Weaving Tapestries

I have a world of stories filed away that may never get used in my novels. Some are significant recollections waiting to be used, based on coincidences, while others are the seeds of ideas planted for future use.

My folks are from the country, survivors of the Great Depression, who lived in Red River bottoms, the border between Texas and Oklahoma. Chicota was a community of farmers who raised most of their own food, cows, and kids, along with the crops that fed the rest of this country.

When those old men (who were younger than I am today) took time off, it was for church, town on Saturdays, and to fish on Sunday afternoons. That meant throwing a line in the Red, or pools which were often full of crappie, the best eating.

Thinking about those fish reminds me of a natural spring pool about four miles from my maternal grandparents’ farmhouse. It was one of the few remaining springs in the area that once boasted dozens, if not more than a couple of hundred seeps, bubblers, and gushers.

When I mentioned the word pool above, I meant what some might call a pond, or tank (in West Texas). It was large enough to launch the Old Man’s vee-hull boat and motor, so it was of some significant size. He took me there several times, to fish, and to see the underwater beauty of such a natural wonder.

When the Old Man wasn’t around with the boat, my younger Cousin and I rode up on our bikes to enjoy something highly unusual in our part of Northeast Texas, clear, running water.

The gin-clear water in that pool, the fish of all sizes, and its shady banks still call to me, because most pools, creeks, streams, rivers and lakes in our part of the world are muddy. Which brings us back to my original discussion, clear water.

Several years ago, Cousin (who was much rounder in his later years) and I went looking for that unnamed spring lake. The years degraded our memories, and the land was different. The pastures were gone, and houses hunkered in the woods like ugly weeds.

“Posted” signs warned us away from the original trail we’d used over fifty years ago, so we followed blacktop roads to our estimated destination. A gray-haired gentleman was outside his house, working on a truck when we pulled up in his drive and waited for his dog to stop barking.

He rose, wiping his hands on a greasy rag. “Howdy boys. What can I do for you?”

I took the lead. “We’re looking for a spring lake that used to be around here.”

“Well, I’ve only lived here about ten years. Haven’t heard of a lake.”

Cousin was interested. “Where’d you move from?”

“Prosper, Texas.”

I shook my head in wonder at such a small world. “That’s where my wife grew up. Did you know the Reynolds family?”

His smile became genuine. “Sure enough. Robert and Robbie were good friends.”

Such a strange coincidence created an immediate bond and we visited for half an hour before getting back around to the reason we were there. Our new friend pointed. “The only pool around here is that little muddy puddle over yonder on someone else’s land that stays wet year-round.”

We looked where he pointed, and my recollections of the area superimposed themselves on the “muddy puddle.”

“Good Lord.” My spirits fell, and Cousin’s face mirrored my own.

He rubbed his bald head. “They’ve killed the spring with all this construction around here.”

The sweet water that once flowed fast enough to fill a small, three-acre-pool struggled to survive as a mud hole. Disappointed and saddened, we left, thinking about such a strange coincidence that I would meet friends of the War Department’s dad and brother in my ancestors’ community, and how “progress” was killing such wonderful, natural resources.

Here’s another. A few years ago, when I drove a dually pickup–––Let’s pause here, because I had to explain duallys to one of my city-dwelling editors who’d never heard of a six-wheeled truck. After explaining the concept, that individual still misunderstood, thinking there were three in a line on each side. I wrote back again, sending a link so that person could see there were four on the back and two in the front.

Because a dually is hippy, it won’t fit into most garages, especially the one at our old house, so I parked it on the street the entire time we lived there. Unfortunately, someone broke in one night and stole whatever wasn’t nailed down, (including my Juicy Fruit gum) and that included a pair of prescription Oakley sunglasses. I sincerely hoped they wore them while driving into a bridge abutment one night, but it didn’t happen.

They took tools, OTC drugs (antacids and allergy pills I kept in the cab because my former son-in-law was dangerously allergic to stings), and the Bride’s little pocket camera she used for work with the Frisco ISD, but forgot to take out that night.

Figuring all was lost, we filed a police report and went on about our lives. Somewhere around six weeks later, she got a call from the local PD.

“Mrs. Wortham, we have a report here about a burglary of a motor vehicle.”

“It was my husband’s truck. He filed the report. I’m surprised you called me.”

“Well, it’s an interesting story. We busted a vehicle burglary ring and found a digital camera in a house full of stolen items. There was a photo of the front of a school, and when we went to that location, they remembered you came by with your camera. We have the couple who broke into his truck. The guy is cooperating, but the female is a war horse, so I’d like to know if you’d like to press charges.”

She laughed. “I’m sure my husband will.”

I did.

Now here’s one last story I can draw from, but haven’t yet found the place. When we were still in that same house, the Bride came home for lunch and called me a few minutes after she left. “Hey, there’s a car in the alley right behind the house. It’s running, but no one is in it. I wonder if they have some kind of trouble. You might want to go look.”

I walked out to find an old car idling a few feet from our drive. No one was behind the wheel, and when I glanced inside, the back of my neck tingled. A screwdriver protruded from the steering column.

“911. What’s your emergency?”

I told dispatch where I lived. “There’s a running car behind our house and no one is in it. I think it’s stolen.”

“What makes you think that?”

“Because there’s a screwdriver in the ignition, for one thing.”

Her voice changed. “What kind of car is it, and can you see the license tag?”

I told her.

“Sir, get away from the car and go in the house now. Officers are on the way.”

Following such direct orders, I did as she said and waited. Two minutes later every cop in the city was at our location, looking for the bank robbers who’d used that vehicle as a getaway car, dumped it in the alley, ran through the yard between our house and the neighbor, and drove away in another vehicle parked on our street.

But one lighter moment was when several young officers showed up to search the area, they insisted on checking our back yard, only to find my nineteen-year-old daughter sunning beside the pool. They checked the backyard several times until I asked her to come inside, even though our premises was the safest place in town.

So with those in mind, (and I confess none of these images are real by the way),how many of you writers draw from old memories and or unlikely events to use in your manuscripts? Do you have stories of police work you can weave into a future work, but haven’t done it yet? Do you have real life adventures or coincidences, or pet peeves and disappointments that can enrich your works?

I still have more, but these will have to do at this writing.

 

 

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About Reavis Wortham

NYT Bestselling Author and two-time Spur Award winner Reavis Z. Wortham pens the Texas Red River historical mystery series, and the high-octane Sonny Hawke contemporary western thrillers. His new Tucker Snow series begins in 2022. The Red River books are set in rural Northeast Texas in the 1960s. Kirkus Reviews listed his first novel in a Starred Review, The Rock Hole, as one of the “Top 12 Mysteries of 2011.” His Sonny Hawke series from Kensington Publishing features Texas Ranger Sonny Hawke and debuted in 2018 with Hawke’s Prey. Hawke’s War, the second in this series won the Spur Award from the Western Writers Association of America as the Best Mass Market Paperback of 2019. He also garnered a second Spur for Hawke’s Target in 2020. A frequent speaker at literary events across the country. Reavis also teaches seminars on mystery and thriller writing techniques at a wide variety of venues, from local libraries to writing conventions, to the Pat Conroy Literary Center in Beaufort, SC. He frequently speaks to smaller groups, encouraging future authors, and offers dozens of tips for them to avoid the writing pitfalls and hazards he has survived. His most popular talk is entitled, My Road to Publication, and Other Great Disasters. He has been a newspaper columnist and magazine writer since 1988, penning over 2,000 columns and articles, and has been the Humor Editor for Texas Fish and Game Magazine for the past 25 years. He and his wife, Shana, live in Northeast Texas. All his works are available at your favorite online bookstore or outlet, in all formats. Check out his website at www.reaviszwortham.com. “Burrows, Wortham’s outstanding sequel to The Rock Hole combines the gonzo sensibility of Joe R. Lansdale and the elegiac mood of To Kill a Mockingbird to strike just the right balance between childhood innocence and adult horror.” —Publishers Weekly (starred review) “The cinematic characters have substance and a pulse. They walk off the page and talk Texas.” —The Dallas Morning News On his most recent Red River novel, Laying Bones: “Captivating. Wortham adroitly balances richly nuanced human drama with two-fisted action, and displays a knack for the striking phrase (‘R.B. was the best drunk driver in the county, and I don’t believe he run off in here on his own’). This entry is sure to win the author new fans.” —Publishers Weekly “Well-drawn characters and clever blending of light and dark kept this reader thinking of Ray Bradbury’s Something Wicked This Way Comes, and Harper Lee’s To Kill a Mockingbird.” —Mystery Scene Magazine

7 thoughts on “Weaving Tapestries

  1. Thanks for the Saturday smiles, Rev. Your post reminds me of how boring my childhood was, although I didn’t realize it at the time. “Excitement” was things like the time my father locked his car keys in the trunk, and managed to flag someone driving the same make, and the trunk key (there were always separate keys for ignition and trunk) fit.
    Or the time he put the cartridge in the grease gun backward and covered himself in blue-gray grease.
    Or didn’t listen to Mom when she suggested he had driven too far along the beach, pointing out the only vehicles were jeeps and pickup trucks, and he kept going and yes, he got stuck.
    Or the time we were on vacation and my mother said there was still some snow on the mountains, and we said it couldn’t be because it was summer (we lived in southern California then), but when we got closer, she shouted, “Hells Bells, it isn’t snow” which was the first time we’d heard her say anything the least bit colorful.

  2. Some people don’t believe in coincidence. I’m one of them.
    While eating breakfast this morning I came up with an idea about a scene I needed to write. The idea is largely a true event that happened when I was a kid, but I wasn’t sure if I should use it. Thanks to your post, I’m going to embellish it a little and use it. Thanks.

  3. I have definitely been city-fied in the last several decades because when I first read pool I was thinking “why would someone think they can fish in a swimming pool and who’d want to eat fish saturated with chlorine?” 😎

    But it just goes to show how different the terminology is in various places. While I grew up in a rural area of Maryland, we didn’t use the term pool (except for swimming pool). The bodies of water were streams, rivers or ponds.

    As for drawing from memories–I would say generally I draw from feelings and emotions but would not say that I have any stand-out personal memories of stories exciting enough to share in story form. But reading various stories over the years, combined with past emotional experiences can always combine together to provide story fodder. Asking those “what if?” questions, etc.

  4. The Greeks believed that springs were lovely young goddesses who were flighty and timid as many young girls are. These Naiads would change locations or hide when they sensed danger. Modern people can say that’s a cute story about springs coming from a hidden water source which can change locations because of current water tables or changes in the land.

    Years back, my father’s parents died, and the land was sold to a developer. My dad already owned five adjacent acres where we lived, and I now live. An old creek had dug deep into the land for thousands of years, and its valley separated the properties. There were two springs on the developer’s land. They came in with bulldozers and flattened everything. Every rock, every tree was gone. Suddenly we had water problems under our house. Lots of water. A spring started under the furnace and dug a small valley until it reached the creek bed.

    When the building of the condos was over and the land had settled, the tiny spring disappeared, never to be seen again. Maybe it dried up, maybe it became part of the creek since its old home was pavement and buildings. Who really knows?

    But I know that I no longer laugh at those silly Greeks with their stories of Naiads because that spring had appeared where it knew it was safe with a family who stewarded the land instead of destroying it.

  5. I’ve used several “embellished” remembrances in both my fiction and songwriting (more so in the latter)…

    The one that stands out most was the night we followed a hook-and-ladder truck all the way to our driveway, which was already blocked by various apparatuses – my bro-in-law had let oil on the stove get out of hand… the kitchen was a mess, and the house was smokey – especially when the temperature and humidity got high as is often the case in north Georgia – but we were only “displaced” for a couple of weeks

    In any event, I used this “seeing the FD at my driveway” in a scene that occurred next door to my protag’s house, allowing me to introduce the neighbors…

  6. Almost all of my books carry at least one memory from childhood, sometimes big and sometimes only a sentence. I think most writers do–It’s what makes our stories unique.

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