When it comes to writing, I’m a plotter not a pantser, but despite my best intentions there’s almost always a point in the process where I have to take a step back and assess something that has gone awry in the overall arc of the novel. More often than not it’s my own desire to over complicate things and so I have a bit of sub-plot and exposition pruning to do – sometimes, however, I just can’t pinpoint what isn’t working and that’s when I have to troubleshoot the issue. At the moment, I’m in the strange position of having over-pruned my current WIP but, nonetheless, I’m going to employ similar strategies to work out what to put back in and what new material will be required (especially as a lot of what I took out needed to be taken out). Given I’m in the throes of troubleshooting mode, I thought I’d share some of the strategies I employ and get some (no doubt very useful) feedback from all you wonderful TKZers on your own troubleshooting strategies!
My first point of reference is always the original plot outline (the one I’ve undoubtedly veered off from…) and as part of my revision process I always refine the outline to keep pace with the changes I’ve made. With my current WIP I’m about to take two additional steps: First, I’m going to lay out the plot in ‘bubble format’ where I go through the manuscript chapter by chapter to identify the main scene and plot points to track how the story pans out; second, I’m going to graph the story out, tracking high and low dramatic points to see whether the overall arc of the story seems to work. This second stage is gives me a visual snapshot of the pacing of the novel and whether the overall story arc conforms to a basic 3-act structure.
If neither of these strategies really help identify the problem then my plan is go back to the ‘drawing board’ and ask myself these key questions.
- Have I started the story in the right place?
- Is there a fundamental flaw in the premise of the book? (I really hope not!!)
- Is the story getting weighted down by too much narrative – or is the balance of background, character, setting, or plot weighing down the momentum of the book?
- Have I got too many POVs? (a major revision in my current WIP was the elimination of an entire POV as the shift to that character’s perspective was interrupting the flow of the plot too much)
- Are there inconsistencies in the length of my chapters or pacing in the way the story unfolds? (for example it would be a major red flag for me if I discovered that the chapters in the middle of the book are much lengthier than the early or later ones – would signal a saggy middle for sure!)
- Have I resolved all the threads of the story?
Well, this is the plan at least! Hopefully once I’ve finished troubleshooting I’ll have a good sense of what I need to do next to revise my plot outline and get back to revisions/ rewriting mode.
What about you TKZers? what strategies do you employ to troubleshoot plot/pacing/arc issues during your revision process?