In the March/April 2025 issue of Writer’s Digest, there’s an interesting article titled The Unexpected Sells. The subtitle is Why Agents Want Genre-Defying Stories. It opens with, “In an industry built on tradition, the rise of genre-blending and trope-defying manuscripts is not just a trend but a potential goldmine for aspiring authors”.

There may be some truth to this statement. A year or so ago, I posted a piece on the Kill Zone called Slipstream — A unique, Hybrid Fiction Cross-Genre. It opened with “…I’m intentionally breaking all the rules.”

There was definitely some truth to that statement, but that’s okay as the film rights to my City Of Danger project are secured, and it’s moving toward production. Now it’s a matter of waiting till the delivery technology is in place. That might be two years away.

I moved from the true crime and crime fiction slots where I’d been working. Part of it was a urge to try something new, and part of it was a hunch not to play it safe and maybe, just maybe, reinvent the wheel. God knows I’d be a disaster in writing romance or erotica, but I went down a road filled with bumps of hardboiled & noir detective fiction, lumps of futuristic sci-fi, potholes of 1920s nostalgia, and a dangerous curve of time travelling thriller/suspense.

It was weird enough to catch, not the eye of a publishing agent, but the ear of a film producer. However, they have similar interests, and that’s finding new material they can sell – hopefully, safely. “Something different, but not to different,” are words I have heard. City Of Danger seems to have met the “different” test.

Writer’s Digest goes on to say, “Clearly defined genres have long dominated the publishing landscape, each catering to specific audiences. These days, a shift is underway. Readers now yearn for stories as intricate and multi-leveled as their lives—stories that refuse to be confined to a single category. This thirst for originality has paved the way for genre-defying narratives to shine.”

The WD article gives examples of recent successful stories that shun predictable formulas. These are authors and titles I’m not familiar with, but they’ve “balanced innovation and execution”. Helpfully, WD addresses the challenges of writing hybrid narratives and principles of positioning the work.

In closing, WD says, “It’s time to take the risks. The unexpected sells because it surprises, delights, and connects. So, dare to be different. Today’s market isn’t just ready for genre-defying stories—it’s hungry for them.”

Here are two shots of the article. You might be able to save them to a larger screen or you might want to buy the magazine if you already haven’t.

Kill Zoners — Thoughts?