How can I learn to write like . . .

Recently on one of the online writer’s forums, a new author asked the question: How can I learn to write like . . . ? And they named a few of their favorite authors.

Of course, the standard answer came back right away: Read, write, repeat. Someone else suggested that the author reread their favorite author’s book but concentrate on “seeing” the text rather than just reading it. There was the suggestion of creating an outline of their favorite book after they finished it. Still another said to listen to the audio book version while reading along on the hard copy. Note: buy the unabridged audio CD. Although, come to think of it, there is an advantage to listening to the abridged version while you read along; you’ll see how much can be removed and still make the story work. I often wonder that if they are able to create an abridged version of a book, why didn’t the author take all that stuff out to begin with? Was it really needed? But that’s a topic for another post.

Anyway, there were the expected comments that said, you’re you, not those other authors. Write your own story, not one that sounds like theirs. Just put your butt in the chair and start writing. Many suggested reading books on the art of writing such as On Writing by Stephen King and The Elements of Style by William Strunk. I would of course suggest Plot & Structure or any of my friend Jim Bell’s excellent instructional books on writing.

These are all great pieces of advice. But the original question was how someone learns to write like someone else. I believe you can teach skill and mechanics but not creativity. Even though everyone is creative to a certain extent, a true artist must be able to combine life experience and acquired skills with natural born talent. The talent is either there inside or not. And the ones that can nurture that natural talent and combine it with the lessons of life along with the mechanics of the trade have a chance at becoming artists, or at least artistic.

But to help beginning writers try to answer that often-repeated question, I propose a simple but useful exercise anyone can do. For instance, if you are an aspiring fantasy writer who wants to learn how to write like JK Rowling, I suggest you retype one of her books. Open to page one and start typing the words into your computer exactly as they are composed on the page. What this will do is force you to "see" and “feel” the sentence and paragraph construction. It will make you aware of proper punctuation and grammar from a professionally edited book. And you will begin to feel the rhythm and pacing of the story more from the viewpoint of the writer than the reader. The physical act of recreating the text becomes an extension and enhancement of merely reading the work. Look at it as an exercise to build your writing muscles just as you would perform a workout at the gym to increase body tone and strength.

If nothing else, it will help you as a new writer to acquire proper writing skills directly from the voice and style of your favorite author. But what I predict will happen is that eventually you will break away from typing the book and begin to “see” your own story forming. It might take 20 pages or 200 pages. But if the creative gene is really there, the juices will start flowing, and your story will take flight.

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8 thoughts on “How can I learn to write like . . .

  1. Joe, that’s excellent advice which, I know, some writers balk at because they’ve been told not to try to be like another writer, etc. Which is true to an extent. You don’t want to be a copy. But there is nothing wrong with taking in the rhythms of another writer, one you admire, to stretch your own possibilities.

    Ray Bradbury advocates reading some poetry each day, as another way to get the music of language into you.

  2. I advise new writers to practice using a favorite writer’s work as a “pattern” onto which they can fit their own original story. If Big Author opens with a punchy, one-sentence line, you open with a punchy, one-sentence line. If Big Author starts the next paragraph with a short sentence and ends it with a short sentence, you do the same. The content will be different, but the rhythm and flow should resemble the pattern.

    This works for learning to write, period, not just for learning to write like someone else.

  3. Thanks, Jim. It may sound like a literary version of paint by numbers, but it’s still a learning tool especially for those just starting out.

    It is time consuming, Michele, but hopefully, the eager new writer will quickly move on to their own story.

    Kathryn, great variation of the theme. Thanks.

  4. That is solid advice Joe, especially for those in the early stage of learning to express themselves in a logical, audience ready way.

    Once past that stage of learning the basic patterns and mechanics the genetic proclivity for what we are doing becomes apparent. Whether writing, acting, or musicing, they can make the work their own recognizable creation, with their signature written into every page, scene, and note. A harmony only their own voice can create.

  5. FWIW, I was in the downtown L.A. library today, and our discussion was fresh in mind. So I picked up the unabridged CDs of The Underground Man by Ross Macdonald; The Big Heat by Wm. McGivern; and All Over But the Shoutin’ (since Rick Bragg may be the best pure writer working today)

  6. It’s good that your CDs are by great authors and so they’ll be worthwhile listening to, Jim.
    During a drive up the east coast I picked up a CD by a Big Name Author, and unfortunately, it was a real clunker.

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