By Joe Moore
For those of you who like fish—raising, not eating—there are few more beautiful and easy to care for than a betta fighting fish. They come from Thailand and can live in as little water as what’s left behind inside a human footprint in the mud of the rice paddies. I’ve owned a number of them over the years and am always amazed at their gorgeous display of color. I’ve always been impressed by the lifespan of a betta fish. And pound for pound, the betta is one of the most vicious, aggressive animals on the planet. They are meat eaters, and putting two males in the same bowl will result in a fight to the death. If you want a beautiful pet that takes next to nothing to raise, get a betta fighting fish. But that’s not what my post is about today.
It’s really about beta readers.
A lot of writers including myself rely on beta readers to scrub our WIP and find all the plotting holes, mistakes, and general stuff that doesn’t work. So what is a beta reader? Should you go looking for one? How do you find and qualify them? How do they differ from a critique group? What are the things to look for in their feedback?
The term beta comes from software designers who use the term alpha and beta for different stages of program development. Alpha is the rawest stage—incomplete and untested—and beta is still under development but a small number of copies are released to the public for testing. In novel writing, this might be the first completed version of the manuscript where the author has made at least one pass through to edit and tweak.
A beta reader is someone whose opinion you value, who’ll take the time to read your manuscript in a timely manner, and who’ll give you an honest assessment of your work. For starters, I would mark off your list of potential beta readers anyone who is related to you, works with you, or lives in your immediate neighborhood.
Should you utilize a beta reader(s)? It depends on whether you’re working on your first unpublished manuscript or are further along in your writing career. Most beginning authors are searching for anything that will build up their ego and confidence, and keep their hopes alive. And most new authors have manuscripts that are littered with flaws and mistakes—it’s part of the learning process. Weak or unqualified feedback from others can cause a new writer to become confused and/or discouraged. And their hopes and dreams can be crushed by negative feedback. Or their egos are so artificially inflated that negative criticism can cause friendships and relationships to crash.
At the same time, established authors know the value of real, honest, sincere feedback and will react in a professional, business-like manner. Beta readers are a solid tool toward writing a better book.
In recruiting beta readers, try to line up at least three to four that are willing to take the time to not only read your work but give you constructive feedback. It’s also good to mix male and female readers. In general, try to find age-appropriate readers that are familiar with your genre. A female teen may not give you the feedback you’re looking for if your manuscript is male action/adventure. If you write YA, a retired senior citizen might not be the best choice, either.
Try to choose beta readers who are not acquainted with one another. And they don’t have to be your best friends. In fact, casual acquaintances could work better since there might not be a hesitation that they will hurt your feelings if they don’t like what you’ve written. There’s a good chance they’ll take the whole process more seriously than a relative or close friend.
Don’t ask your beta readers to line edit your manuscript. Tell them to ignore the typos and grammar issues. What you’re interested in is: Does the story work? Does it hold together? Are the characters believable? Can you relate to them? Are there plot contradictions and errors?
Beta readers differ from members of a critique group in that they measure the WIP as a whole whereas groups usually get a story in piecemeal fashion and focus in on a chapter at a time. Most critique groups also deal with line editing.
So once you round up your bevy of beta readers and send them your WIP, then what? Start by listening to their feedback. If your beta reader has a problem or issue, chances are others will, too. And most important is when numerous readers raise the same issues. That should be a red flag that there’s a major problem to address.
Other tips: Don’t be defensive. Sure, we all love our words—after all, they’re hard to come by. But comments from your beta readers are meant to be helpful and constructive. Don’t take offense. Take what they say to heart. Think about it for a while. Consider that they have a valid point and are not trying to tear down your writing.
Finally, always remember that it’s not personal. If it is, you chose the wrong beta reader. Regard the feedback as if you were giving input to a fellow writer.
And if their feedback sounds fishy, you might have chosen a betta fighting fish by mistake.
How about the rest of you guys. Do you use beta readers? Are you a beta reader for someone else? Do you like your fish grilled or fried?
THE PHOENIX APOSTLES, coming June 8, 2011.
(The Phoenix Apostles is) “packed with action and suspense!” — James Rollins, New York Times bestselling author of THE DOOMSDAY KEY