Today’s TKZ guest, author Sasscer Hill, has been involved in horse racing as an amateur jockey and racehorse breeder for most of her life. She sets her novels against a background of big money, gambling, and horse racing, and her mystery and suspense thrillers have received multiple award nominations. She’s well qualified to write about writing with passion. Welcome, Sasscer. — Elaine Viets
By Sasscer Hill
Here’s what I believe: if a current of passion doesn’t run beneath a story, it will never be as good as it can be.
Let me mention three authors who have greatly influenced me with the passion that appears to drive their writing. All three are terrific writers with an excellent grasp of the craft of writing, but each has that something extra, that something that polished technique alone doesn’t produce.
Michael Connelly, previously a crime journalist for many years, has a visceral theme in his books that appears to be propelled by a desire for justice. His main character, Harry Bosch, strongly believes that someone must speak for the victims of violent crimes. Bosch’s empathy and integrity lends an authenticity and tension to his stories that has kept readers coming back for years.
Born in 1908, M. M. Kaye, author of the book, The Far Pavillions, had a lifelong fascination with India and the history of the British Raj. She had a wonderful story idea for her book. But her passion for India’s exotic culture, the mysticism and mystery found in its rugged land and among its people appear to have impelled her to create a book that became an international bestseller.
Lke me, author Walter Farley had an intense passion for horses and horse racing. His love of speed and the thrill of the sport, coupled with his ability to translate it into fiction, made his Black Stallion series one of the most popular children’s series of all time.
As a reader, I graduated from Farley to Dick Francis, the famous British author whose career began with horse racing mysteries. In school, the only thing I truly loved, and consequently excelled at, was literature and creative writing. My extracurricular activities centered on horseback riding.
When I set out to write my first horse racing mystery, I worried. Just because I loved the sport, how could I make my racing novel mysterious or compelling for others? Back in the eighties, I went to Maryland’s Laurel Park racetrack quite often. One day standing by the winner’s circle and gazing beyond the vast oval track to the backstretch beyond, I realized it was all there, right in front of me. From the terrible intensity of the gamblers, to the possible cheating by trainers, owners, and jockeys, and finally, to the drug problems. And more importantly, the love and care shown to the horses by the backstretch workers. Most important of all, the heart and courage exhibited by the jockeys and horses when they reach deep inside themselves to pull out that win. I was pretty sure that if I could weave these things with good craft, I could produce a competent and entertaining novel.
Lacking craft, that first novel wasn’t too competent and still hides in a drawer where, I fear, it belongs. I knew nothing about plotting, and had no idea was a story arc was. So I took mystery classes at Maryland’s Bethesda writer’s center where I wrote Full Mortality, the first of four Nikki Latrelle books. The novel was published and garnered nominations for both Agatha and Macavity best first book awards. Several years of hard work and a new agent later, I finished the first in the Fia McKee series and landed a two-book contract with St. Martins. The first in this series, Flamingo Road, will appear on April 18. If adult mystery-thriller readers like the novel half as much as the kids who still love the Black Stallion books, it will be one of the greatest events of my life.
Flamingo Road, published by Minotaur Books, St. Martins Press, can be found at Amazon, bookstores, and any ebook outlet on the April 18 pub date. Find it here➨http://tinyurl.com/gq4lyql