Category Archives: criminal justice system

Solo Summer Travel Tips For Females (Or Anyone!): How to Lower Your Crime Risk

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Street-smart solo female travel safety tips to lower your target risk and stay in control.

I’m going to be brutally honest here. We spend an awful lot of our time and attention on employing safety efforts and dwelling on the false belief that we can actually cocoon ourselves in real safety. Helicopter parents and people, take note: the idea of safety is a sham. There is no safe place in the world. Just look at the daily news for proof.

I’m not saying this to alarm you or grab you with a fear-mongering hook. I’m saying it because we have to call a spade a spade. Until we look this problem in the eye, we’ll be kidding ourselves (and our children!) all the way to the grave.

That said, there are ways we can keep ourselves on the low end of the risk continuum. I’m borrowing that term from FBI agent, cold case detective, and personal friend Greg Cooper, who co-authored the book “Predators: Who They Are and How to Stop Them” with Michael R. King.

The risk continuum gauges how a person’s lifestyle, choices, locations, and activities place them on a scale from low to high risk for becoming a target of a predator.

Traveling alone as a woman can push you toward the higher end of that continuum if you don’t pay attention to how you move through the world. You need to notice more. Assess more. Think a few steps ahead. Not out of fear, but so that protective behavior keeps steering you lower on the continuum. You can’t eliminate risk. That isn’t realistic anywhere. But you can be prepared and fully present, because when you understand how environments work and where criminal intent tends to surface, you don’t move through a place as prey.

How To Be More Aware: Not Anxious

Before you step into an airport, set your mind on awareness. Notice who’s moving with purpose, who’s lingering without one, who’s paying attention to you instead of their own environment. To do this well, you have to put that phone away. No eyes glued to your screen.

Pay attention to subtle movements: someone standing closer than necessary when space is available, a person who adjusts their position more than once to stay near you, attention that feels focused rather than incidental. Most of the time, everything is normal. But when something isn’t, this is how it announces itself. When you notice it, you have time to move, to remove yourself, to alert security if needed.

Airports are high-distraction spaces. People are tired and focused on boarding times, and that creates opportunity for theft and deliberate targeting. Keep your belongings close, bags zipped, phone and wallet secured. When your attention is fully on your phone, you’re completely disconnected from your environment. Your safety in a chaotic space is more important than any call, text, or email.

Transportation Safety: Control the Transitions

Some of the most vulnerable moments in solo travel happen during transitions: leaving the airport, entering a vehicle, arriving somewhere unfamiliar. Slow down, pause, keep your head up, look around, and orient yourself before moving from place to place.

Before getting into any ride, pause. Confirm the driver’s name, photo, and license plate against what the app shows before you step inside. Once inside, share your route with someone who can confirm you’ve arrived when and where you’re supposed to.

If something feels off, act early. Even a simple question establishes presence and signals that you’re paying attention. Predators in any context always prefer a target who isn’t watching. Drivers who know their passengers are alert behave differently than those who see a distracted, disconnected passenger. Don’t be that passenger.

Hotel and Airbnb Stays for Women Traveling Alone

Where you stay becomes your base of control. The moment you arrive, take ownership of the space. Check the locks. Understand entry points. Notice where the exits are and how you’d leave quickly if needed.

Airbnb safety for women starts before arrival. Review listings carefully, paying attention to access details, host reviews, and location context. A well-reviewed property in a walkable area with clear security measures is worth prioritizing over a cheaper option that introduces uncertainty.

In hotels, keep your room number private and never repeat it aloud in the lobby. Verify anyone claiming to be staff before opening the door. Use all available security features, not just the main lock. A portable door stop alarm is one of the most practical things you can travel with. You lower your risk when you understand your space and take control of it.

Navigating Public Spaces: Move With Purpose

When you’re walking through a city or using public transit, your presence communicates more than you realize. People read movement. They notice hesitation, distraction, and uncertainty. Predators specifically notice these things, because those signals tell them you aren’t paying attention.

You don’t need exaggerated confidence. You need purpose. Keep your head up. If you need to check directions, step into a store or café rather than stopping in an open area. Choose a well-lit route over a shorter one. Position yourself near others instead of in isolated areas. Create distance early if someone enters your space without a clear reason. Your posture, pace, and awareness signal that you’re engaged and alert. Predators look for the easiest path to a target. Don’t give them one.

Social Interactions: Stay Friendly, Stay Boundaried

Travel is enhanced by the people we meet along the way, and most interactions are genuinely positive. But clear personal limits are a core part of lowering your risk as a solo female traveler.

You don’t need to share where you’re staying, where you’re from, or where you plan to visit next. You don’t need to reveal that you’re traveling alone. You can be warm and engaging without exposing information that raises your risk. Pay attention to how people respond when you redirect or decline. Respect is a signal. Pressure from a predator is also a signal, and it’s one worth taking seriously immediately.

Understanding How Predators Behave in Travel Environments

Predators look for the path of least resistance. Someone juggling bags and chatting on their phone is exactly what they’re scanning for. Someone hesitating in an open area, looking unsure, is exactly what they prefer. Your physical behavior is being read and interpreted. When you move with awareness and intention, you signal that you’re confident and paying attention. It may be the difference between becoming a target and watching a predator move on to someone who isn’t watching. You can’t eliminate the predator. You can absolutely raise the cost of targeting you.

Trust Your Instincts Immediately

One of the most important things you can do for your safety as a solo traveling woman is to listen to your instincts and act on them immediately. If something feels off, it probably is. Leave. Change direction. Create space. Move away from whatever is causing that hair on the back of your neck to stand up.

Instinct is pattern recognition working beneath the surface. It draws from everything you’ve seen, experienced, and processed, and it often registers a shift before your conscious mind catches up. You don’t need proof. You don’t owe anyone an explanation for acting on a feeling that something isn’t right.

Women are trained to override their instincts: stay polite, don’t make a scene, give someone the benefit of the doubt. But that is exactly what predators count on. Trust me, as someone raised in Michigan on Midwest nice, I have to remind myself regularly that I don’t have to be nice if I’m feeling threatened. Neither do you.

Travel Prep for Solo Women

Preparation lowers your risk before you ever leave home. These habits keep you on the lower end of the risk continuum from the start.

  • Know your route, your itinerary, and your backup options if plans fall through.
  • Share your full itinerary with someone you trust, including hotel addresses and check-in times.
  • Write an emergency contact number on a card kept on your person, not just in your phone. Memorize at least three numbers in case your phone is lost or stolen.
  • Keep copies of important documents in a separate location from the originals.
  • Download offline maps before you arrive so you can navigate without cell service.
  • Research your destination before you go: which neighborhoods carry higher risk, what local scams look like, and what the emergency number is.
  • Carry a personal safety alarm that clips to your bag or keychain.
  • Don’t publish your real-time location on social media. Post the beautiful photos after you’ve moved on.

Frequently Asked Questions: Solo Female Travel Safety

Is solo female travel safe?

Nowhere in this world is safe. You have to start with that premise. Think about it: even going to school or church can end in tragedy. But we can’t live paralyzed under that fear. What we can do is increase our awareness, preparation, and situational instincts to keep ourselves on the low end of the risk continuum. Solo female travel can be both rewarding and lower-risk when you take steps to reduce predator opportunity through intentional movement, clear personal limits, and the habit of trusting your instincts the second they show up.

What are the best safety tips for women traveling alone?

The most effective solo female travel safety habits: stay aware of your surroundings without hypervigilance, slow down at transition moments, trust your instincts before you have proof, maintain personal limits in social interactions without apology, and prepare in advance so unfamiliar environments don’t require real-time decisions in the open.

How do you stay safe in hotels or Airbnbs as a solo female traveler?

Take ownership of the space immediately on arrival. Check locks and understand entry points. Know where the exits are. In hotels, keep your room number private and verify anyone claiming to be staff before opening the door. Use a portable door stop alarm. With Airbnb, review access details, host reviews, and location context before booking.

What are the most dangerous moments in solo travel for women?

Transition moments carry the highest risk: leaving airports, entering unfamiliar vehicles, arriving at new accommodations, and navigating new public transit systems. These are the moments when you’re managing unfamiliar territory, baggage, tiredness, and maybe a new language all at once. Slowing down, pausing to orient, and verifying before moving are the most effective actions at each of these points.

How do you stay safe using rideshare apps when traveling alone?

Before entering any vehicle, confirm the driver’s name, photo, and license plate against what the app shows. Don’t get in until you’ve verified all three. Once inside, share your trip with a contact. Stay generally aware of your route. Predators prefer passengers who aren’t paying attention. Don’t be one.

How do you set limits with strangers while traveling without being rude?

You can be warm and still be private. You don’t need to explain that you’re alone, share your accommodation details, or provide personal information to have a friendly interaction. Redirect with brevity: “I’m just exploring” or “I’m meeting people shortly” closes the loop without confrontation. Pay attention to whether the person respects the redirect or pushes past it. That response tells you more than the initial approach did.

What should solo female travelers do if they feel their risk is rising?

Act on the instinct immediately. You don’t need evidence or a rational justification. Leave. Change direction. Move toward more people, a lit space, or a business. The urge to stay polite or avoid making a scene is real, but it’s exactly what criminal predators count on. Your safety is more important than the social comfort of the person who raised your instincts.

Is it safe to travel alone as a woman at night?

With intentional planning, you can significantly lower your risk. Choose well-lit populated routes over shortcuts. Know your destination before you leave. Share your route with someone. Use rideshare over walking in unfamiliar areas after dark. Trust your read of the environment: your instincts will register the difference between a busy neighborhood and an empty street before your logic does.

 

ABOUT THE AUTHOR

Jennifer Dornbush is an author, screenwriter, and forensic specialist who brings crime stories to life with authenticity and heart. With a background rooted in real-world forensics and a passion for crafting unforgettable mysteries, Jennifer offers readers and viewers a front-row seat to the intersection of science, justice, and human nature. Jennifer’s crime expertise has made her a sought-after speaker, consultant, and educator. Through her webinars and master courses, Jennifer guides writers in melding suspenseful storytelling with forensic realism to the screen and page. Meet her at www.jenniferdornbush.com

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Digital Detectives: The Role of Cyber Forensics in Modern Crime Stories

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By Jennifer Graeser Dornbush

When I was growing up, evidence meant fingerprints, fibers, and blood spatter.
Today, we also find enormous amounts of evidence in our digital prints: browser histories, cell phone pings, and metadata buried in a cloud server halfway around the world.

Crime scenes have a giant presence online.

I’ve spent years learning how investigators read the physical world for truth. But in the last decade, a new kind of evidence has changed everything. The next big clue isn’t under a microscope, it’s inside a smartphone.

For storytellers, that shift opens an entirely new frontier. If you’re writing crime fiction and ignoring digital forensics, you’re leaving some of your richest material untapped. But it’s also tricky because what we “watch” or “observe” on a screen isn’t very action-focused as a plot line.

Today, we’re stepping into the world of cyber forensics and how to use this evidence in your next crime fiction.

What Is Cyber Forensics?

In the simplest terms, cyber or digital forensics is the process of identifying, preserving, analyzing, and presenting data from electronic devices in a way that stands up in court.

If traditional forensics examines fingerprints and fibers, digital forensics examines pixels and packets, the trails left by our phones, laptops, GPS units, and cloud accounts.

The real-world process

When a device is seized, investigators create a “forensic image,” a bit-by-bit copy that captures everything: deleted files, timestamps, cached data, and metadata. That image becomes the foundation for analysis. Information Analysts then use specialized software to reconstruct timelines, recover communications, and verify authenticity of an individual’s usage.

Every action is documented to maintain the chain of custody and keep evidence tracked, secure, and court-admissible.

Digital forensics branches into specialties:

●      Computer forensics – analyzing desktops and hard drives.

●      Mobile forensics – recovering data from phones, tablets, and wearables.

●      Network forensics – tracking online traffic, hacking, and IP traces.

●      Cloud forensics – locating and authenticating data stored on remote servers.

The process may sound technical, but at its heart, it’s still detective work. Each byte is a breadcrumb, and every breadcrumb tracks a trail where a criminal or victim has been.

Where Digital Evidence Hides

A great mystery writer knows how to hide a clue in plain sight. The same is true of digital evidence.

1. Smartphones

Modern phones are portable black boxes. They store call logs, texts, deleted images, app data, GPS trails, and even sensor information that can pinpoint motion and location. In fiction, a single recovered text or photo can flip a plot.

Example: A victim’s fitness app records 200 extra steps at 2 a.m. proof she was still alive hours after the suspect claimed she was dead.

2. Laptops and Cloud Storage

Documents, emails, cached passwords, and file-creation times often reveal motive or premeditation. Cloud backups extend that reach: deleting something locally rarely means it’s gone.

3. Social Media and Messaging Apps

Posts, private messages, likes, and geotags create a map of a suspect’s or victim’s personal life. For writers, social platforms can expose contradictions: the killer who posts a cheerful vacation photo minutes after committing a crime. The victim who texted an irate boyfriend before disappearing.

4. Smart Devices

Doorbell cameras, smart speakers, thermostats, and watches all record direct evidence of where a victim or criminal has been. Investigators now recover voices, motion data, even room temperatures to build timelines.

5. The Digital Silence

Sometimes what isn’t there matters most, a phone suddenly powered off, an erased drive, an hour missing from security footage. In storytelling, absence of evidence can shout louder than its presence.

Every byte is a witness; the challenge is deciding which ones are telling the truth.

Turning Data into Drama

As a writer I often worry that using too much digital forensics bogs my story down, makes it uninteresting, or relies on telling instead of showing. After all, we want our characters in action. And watching someone stare at a screen or pick through files is very passive and very boring.

The secret to treating digital discovery is to use as little exposition as possible– sometimes you have to describe video footage or a computer file. Where we can get the most punch is when we use digital evidence as revelation… aka: a turning point in the plot. The found digital evidence can be a small, medium, or big turning point. But it has to count as something that shifts the plot investigation in a new direction.

●      Anchor the data to emotion. A recovered voicemail is about the message, but also the emotional meaning to the person who hears it.

●      Pace the reveal. Instead of unloading a list of findings, let information surface gradually, each clue raising new questions.

●      Show the cost. What does it feel like to invade a victim’s inbox or scroll through a dead child’s messages? Use sensory detail to humanize the act of investigation as the investigator is uncovering the evidence.

●      Avoid jargon overload. Let characters translate for the reader: “The timestamp’s off. Someone changed it.” That’s all you need. Unless your character is a digital analyst. Then, lean into the jargon as part of her character

The Emotional Edge

Behind every password and pixel is a person. And humans are driven by emotion. Use that in writing. Here’s how:
Bringing Humanity to the Data

The best crime stories are seeded in motive. Digital evidence should never replace emotion; it should reveal it.

●      A deleted text exposes regret.

●      A GPS trail shows obsession.

●      A search history lays bare guilt.

●      A detective scrolls through a suspect’s messages, what do they feel? Curiosity? Pity? Revulsion?

●      Think of each digital discovery as a confession waiting to be interpreted.

●      What is a detective’s reaction when she hacks into a victim’s private photos?

●      What happens when a journalist exposes data meant to stay sealed?

●      How do loved ones feel when a phone becomes evidence instead of memory?

Use emotional reactions of characters to heighten empathy, build the plot, and ratchet up suspense as they uncover a digital footprint.

Realism Without the Textbook

You don’t need to be a hacker to write digital authenticity. You just need to understand procedure and respect accuracy.

Start with credible sources

●      The U.S. Department of Justice’s Digital Evidence Guide outlines best practices for law enforcement.

●      The National Institute of Standards and Technology (NIST) publishes clear, publicly available frameworks.

●      The FBI Cyber Division offers summaries of current threats and tools.

●      Podcasts such as Darknet Diaries or The Forensic Lunch reveal real cases in accessible language.

Write lean

A single correct detail is worth more than pages of exposition. If you know what a “write-blocker” or “hash value” is, mention it once to show expertise, then move on. An easy hack for this is to have the digital expert character explain it to a non-techie character.

Consult real experts

A quick interview with a local cyber-crime investigator can provide nuances no textbook will, tone, pressure, emotional toll.

Authenticity doesn’t come from showing off what you know. It comes from knowing just enough to stay believable.

The Digital Detective

Every generation of investigators develops new instincts. The digital detective, whether real or fictional, reads data like body language.

They’re patient, analytical, and often brilliant. They see patterns others miss. But make sure yours is more than a brain behind a keyboard.

Give them the full range of character depth:

●      A cyber expert who still keeps notes by hand.

●      A genius coder who’s terrible at reading people.

●      A hacker turned consultant wrestling with guilt.

Common Mistakes to Avoid

1.     Tech magic. Don’t let characters “trace the IP in seconds” or “hack the Pentagon before lunch.” Real analysis takes time, warrants, and patience.

2.     One-click evidence. Data rarely tells a single truth. Circumstantial evidence here requires that investigators put all together all the evidence to create a line of reasoning that leads to a single suspect.

3.     Static scenes. Fiction can quickly turn into non-fiction with digital evidence trails. But no one wants to read computer analysis. BORING! Keep it quick, fast, and show how data changes the direction of plot.

4.     Outdated references. Technology evolves fast. Double-check that the apps, devices, and terminology in your story still exist.

5.     Emotionless experts. Readers connect to people, not software. Give your digital detectives personal reactions to what they discover.

The Forensic Thread

When I teach writing workshops, I remind authors that fictional forensics is about culling what is possible, not what isprobable. Whatever thread you pull on doesn’t have to be probable. It only has to be possible. Have fun with evidence and technology! Be inventive!

In my own fiction, I use cyber forensics the way I use autopsies, not for shock value, but to reveal truth. A recovered email can carry much emotional weight when it’s tied to character and motive.

Science gives us technology; humanity gives us connection. When you use cyber forensics, balance both.

The Future of Digital Crime

The frontier keeps expanding. Artificial intelligence can now detect manipulated images and generate false ones. Blockchain records are being introduced as tamper-proof evidence. Entire crime scenes can be reconstructed in virtual reality.

That evolution is thrilling for real life investigators… as much as it is for storytellers. Imagine writing a case where the killer uses deepfakes to create an alibi, or where investigators chase a suspect across multiple metaverses in VR.

But beneath the technology, the essential human question never changes: Why?

Technology will always change how crimes can be carried out… and solved. The corruption of human heart will always determine motive. And motive will always be the pulse of every great crime story.

Jennifer Dornbush is an author, screenwriter, and forensic specialist who brings crime stories to life with authenticity and heart. With a background rooted in real-world forensics and a passion for crafting unforgettable mysteries, Jennifer offers readers and viewers a front-row seat to the intersection of science, justice, and human nature. Jennifer’s crime expertise has made her a sought-after speaker, consultant, and educator. Through her webinars and master courses, Jennifer guides writers in melding suspenseful storytelling with forensic realism to the screen and page. Meet her at www.jenniferdornbush.com

“Preachiness” in Novels: How to Present Controversial Ideas in Fiction

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Note from Jodie: I’m busy meeting deadlines and getting ready to head off to the Surrey International Writers’ Conference this week, so I invited former journalist and talented thriller author Robert Bidinotto to guest post for me here today. Take it away, Robert!

Vigilante heroes – including Dylan Hunter, the hero of my vigilante thriller series – break lots of laws and conventions. I confess that I occasionally do the same about the laws and conventions of fiction-writing.

For instance, one cardinal rule, taught by many fiction instructors, is: 

Avoid expressing your personal views about politics, religion, and other controversial issues in your fiction.

Your job as a novelist, they say, is solely to entertain—not to “preach.” If you get up on your soap box, you’ll only alienate many potential fans. To attract a broad readership, you should suppress the desire to push divisive “agendas.”

Or, as movie mogul Samuel Goldwyn famously admonished a screenwriter: “If you want to send a message, call Western Union.”

But is it true that you shouldn’t express controversial views in popular fiction?

Well, it is true that readers of popular fiction don’t want to be lectured to or harangued. Some authors, believing they have important ideas to convey, beat readers over the head with their views. In static scenes on porches, in drawing rooms, and around dinner tables, characters don’t converse; they deliver speeches and soliloquys. Too often, these wooden, one-dimensional “characters” are little more than premises with feet.

I had to confront this issue head-on when I decided to move from nonfiction into fiction. You see, I have strongly held views and have never hidden them. My writing career began with “advocacy” journalism: essays, reviews, and other opinion pieces. So, when I decided to write thrillers a few years ago, it felt natural to incorporate my views into my stories.

First, I rejected the belief that there’s an inherent contradiction between entertaining fiction and thought-provoking fiction. Shakespeare, Ibsen, Hugo, Dickens, Tolstoy, Orwell, Dostoyevsky, Rostand—all wrote works that entertained millions while taking sides on the controversies of their times. Taken literally, the “no politics” rule would have deprived the world of Les Misérables, 1984, and Uncle Tom’s Cabin—serious novels of ideas that still won vast popular audiences.

Moreover, if you watch marketing expert Simon Sinek’s influential talk, “Start With Why,” you’ll see that building compelling stories around your passionately held beliefs can become a great marketing strategy. They will attract those who share your views, making them loyal fans, even evangelists for your work. Distinctive views also help to “brand” you, making you and your work stand out from the crowd and become more visible.

But how can authors with “something to say” avoid the pitfalls of heavy-handed preachiness? And how do I incorporate controversial ideas into popular thrillers, without turning off readers looking mainly for a good rollercoaster ride?

I think many opinionated writers fail to entertain because they engage in extraneous pontificating, rather than make their ideas integral to the stories themselves. The trick is to weave a provocative theme or premise into the very fabric of your story, making it the thread that connects your characters to each other and to the events of the plot.

In his classic how-to, The Art of Dramatic Writing, Lajos Egri devotes the first chapter to structuring a story upon a “premise.” Egri shows how to develop a controversial theme, first by creating major characters that hold uncompromising, opposing positions. Their clash of values drives the plot’s central conflict, which is resolved at the climax. The climax “proves” the story premise. Minor characters play complementary roles, representing “variations on the theme.” (Of course, your challenge as a literary craftsman is to make your characters seem three-dimensional and fully real—and not mere mouthpieces for arguments.)


I used Egri’s approach with my first thriller, HUNTER, which draws upon my past investigative reporting about the criminal justice system. It dramatizes the outrageous leniency I discovered, in which vicious criminals are routinely recycled back onto the streets to prey on new victims. The major antagonists are my hero, mysterious investigative journalist Dylan Hunter, and a wealthy philanthropist funding “alternatives to incarceration.” The complication is that Dylan doesn’t know that his sworn enemy also happens to be the father of the woman he loves.

This orchestration of characters allows the thriller’s theme—the injustices caused by excessive leniency—to be not only articulated and argued, but to be dramatized in action, with all the scary violence, intense suspense, and sizzling romance that thriller fans expect.

For the sequel, BAD DEEDS, I set the story in even more controversial territory: the clash between environmentalists and the “fracking” industry. Here, my views are not what most readers would anticipate. But once again, I present villains who uphold ideas and values opposite those of my hero. Once again, the plot brims with action, suspense, colorful characters, and white-knuckle thrills. And once again, the climax “proves” the theme.

At first I feared that my maverick opinions would turn readers off. Instead, HUNTER became a Kindle and Wall Street Journal bestseller. And the even-more-controversial BAD DEEDS is maintaining an Amazon customer rating of 4.9 out of a possible 5.0 points.

So, if you write mysteries and thrillers, relax! You don’t have to avoid touching hot-button controversies. In fact, doing so can become a badge of distinction, helping your work to stand out in the overcrowded marketplace. I describe my novels as “thrillers for thinkers.” 

And in an era of recycled plots and worn genre retreads, that’s not a bad brand.

Robert Bidinotto is author of the Kindle and Wall Street Journal bestselling thriller, HUNTER, and the thrilling sequel, BAD DEEDS. Robert earned a national reputation as an authority on criminal justice while writing investigative crime articles as a former Staff Writer for Reader’s Digest. His famous 1988 article, “Getting Away with Murder,” stirred a national controversy about crime and prison furlough programs and was named a 1989 finalist for a National Magazine Award. Robert is author of the acclaimed nonfiction book Criminal Justice? The Legal System vs. Individual Responsibility. He also wrote Freed to Kill—a compendium of horror stories exposing the failings of the justice system. Robert drew upon this background and his personal experiences with crime victims to write HUNTER.

We the Jury…

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by Clare Langley-Hawthorne

Well, it’s gone midnight and I’ve just finished up my final proofing edits (why does this always seem to take so long?!) – I would have had them completed much earlier (yeah, right…) if I hadn’t been called up for jury duty last week. Now before you all roll your eyes in sympathy, I was actually excited about the prospect of serving on a jury. In Australia, you see, lawyers (at least when I was practising) are not allowed to serve on juries.

The thought that I was never going to get a glimpse of what it was like to be on the other side – hearing the arguments rather than making them, weighing up the evidence and actually getting to decide whether a person was guilty or not – always bugged me until I realized that now, as a US citizen, I may actually get to be on a jury (I know, it’s sad just how cool I thought this would be).
Last Wednesday was my first ever experience of the American criminal justice system (really…) and my first ever jury duty summons as a US citizen, and I have to say it was anticlimactic to say the least.

First off, I had no idea how boring it would be – or how bizarre it was to sit in court listening to people on the first ‘randomly chosen’ jury panel go over their backgrounds, while the rest of us schmucks had to wait…and wait…just in case. I found that I couldn’t turn the lawyer in me off – after each potential juror finished answering their background questionnaire, I found myself mentally deliberating on whether, and on what grounds, I would have tried to excuse them. Every time the judge (who was, I have to say, exceptionally nice as well as funny) issued instructions I also found myself saying ‘yeah, yeah…blah, blah,blah..beyond a reasonable doubt…’ before an inner voice shouted “Just get on with it!!”

As it turned out the case (should I have even ended up on the panel) was due to run through this week and since I’m heading off to London later today (yay!) on a research trip I had to be excused anyway.

So, since my first jury experience turned out to be a bit of a fizzer, I was wondering if anyone had any juicy jury stories to tell me instead. Go on, let me live vicariously…or at least provide me with some truly excruciating, bored to the eyeballs stories so I can feel vindicated.