Cleveland, City of Lights

When we last met  two weeks ago I was in New Orleans. In the interim I returned home for a couple of days, put out some fires, and then travelled up I-71 North for two hours to attend  Bouchercon 2012 in Cleveland. Bouchercon is an assembly of mystery writers and fans of same, so, like, how could I not go, with it being so close and all?
I was glad I did. If I had stayed home for three days, I would have done nothing but work. I worked at Bouchercon, too, but also 1) reconnected with friends I had not seen for a few years; 2) made some new friends; 3) became better friends with some folks; 4) reconnected with a guy that I worked with some forty years ago; 5) took award-winning author Kelli Stanley and British crime journalists Ali Karim and Mike Stotter — three of the finest folks you will find on this earth —to Mike the Hatter in Broadview Heights, where they each and all found lids that looked wonderful on them; 5) visited the Rock ‘n’ Roll Hall of Fame; 6) had breakfast with my editor and BFF Carol Fitzgerald, and three members of the original Bookachino internet chat room from way back when the internet was in its cradle; and 7) was the target of  an attack by a drunken troll in the men’s room of a theme restaurant near the host hotel. And how was your weekend?

I have to tell you though that one of the best parts of Bouchercon was beginning it and ending it with fellow Killzoner Jordan Dane. If Jordan ever raffles off a dinner with herself, buy up the tickets. She is wonderful company. We had dinner with author Bev Irwin Wednesday night, before the conference really got rolling, and Jordan is unbelievably funny. She was even funnier after dinner, when I was back in my hotel room, and she began texting observations about this, that and the other to me. Hilarious. And yes, Jordan, you can borrow my gun any time you want; just leave me a bullet so that I can take a shot as well.

Saturday night I was blessed by joining Jordan for dinner once again. I found myself seated with about ten million dollars’ worth of talent in the form of Jordan, Rick Mofina, Linda Castillo, and Julie Kramer. It was a celebration of wonderful news for Rick and Linda: they announced their engagement that evening. Just kidding. What was their news, really? Rick that morning had just received the news that his wonderful new novel, THEY DISAPPEARED, entered the Canadian book lists at Number Two. He learned of this from Linwood Barclay, whose own book, TRUST YOUR EYES, remains at Number One on Canada’s list. There is excellent taste up north, all the way around. As for Linda, her Kate Buckholder series, set in the Ohio Amish country about an hour’s drive from me, is on track to be a television series. Linda, if you hear that the producers are looking about for someone to play a rotund English, please tell them that Sweet Joseph is available.

Seeing Wonderful Jordan, however, was not my only encounter with Kill Zone participants. San Francisco’s Michelle Gagnon was in the house for the William Morrow party. Michelle, besides being an incredible wordsmith, has a fashion sense that any and all would envy. I don’t know anything about such matters, but she somehow always seems dressed to the nines without even trying. Everyone gravitates toward her, and rightfully so. It was wonderful to see her again and to get to spend a little time with her. And what conference would be a conference without Kill Zone alumnus John Gilstrap? John, who is always worth being seeing with and listening to, was in the “Cool Kids Corner,” outside of the hotel with the smokers, even though he doesn’t smoke. I was privileged to spend some quality time with him and Matthew Clemens and get several updates and down dates on the state of the industry. I also hear that Kill Zoner Boyd Morrison was in the House, but somehow failed to meet up with him. Boyd, you evaded me this time, but your luck will not last forever.
There’s more, of course, but that should be more than enough to persuade you to attend Bouchercon the next time it’s in your area. It will be in Albany, NY in 2013; Long Beach, CA in 2014; and Raleigh, NC in 2015. You gotta go. And if you do, say hey.

If it bleeds, it leads

Hosted by Joe Moore

Today I’m pleased to welcome back to TKZ my friend and fellow ITW member, Julie Kramer. Julie is an internationally published and award-winning crime author, and one of my favorite writers. Her latest thriller, SHUNNING SARAH (Library Journal starred review) was released yesterday and I hope you’ll grab a copy. Enjoy!

My fifth media thriller, SHUNNING SARAH, is out this week and I’m starting to think julie_pressmaking my heroine a TV reporter might not have been such a good idea. One of the general rules of novel writing is that your protagonist should be “likeable.”

But just the other day a Gallup poll said the public’s trust in TV news is at an all-time low, almost as low as Congress. I can understand those stats. After all, two networks, in their zeal to be first, recently flubbed coverage of the Supreme Court’s ruling on government-mandated health care. Another network took liberties editing audio of a 911 call in the Trayvon Martin shooting in Florida.

Used to be, journalists were the good guys. America cheered TV shows like Mary Tyler Moore, Lou Grant, and Murphy Brown. And don’t forget, Superman’s day job was as a reporter for the Daily Planet. And Spiderman took pictures for his local newspaper. In Network, Howard Beale became a provocative folk hero for railing “I’m mad as hell and won’t take it any more.” And in real life, Woodward and Bernstein inspired a generation of investigative journalists, including me.

The tabloidization of mainstream media and the narrowing of the line between news and gossip have damaged the credibility newsrooms once took for granted. Are we heading back to the sensational days of yellow journalism? My heroine, Riley Spartz, sure hopes not.

kramer-sidebar3I hear from readers who continue to appreciate her as a character because she reflects the problems plaguing newsrooms across America. Her voice is cynical, yet principled as she chases ratings and villains.

I know from a career in the television news business that words can be weapons. Satire and deadpan humor help Riley cope as news budgets are cut and bosses demand 24-7 coverage. Readers tell me they don’t watch news the same way after reading my books. It’s like sausage and laws. You don’t want to watch how they’re made. And my former news colleagues sometimes wish I wasn’t quite so candid.

“Did you have to tell them ‘if it bleeds it leads?’” they ask.

But it’s important for my writing to accurately reflect the state of the news business, good and bad. Because I love news. I’m addicted to knowing who, what, when, where and why. And I honestly believe a free, objective press is one of the best things our society has going. I like it when reviewers praise my depiction of behind-the-scenes action in the newsroom – warts and all.

But what I really need is for the new HBO series, The Newsroom, to take off big and get viewers rooting for TV news again. Then maybe I could sell film rights, and Riley could make it to the big screen.

How big a role does a character’s profession play in what you write or read? And if you simply need to rant about the media, I won’t take offense. 

Investigative television journalist Julie Kramer writes a series of thrillers: STALKING SUSAN, MISSING MARK, SILENCING SAM, KILLING KATE and SHUNNING SARAH—set in the desperate world of TV news. Julie won the Daphne du Maurier Award for Mainstream Mystery/Suspense, RT Reviewer’s Choice Award for Best First Mystery as well as the Minnesota Book Award. Her work has also been nominated for the Anthony, Barry, Shamus, Mary Higgins Clark, and RT Best Best Amateur Sleuth Awards. She formerly ran the I TEAM for WCCO-TV before becoming a freelance network news producer for NBC and CBS. Visit her website at

Writing What You Know: Missing People

Today, our guest blogger is Julie Kramer, a freelance network news producer. Her debut thriller, STALKING SUSAN, won the RT Reviewers Choice Award for Best First Mystery, the Minnesota Book Award for genre fiction, and was a finalist for the Mary Higgins Clark Award. It’s also been nominated for Best First Novel in both the Anthony and Barry Awards.

Her second book, MISSING MARK, is available now from Doubleday.

by Julie Kramer

kramer-julie If authors are going to take readers inside a fictional version of their own world, it helps if that world holds some natural intrigue to outsiders.

That’s where I lucked out, working as a career producer in the increasingly desperate world of TV news. By coming clean about some of my profession’s flaws, my debut, STALKING SUSAN, (recently out in paperback) takes a little of the mystery out of the media. And my readers seem to appreciate the insider knowledge on how news decisions are made to how hidden cameras work.

Of course, some of my news colleagues wish I hadn’t been quite so candid. They ask: Did you have to tell them all that stuff about ratings? Did you have to tell them “If it bleeds it leads?”

In my sequel, MISSING MARK, my TV reporter heroine answers a want ad reading “Wedding Dress For Sale: Never Worn” and is drawn into a dangerous missing person case during sweeps month.

susan1bAs a journalist, I’ve covered numerous missing people and I never know how the cases are going to turn out. Some victims, heartbreakingly, end up dead (Dru Sjodin – North Dakota). Others, miraculously, turn up alive. (Shawn Hornbeck – Missouri) Some, hauntingly, are never found. (Jodi Huseintruit -Iowa) Some are abducted. (Jacob Wetterling – Minnesota) Others stage their own abduction. (Audrey Seiler – Wisconsin) I used MISSING MARK as an opportunity to show readers how newsrooms decide which missing people get publicity and which don’t. It can be a provocative discussion.

When a child disappears, the media goes into action. And those actions, from broadcasting Amber Alerts to interviewing sobbing parents, are fairly predictable. Children should never be missing, so missing children are news.

It’s when adults go missing that the situation gets tricky because grownups are allowed to leave without sharing their plans with friends and family. And hey, often enough they do show up just days later. Back from Vegas. Sheepish. So without signs of foul play, there’s some controversy in how long the police wait to investigate a missing adult. Often journalists take their cues from law enforcement. If the cops don’t appear to be taking a case seriously, the media might not either. Some states, such as Minnesota have recently passed legislation like “Brandon’s Law,” requiring police to more aggressively investigative missing adults deemed to be “endangered.”

Whether a missing person gets news coverage can depend on how slow the news day is, or if a holiday is approaching and other news events come to a standstill. I don’t think it’s any coincidence that lots of missing people who became household names disappeared near holidays. Remember Lacy Peterson and Christmas?

I’ll never forget the time a friend of mine decided to enlist the help of a Denver Private Investigator to solve a missing person case. There are lots of reasons why people go missing and often the mysteries are never truly solved, but a private investigator may be able to use surveillance techniques to help.

How accessible the victim’s family is for interviews and photographs can also make a difference in publicity. That’s content. And newsrooms seek content. Without a family pushing the police to search and the media to broadcast descriptions, the missing tend to stay missing. And until someone reports them gone, the missing aren’t even considered missing. That’s why serial killers who target prostitutes or the homeless tend to stay under the radar longer.

One of the most controversial aspects of missing people and the media is why attractive, white women seem to get the most national media attention. There’s no good answer for that. I know for a fact, news managers don’t consciously decide coverage based on the victim’s appearance. But if you look at the faces of the missing who have gone viral, that seems to be a common denominator.

stalking-susan Certainly it’s more understandable that missing women get more coverage than missing men because, historically, missing women are more likely to be in jeopardy. But as for appearance, it might be one of those chicken vs. the egg quandaries. Are attractive victims more likely to get publicity because that’s who viewers watch and that’s who draws ratings? Is the media merely giving the public what it wants? Or is the media deciding what the public wants? As a journalist and as a viewer, I don’t know the answer to that debate. But I know newsrooms are troubled by it.

When I started writing what eventually was titled MISSING MARK, I had in my mind that the bride was the missing character. But after my neighbor, a West Point cadet home on leave, went missing, I decided to make my victim a man to discuss some of the challenges missing men face.

So instead of Here Comes The Bride, my story became There Goes The Groom.

A MISSING MARK case in the headlines recently involves South Carolina governor Mark Sandford going AWOL to visit his Argentina mistress. If you dropped that kind of plot in a novel, critics might call it improbable. But that’s just one example of truth being stranger than fiction.

What do you think about how the media covers missing people? What do you think about how they’re portrayed in fiction?