I’m excited to have Janice Gable Bashman as my guest today at TKZ. Her latest release (now available) is PREDATOR with Month9Books. Stunning cover. Janice is a Bram Stoker nominated author and editor of the prestigious International Thriller Writers (ITW) publication, The Big Thrill, and she serves on ITW’s board of directors as the Vice President of Technology. Today Janice will share her tips on how to put a new spin to an old tale and make it fresh. Take it away, Janice—and welcome.
Janice Gable Bashman
I love when an author takes science to its extreme. Often it goes horribly wrong. I devoured early works by Michael Crichton (Jurassic Park and Sphere) and James Rollins (Deep Fathom and Amazonia) during my youth. The books were popular and it’s easy to see why. The authors took old tales—dinosaurs roaming the earth, a 300 year-old space ship at the bottom of the ocean, an ancient power causing havoc in a modern-day world, and a mysterious disease threatening to wipe out the population with the cure hidden deep inside the jungle—and put new spins on them. The stories were fresh and exciting and loved by many. They still are.
So how do you put a new spin on an old tale when readers think they already know how it’s supposed to go and there isn’t anything they can possibly learn?
You have to think outside the box, as the saying goes.
In my novel Predator, I give the werewolf legend a couple of new spins by introducing the Benandanti (an actual folkloric belief that certain families of Italy and Livonia were werewolves who fought against evil) as well as a modern scientific approach to mutation and the science of transgenics. But I take these new spins a step further. The science is used to its extreme, in some cases it goes horribly wrong, and the Benandnati may not be what they seem. How did the Benandanti end up alive today and living in Ireland and the United States? What are they up to and why? Are they good or evil?
By raising new questions, upping the stakes, and using science in a new way, I was able to put a new twist on the werewolf tale. Writing about science or werewolves or super soldiers is nothing new. They are simply a premise. It’s the story elements that give these topics a new twist and makes them fresh and exciting. And it’s the characters that bring them alive.
So how can you do the same with your premise?
Can you combine elements of different genres to create a new idea?
Can your protagonist see things from a perspective different than you ever thought possible?
Can you use your novel’s physical world to put a fresh spin on things?
Can you mash together two concepts to create something new?
Think about it. It’s possible. It’s up to you and your imagination to wow the reader with a new take on an old tale. I know you can do it.
So TKZers—what novels do you love that put a new spin on an old tale, and why?
Janice Gable Bashman is the Bram Stoker nominated author of PREDATOR (Month9Books 2014) and WANTED UNDEAD OR ALIVE (w/NEW YORK TIMES bestseller Jonathan Maberry) (Citadel Press 2010). She is editor of THE BIG THRILL (International Thriller Writers’ magazine). Her short fiction has been published in various anthologies and magazines. She is a member of the Society of Children’s Book Writers and Illustrators, Mystery Writers of America, Horror Writers Association, and the International Thriller Writers, where she serves on the board of directors as Vice President, Technology.
Book buy links for Janice:
http://bit.ly/ZsJgFX (Barnes & Noble)
On Monday, my lovely TKZ blogmate Clare Langley-Hawthorne had a post called “Losing the Past” where she discussed the state of the historical. I must admit I’ve been intimidated from trying to write an historical. The research seemed daunting, not to mention the world building and dialogue challenges, but I’ve always loved classic literature set in a historical time period made into movies, like Little Women, Pride and Prejudice, Wuthering Heights, David Copperfield, and Jane Eyre. There is something very compelling about taking a peek into the past to see the cultures, classes, location settings, and period clothing. Whether in a book or on screen, it’s a beautiful escape to a different time and place. Historicals aren’t dying out, they’ve become the new black if they’re reimagined into something fresh.
Lately I’ve become enthralled by TV period pieces, especially if the writing and storytelling are solid and the visuals and world building are memorable. Shows that have pulled me in are: Fox’s Sleepy Hollow, BBC’s Ripper Street, and Showtime’s Penny Dreadful. I watch other shows for different elements towards my writing, but these shows have influenced me into crossing the line of my comfort zone. I firmly believe, for me, that I must seek out projects to push my perceived limits. I think I learn more about myself when I do it. The only limit to any writer is the limit of their own imagination.
So when I was recently asked to contribute to a time travel anthology (with an amazing group of authors), I accepted with great enthusiasm (even though it scared me). I accepted the challenge because of my love for these three shows and my desire to push my writer limits. I wanted to share these feature film quality shows with you to see if they stir your imaginings as writers for inventive plots, attention to detail on world building and research, and the fearlessness of the creative mind to combine ideas that may not connect easily.
SLEEPY HOLLOW – The motto at Sleepy Hollow these days is “Embrace the Ridiculous.” Show creators and the talented writers have thrown together very unlikely elements to create what’s been called WTF TV. On paper, the pitch for the show would’ve sounded absurd – Washington Irving adaptations of Headless Horseman and Rip Van Winkle, mixed with Revelations in the Bible and the Four Horsemen of the apocalypse and historical conspiracies from the Revolutionary War. Icabod Crane is reimagined as a Revolutionary War hero and Revelations “witness” who arises from his secret grave at the same time as the Headless Horseman (aka Death) starts a killing rampage in the quiet town of Sleepy Hollow. The battle of good versus evil has found a home. Crazy, yet it works. The added touch of humor to this “man out of time” story makes Icabod a very endearing character. There’s tongue in cheek humor and the show is notably very ethnically blended. Sleepy Hollow is making history in more ways than its flashbacks.
RIPPER STREET is set in Victorian London right after Jack the Ripper left his mark. Fear runs high that the monster will return. The shows are tightly written, very emotional, and there is great sensitivity to social issues of the time that reflect on those same issues today. Another thing I love about Ripper Street is the portrayal of early forensics and crime scene analysis. Many scenes are laughable (ie surgical operations done in the open without sterilization or proper care for infection) yet accurate for the time period. Costumes are stunning and the street settings are vivid with great care for detail.
PENNY DREADFUL – The show title of Penny Dreadful comes from history, the name given to paper pamphlets filled with terrifying stories. Such stories (also known as Penny Blood, Penny Awful, & Penny Horrible) plus stage performances of the genre were the rage in London during the Victorian time period. They were printed on cheap pulp paper and aimed at working class adolescents. Fear abounded and made fertile ground for when Jack the Ripper wreaked havoc on the streets.
Penny Dreadful is an homage to literary horror and classic monsters of the time: Bram Stoker’s Dracula, Mary Shelley’s Frankenstein, and The Picture of Dorian Gray by Oscar Wilde, etc. What I love about Penny Dreadful is the intense world building in every scene. The details of lush sets and gorgeous costuming and the use of practical literary monsters (not animated computer generate imagery). The horror is visceral.
Here is Dr Victor Frankenstein slaving over his “creature” in secret. The scene where Victor lays eyes on his living creature (and the creature sees his creator for the first time) is an unforgettable moment where the viewer holds a breath to watch the touching intimacy. Everything about this show speaks to me of good writing, solid storytelling, and memorable characters in classic conflict. Visually stunning. It’s a feast for the eyes, mind, and heart.
For Discussion: What shows stir your writer imaginings? Have they ever influenced you to write a genre you’ve never tried before?