“Books to the ceiling,
Books to the sky,
My pile of books is a mile high.
How I love them! How I need them!
I’ll have a long beard by the time I read them.”

                       — Arnold Lobel

Lately, I’ve been reading For the Love of Books by Graham Tarrant, and it occurred to me that this was an excellent subject for a Valentine’s Day post. Much of what follows I gleaned from that book.

***

A brief history of tomes. Books have been around for thousands of years, of course, but they weren’t for everybody. Some of the first ones were the real hardbacks – clay tablets that were inscribed and then dried in the sun. Durable, but not terribly convenient.

Next came the scrolls written on papyrus. The Egyptians and Greeks liked this medium. But leave it to the Romans to come up with something useful: the codex written on individual pages of parchment or vellum and attached along one edge so that pages could be turned.

In the Middle Ages, books were still confined to the elite classes of priests, scribes, and nobility. Monasteries housed buildings or rooms called scriptoria where monks laboriously hand-copied texts. Often the books in the scriptorium were chained to the shelves so they couldn’t be stolen. The Name of the Rose by Umberto Eco is set in such a location.

The printing press. Then came Johannes Gutenberg and everything changed. His invention of the printing press along with his process for mass-producing movable metal type, provided an economical means for the mass production of printed books for the first time. Many scholars consider Gutenberg’s printing press to be the single most significant invention of the second millennium CE. The Age of Information had begun.

Because of Gutenberg’s invention, books were not only produced in great quantities, they began to be printed in the vernacular languages rather than just Latin. Literacy spread. Knowledge and ideas became available to the common man and woman through books. Some of the works produced in this early era were the King James Bible (1611), First Folio (1623), a collection of Shakespeare’s plays, and Isaac Newton’s Philosophiae Naturalis Principia Mathematica (1687) in which the scientist explained his laws of motion and the law of universal gravitation.

By the eighteenth century, demand for books was so widespread that subscription libraries sprang up in Europe, and soon after public libraries came into being. Books were now available for all.

The novel. The novel adventure began with Don Quixote by Miguel de Cervantes which was published in 1605. It’s considered to be the first great modern novel.

As we fly through the next centuries, we find Daniel Defoe’s The Life and Adventures of Robinson Crusoe (1719), Henry Fielding’s Tom Jones (1749), Charles Dickens’s Pickwick Papers (1837), and Mark Twain’s The Adventures of Huckleberry Finn (1884).

Closer to the TKZ home front, the first modern detective story was Edgar Allen Poe’s The Murders in the Rue Morgue short story (1841). However, Wilkie Collins lays claim to the first mystery novel, The Woman in White (1859), and the first detective novel, The Moonstone (1868).

It seemed that people couldn’t get enough of books. In 1935, Penguin Books became the first mass-market paperback endeavor. One of its first ten published works was The Mysterious Affair at Styles by Agatha Christie.

Soon paperbacks became so popular and inexpensive they could be found in drug stores and newspaper stands in addition to libraries and book stores. Detective stories and crime novels were especially popular and made authors like Raymond Chandler, Dashiell Hammett, and Erle Stanley Gardner household names.

Today our books come in hardback, paperback, digital print, or audio, and the publishing industry continues to grow.

***

So that tells a little of what happened over the last few millennia, but the question remains: Why do we love books so much? Is it the desire to acquire knowledge or increase understanding of times and places we can’t experience ourselves? Perhaps it’s just to be entertained. Personally, I believe the best books are those that make us think and feel, that make us go beyond ourselves to empathize.

Consider this small group of novels that all deal with young women growing up in vastly different circumstances:

Pride and Prejudice – Jane Austen shares her humorous tale of Elizabeth Bennet growing up in manners-conscious England during the early 19th century.

To Kill a Mockingbird – Harper Lee tells the riveting story of young Scout Finch learning hard lessons about life as she comes of age in a small town in Alabama during the Great Depression.

A Tree Grows in Brooklyn – Betty Smith captures the joys and heartbreaks of Francie Nolan growing up in difficult circumstances in early 20^th-century Brooklyn.

West with the Night – Beryl Markham captivates the reader with this memoir of her adventurous life in the wilds of Kenya during the first half of the 20th century.

Although these four books differ in times and places, they each resonate with themes of family, community, adversity, and determination. The circumstances and personalities of the main characters may be different in each book, but the stories enable us to see ourselves in them. Such books influence who we are and how we interact with the world around us. No wonder we love them so.

***

How many books are there? As of Thursday, August 5, 2010 at 8:26 AM, the Google Books Project counted 129,864,880 unique books. According to a November 2021 article on Market Research Telecast, that figure had grown to about 170,000,000 by 2019.

I don’t know how many books there are today, but I’m honored to have friends who have added to that total, and I’m happy that I’ve contributed a few myself.

***

TKZers: What books do you love? Why do you think people love to read? What books should I have added to this post that I missed?

“Words are, of course, the most powerful drug used by mankind.” – Rudyard Kipling

Words are an author’s best friends. They give us pause to examine ourselves and refine our thinking. They’re not only the tools we use to build our stories, they are the machinery that runs the enterprise of civilization.

* * *

Do you have a favorite word? I do, and I’ll tell you how I came to love it.

In the 1980’s, my husband, Frank, invented and patented a medical imaging device which he named the Kinestatic Charge Detector (KCD). If you’re interested, you can read the abstract of the original paper here.

The KCD worked on the principle of ions moving in one frame of reference, but stationary in another. To illustrate this principle, Frank coined the word “kinestatic” by combining “kinetic” (moving) with “static” (still). What a great word! To our knowledge, this word had never been used prior to his conceiving it.

Frank has often compared kinestasis (the noun form of the word) with walking up a down escalator. You’re moving in relation to the steps, but you’re stationary in relation to the outside world.

There are lots of other situations in everyday life that are kinestatic.  Do you walk on a treadmill? You’re kinestatic. In another context, do you ever find yourself rushing around all day doing things but accomplishing nothing? Kinestasis!

Of course, I was proud of Frank’s work, but I was especially amazed at the word he came up with. I asked him once if we should pursue getting his word into dictionaries, but he was busy and I was busy, so the matter dropped.

Fast-forward ten years or so. We were in England and stopped by Oxford one day when we serendipitously met an assistant to the editor of the Oxford English Dictionary! As a great believer that Providence steps in when we are too lazy to get something done ourselves, I of course assumed this was the moment “kinestatic” would find its rightful place in the English language.

I eagerly explained Frank’s beautiful word (he was too modest to self-promote), and the editor’s assistant thought it sounded interesting. However, she noted, “the word has to be in common usage.” Hmm. I wondered if biomedical engineering academia would qualify as “common usage.”

She and Frank exchanged contact information and over the next couple of months, they emailed back and forth so he could explain more and she could research. Unfortunately, “kinestatic” didn’t meet the lamentably rigid usage standards of the OED. So there.

But it’s still my favorite word, and I’ve decided to include it in every novel I write. It’s sort of like an Easter egg. I plant the word in a sentence, and every editor that sees the manuscript says, “that word is not in the dictionary.” Then I explain why it’s there, and everybody’s happy.

I’m still waiting for the day when the OED and other dictionaries will recognize the genius of Frank’s word. Every now and then I google “kinestatic.” Google changes the search to “kinesthetic,” and I change it back to “kinestatic.” There are a few entries now outside the medical imaging field, so maybe the word is moving toward widespread usage.

Who knows? Maybe 2022 will be the year when the OED editor will step off his treadmill and wonder why we don’t have a word to describe running in place.

* * *

TKZers: Tell us about your favorite word or words. Have you ever made up a word? Or used a word that’s not in the dictionary because it fits the occasion? Tell us your experiences.

Discover: verb. to see, get knowledge of, learn of, find, or find out; gain sight or knowledge of (something previously unseen or unknown).

Before I begin, let me note that I’m not addressing the issues of the treatment of indigenous peoples by the early explorers. I’m simply looking at the accidental discovery of the Americas.

One might argue that Columbus didn’t “discover” the New World since people already lived there. Others may point out that Norsemen landed in Newfoundland hundreds of years before Columbus. But the discovery in 1492 was the singular event that led to a worldwide understanding of the geography of our planet and resulted in an exciting new age of exploration.

In the fifteenth century, many European leaders longed for quick access to the riches of the Far East, but land travel to Asia was perilous. The only known sea route was by sailing south along the west coast of Africa, around the Cape of Good Hope, across the Indian Ocean and on to Asia. But that was a long, slow journey.

Into this moment in history stepped the Italian explorer Christopher Columbus, and as we all know, he proposed a different solution to the problem: sailing directly west from Europe to Asia. Columbus wasn’t the only person who believed the Earth was round – most educated people of that era agreed – but he was the one who was willing to risk his life on it.

Columbus was an excellent seaman and one of the most experienced navigators of his time. However, the data he used to calculate the length of the voyage was faulty. The circumference of the Earth was considered to be much smaller than it actually is, and the Asian land mass was thought to extend much farther to the east than it does. Using these data, he calculated the distance from the Canary Islands to Japan to be about 2,400 miles. Actually, it’s more than 10,000 miles. One can only wonder if he would have attempted the voyage if he had known the true distance.

By 1484, Columbus had drawn up plans for a westward expedition into the Atlantic Ocean to fulfill the dream of finding a faster route to Asia and its riches, but his request for support was turned down by every government he approached as being too risky.  Undeterred, he kept trying, and eventually he secured funding from several sources including the Spanish monarchs Ferdinand and Isabella. The rest, as they say, is history.

***

Perhaps we can define Christopher Columbus as the first hybrid plotter/pantser. (Okay, now you see where I’m going with this.) There are a lot of similarities. Columbus had an end goal in mind, but he didn’t simply hop in a boat and head out. His persistence and hard work got his voyage funded. He used the knowledge that was available to him at the time to plan his voyage (albeit his calculation of the length of the trip was woefully mistaken). He was a skilled navigator who had made many successful voyages around the coasts of Europe, and he wisely decided on the starting point from the Canary Islands to take advantage of the favorable trade winds. Still, to set sail into the unknown was an act of courage and faith that I suspect few had then or have today.

Of course, he could not have foreseen the magnificent surprise that awaited him some weeks after he set sail.

***

The Discovery Method in writing is often defined as pantsing or “writing by the seat of your pants.” But maybe it’s closer to the Christopher Columbus hybrid method. Is using this approach a way to happen onto an idea or a phrase that we wouldn’t have come upon otherwise? Will the discovery method offer us the opportunity to learn more about ourselves by launching into the unknown with a partially-developed plan? Is it possible to produce a work that is new and revolutionary through the discovery method?

So, TKZers: Are you a plotter? A pantser? Or a hybrid plantser? Have you happened onto any unexpected discoveries in your writing? Maybe you’ve experimented with a new idea to extend yourself beyond the safe haven of what has always worked for you.

Is the possibility of discovering something new worth the risk of failure by launching out into the unknown?

I’m honored to be the first to welcome TKZers to 2022! I hope you had a wonderful holiday season, filled with family, food and fun, and ending with a resolution to begin a new writing adventure in the new year. Consider this quote by Winston Churchill:

“Writing a book is an adventure. To begin with it is a toy then an amusement. Then it becomes a mistress, and then it becomes a master, and then it becomes a tyrant and, in the last stage, just as you are about to be reconciled to your servitude, you kill the monster and fling him to the public.”

While I can’t relate to every one of the phases Mr. Churchill describes, I love the metaphors, and he made me wonder how I would describe.my own adventures in my limited experience of novel-writing. Here goes:

When I begin a new book, I spend some time searching for ideas. Is there some message I want to convey? Or a character who’s anxious to make his/her debut? Is there a particular mystery I want to challenge readers with or a basic theme I’m interested in? I spend time reading good novels and craft-of-writing books. I go for a run and play what-if games. I try not to force the issue, but let my brain relax, hoping for inspiration.

Then it happens. Something bubbles up and captures my imagination. Oh, happy day! Now it’s time to get to work.

I pull on my virtual hiking boots, strap my laptop in place, and head out to First Draft Land. Although I have a good idea where I’m going, I’m not entirely sure how to get there, so I wander around for a while. (A long while.)

Even though I made it to the end of the story, it’s just a mess, so I go into revision mode. Applying lessons learned about plot, structure, dialogue, tension, and other TKZ topics, I straighten out some of those detours and rabbit holes. I weed the prose, kill my darlin’s, and heartily eradicate the dreaded adverbs. (Just checking to see if you’re paying attention.) Now we’re getting somewhere:

Having reached what I believe is the end of my writing adventure, I gleefully ship the manuscript off to my developmental editor, convinced she will be delighted with the almost-perfect story. My editor has a very direct approach to feedback as you can see by her response to the manuscript.

Maybe she was just having a bad day, but I trust her judgment, and I take her critique to heart and work some more. The adventure resumes, and we loop through each leg of the journey to clear away the debris so the reader won’t stumble.

Finally, the editor gives it a green light, and I begin the last mile to the finish line. Beta readers come alongside to offer their wisdom, then it’s off to the line editor and proofreader for the final changes. (Who knew it took so many people to write a novel?)

What started as a joyful romp through the garden ends with a quiet sigh of relief and gratitude. There’s only one thing left to do: launch it out into the world.

Success! Adventure complete. Dragons slayed and townspeople rescued. After a short nap, it’s time to start another adventure.

Now where did I put that book on marketing?

* * *

How about you, TKZers. What writing adventure are you planning for 2022? What phases will you go through? How will you manage the long trek to publication?

There are many familiar adages that refer to the need to be careful and diligent in our work.

“The race is not always to the swift.” – from Aesop’s Fable, The Hare and the Tortoise

“Whatever is worth doing at all, is worth doing well.” – Philip Stanhope, 4^th Earl of Chesterfield

“There are no shortcuts to any place worth going.” – Beverly Sills

Here’s one you may not have heard of:

“Festina Lente.”

I encountered this saying a couple of years ago, and it captured my imagination. So much so that it’s written at the top of the whiteboard that sits on my desk so I see it every day as I’m working.

Festina lente is a Latin phrase that literally means “make haste slowly.” It’s an oxymoron, a contradiction in terms, that refers to the proper balance of speed and diligence in one’s chosen field. Too fast and you risk delivering a sloppy product. Too slow and you miss opportunity. Finding the right pace is the key to success.

The phrase has been used throughout history. One notable proponent was the Roman Emperor Augustus who used it to caution his military commanders against making rash decisions. The emperor apparently felt so strongly about it that he had coins minted with images that referred to the saying.

Writers will be interested in the Renaissance printer Aldus Manutius who adopted the phrase Festina lente and its symbol of a dolphin wrapped around an anchor for his publishing business. Interestingly, the dolphin / anchor symbol is currently used by Doubleday Books.

Manutius was a highly successful businessman who made significant contributions to the fields of printing and publishing. In addition to inventing the italic typeface, he produced the first small, portable books that scholars regard as the prototype of modern paperbacks.

So how does Festina lente apply to authors today?

Self-publishing has made it easy to publish without a quality gatekeeper, so the opportunity is there to rush an unpolished manuscript into production. On the other hand, it’s possible to overanalyze every word and phrase in an endless cycle of revision and never publish anything at all.

Each author has his or her own methodology from concept to production. Some are awesomely speedy in their work. Others (me, for example) are on the lente side of the equation. But in any case, we each build the finished product to our own specifications and on our own timeline.

So TKZers, how do you thread the needle between too fast and too slow? Do you have a word count quota to keep your pace up? What quality controls do you employ? How do you know when you’ve cleared the last hurdle and are ready to release the book into the wild?

* * *

“Slowly make haste, and without losing courage;
Twenty times redo your work;
Polish and re-polish endlessly,
And sometimes add, but often take away.”

— Nicolas Boileau-Despreaux

Festina Lente!

* * *

Nancy Drew meets Tom Sawyer in this new release, book three in the Watch series of cozy mysteries featuring Kathryn Frasier and Cece Goldman.

Mr. Tyme is dead, and strange, coded messages have been left in the chapel prayer box on the campus of Bellevue University. When Kathryn and Cece attempt to decipher the codes, they begin to suspect foul play. But things get dicey when a couple of misguided young girls get wind of the investigation and decide to find the killer on their own. It’s bedlam in Bellevue!

Several weeks ago, James Scott Bell posted a question about gratitude. There were a lot of responses to his query, proving writers are a grateful bunch. As we begin this week on final approach to Thanksgiving, I thought I’d take a deep dive into the meaning of the word gratitude to see if there’s been any research into its effects.

Wow. I found a lot. It turns out scientists are discovering a wealth of benefits that come from just being grateful. Remember how Mom used to say, “Count your blessings?” In an article entitled “How Gratitude Changes You and Your Brain,” researchers Joshua Brown and Joel Wong state, “many studies over the past decade have found that people who consciously count their blessings tend to be happier and less depressed.” They noted the positive effects of gratitude are felt even if you don’t share it. (It’s nice to see science is catching up with Mom.)

Brown and Wong also performed functional MRIs on some of their subjects’ brains and found those people who were more grateful experienced greater activation in the medial prefrontal cortex of the brain, an area associated with learning and decision making.

Dr. Robert Emmons from the University of California, Davis, is a leading expert on the science of gratitude. In his article “Why Gratitude is Good,” he lists a wealth of benefits experienced by people who regularly practice giving thanks. Some of these are

• Stronger immune systems
• Lower blood pressure
• Better sleep
• Higher levels of positive emotions
• Relationship strengthening
• Feeling less lonely and isolated
• Increased daily word count in their writing (Okay, I made that one up, but it’s probably true.)

Now, I’m not advocating that we pretend to be grateful just so we’ll receive the benefits of better mental and physical health. But it’s clear that by sincerely affirming the good things we’ve received, we will enjoy happier and healthier lives. And we may make somebody else’s life a little better along the way.

Since we’re writers, let’s return to the question Jim asked several weeks ago, but with a narrower focus.

Name one thing about writing you’re grateful for. It can be a book you’ve read, a mentor who’s inspired and helped you, a blog you love, or any other person or thing you’re grateful for.

I am certainly grateful for all the contributors and commenters on TKZ. Happy Thanksgiving! Wishing you all a safe and healthy holiday.

“Gratitude is the sign of noble souls.” – Aesop

* * *

COMING SOON

Nancy Drew meets Tom Sawyer in this fun and chaotic romp through the third book in the Watch cozy mystery series.

With Time All Things Are Revealed

Kay DiBianca

Chariots of Fire is one of my favorite movies. If you’ve seen it, you know it’s a great film about running. It’s well-constructed, beautifully rendered, and thought-provoking, and I occasionally watch it when I’m on the treadmill as an inspiration to keep huffing and puffing.

The film tells the mostly true story of two very different men, both exceptional runners, who are training to compete in the 1924 Olympics.

Harold Abrahams is a brash and confident law student at Cambridge University who boasts that he’s never lost a foot race. He follows it up by winning the College Dash, a race against the clock that had never been accomplished in the 700 years of its history.

Eric Liddell is the modest and devout son of a Scottish missionary who has determined his own future will be in the mission field. But Eric is also a remarkably gifted runner, and he wants to try his hand (and legs) at the Olympic track events before he returns to China.

The two men are headed toward an inevitable showdown, and their individual efforts comprise much of the film’s early scenes.

But the movie is about more than running and winning. That’s the obvious theme, the WHAT of the story. As the plot moves forward, a more subtle sub-theme emerges. The essence of the movie is the WHY.

Why were these men willing to spend so many lonely hours in the painful pursuit of a minute or two of glory that may not even happen?  A lot of people lust after a moment in the spotlight, but few are willing to put in the kind of grueling work these two did. There must be something deeper.

Perhaps the reason was revealed in a dinner conversation between Harold and Sybil Gordon, a talented singer/actress who eventually became his wife.

On their first date, she asks him, “Why running?”

He responds, “Why singing?”

“It’s my job,” she replies, but then immediately pauses and reflects. “No, that’s silly. I do it because I love it.”

Ah.

Several scenes later, Eric has a conversation with his sister who is urging him to give up running to return to the mission field. Trying to make her understand his desire to compete in the Olympics, Eric says, “I believe that God made me for a purpose, for China. But He also made me fast. And when I run, I feel His pleasure.”

* * *

Running and writing have a lot in common. To be serious in either field requires discipline, hard work, and perseverance. The runner paces himself/herself through long distances one step at a time just as the writer progresses word-by-word through his or her story. Along the way, one must develop the ability to deal with frustration, injury (running) or rejection (writing). These attributes are not for the faint of heart.

Now there’s no doubt the benefits in both areas are profound. Runners and writers enjoy time alone to explore their thought-worlds. Runners experience improved health, a sense of well-being, and even a boost to creativity. Writers often find a deeper meaning in their own existence when they offer the gift of their creative talent to the world. They might even make some money.

But is there something more? Like the runners in Chariots of Fire, serious writers seem to have a devotion to their chosen activity that transcends worldly reward. Perhaps it’s natural talent that draws them in, but there must be something deeper to hold them. Is it the challenge? The possibility of riches? The lure of fame? Is it the desire to create, to give a gift of oneself to a troubled world? Or is it simply the love of the craft?

* * *

The TKZ community is made up of writers who run the gamut from the relatively new like me to best-selling authors and authorities in the field. So there must be a variety of opinions on why each of us writes. I’d like to know. Why do you write?

 “Where does the power come from, to see the race to its end? From within.” — Ian Charlson in the role of Eric Liddell in Chariots of Fire.

* * *

Saving One Life Is Like Saving the Whole World

Kathryn and Cece find themselves in another tangled web searching for a killer in order to save the life of a friend. Could the dead man’s watch hold the key to the mystery?