In Search of the Penny Drop

by James Scott Bell
@jamesscottbell

Mutoscope at Disneyland

In the good old days (you know, before virtual reality, smartphones, TikTok, and even TV and radio) the kids loved to go to penny arcades. So named because almost everything in them cost a penny, they provided brief respite and entertainment from the drudgery of life. 

For that one copper coin you could play games—like the claw-grabbing-a-toy game—or get your fortune told. 

Most popular were Kinetoscopes and Mutoscopes. The former were short silent films, the latter a series of flipping photographs that told a short story. When you first looked into these machines you saw only one image. When your penny dropped you turned a crank and the “show” started. 

Which is where we get the concept of the “penny drop” in mystery fiction. It is that moment where something happens that triggers or points to the final solution. It’s that last bit that allows the sleuth to connect the dots. 

We see it in all classic mysteries, from Holmes to Poirot, Father Brown to Miss Marple, Columbo to Jessica Fletcher.

In my own thrillers, there is usually a mystery at the heart of things. Which means I need that penny drop. It is often the last thing I find. In my personal Scrivener template, I have a penultimate card labeled “Penny Drop” where I scribble notes as I go along. I’ll include memos sent by the Boys in the Basement when I first wake up.

When you nail the penny drop, it’s one of the most satisfying moments of the whole process.

Here is a description of the penny drop from Tom Sawyer’s excellent Fiction Writing Demystified (Note: Sawyer was showrunner for Murder, She Wrote.)

[T]he penny drops for the sleuth at the instant he or she hears, sees, tastes, smells touches or otherwise experiences something which—when combined (usually mentally) with a fact or facts gleaned earlier—tells the detective that till now, everyone in the show has been following false leads. Suddenly, the protagonist has it FIGURED OUT—if not all of it, most of it—and is off and running in the direction of the “Gotcha” scene, leaving the other characters, and the viewers, mystified as to what has been put together, how it has been accomplished, and where he or she plans to go with it.

And here is the #1 most important rule (there, I said it) of all:

[I]t’s important, even if the  penny drop is prompted for the protagonist by some lucky accident or coincidence, that most of the other elements of the equation are earned—the result of his or her doing.

Put that down on a Sticky Note and paste it where you can see it, or better yet burn it into your writer’s memory bank.

Now, mystery writers are all over the map when it comes to the who done it part. Some like to write a discovery draft to find out. Others, me included, like to start with the who and the motive, giving me a “shadow story” that helps create the plot. 

Whatever your approach, you’re going to need the right penny drop. How to find it?

1. Don’t settle on the first thing that comes to mind. It may be the right solution, but allow others to bubble up and audition. In my Romeo WIP, I seriously considered at least six possible drops. I woke up one morning with a seventh in my mind, and that’s the one I chose.

2. Create a visual of all the main characters and look at them from time to time. I use two things for this: A Scapple (a Scrivener app that lets you create mind maps and connection); and a Scrivener corkboard with character photos (since you’re not publishing these, you can use Google images, which is my preferred method. It’s no secret many writers create their own images with AI).

3. Consider all the senses. As Sawyer points out, not every penny drop is visual. There’s sound (see Chesterton’s Father Brown story “The Queer Feet”), smell, taste, touch. Agatha Christie used every one of these at one time or another. 

Of course, not every book has a traditional mystery involved. But I contend page-turning fiction always has mystery elements that keep the reader wondering, Why is this happening? What’s going to happen next? How can the character possibly survive (physically, psychologically, or professionally)?

Instead of solving a murder, you can use the penny drop as a “big reveal” that explains all the happenings to the main character (as in Daphne du Maurier’s Rebecca) or to the readers themselves (Gone Girl).

It has been announced that the U.S. Mint will soon stop making pennies. I’ll miss them. I used to spend mine on Bazooka bubble gum, with its comics featuring Bazooka Joe. Will it now be a nickel for your thoughts? There’s inflation for you.

Here at TKZ, your thoughts are free, so go ahead and share them!

Five New Year’s Tips to Overcome Butt-in-Chair Syndrome

 

These gentlemen of bygone days knew how to double up on bad habits–sit and smoke.

“Sitting is the new smoking”Dr. James Levine of the Mayo Clinic.

 

The writer’s job is to plunk our butts in chairs and produce words day in, day out. As a result, posture suffers, eyes blur, brains fog, carpals cramp, and rear ends keep getting wider. In extreme cases, Butt-in-Chair Syndrome leads to the dreaded Dead Butt Syndrome (you can’t make this stuff up!).

Here’s a countdown of five easy tips to counteract the occupational hazards of our profession:

  1. Breathe

Sitting hunched over a computer leads to shallow breathing. The lungs need to fully expand to allow oxygen to fill the alveoli (little air sacs) and move into the bloodstream. The shallower the breathing, the less oxygen flows through the blood to the brain. The less oxygen, the harder for the brain to solve problems in stories.

According to yoga practitioners, deep exhalation is even more vital than inhalation, because exhalation flushes carbon dioxide out of the body.

If you don’t exhale fully, it’s like sticking a banana in the tailpipe of a car. Fresh air can’t get in, gases build up, and pretty soon the engine stalls and quits.

New ideas, brilliant plot twists, and compelling characters require a fresh intake of oxygen and a full expulsion of carbon dioxide.

Effective breathing is easy:

Sit straight with your butt tucked against the chair back. Lift your chest, arch your spine and pull your shoulder blades together, then allow shoulders to drop. Contract abdominal muscles to press your belly button toward your spine. Place a hand on your belly and inhale for a slow ten-count. Feel your abdomen expand as you draw air in. Hold for a slow ten-count. Then exhale slowly until you completely empty the lungs. Repeat several times an hour. You may feel tingling in the scalp.

  1. Posture

Your mom always told you to sit up straight. Turns out she was right. According to I.A. Kapandji, MD“For every inch of Forward Head Posture, it can increase the weight of the head on the spine by an additional 10 pounds.” In other words, if a normal 12 pound head leans three inches closer to the computer screen, it now feels more like 42 pounds. Yikes!

Over time, that additional pressure can lead to neck and spine problems that may become permanent.

It’s always better to prevent problems than try to reverse them.

To counteract the tendency to slump forward, sit with your rear end tucked firmly against the chair back. Lift your chest, arch your spine and pull your shoulder blades together.

Hmmm, isn’t this the same position for deep breathing? You can take care of two exercises at once—talk about efficient. Your mom would be proud.

  1. Hand and wrist stretches

Caution: Stretching should NEVER be painful; if you feel discomfort, STOP!

Many writers suffer from numbness, tingling, and pain in wrists and hands from carpal tunnel syndrome which occurs when the median nerve to the hand is compressed in the wrist. Treatment options range from NSAIDs (hard on the stomach, liver, and kidneys) to splints/braces (uncomfortable and awkward to type while wearing) to steroid injections (ouch!) to surgery (been there, done that, not fun).

Simple stretches can help alleviate symptoms. Extend your arm in front of you, palm up. Bending your wrist, use your other hand to gently pull the fingers of your extended hand toward you until you feel a mild to moderate stretch in your wrist. Hold for 15-30 seconds. Repeat with the opposite hand.

For more stretches, visit this link.

  1. Vision

Do you have 20/20/20 vision? No, that’s not a typo, but rather an exercise suggested by eye doctors to counteract eyestrain and blurry vision from too much screen time.

Every 20 minutes, look away from your screen to an object at least 20 feet away and focus on it for at least 20 seconds.

For more eye exercises, check out:  http://www.allaboutvision.com/cvs/irritated.htm

 And finally, my favorite exercise…

  1. Go for a walk

When you take your dog for a walk, she knows what she’s supposed to do. The writer’s brain can be trained and reinforced with praise the same way you train your pooch. As you move muscles and increase blood flow, your brain expels waste.

I confess during walks I’ve left many hot, steaming piles along the pathway. The best part is, unlike the dog, I don’t need a baggie to pick them up!

Once waste thoughts are cleared out, there’s room for new ideas and solutions to bubble up from the subconscious (Check out Jim Bell’s classic post about “the boys in the basement”).

Start training your brain with a small problem: let’s say you’re seeking a particular word that’s eluding you, despite searching the thesaurus. Go for a short walk and let the brain relax. After a few minutes of exercise and fresh air, the elusive word often pops up from the subconscious.

Give yourself a pat on the head and praise, “Good brain!”

A Milk Bone is optional, your choice.

 Pretty soon, the subconscious learns that when you take a walk, it’s expected to perform, just like Fifi. While it sniffs the bushes and chases a squirrel, it’s also learning to deliver fresh ideas and solutions. The more you positively reinforce the subconscious for its results, the better and more frequently it comes up with solutions.

Walking works for me 100% of the time because my brain is conditioned. If I’m stumped about what a character should do next, or if the plot gets lost down a rabbit hole, I take a spin around the neighborhood. Before long, the uncertain character now knows her next move; or the rabbit hole has led to an unexpected escape route. I can’t wait to rush back to the keyboard eager to implement the solutions my subconscious offered up.

Wishing you good health and good writing in the New Year!

TKZers, do you have a favorite exercise that helps your writing?

 

Debbie Burke is often found aimlessly wandering the streets, claiming she’s at work. Her thriller Instrument of the Devil is on sale at Amazon for 99 cents during January.