When You’re Not Writing

Last night I spoke to a book club in a very exclusive Dallas neighborhood.

I arrived early, because that’s the way I am. Half an hour early is almost late.

The host lived in a stunning midcentury house nestled under spreading live oaks. Since I had a tiny bit of time, I drove around the neighborhood, enjoying the architecture from a time period I loved.

In college, I pursued a degree in residential architecture before deciding that leaning over a drafting board for the rest of my life wasn’t my idea of a career. However, I had a grand old time arguing with my professor over house styles. This was 1972, and he insisted on one style of home, those new boxes everyone is remodeling now days, while I insisted on Frank Lloyd Wright style homes with huge windows and lots of open space.

By the end of the year, he promised not to fail me if I promised not to take the second half of his course. Maybe that’s the real reason I bailed on architecture.

College was a problem in many ways, not because the drinking age was eighteen, but because I had to drop out of several career opportunities such as paleontology, and geology. Being colorblind was a serious problem.

But anyway, there I was later that evening, standing in front of the fireplace in this glorious house, surrounded by more than sixty folks my age. I love talking with readers who understand what a typewriter is, or who remember the days of carbon paper, Whiteout, the Dewey Decimal System, card catalogues, and the U.S. Postal service.

That last subject comes up in our discussion of the old days when would-be authors mailed query letters and manuscripts, along with postage, or self-addressed stamped envelopes for publishing houses or editors to send the materials back, or to send back rejection notices.

I’ve probably talked with hundreds of book clubs ,organizations, or attendees at book signings about books and writing, and weave humor throughout these presentations, along with history, industry information, and the craft of writing. Panels and book signings require the same attention to audience needs.

Having done these so many times, I’ve developed a sense of timing, allowing for laughs, surprise, and for people to take a moment to realize what I’m talking about. The slow-burning fuse until they get my point. This group of folks my age was the most attentive I’ve ever encountered, reminding me of kindergartners watching a magician.

In that grand old house, my audience sat there like mannequins, some offering vague smiles, but little else. In my mind, I was falling flat. Reading the room, I changed directions on the fly, discussing how our industry has eliminated mass market paperbacks, the shrinking of shelf space, and the number of books published each month, resulting a firehose of reading opportunities for customers.

The crickets outside applauded with their chirps. I wrapped up, and opened the floor for questions or points of discussion.

A couple of people bestirred themselves.

A hand went up. “Do you outline?”

AHA! Now I knew what they wanted, and launched into my own writing process. Finished, I offered the floor for more questions and comments.

Crickets again.

A tentative hand went up. “Can you discuss how much research it takes to produce a book like Comancheria?”

That’s why I was there, and during my presentation spent a considerable amount of time discussing plot, characters, and the source of this first book in the Hollow Frontier series. The question was a breath of fresh air, and I explained my love of history, reading, and how I absorbed volumes of history before writing my books.

Our hostess finally stood at the exact time she’d previously told me the meeting would end. “Let’s thank Mister Wortham for his time and books.”

The room rose in a standing ovation. Stunned by their response, I stepped aside as the hostess finished some organization duties and the meeting was over. For the next fifteen minutes, I shook hands and accepted gracious comments thanking me for a “wonderful presentation,” and “exceptional discussion on the craft of writing and publishing,” and “for keeping us completely entertained throughout the evening.”

On the way home, I realized this group of retirees exhibited the behavior drilled into Baby Boomers way back in elementary school. Our teachers back then hammered us with “pay attention” and “be polite while the speaker has the floor.”

Tentative or inexperienced authors might have stumbled or trailed off early in their talk, but I’d seen this before. It’s all part of being a speaker, and entertainer.

The next time might be a boisterous crowd, like a wine-tasting book club I spoke to in East Texas. They were the rowdiest group I’d ever seen, and I could have read the phone book to their great enthusiasm.

The wine helped.

Other groups offer polite applause as I sit down, but then book sales might be more than anyone would have anticipated.

It’s all part of the package. Write. Publish. Promote. Speak…speak…speak.

Good luck with that.

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About Reavis Wortham

NYT Bestselling Author and two-time Spur Award winner Reavis Z. Wortham pens the Texas Red River historical mystery series, and the high-octane Sonny Hawke contemporary western thrillers. His new Tucker Snow series begins in 2022. The Red River books are set in rural Northeast Texas in the 1960s. Kirkus Reviews listed his first novel in a Starred Review, The Rock Hole, as one of the “Top 12 Mysteries of 2011.” His Sonny Hawke series from Kensington Publishing features Texas Ranger Sonny Hawke and debuted in 2018 with Hawke’s Prey. Hawke’s War, the second in this series won the Spur Award from the Western Writers Association of America as the Best Mass Market Paperback of 2019. He also garnered a second Spur for Hawke’s Target in 2020. A frequent speaker at literary events across the country. Reavis also teaches seminars on mystery and thriller writing techniques at a wide variety of venues, from local libraries to writing conventions, to the Pat Conroy Literary Center in Beaufort, SC. He frequently speaks to smaller groups, encouraging future authors, and offers dozens of tips for them to avoid the writing pitfalls and hazards he has survived. His most popular talk is entitled, My Road to Publication, and Other Great Disasters. He has been a newspaper columnist and magazine writer since 1988, penning over 2,000 columns and articles, and has been the Humor Editor for Texas Fish and Game Magazine for the past 25 years. He and his wife, Shana, live in Northeast Texas. All his works are available at your favorite online bookstore or outlet, in all formats. Check out his website at www.reaviszwortham.com. “Burrows, Wortham’s outstanding sequel to The Rock Hole combines the gonzo sensibility of Joe R. Lansdale and the elegiac mood of To Kill a Mockingbird to strike just the right balance between childhood innocence and adult horror.” —Publishers Weekly (starred review) “The cinematic characters have substance and a pulse. They walk off the page and talk Texas.” —The Dallas Morning News On his most recent Red River novel, Laying Bones: “Captivating. Wortham adroitly balances richly nuanced human drama with two-fisted action, and displays a knack for the striking phrase (‘R.B. was the best drunk driver in the county, and I don’t believe he run off in here on his own’). This entry is sure to win the author new fans.” —Publishers Weekly “Well-drawn characters and clever blending of light and dark kept this reader thinking of Ray Bradbury’s Something Wicked This Way Comes, and Harper Lee’s To Kill a Mockingbird.” —Mystery Scene Magazine

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