreds that are published in our own genre alone—this one product of our imagination will somehow break through all the noise and find a breakout audience. Who do we think we are?
On the other hand, it always happens to someone; why not us? Why not me?
Jonathan “Digger” Grave is an old-fashioned kind of hero, whose sense of right and wrong does not necessarily factor in the prevailing laws of the land. If your loved ones are kidnapped, Digger will move heaven and earth to bring them back, and he won’t mind sending people to heaven or hell if they get in his way. A former Unit operator, he is a gentle philanthropist who is intensely loyal to his friends and lethal to his enemies. He is, if I may say so myself in the spirit of shameless self-promotion, a lot of fun.
And starting next Tuesday, for only one week, you can download No Mercy for free. I like to think this is an easy decision. What do you say?